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A Victorian mahogany Chippendale style silver table, the pierced fretwork gallery above a pierced frieze, the straight legs carved with blind fretwork, canted internally and raised on plinth feet, 86 by 54 by 74cm high, some small damage to the fretwork.

Colin See-Paynton: a watercolour of a winter landscape with trees and a hedge beneath a moonlit sky, titled verso `The New Moon, October` and `Hedgerow in Moonlight`, signed in pencil lower right, with studio blind stamp under the mount, 20 by 46cm.

Colin See-Paynton: watercolour landscape with fields to the fore and trees to the middle background, signed in pencil lower right, with studio blind stamp under the mount, 20 by 46cm.

AN 18TH CENTURY OAK BUFFET the shelves with blind fret carved rails, having turned tapered supports, on square feet, 111cm high x 1147cm wide

After Charles Johnson Payne (Snaffles), 1884-1947 ` `Andsome is - wot `Andsome does`, photographic reproduction, signed in pencil, bears `Snaffles` blind stamp, 25cm x 27cm

After Angelica Kauffman - Blind Man`s Bluff, tondo colour engraving, diameter approx 18cm, within a gilt composition frame, together with another similar engraving, a pair of prints and two frames.

After Angelica Kauffman - `Blind Mans Buff` and `Beauty`, a pair of tondo colour prints, both within gilt composition frames with ribbon surmounts.

A George V figured mahogany bookcase display cabinet, the blind fretwork frieze above a central astragal glazed door flanked by a pair of panelled doors, on ogee bracket feet, width approx 145cm (faults).

Pine blind panelled twin door cupboard

Mid 20c carved oak blind panelled cabinet

Early 20c mahogany blind panel cupboard

PHOTOGRAPHS. An album containing carte-de-visite photographs, circa 1870-1890. Folio (303 x 225mm.) The portrait photographs occasionally accompanied with a clipped signature. Contemporary morocco blocked in blind, together with a few later larger format photographs.

ANISH KAPOOR An untitled intaglio print, signed and numbered 57/125 bearing publishers blind stamp, flat mounted in gilt frame, 89cm x 80cm"

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The cart", a signed artist`s proof print, signed in pencil, bearing Fine Art Trade Guild blind stamp, from an edition of 850, image size 52 cm x 41 cm (ILLUSTRATED)

AFTER WILLIAM RUSSELL FLINT (1880-1969) "Theresa, Yolande and Anna Maria", artist`s proof, signed in pencil in the margin, also bearing blind stamp, image size 51 cm x 68 cm (ILLUSTRATED)

AFTER WILLIAM RUSSELL FLINT (1880-1969) "Three models", sepia print, signed in pencil in the margin, bears blind stamp, image size 49 cm x 68 cm (ILLUSTRATED)

Graeme W Baxter, limited edition official print of the Open Golf Championship 2000, signed in pencil, number 305/850, fine art blind stamp

An early Victorian carved oak `Gothic` chiming bracket clock, the triple fusee movement striking on a gong and a peel of eight bells to a engraved and silvered shaped arch dial inscribed GEOE EDWARD & SONS, LONDON & GLASGOW, with subsidiary dials for Slow / Fast and CAMBE CHIMES / 8 BELL CHIMES / NOT CHIME, the moulded edge door with confirming floret carved edge flanked by cluster columns with tapering pinnacles, pierced fret side panels, one destroyed and one missing, to a blind arcaded panel base, 27.25in (69cm) h. Replaced pendulum.

A Victorian carved oak `Gothic` chiming bracket clock, the triple fusee movement striking on a gong and a peel of eight bells, to a engraved and silvered shaped arch dial signed CLERKE, 1 ROYAL EXCHANGE, LONDON, with a Strike / Silent lever above XII and a subsidiary SLOW / FAST dial above, the moulded edge door with carved leaf decoration, the case with cluster columns, faceted pinnacles with petal finials and with pierced fret sides, the base with blind arcading, 28.5in (72.5cm) h, together with the original bracket, 10.5in (26.5cm) h, 19.25in (49cm) w, 13in (33cm) d. (2) Pendulum, winding key and two door keys.

