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David Shepherd OBE Pencil Signed Limited Edition Print No. 832/1500. Titled 'Lone Wanderers of the Artic' with blind stamp. Published by Solomon & Whitehead 1989. Mounted & Framed unglazed. Overall size 29'' x 39''. Please see images.

Helen Bradley Pencil Signed Print with blind stamp HCF. Published by Miss Carter Publications, Manchester, England. Copyright in all countries including USA titled 'On a Lonely Summers Day' still retaining its original pristine colour. Year published 1975. Framed, mounted and glazed, overall size 28'' x 24''.

Frank Dicksee Pencil Signed Etching on Vellum Paper, Signed 1888 - Titled ' Love Locked Out ' Published by Thomas Agnew London. 20.5 x 14.5 Inches, with Blind Stamp.

Prints, after Charles Snaffles Johnson Payne (1884-1967) A sight to take home and dream about, 56cm x 73cm, Sandown, Asking 'em the question 50cm x 73cm, A bona fide fox chaser 48cm x 43cm, (with blind stamps) Sport in the Shiney colour print, 48cm x 62cm.

An altar table20th centuryThe rectangular top with inset 'floating' panel with roll-over ends and 'blind' side panels, the front and rear aprons carved and pierced with central stylised dragons flanked by key-fret motifs all raised on rectangular-section supports with moulded edges and incurving scroll-feet.75.5cm high, 114cm wide, 48.5cm deep.For further information on this lot please visit Bonhams.com

A late Victorian half pearl bangle by Carlo Giuliano, circa 1885, the hinged bangle set with graduated 3.5mm to 7mm pearls, in a polished gold setting, stamped CG on an oval plaque, 5.8cm inner diameter, 25.8g gross, in a fitted leather case embossed C. Giuliano 115 Piccadilly London, the case blind stamped K for C. J. Kitz

BIBLE : ( Holy Bible ) Title-page to the New Testament, and Book of Psalms present, lacks Old Testament, several pages defective or lacking, starts at the Common Prayer, ends at Psalms G1, probably contemporary blind patterned calf with metal fittings, later plain reback, numerous interesting early ownership inscriptions mainly on endpapers, 4to, 1615. * sold with all faults not subject to return

A 19th century walnut and chequer inlaid chest on chestpossibly 18th century and later re-veneeredThe dentilled cornice above two short and three long graduated drawers flanked by canted blind fretwork angles, over three long graduated drawers, on shaped ogee bracket feet, 134cm wide x 66cm deep x 184cm high, (52 1/2in wide x 25 1/2in deep x 72in high)This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

EARLY PHOTOGRAPHY : Robert Turnbull Macpherson - (1814-1872) Scottish artist and pioneer photographer, who worked in Rome, Italy. ' Piazza del Campidoglio,' albumen print with photographer's blind stamp, 405 x 295 mm. With two other large early photographs of Rome ( one of which is probably taken by Macpherson).(3)

Laurence Stephen Lowry (1887-1976), The Beach at Deal, offset lithograph in colours, signed in pencil by the artist, with blind stamp, 30cm x 52cm

Laurence Stephen Lowry (1887-1976), Deal, lithograph, signed in biro, with blind stamp, 18cm x 25cmNote: This is a print of the preparatory sketch for The Beach at Deal

Laurence Stephen Lowry (1887-1976), The Cart, offset lithograph in colours, signed in pencil with blind stamp, 52cm x 41cm

Laurence Stephen Lowry (1887-1976), Berwick-upon-Tweed, offset lithograph in colours, published 1973, signed in pencil by the artist, with blind stamp, 56cm x 43.5cm

Eric Richard Sturgeon (1920-1999), The Bridge, coloured lithographic print, signed in pencil, with blind stamp, 43cm x 58cm

A Chinese blue and white Kangxi (1662-1722) vase, of inverted baluster form decorated with scholars either looking at scrolls, paintings, playing the Qin on a table with censor and incense tools of playing Go, all above numerous boys in leisurely pursuit to include drumming, a lion parade, blind mans buff and flying kites, the neck with Buddhist symbols, with double under glazed blue circles to the underside, with later hand carved and pierced wood cover. Height excluding cover 34 cm, including cover 44 cm (see illustration). CONDITION REPORT: The later wooden lid is in good order with no issues. The vase itself has no damage, repairs or restoration. We can see no evidence of any hairline cracks to the body. The top rim is in good order. The base rim has minor scuffs and nibbles to the sharp glazed edge. These are all old marks and there are no significant chips at this point.

