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An Edwardian Chippendale revival bookcase with blind fret and pierced detail, broken arch architectural cornice over a pair of astragal glazed moulded panelled doors revealing three sliding adjustable shelves to interior, raised on a stand with bow front and four square tapered legs with spade feet united by an under tier
An original sketch-map in Roger Casement's hand, showing the location of items he and his companions had hidden after landing from the German U-boat U-19 on Banna Strand, County Kerry on Good Friday, 1916. Two facing pages 8vo, on blind-stamped paper of the Metropolitan Police Office (Scotland Yard), with Casement's directions to the cache ('Under some fern bracken & bramble in the moat...'). The only things mentioned are '1 pair Binoculars' and '1 Lamp; the words '£50 in gold & silver' may be in a different hand, probably that of one of his interrogators, Major (later Colonel) Frank Hall. With contemporary envelope in Hall's hand; 'Plan of RATH drawn by Roger Casement at Scotland Yard when first interrogated on Easter Sunday 1916. Present B[asil] T[homson]/Herschell/Self. FH'. Accompanying Casement's map is a later note written in ink by Frank Hall on a small slip, which gives details of the distribution of the cache after it had been retrieved. It is known that three Mauser pistols had been discovered when Casement was arrested in Ireland, and F E Smithin his account of the trial of Casement has it that 'Bailey buried there some wepons, some maps of Ireland of foreign origin and three coast, one of which contained Casement's diary', but this documents gives a fuller pictuire. 'His binoculars were given to Basil Thomas/Gold sleeve links to DI Cheesman/'Flag of Irish republic' to R I C mess Phoenix Park/Cash to Sgt. & Constable R I C/3 mauser pistols to me. I gave one to [Major Ivor] Price who used it at Connie Marciewitz [sic] at the Castle & missed her' and a copy of the Easter Rising surrender document given to Frank Hall by E W Pearson/see illustration
Harrison, Liverpool: a handsome George III mahogany longcase clock, the brass dial with silvered roman chapter ring with inner date track, the centre of the dial with subsidiary seconds dial and decorative nameplate, with moon phase to the arch and inscription over "The man is yet unborn who duly weighs an hour", foliate spandrels, two train movement with anchor escapement, pull repeat lever, the case with floral swan neck pediment centred by pierced fret cornice, arched door flanked by fluted columns, the central section with blind fret panel above a shaped flame mahogany door, flanked by fluted quadrants, panel base, on ogee bracket feet, 95in. high, with weights and pendulum. See illustration
An 18th Century oak cupboard on chest, the flowered Greek key cornice above blind fret work frieze, central covered door enclosing shelves above two short false draws flanked by two further arched panel doors, the base fitted three short and four long drawers with brass bow pattern handles, raised on ogee bracket feet, 69 x 23 x 84in. high.
A late Victorian mahogany three piece bedroom suite, to include: wardrobe with blind fret carved pediment above flared cornice, flowerhead and fluted decoration to frieze, the two central doors carved with drapery and urns enclosing sliding shelves, two short and three long graduated drawers under, flanked by a pair of beveled mirror panel doors enclosing hanging spaces, raised on cutaway plinth base; dressing table with rectangular bevelled mirror back on turned supports flanked by jewellery drawers, three further drawers and three cupboard doors under, raised on cutaway plinth base, carved to match wardrobe; and a pedestal cabinet fitted single drawer carved with drapery and single cupboard door carved with urn raised on cutaway plinth base, wardrobe 85 x 22 x 87in. high, dressing table 53 x 23 x 72 1/2in. high; pedestal cabinet 17 x 14 x 30in. high.
London Transport ROUTE NUMBER STENCIL '230' for the RLH-type, low-height buses working out of Harrow Weald garage from 1953-69 and probably also for the STL-types operated before them from 1943 on. These plates were located in the lower rear window of these buses as they did not have a destination blind box at the back. In well-used, ex-vehicle condition. [1]
London Country RF/RP-type DESTINATION BLIND type 'M' (Green Line) from Harlow Garage dated 7.78. A King & Flack-manufactured blind in London Transport style. Also contains local bus routes on which the coaches performed early-morning duties. Small amount of damage to number in first panel, otherwise in good, ex-vehicle condition. [1]
London Country RF/RP-type DESTINATION BLIND type 'M' (Green Line) from Guildford/Hertford Garages. Date has faded but believed to be c 1972. A King & Flack-manufactured blind in London Transport style. Also contains local bus routes on which the coaches performed early-morning duties. Bottom hem is missing, otherwise in good, ex-vehicle condition. [1]
London Transport Bristol BL-class DESTINATION BLIND type 'CC' dated 25.1.80 for the single-deck routes out of Kingston Garage. Includes black-on-yellow displays for the indirect journeys. The blind fits the side destination box, the one that the drivers were reluctant to use.... In good ex-vehicle condition. [1]
London Country (London Transport-manufactured) RMC Routemaster Coach DESTINATION BLIND type 'SS' (front and side boxes, also fits rear) from Grays Garage dated 3.11.70. The blind also contains local bus routes on which the Green Line coaches performed early-morning duties. In good, ex-vehicle condition. [1]
LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Industrial Scene", signed in pencil lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 033, 25.5 x 20.25cm, framed and glazed. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. FATG stamp so print run is probably 850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Three Men and a Cat", signed in pen lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 249, 25 x 17cm, framed and glazed. (D) CONDITION REPORT: FATG stamp so print run is probably 850. Signed in black biro. Condition of the image is good. Strip of slight yellowing to margin indicating a possible re-mount. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Level Crossing, Burton Upon Trent", signed in pencil lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 537, 41.25 x 57cm, framed and glazed. (D) CONDITION REPORT: Very faded, print is not straight in mount. FATG stamp so print run is probably 850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
ROSEMARY WREN (1922-2013) for Oxshott Pottery; three raku blind mice, impressed wren marks and incised pottery names, height 6cm (3). (D) CONDITION REPORT: Chip to nose of one mouse, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
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44913 item(s)/page