A walnut and marquetry longcase clock, with a five pillar 8 day movement striking on a bell, to a 11 inch square brass dial signed John Martin, Londini, fecit, above a silvered chapter ring and subsidiary seconds dial with a matt centre, with an engraved crown around the pierced date aperture, cherub head and foliage cast spandrels, the hood with a moulded cornice above a blind fret frieze, spiral twist pilasters, above a moulded edge trunk door with three foliage panels, one with a bird, and a replaced lenticle, the conforming base on flattened bun feet, 80.25in (204cm) h. Pendulum and weight.

A walnut marquetry longcase clock, with an 8 day five pillar movement striking on a bell, to a 12 inch square brass dial, with silvered chapter ring and subsidiary seconds dial, the matt ground centre with a pierced and engraved edge date aperture, crossed winding arbors, the hood with a moulded cornice and blind fret frieze, above ebonised line turned columns with a convex moulded frieze, the trunk door with three floral and foliage marquetry panels and a glazed lenticle, with a seaweed outer border to a conforming base, 83in (211cm) h. Pendulum, weight and winding key.

A George III carved mahogany longcase clock in Chippendale style, with an 8 day five pillar movement, striking on a bell, to a 12.5 inch arched brass dial, with a silvered chapter ring and subsidiary seconds dial to the matt centre with a shaped crescent plaque inscribed Jno. Fladgate, LONDON, above a pierced date aperture, the arch with a subsidiary Strike / Silent dial, the hood with brass urn finials to a blind fret panelled cresting with leaf supports, above a moulded cornice with protruding square corners, a dentil frieze above a blind fret panel and arched door flanked by moulded leaf scroll veluts, the shaped, arched and moulded figured trunk door to a panelled base on ogee bracket feet, 102in (259cm) h. Pendulum, weight, winding key and door key. See The Gentleman & Cabinet Maker`s Director by Thomas Chippendale, plate number CLXIII for a similar hood.

A Victorian arch top overmantel mirror with blind fretted band, in grained as rosewood frame, 44" x 31"

An early 20th century mahogany serpentine chest fitted with a brushing slide above four long graduated drawers flanked by blind fret carved canted angles, raised on bracket feet, 103cm

A George III mahogany secretaire tallboy, the upper part with a moulded dentil cornice and blind fret carved frieze and canted angles, containing three short and two long drawers with secretaire drawer below, having a hinged fall enclosing a fitted interior with small drawers and pigeon holes, the lower part containing three long drawers, on ogee bracket feet, 112cm (3ft 8in) wide, 179.5cm (6ft 10¾in) high.

An early 20th century mahogany display cabinet, the upper part with rounded corners and blind fret columns enclosed by a single astragal glazed door revealing wooden shelves and the conforming lower part with central decoratively panelled door, flanked by open alcoves with latticed fret work detail on 4 square tapering legs with scrolled terminals (67cms wide x 189cms as viewed, one glass pane cracked)

A 1930`s oak bureau/bookcase with blind fret decoration, with twin leaded doors over fall front, drawer and cupboard

Goldsmith, Oliver "A History of the Earth and Animated Nature", a new edition in six volumes, London, Wingrave and Collingwood etc. 1816, plates, full leather, marbled endpapers but backstrips missing and detached and all copies worn, Thomson, W. M. "The Land and the Brook All Biblical Illustrations..."Nelson & Sons. 1864, colour plates with tissue guards, ills. throughout text, col. frontis, folding map, full leather, blind stamped, raised bands and gilt title to spine and five other volumes (11)

"The War in Pictures, The first year through to the sixth year", Odhams Press, photographic illustrations throughout, maroon blind stamped cloth with brown paper d.j.`s, 6 volumes and 4 volumes of "Who`s Who" 1982, 1985, 1995 and 1997