A 19th century mahogany oval tray, well figured with blind gallery. Width 68 cm. CONDITION REPORT: The tray is in structurally good condition. The gallery is not loose. There has been one small old repair to the gallery but this is minor. The colour of the tray is good. The top surface has some minor scuffs and marks with no significant issues.

An Edwardian inlaid mahogany display cabinet, with blind dentil cornice above a pair of glazed doors enclosing shelves and all raised on tapered legs of square section terminating in spade feet. Width 114 cm. CONDITION REPORT: Width at cornice 114 cm, depth at cornice 43 cm, width across front of cabinet 107 cm, depth at same point 39 cm. The condition of the cabinet is generally very good. There are no issues with the cornice or frieze. The doors are not warped. There is no cracked glass. The lower panels are a little dirty however a damp cloth will wipe away the mildew. The centre edging strip has two small losses. The piece is structurally sound. There is slight movement at the leg joints which is fairly typical for a cabinet of this sort.

An Edwardian blind fretwork carved bijouterie table, raised on tapered legs united by a shaped shelf. Width 59.5 cm.

A 19th century mahogany rectangular two division Canterbury, with blind sides and raised on legs of square section terminating in castors. Width 56 cm.

A 19th century mahogany bookcase, with Greek key moulded cornice and blind fretwork frieze above glazed doors enclosing adjustable shelves and raised on bracket feet. Width 116 cm.

A George II longcase clock by Taylor of Preston, thirty hour, single pointer, circa 1740, with blind fretwork carved hood with mahogany crossbanding to the door, the trunk door with applied moulding and all raised on bracket feet. Height 200 cm (see illustration).

An Edwardian mahogany bijouterie table, with blind fretwork carving to the top frame, with fretwork spandrels and raised on moulded legs united by a centre shelf. Width 56 cm.

A George III mahogany longcase clock by Emanuel Burton Kendal, with eight day striking movement with centre seconds and moon phase. Dial width 13 1/4", the case with swans neck pediment above a glazed door flanked by columns, the case with long trunk door and quarter column corners. Height 232 cm (see illustration). CONDITION REPORT: The clock is in generally very good original unrestored condition. The movement appears to be all present. When weight is applied to both the strike and going trains the movement appears to operate. It is however extremely dirty and the suspension for the pendulum is missing so we have not had the clock actually running. Whilst slightly unusual we see no reason why the compensated pendulum is not original. The seatboard is original and the clock is quite clearly not a marriage. We have both weights and winding key. The case itself is in generally very good order. There are no losses to the hood. The very top arch of each swans neck appears to have been detached at some point but clearly a long time ago. There are a few old woodworm holes at the top of the hood between the swans neck pediment. The door is not warped but has slightly sprung at the corner joints. The pillars are in good order. The Greek key work beneath the hood is all present as is the blind fretwork. The trunk door has no significant warping. It closes correctly. There is only a very small gap between the top of the door and the case when fully closed. There is a smattering of old woodworm holes to the top sections of the trunk door but these are clearly old and long gone (14). The base is in generally good condition with only minor stress fractures to the veneers on the front panel. These are not lifting. The bracket feet are original and in generally good order. The left hand return base moulding has a small loss to the rear. The trunk door when viewed from underneath does show some warping. This is only when viewed from underneath which is not a likely occurrence. The backboards are original. We have posted more photographs online which should help.

After Lawrence Stephen Lowry R.A. (British 1887-1976), "Landscape with Farm Buildings", signed in pencil in margin, with Fine Art Trade Guild blind stamp and further blind stamp initials CDD, colour reproduction, published in 1974 by Venture Prints Ltd., Bristol, England. Image 40 cm x 50 cm (see illustration). ARR CONDITION REPORT: The print is glazed, framed and mounted. The back of the picture is board and we have not attempted to see if the print is stuck down. It has clearly been professionally framed so we would imagine that it has been mounted correctly but cannot guarantee that is has not been stuck down. There is no foxing or damage to the print. It is signed bottom right in pencil. It has the stamps to the bottom left corner. At the top of the print it stated “Published in 1974 by Venture Prints Ltd., Bristol, England, Copy right in all countries including the USA. Printed in England.” The colours in the print are strong and in our opinion not faded. The colours are as the image online.

