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A George III Mahogany Tea Table, the rectangular top with moulded edge over a blind-fretted frieze, on square moulded legs with pierced spandrels, 75cm by 93cm by 46cm See illustration

Troughton & Simms brass microscope theodolite, the telescope 33 - 36cm by coarse rack and pinion focusing, vertical circle (bent) with blind silvered scale, level and magnifiers, on a signed base with levels and magnifiers and three-screw adjustable tripod. Height to circle 36cm. (In the two Simms mahogany boxes with instructions)

Gilt wood wall mirror,18th century and later, the broken arch cornice with central shell on a blind fret ground. Length 111cm.

A mahogany card table, the moulded edge hinged top to a baize surface above a blind fret front with square chamfered legs, 18th century and later, 29in (74cm) h, 33in (84cm) w, 16.25in (41cm) d.

An Edwardian mahogany hanging corner bracket, with pierced and blind fret decoration, having bevelled mirror plates, the reverse with paper label for 'OETZMANN & CO, ARTISTIC FURNITURE,', 29.5in (75cm) h, 13.5in (34cm) w, 9in (23cm) d.

A mahogany pedestal desk, the quarter veneered top to a leaf carved edge and slight bowfront sides, the blind fret frieze with three drawers, the hinged panelled doors with applied decoration to adjustable shelves and slides, the carved base on foliage carved bracket feet, 29.5in (75cm) h, 67.75in (172.5cm) w, 36in (91.5cm) d.

A mahogany longcase clock, the 8 day movement striking on a bell to a 12in arched brass dial, the chapter ring previously silvered with subsidiary seconds dial, alarm and date aperture, the circular boss inscribed 'Samuell Ogbourne', London, the hood with blind fret panels above cluster columns to an arched door and panelled base, 88.25in (224cm) h.

A VICTORIAN BLIND FRET CARVED TRIPOD BASE with later circular top

A 19th CENTURY OAK and ELM CARVED and EBONISED OPEN ARM CHAIR with blind fret carved panelled back

Charles Johnson (Snaffles) Payne (1884-1967) Sandown-asking em the question, circa 1928 and with Snaffle bits blind stamp coloured print

An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.

An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.

A George III oak mule chest, circa 1780, with mahogany crossbands, the hinged rectangular top above four blind drawers, now altered to form a pair of doors, the base with four drawers, ogee feet, 108cm high, 147cm wide, 57cm deep (adapted)

A Regency mahogany sofa table, circa 1805, the rectangular top with channelled edge and rounded angles, the frieze fitted two drawers and two opposing blind drawers with turned handles, on tapering end suports, the reeded sabre legs with acanthus carved knees and brass terminals, turned stretcher, 71cm high, 68cm deep, 144cm wide

A Victorian rosewood and marquetry music cabinet, late 19th century, inlaid in coloured engraved woods with urns, floral swags, batwing spandrels and ribbon-tied bellflower pendants, outlined with stringing, the shaped gallery above a door with two blind and eight bevelled mirror panels, ceramic castors, 119cm high, 37cm deep, 61cm wide

A George III mahogany oval pembroke table, circa 1800, the bow frieze with a drawer and blind drawer, brass loose ring handles, with square tapering legs headed by inlaid tablets, 116cm x 92cm

A Victorian burr walnut and floral marquetry davenport, circa 1840-50, inlaid with shaded engraved sprays and trails of summer flowers beneath a pierced brass gallery, inlaid gilt stamped leather writing panel and fitted sycamore veneered interior, a pen drawer to one side above four drawers and blind opposing drawers, sledge base and bun feet, fitted castors, 80cm high, 56cm wide, 55cm deep

A Regency mahogany sofa table, circa 1805, the rectangular top with rounded angles, the frieze fitted two drawers and two opposing blind drawers each with brass lion mask handles, on plain end supports, with a high stretcher, on reeded sabre legs with brass terminals and castors, 71cm high, 67cm deep, 137cm wide

HOLLOWAY, WILLIAM "The History and Antiquities of the Ancient Town and Port of Rye, in the County of Sussex" London, John Russell Smith 1847, original brown blind stamped cloth with gilt titles with uniform volume "The History of Romney Marsh" 1849 (2)

HARPER, CHARLES. G. "The Kentish Coast" Chapman and Hall 1914, numerous maps and ills. by the author, half red morocco marble boards, re-backed CROMWELL, THOMAS "History and Description of the Ancient Town and Borough of Colchester" Robert Jennings 1825, illustrations, maps, full red leather blind stamped and gilt tooled, spine splitting and other volumes related to Kent (5)