Lowe, E.J. "Our Native Ferns...", in 2 volumes, George Bell and Sons 1880, colour frontis to both volumes, colourplates and illustrations throughout, green blind stamped cloth with gilt decoration to front boards, gilt titles, volume 2 spine chipped (2)

A rare Worcester blue and white dish, painted with The Blind Earl pattern with ladybird (I.E.48), 15cm wide, open crescent mark, circa 1765; and a Worcester blue and white oval scalloped tureen stand, painted with The Kang Hsi Lotus pattern (I.F.3), pseudo oriental mark, circa 1770

A stripped pine writing table with an arrangement of eight small drawers above a blind drawer and turned legs

A Victorian mahogany Gothic revival side table with galleried back above a blind side drawer and turned spiral twist legs

A First and only edition of `The Blinded Soldiers and Sailors Gift Book, 1917, published to raise money for blind servicemen

AFTER SPENCER ROBERTS "Study of two owls in a wooded landscape", published by Alexander Gowrie Publications Ltd, signed in pencil in the margin, bearing blind stamp, together with a "Red wine and cheese" coloured print

A 1930`s oak wardrobe, the cornice with blind fretwork and Greek key decoration over a pair of applied blind fretwork medallion decorated doors raised on bun feet

Five pairs of moire silk cotton lined curtains in plain green together with a matching blind

Samuel Cousins Young child with a dog mixed-method engraving, . visible, mounted within the platemark, but well outside the image, signed in pencil, lower right, Printsellers` Association blind-stamp, lower left, with Thomas Agnew and Sons` label on the backboard, Colnaghi, Thomas McLean, and Manchester, Thomas Agnew and Sons, 1879. 370 x 420mm (14.5 x 16.5in)

A late 19th/early 20th Century Walnut Display Table/Cabinet, the top with blind carved frieze above a bevelled glass front and two side opening doors, conjoined to a table base with two drawers to frieze, all supported on four capped, panelled, tapering square legs, 47” wide

Lawrence Stephen Lowry (1887-1976) THE CONTRAPTION, 1949 and CRIME LAKE (A PAIR) colour print; (2) each signed in pencil in the margin lower right; signed and dated in the plate lower right; also with publisher`s blind-stamp in the margin 29 by 30cm., 11.5 by 11.7 5in. Provenance:Whyte`s, 9 December 2006, lots 96 and 95 respectively; Private collection

OMAS, Roma 2000 I II III Millennium limited edition three pen set, VIP editions, 1998, comprising two .925 standard silver and one vermeil fountain pens, each cast in relief with symbols relating to each respective millennium, the first (blind cap unglued) portrays a compass, the amanuensis monks, the castle of Matilde di Canossa, the coronation of Carlo Magni and the Nativity; the second (the vermeil) portrays a knight from the Crusades, Leonardo da Vinci, Columbus` ships, the steam engine, Einstein`s formula for the theory of relativity, and a missile representing space exploration; the third portrays astronomical symbols; each pen with a two colour 18 carat gold nib, piston filler, and in their presentation box with outer card packaging and paperwork. These pens were presented to the attendees of a special dinner, inclusive of the Mayor of Rome, held to launch the collection to the press. The collection was dedicated to the work of Roman sculptor, Gian Lorenzo Bernini (1598-1680), marking the 400th anniversary of his birth. OMAS, through the sale of these pens, funded the restoration of Bernini`s Fontana della Api on the Via Veneto as a part of the City`s preparations for the Millennium celebrations.