Rowland Langmaid (British, 1897-1956), "Peter Pan" signed in pencil, Academy Proof Etching, with Academy blind stamp and typed loose label "To the Academy of Art Limited, Birmingham 4", the plate 25 cm x 19 cm.

Rowland Langmaid (British, 1897-1956), "Eros" signed in pencil, an original Academy Proof Etching, with Academy proof blind stamp and typed label "For the Academy of Art Limited, Birmingham 4", the plate 25 cm x 19 cm.

A PAIR OF MAHOGANY AND MARBLE SIDE TABLES of Georgian design, c.1900, the moulded edged marble top over plain frieze centred by a blind fret panel, raised on moulded square supports with pierced fret corner brackets, 59 1/4" x 28 3/4" x 33 3/4" (Est. plus 21% premium inc. VAT) (Illustrated)

A GEORGIAN MAHOGANY FRAMED SIDE CHAIR, 3rd quarter 18th century, upholstered in pale blue silk damask, arched back, overstuffed seat, raised on blind fret carved square front legs and splayed back legs joined by an H stretcher, 22 1/2" x 17" x 35 1/2" (Est. plus 21% premium inc. VAT)

A 'CHINESE CHIPPENDALE' REVIVAL  MAHOGANY SOFA, EARLY 20TH C  on blind fret carved legs, cushions, seat approx 40cm h, 192cm l Typical wear and knocks at end of legs, unexamined beneath the upholstery; the later upholstery and springing in apparently good condition

A REGENCY MAHOGANY AND EBONY LINE INLAID WRITING TABLE, EARLY 19TH C with drop leaf top, two drawers and opposing blind drawers, brass drum castors, 69cm h; 53 x 127cmProvenance: Arthur Brett & Sons Ltd, Norwich whence bought by the present vendor in May 1986 Unevenly faded old occasionally deep scratches and blackened marks, locks, knobs and castors apparently original

A GEORGE III MAHOGANY CHEST ON CHEST, C1800 with dentil cornice and fitted with cockbeaded drawers, those to the upper part between blind fret angles, bracket feet, 184cm h; 53 x 107cm Typical condition with shrinkage cracks to sides, somewhat unevenly faded, handles old replacements

A REGENCY ROSEWOOD WORK TABLE, POSSIBLY SCOTTISH, C1820  the drop leaf top with re-entrant corners and cedar lined drawer and opposing blind drawer, on hollowed standards and reeded volute legs with brass paw castors, 73cm h, 53.5 x 85cm Good original condition, top slightly unevenly faded, leaves hanging straight, legs not broken or repaired. Drawer lock and handles all original

20thC School. Girl playing blind mans bluff, bronze, unsigned, 18cm H.

An Edwardian mahogany wall mirror in Chippendale style, with a pierced crest and a blind fret frieze, flanked by cluster columns headed by turned urns, the rectangular bevel plate above a pierced break front shelf above pierced brackets and apron, 35cm W, 70cm H.

Early 20th Century mahogany two door blind panelled cupboard of small proportions. (B.P. 24% incl. VAT)

Collection of linen fold oak furniture to include; pair of small two door blind panelled cupboards, fall front bureau, together with a walnut bedside cupboard with glass top. (4)(B.P. 24% incl. VAT)

Good quality modern oak finish blind panelled two door cupboard. Together with a modern painted pine bookcase with adjustable shelves. (2)(B.P. 24% incl. VAT)

Early 20th Century Japanese red lacquered and gilded side cabinet having moulded crestings above an arrangement of shelves and drawers, the projecting base with two glazed doors with blind panels below on baluster turned feet. Overall decorated with gilded and painted studies of birds amongst foliage. 120 x 47 x 200cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: General wear, chips and losses to finishes in places. Basically appearing complete.

Two Worcester fluted circular plates, circa 1765-70, decorated with loose bouquets of flowers, 19cm diameter, together with a later Spode plate similar, circa 1820, a Worcester Blind Earl pattern white scalloped small plate with gilt dentil rim and Spode basket, pattern 2255 CONDITION REPORT: 317 - Spode plate has patch of stained crazing Otherwise generally good.