TOPFFER, RODOLPHE "The Adventures of Mr Old Buck" and "History of Mr Ogleby", blind stamped cloth with gilt caricature figures on front covers, binding loose on both volumes, together with MEMORIALS OF LONDON AND LONDON LIFE in the 13th, 14th and 15th centuries, 1868, LACROIX, PAUL "Manners, Customs and Dress during The Middle Ages", Chapman and Hall, 1876 (4)

JOHNSON, SAMUEL "A Dictionary of the English Language..." in two volumes, London, printed for Offor Allason etc, 1819, title page volume 1 creased, frontis of Samuel Johnson volume 1, contemporary morocco binding, blind stamped and gilt decoration, raised bands and gilt decorations to spine (2)

After Archibald Thorburn-Shooting Grouse, black and white photogravure, signed, with Print Sellers Association blind stamp, in an oak frame.

SIR WILLIAM RUSSELL-FLINT, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOUR PROOF WITH BLIND STAMP, ‘Models for Goddesses’ (faded), 18” x 24”

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION ARTIST’S COLOURED PROOF WITH BLIND STAMP (from an edition of 850, Published 1967), “Teresa, Yolande and Anne-Marie”, 12” x 23”

HELEN BRADLEY, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’S PROOFS WITH BLIND STAMPS, Promenading Figures, 12” x 9” (2)

AFTER HELEN BRADLEY, ARTIST’S COLOURED PROOF WITH BLIND STAMP, Figures Promenading in a Park, 14” x 21”

HELEN BRADLEY, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, Picnic by the river, 16” x 21”

CECIL ALDIN, SIGNED IN PENCIL TO MARGIN, ARTIST’S PROOF WITH BLIND STAMP, The Golden Cross, Oxford, 15” x 13”

SNAFFLES (CHARLES JOHNSON PAYNE), COLOURED PRINT WITH BLIND STAMP, Gunners, 7 ½” x 17”

SNAFFLES (CHARLES JOHNSON PAYNE), SIGNED IN PENCIL TO MARGIN, COLOURED PRINT WITH BLIND STAMP, Tally Ho Back, 9” x 15”

After Eric H. Day-"Fifty Squadron Vulcan Tanker", colour print, with title blind stamp, the margin signed by the artist and six members of the crew who landed the plane at Gibralter.; After Robert Taylor-"Hurricane", colour print, the margin signed by Wing Commander R.R.Stanford-Tuck DSO, DFC, RAF (retd.); an armorial plaque-208 A.C. Squadron Royal Air Force-Vigilant.-3

An oak bedding box, rectangular with blind fretwork carved front panel and raised on four short legs. Width 28ins.

A George III mahogany tallboy, in two sections, the top half with a broken triangular pediment and moulded cornice with dentil work above a blind fretwork carved frieze and with two short and three long graduated drawers with brass drop handles and pierced back plates and similar lock escutcheons, with cockbeading to each drawer front, flanked by canted angles with further blind fretwork carving, the base fitted with three long, graduated drawers with brass drop handles and lock escutcheons also flanked by canted angles with blind fretwork carving, with moulding below and raised on bracket feet. Width 47ins. x height 73ins. x depth 21ins. (see illustration)

A VICTORIAN OAK BRACKET CLOCK having a silvered dial with Roman numerals, Westminster and Cambridge chimes, on eight bells and five gongs, the case with blind fret sides and back, carved fluted columns and with arched cornice, 23" high (see illustration)

A VICTORIAN CARVED OAK SIDE TABLE with blind fret decoration, 30"

Verlaine (Paul). Jadis et Naguere/Amour/Bonheur, all 1st eds., Paris, 1884-88-91, together with three later eds. of volumes of poetry by Verlaine, Romances sans Paroles, 1887, Sagesse, 1889, Bonne Chanson, 1891, and Poemes Saturniens, 1894, all published Leon Vanier, half titles, orig. printed wrappers not retained, t.e.g., uniform blind-lettered limp calf by Hatchards, slightly rubbed and scuffed, 8vo (7)

Morris (William). A Tale of the House of the Wolfings and All the Kindreds of the Mark, Reeves and Turner, 1889, first and final leaves foxed, bookplate of Robert Proctor, a.e.g., tan crushed morocco by Douglas Cockerell dated 1901, raised bands to sl. faded spine rubbed, gilt lettered direct in second compartment, remainder with gilt double fillet border, incorporating three dots and three onlaid green vine leaves at each corner, date at foot, raised bands continued onto returns as blind fillets terminating in triple leaf motif repeated in blind, gilt double fillet border to covers, with onlaid triple leaf motif at corners, inner single fillet panel with triple dots at corners, fillets to board edges and turn-ins, 8vo (1)

Morris (William). A Dream of John Ball and a King's Lesson (Reprinted from the 'Commonweal'), Reeves & Turner, 1888, etched plt. by Edward Burne-Jones, first few leaves sl. foxed, bookplate of Robert Proctor, a.e.g., tan crushed morocco by Douglas Cockerell dated 1901, occn. minor rubbing to extrems., sl. faded spine with raised bands, gilt lettered direct in second compartment, remainder with gilt double fillet border, date at foot, raised bands continued onto returns as blind fillets terminating in triple vine leaf motif in blind, gilt double fillet border to covers, inner single fillet panel with triple dots at corners, fillets to board edges and turn-ins, 8vo (1)

Morris (William). The Earthly Paradise, A Poem, 4th ed., F.S. Ellis, 1869, half-title foxed, woodcut to title-page, pubs. ad. leaf at rear, bookplate of Robert Proctor, a.e.g., tan calf by Douglas Cockerell dated 1902, spine with raised bands (faded and sl. rubbed), gilt lettered direct in second and third compartments and at foot, raised bands continued onto returns as blind fillets terminating in triple vine leaves, upper cover with gilt circular motif with Proctor's initials in the centre surrounded by onlaid green vine leaves on a seme dot ground, gilt fillets to board edges and turn-ins, 8vo (1)

[Proctor, Robert]. The Tale of the Weaponfirthers Englished out of the Icelandic, privately printed for the author by T. and A. Constable, Edinburgh, 1902, first few leaves sl. foxed, a.e.g., red crushed morocco by Douglas Cockerell dated 1903, extrems. rubbed, spine with raised bands, gilt lettered direct in second and third compartments, remainder with gilt single fillet border, raised bands continued onto returns in the form of blind fillets terminating in blind tooled triple vine leaves, covers with gilt double fillet border with triple dots at corners, upper cover with central circular motif incorporating Proctor's initials, surrounded by onlaid green vine leaves on a seme dot ground, date gilt lettered below, fillets to board edges and turn-ins, 8vo (1)

Dickens (Charles). A Christmas Carol, with Illustrations by John Leech, 1843, facsimile edition, issued by Yushodo Booksellers Ltd., Tokyo, 1977, title-page printed in blue and red, four col. plts., green endpapers, a.e.g., orig. blind and gilt dec. claret morocco, a couple of minor marks to lower cover, contained in a cloth tray, together with a facsimile set of Oliver Twist in ten parts, with blue wrappers, and a booklet in Japanese, all contained in a cloth folder, in orig. qtr. morocco slipcase, gilt lettered spine faded and sl. rubbed, 8vo. Limited edition, 505/600 copies. (1)

Gill (Eric, illust.). Adeste Fideles, A Christmas Hymn, Saint Dominic's Press, Ditchling, 1916, five woodcuts by Gill, incl. woodcut in red to title-page, contemp. qtr. morocco, extrems. rubbed, returns blind panelled, and with leaf, dot, and roundel cornerpieces, upper return gilt titled within gilt double fillet border with cornerpieces repeated, 8vo (1)

Gregynog Press. The Lamentations of Jeremiah, 1933, printed on heavy Japanese vellum, twenty-one wood engs. by Blair Hughes-Stanton, incl. five full-page, one or two faint finger-marks to blank fore-margins, orig. bevel-edged dark blue oasis, faintly rubbed in places, lettered in blind to spine and upper cover, with 4pp. prospectus for 'The Revelation of Saint John' loosely inserted, contained in orig. card slipcase (a little stained, and worn to extrems.), slim folio. With Prinknash Abbey Library bookplate and tipped-in ms. label below regarding the donor. (1)

Gregynog Press. The Star of Seville: A Drama in three acts and in verse attributed to Lope de Vega translated out of Spanish by Henry Thomas, 1935, col. vign. to title and to blank at rear, printed in red and black throughout, t.e.g., remainder untrimmed, orig. crushed blind-patterned black morocco gilt, sm. 4to, together with a large Gregynog Press Christmas card for 1937 loosely inserted. Limited edition, 99/175 copies. (1)

Pogany (Willy, illust.). The Rime of the Ancient Mariner, 1st ed., 1910, tipped-in col. plts., num. illusts. and decs. to text, dec. endpapers, t.e.g., remainder rough-trimmed, orig. gilt dec. cloth, a trifle rubbed on spine, otherwise in bright condition, folio, together with The Rubaiyat of Omar Khayyam, 1909, tipped-in col. plts. by Pogany, num. decs. to text, t.e.g., remainder rough-trimmed, orig. linen-backed dec. boards (upper cover with circular gilt stamp for Westbourne School, Sheffield), small folio, with two other editions of the Rubaiyat with illusts. by Pogany, one bound in orig. green limp suede, the other bound in orig. blind-stamped and gilt dec. morocco, a little rubbed at extrems., and two others by the same illustrator (6)

Robinson (Charles). The Big Book of Nursery Rhymes, ed. by Walter Jerrold, 1st ed., pub. Blackie and Son, [1903], six col. plts. incl. frontis., plus duotone plts. and numerous letterpress illusts., plain endpapers, t.e.g., orig. red cloth, spine gilt dec., upper cover blind dec., a bright copy, 4to, together with Nister (Ernest, pub.), Our Little People's Book, [1904], numerous chromo. and sepia illusts., two leaves detached, orig. cloth-backed col. pictorial glazed boards, extrems. a little rubbed, 4to, plus Anderson (Anne, illust.), The Silver Picture Book, Collins' Clear-Type Press, c.1920s, eight full-page col. illusts., letterpress vigns., scattered light foxing to text, orig. cloth-backed col. pictorial boards, lightly soiled, extrems. rubbed, plus fifty-five other children's books, mostly 19th and 20th c. illustrated, incl. Caldecott, Cecil Aldin, Shirley Hughes, Quentin Blake, Walter Crane, Heath Robinson, Jessie M. King, and others (58)

Robinson (W. Heath). Bill the Minder, 1st ed., pub. Constable, 1912, sixteen mounted colour plates, b&w illusts. to text, orig. green cloth gilt, with colour illust. mounted to upper cover, spine lightly sunned, slight crease to top outer corner of upper cover, 4to, together with Robinson (Charles, illust.), The Big Book of Fables, ed. Walter Jerrold, pub. Blackie & Son, n.d., c. 1912, colour and b&w plts. and illusts., some minor foxing to first and last few leaves, t.e.g., orig. maroon cloth, blind-dec. to upper cover and gilt-dec. to spine (somewhat faded), 4to (2)

Bible-New Testament. [Greek & Latin]. Joannes Frobenius Candido Lectori s.d. en Novum Testamentum, ex Erasmi Roterodami Recognitione..., [Johann Froben], Basel, 1527, title with wood eng. printers device (paper repairs to title and some marks), woodcut initials, nineteen leaves provided in manuscript facsimile, later endpapers, contemp. calf with blind dec. to boards & spine, upper joint cracked, folio. Darlow and Moule 4603. Sold with all faults, not subject to return. (1)

Bible [Latin]. Biblia Sacra Vulgatae Editionis Sixti V. Pont. Max. jussu recognita et Clementis VIII auctoritate edita, nunc autem CXXXX figuris noviter inventis & in Aes incisis illustrata a de Bry, Moguntiae [Mainz], Joanis Theobaldi Schonwetteri & Jacobi Fischeri, 1609, eng. title, close trimmed to lower margin, just touching eng. surface, with some minor marks and light stain, eng. illusts. to text, a.e.g., contemp. blind dec. calf, rubbed and some wear, with upper cover det. and some loss towards head of spine, clasps defective, thick 4to (1)

Bible-New Testament [Greek]. Novum Testamentum Graece, apud Vvolfium Cephalaeum, Argentorati, 1524, dec. woodcut border to title, early ink notes to margins, 19th c. sheep with blind embossed monogram to boards, joints split, spine & eaxtrems. rubbed & worn, 8vo. Adams B1649; Darlow and Moule 4600. (1)

Book of Hours. A 16th c. printed Book of Hours, 109 leaves printed to both sides, numerous hand-painted dec. initials in red, blue and some heightened with gold, slight worming to last 7 leaves, mostly to inner margins, few minor marks and slight surface abrasions to some lines text, vellum endpapers with early annotations, near contemp. calf, blind stamped boards, some wear with slight loss of leather to spine, lacks clasps, approx. 82 x 60mm. From the library of Prinknash Abbey. (1)

Chemnitz (Martin). Harmonia Quatuor Evangelistarum, a Theologis Celeberrimis, D. Martino Chemnitio Primum Inchoata..., Quae nunc Perfecta, Justo Commentario Illustrata, Duobus Tomis Comprehensa..., 2 vols., Frankfurt, 1652, eng. frontis. to each and addn. eng. title to vol. 1, peppered worm holes to both vols., contemp. blind stamped pigskin over wooden boards, with blind roll work dec., brass clasps intact, some worm holes to bindings, folio (2)

Cicero (Marcus Tullius). Epistolarum M.T. Ciceronis ad Atticum, libri xvi. Eiusdem Epistolarum ad Q. Fratrem, lib. iii. Incerti Auctoris Epistola ad Octauium, non est enim Ciceronis. T. Pomponij Attici vita, per C. Nepotem. Ex Emendatione D. Lambini, Impensis Iosiae Rihelij & Iacobi Dupuys, Argentorati, 1581, woodcut illust. to title, later marbled endpapers, contemp. calf, blind roll dec. to boards, rebacked, spine & extrems. slightly worn & rubbed, 8vo (1)

Combe (William). The First, Second and Third Tour of Doctor Syntax in Search of the Picturesque, 3 vols., 9th ed., pub. Natali and Bond, [1855], two addn. hand-col. aqua. titles and seventy-eight hand-col. aqua. plts., all by Thomas Rowlandson, third vol. with minor water-staining to blank fore-margin of frontis. and titles, rough-trimmed, orig. blind-stamped cloth gilt, faded spines worn at ends, tall 8vo (3)

Godolphin (John). [Sunegoros Thalassios]. A View of the Admiral Jurisdiction. Wherein the Most Material Points Concerning that Jurisdiction are Fairly and Submissively Discussed..., 2nd ed., corrected & amended, 1685, bound with The Introduction, or, Peface to the Ensuing Treatise..., lacking title and all after c1, few blind embossed libray stamps, modern cloth with library numbers to spine, 8vo, together with Chalmers (george), An Estimate of the Comparative Strength of Great-Britain, During the Present and Four Preceding Reigns; and of the Losses of Her Trade from every War since the Revolution, new ed., 1794, folding table, contemp. calf, rebacked, 8vo, plus three others (5)

Howell (James). Therologia : The Parly of the Beasts; or, Morphandra Queen of the Inchanted Iland..., vol. 1 [all published], 1660, lacks frontis., contemp. inscription at head of title, ink library stamps to few pages, recent endpapers, 20th c. qtr. morocco, library number to spine and blind stamp to upper board, small folio (1)

Isocrates. Isokratoue Apanta. Isocratis Scripta, quae Quidem nunc Extant, Omnia, Graecolatina, Postremo Recognita: Hieronymo Wolfio Oetingensi Interprete..., Ex Officina Oporiniana, Basel, 1571, woodcut illust. to title, text in latin and greek, some pages with slight damp staining to lower outer corners, manuscript fragments bound-in at front & rear, contemp. calf, blind embossed arabesque to centre of each board, spine worn & torn with loss of leather at head & foot, thick 8vo. Adams I216. (1)

[Luis de Granada]. Flores R.P.F. Lodoici Granatensis, ex Omnibus Eius Opusculis Spiritualibus iam recens summa fide Excerpti... Collectore et interprete Michaele ab Isselt, Cologne, 1588, woodcut illust. to title and armorial to verso, contemp. calg with blind embossed arabesque to both boards, joints cracked and slight wear to spine, 12mo (1)

Luis de Granada. R.P.F. Ludouici Granaten... Introductionis ad Symbolum Fidei, libri Quatuor... A Joanne Paulo Gallucio... ex Italico Sermone Latinitate Donati... Mendis ac vitiis repurgati, & primum in Germania editi..., Apud Geruinum Calenium & Haeredes Ioannis Quentelij, Cologne, 1588, woodcut illust. and dec. initials, separate title to each part, numerous contemp. annotations and marginal notes, few worm holes mostly to margins, contemp. calf, blind embossed arabesque to centre of each board, spine slightly torn at head, slight wear to outer edge of lower board, 4to. Adams G977. (1)