A 19TH CENTURY GREY PAINTED BLIND FRETWORK CURTAIN PELMET, 84" wide

AN EDWARDIAN MAHOGANY BOOKCASE ON STAND the bookcase with astragal glazed doors enclosing adjustable shelves under a blind fretwork frieze, the base with two drawers and standing on cabriole legs united by a shaped undertier (alterations) 36" wide x 82" high

Albany E Howarth ARE, British 1872-1936- View of a ruined castle and stone bridge; etching, signed in pencil, bears Fine Art Trade Guild blind stamp, 40x55cm: together with five further etchings by the same hand, to include the following: "The West Doorway, Rochester"; etching, signed and titled in pencil, 32.3x19cm., "Roslyn Chapel, Edinburgh", publ by Alfred Bell & Co Ltd London W1 Nov 1st 1928, titled within the plate, signed in pencil, 39x20.2cm: "The Monastery of St Francis Assisi", signed and titled in pencil, 19x18.2cm: View of a Medieval Gateway, signed in pencil, 39.5x27.5cm and one other similar, signed and dated 1918 within the plate, signed in pencil, 37x30cm: Louis Conrad Rosenberg, 1890-1983- Church tower; etching, signed in pencil, 25x11.2cm: Frank Henry Mason RBA RI, British 1876-1965- Shipping in Valletta harbour, Malta; etching, signed with monogram within the plate, signed in pencil, 12x17cm., (8) (part mounted) (unframed)

After Sir William Nicholson, British 1872-1949- An Oxford College & `New College`: lithograph printed in colours, signed within plate, one bearing publisher`s blind stamp for the Stafford Gallery 1905, Bond St., 36x28.5cm., (max) (2) Provenance: From the estate of the Late Hans Schwarz, Austrian 1922-2003. Notes: See lot 593

* A plaster wall plaque, with vase forms and ribbons, height 58 cm, together with bamboo roller blind, (2).

Bewick (Thomas and John) Select Fables...with a memoir; and a descriptive catalogue engraved frontispiece portrait, title vignette, vignettes throughout, original blind-stamped cloth, rubbed, rebacked, 8vo, Newcastle, 1720.

Humphreys (Henry Noel) The Book of Ruth chromolithographed half-title and 31pp. with illuminations, 2pp. publisher`s advertisements at end, spotting, gutta percha mostly perished with most leaves loose, original blind-stamped calf, rebacked, g.e., new endpapers, 8vo, 1850.

Tymms (W.R.) and M.D.Wyatt. The Art of Illuminating as Practised in Europe from the Earliest Times chromolithographed plates, additional f. inserted with colour monograms around patterned design with inscription to head, contemporary morocco over wooden boards, elaborately blind-stamped [by Sir Henry Bruce, see note], t.e.g., purple flaps to spine ends, spine faded, 1860 § Lacroix (Paul) Les Arts au Moyen Age et a l`Epoque de la Renaissance, fourth edition, plates, many colour, contemporary half morocco, spine gilt, rubbed at corners and spine, Paris, 1873 § Secrétan (E.) Catalogue of the Celebrated Collection of Paintings by Modern and Old Masters and of Water-Colors and Drawings..., 2 vol., second edition, plates, tissue-guards, original wrappers bound-in, contemporary half morocco, spine gilt, t.e.g., a little scuffed, Paris, 1889; and 9 others, illustrated works, v.s. (13)(13)

Isocrates. Logoi kai epistolai [graecé] Orationes et Epistolae, Greek and Latin text in double column, E1&2 misbound after 3g3, sigs a & b fore-edges frayed or torn with slight loss of text, upper margins trimmed, occasionally touching head-lines, some ink scoring and marking, bookplate, later calf, ruled in blind, rubbed, 8vo, Geneva, Samuel Crispinus, 1621.

Mihry (Mohammed) Ettuhfat-el-Abassia lil Madrassat-el-Aliyet Ettewfikieh text in French, Arabic, Persian and Turkish, albumen frontispiece portrait of Prince Abbas, contemporary half morocco, blind-stamped cloth covers, gilt central ornament, rubbed, corners worn, cover holed, printed wrappers, torn and marked, bound in, 8vo, Cairo, Boulaq, 1884. ***Multilingual phrase book, &c..

Lyly (John) Sixe Court Comedies 6 works in 1 vol., lacks initial blank f., O2&11 and S1, title margin torn and restored, Q9 torn with substantial loss of text and restored, Dd torn at foot with some loss and restored, some other marginal tears and restorations, staining and marking, contemporary calf, blind rules, rubbed, rebacked, [STC 17089], 12mo, William Stansby for Edward Blount, 1632.

Leigh (Edward) Critica Sacra: or, Philologicall and Theologicall Observations upon all the Greek Words of the New Testament, second edition, imprimatur leaf at start, title in red and black, names at head of title, one obliterated causing small holes, some light staining and marking, contemporary calf, ruled in blind, worn, spine crudely repaied with vellum strips but front cover again all but loose, [Wing L990], 4to, James Young for Thomas Underhill, 1646.

Marvell (Andrew) The Works... 2 vol. in 1, engraved frontispiece and plate, damp-stains to base and lower corner, not affecting text, contemporary blind-stamped speckled calf, lower cover stained, spine rubbed, E. Curll, 1726

Mill (John Stuart) Inaugural Address Delivered to the University of St. Andrews first edition, 99pp., little spotting, bookplate of F.Ae. Kitchener, original blind-stamped cloth, faded & rubbed, ends of spine worn, 8vo, 1867.

George (Henry) Progress and Poverty 1883; Social Problems, 1884 § Walker (Francis A.) Money in its relations to Trade and Industry, 1907; Money, New York, 1891 § Ely (Richard T.) An Introduction to Political Economy, Chautauqua Press, contemporary inscription to front free-endpaper, New York, 1889 § Tuassig (F.W.) Principles of Economy, 2 vol., first edition, blind stamped `Presentation Copy` to title, New York, 1911, mostly first English editions, original bindings, slightly worn; and a small quantity of others similar by the same authors, v.s. (28)(28)

Fisher (Irving) The Theory of Interest first edition, original cloth, new endpapers, blind library stamp removed from title, and ink stamp removed from half-title, New York, 1930; Another copy, original cloth, Kelley & Millman, New York, 1954; Stable Money, first edition, original cloth, bookplate to front paste-down, Adelphi Company, 1934; Stabilised Money, first English edition, original cloth, slightly worn, 1935, 8vo., (4)(4)

Spyri (Johanna) Heidi Her Years of Wandering and Learning, translated by Louise Brooks, 2 vol. in 1, first American edition, inscription to pastedown, original cloth, spine browned, rubbed, Boston, 1885 § Truman (Harry S.) Mr. Citizen, first edition, plates, library blind-stamp to endpaper, original cloth, dust-jacket, a little rubbed, New York, 1960; and 20 others, first editions and Americana, v.s. (22)(22)

[Cox (Nicholas) and Richard Blome] The Gentleman`s Recreation: in Four Parts. Viz Hunting, Hawking, Fowling, Fishing..., 2 parts in 1 vol., fourth edition, engraved additional pictorial title, 2 folding plates (1 large) and 2 double-page plates, lacks initial advertisement f., repair to lower margin of title and outer margin of title to part 2, repaired tear to folding plate, within image, but with no loss, occasional foxing, some light browning, a few small marginal stains, 19th century blind-stamped and gilt polished calf, rebacked, preserving original backstrip, rubbed, [Schwerdt I, 123; Wing C6707], 8vo, J.Dawks for N. Rolls, 1697. ***Scarce. `Cox`s book is well composed, comprehensive, and compact` (Schwerdt)..

Middle East.- Kelly (Walter Keating) Syria and the Holy Land, their Scenery and their People first edition, wood-engraved illustrations, library blind-stamp to title and a few other ff., later half morocco, spine gilt, rubbed, [1844]; and 3 others, Holy Land, all with engraved plates or illustrations, 8vo & 4to (4)