George III mahogany bookcase top, the moulded and blind fretwork cornice above a pair of bar glazed doors enclosing adjustable shelves on bracket feet, 4ft 10ins wide approximately

AR HELEN LAYFIELD BRADLEY (1900-1979)"GATHERING HOLLY"ARTIST'S COLOURED PROOF WITH PUBLISHER'S BLIND STAMP, SIGNED IN PENCIL TO LOWER RIGHT MARGIN29 X 37CM

A pair of striped patterned curtains and a similar blind

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Blackburn'

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Penny for the guy'

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' The match'

A pair of Edward Smiths maple framed Etchings, taken from the paintings by Sir David Wilkie entitled 'The Blind Fiddler' and 'Village Politicians''.

A Mahogany Chest on Chest, the base with three long drawers and a brushing/folding slide, standing on ogee bracket feet, the upper section with three long and two short drawers having canted corners and frieze with blind fretwork detail, and dentil frieze to the cornice, 30'' wide, 19'' deep, 68'' high

Laurence Stephen Lowry RBA RA (1887-1976), Signed artist's proof on paper, 'Three men and a cat', Signed in pen 'L.S. Lowry' lower right, blind stamp lower left, gallery label verso, 27.5cm x 18cm, Framed and glazed For condition information please view this lot on our website HERE

Laurence Stephen Lowry RBA RA (1887-1976), Signed artist's proof on paper, 'The family', Signed in pen 'L.S. Lowry' lower right, blind stamp lower left, 29cm x 22cm, Framed and glazed For condition information please view this lot on our website HERE

William Russell Flint (1880-1969), Two signed lithographs on paper, Reclining Nude II and Two Gypsy Women, Each signed in pencil to margin lower right with blind stamp lower left, published by Frost & Reed Ltd in 1966 and 1962, 35.5cm x 60.5cm and 47cm x 62cm, Framed and glazed (2)

An 18th century oak cased single finger longcase clock signed James Leigh Fecit, with an overhanging pediment above a blind fretwork frieze depicting heart shaped motifs and fish, above slender pilasters flanking the 29cm brass dial, applied with Roman numerals and signed with the makers name, the thirty hour movement striking on a saucer bell, the slender case with a shaped and cross banded door, above a reduced lower panel and ogee bracket feet, 193cm high, weight and pendulum For condition information please view this lot on our website HERE

A George III mahogany serpentine chest of drawers, the moulded top above a sliding brushing tray, two short and three long graduated and cock beaded drawers, applied with brass swan neck swing handles and flanked by quatrefoil blind fretwork canted corners, raised upon ogee bracket feet, 81cm H x 92cm W x 51cm D For condition information please view this lot on our website HERE

Mahogany large size double Corner Cupboard: Nice quality with blind fret panel above astragal glazed doors & 2 cupboard doors below. One pane of glass cracked. Measures 208cm high x 64cm wide x 64cm deep.

A 1920's Chinese Chippendale revival mahogany triple dressing table mirror, the three bevelled mirrors raised above a plinth base with three blind fretwork frieze drawers, applied with ivory button handles and raised upon bracket feet, 83cm high Trevanion & Dean does not ship items containing ivory outside the EU. Trevanion & Dean recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.

A 1920's Chinese Chippendale revival mahogany compactum wardrobe, with a dentil cornice above a blind fretwork frieze and a pair of panelled cupboard doors, over four graduated drawers flanked by mirrored full length doors and canted fretwork corners, raised upon bracket feet, 201cm H x 190cm W x 53cm D

Jamie Hewlett - limited edition print of 2D from Gorillaz, no. 329/350 within blind stamp

After Pablo Picasso (1881-1973): A framed limited edition giclee art print of the model "Sylvette David", official limited edition estate blind stamp to bottom right hand corner of print, 51cm x 40cm

LAURENCE STEPHEN LOWRY R.A (1887-1976) (ARR) - Lithograph titled 'Britain at Play', Fine Art Trade Guild blind stamp, signed in pencil. Image size 44.5cm x 60cm. Framed & glazed

LAURENCE STEPHEN LOWRY R.A (1887-1976) (ARR) - Lithograph titled 'The Pond', Fine Art Trade Guild blind stamp, signed in pencil. Image size 43cm x 57.4cm. Framed & glazed

Frederick Stackpoole after Breton Riviere - Large black and white engraving of a child and dogs in a Winter landscape, signed in pencil by the artist and engraver with print sellers blind stamp 66cm x 66cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs