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Lot 570

Early 20th Century carved oak two stage dresser with blind panelled cupboards, fitted drawers on carved ball and claw feet.

Lot 124

SIR WILLIAM RUSSELL FLINT (1880-1969) a limited edition print No 274/850 with blind art stamp, 28cm x 38cm.

Lot 610

A Victorian figural satin birch caddy topped pedestal Wellington chest, fitted with eight narrow drawers locked by a register bar, raised on a blind plinth, 152 x 65 cm (60 x 25 1/2 in) wide

Lot 259

After Heywood Hardy, a coach and four before a half timbered dwelling, lithograph, signed in pencil with Academy Proof blind stamp, 61.5 x 76cm

Lot 713

A 19th century oak demi lune hall table, with deep blind fret carved frieze on three gun barrel turned and block legs, united by moulded stretcher, 76 x 92cm

Lot 212

TOM DODSON TWO ARTIST SIGNED LIMITED EDITION COLOUR PRINTS Backyard scenes (721/850) and (182/850) and A SIMILAR ARTIST SIGNED COLOUR PRINT 'The Back yard' signed in pencil and with blind stamps 18" x 14" (45.8cm x 35.6cm) (3)

Lot 201

TOM DODSON Four Artist signed Colour Prints Street scenes one entitled 'Chipping Village' Signed in pencil & with blind stamps 14" x 18" (35.5cm x 45.8cm) (4)

Lot 124

HERBERT SCHMALZ ARTIST SIGNED BLACK AND WHITE PRINT, LATER HEIGHTENED IN PASTELS 'The Daughters of Judahin Babylon' signed in pencil and with blind stamp 28" x 14" (71.1cm x 35.6cm) unframed

Lot 211

TOM DODSON ARTIST SIGNED LIMITED EDITION COLOUR PRINT 'When I was ten' (254/500) signed in pencil and with blind stamp 19 1/2" x 29 1/4" (49.5cm x 74.4cm)

Lot 315

PAUQUET FRERES 'Modes Costumes Historiques' Illustrated, gilt and blind stamped red cloth, single volume in slipcase and SUNDRY OTHER BOUND AND UNFRAMED HOGARTH AND OTHER AQUATINTS

Lot 155

ANDREW WATSON TURNBULL (1874-?) ARTIST SIGNED ETCHING Silhouetted trees 'The Afterglow' signed, titled and with Guild Blind stamp 8 1/2" x 11 3/4" (21.6cm x 29.8cm)

Lot 210

TOM BROWN TWO ARTIST SIGNED LIMITED EDITION COLOUR PRINTS 'The Lamp lighter' (316/500) 12 1/4" x 10 1/2" (31.1cm x 26.7cm) 'The Knife grinder' (80/500) 9" x 12 1/2" (22.9cm x 31.7cm) signed with pencil and blind stamped (2)

Lot 213

TOM DODSON PAIR OF ARTIST SIGNED LIMITED EDITION COLOUR PRINTS Backyard scenes (846/850) sighed in pencil and with blind stamps 12 3/4" x 9 1/4" (32.4cm x 23.5cm) (2)

Lot 1334

An Edwardian Chippendale revival bookcase with blind fret and pierced detail, broken arch architectural cornice over a pair of astragal glazed moulded panelled doors revealing three sliding adjustable shelves to interior, raised on a stand with bow front and four square tapered legs with spade feet united by an under tier

Lot 1383

A 19th century mahogany side/serving table of rectangular form raised on square chamfered supports with blind fret frieze, 170 cm long

Lot 1178

An Arts & Crafts style oak side cupboard with blind fret and carved foliate frieze over a shallow frieze drawer and cupboard enclosed by a pair of panelled doors raised on sledge feet

Lot 1128

An Edwardian/1920s side cabinet, freestanding with arched moulded pediment and applied bulls eye panel over a pair of three quarter length leaded light panelled doors over a small cupboad to base enclosed by a pair of blind panelled doors set on a moulded plinth

Lot 76

A Wooden and Metal Blind Tankard Together with Pewter and Ceramic Examples.

Lot 303

A fine Chippendale period mahogany tea table, the circular top with ribbon and foliate paterae carved rim, on birdcage with pierced acanthus baluster stem, pierced and blind fret carved cabriole tripod, on eagles talon and ball feet, fitted brass castors, W.1ft 11in. H.2ft 6in.

Lot 525A

An original sketch-map in Roger Casement's hand, showing the location of items he and his companions had hidden after landing from the German U-boat U-19 on Banna Strand, County Kerry on Good Friday, 1916. Two facing pages 8vo, on blind-stamped paper of the Metropolitan Police Office (Scotland Yard), with Casement's directions to the cache ('Under some fern bracken & bramble in the moat...'). The only things mentioned are '1 pair Binoculars' and '1 Lamp; the words '£50 in gold & silver' may be in a different hand, probably that of one of his interrogators, Major (later Colonel) Frank Hall. With contemporary envelope in Hall's hand; 'Plan of RATH drawn by Roger Casement at Scotland Yard when first interrogated on Easter Sunday 1916. Present B[asil] T[homson]/Herschell/Self. FH'. Accompanying Casement's map is a later note written in ink by Frank Hall on a small slip, which gives details of the distribution of the cache after it had been retrieved. It is known that three Mauser pistols had been discovered when Casement was arrested in Ireland, and F E Smithin his account of the trial of Casement has it that 'Bailey buried there some wepons, some maps of Ireland of foreign origin and three coast, one of which contained Casement's diary', but this documents gives a fuller pictuire. 'His binoculars were given to Basil Thomas/Gold sleeve links to DI Cheesman/'Flag of Irish republic' to R I C mess Phoenix Park/Cash to Sgt. & Constable R I C/3 mauser pistols to me. I gave one to [Major Ivor] Price who used it at Connie Marciewitz [sic] at the Castle & missed her' and a copy of the Easter Rising surrender document given to Frank Hall by E W Pearson/see illustration

Lot 519

A lady's 1960's DeLaneau 18ct gold manual wind dress wrist watch, with blind oval tiger's eye quartz dial, on integral 18ct gold mesh bracelet.

Lot 289

A Chippendale period mahogany dining chair, with owl's eye pierced splat and padded seat, on blind fret carved squared legs, H.3ft 1in.

Lot 518

A lady's 14ct gold, faux lapis lazuli and diamond Jaeger Le Coultre manual wind wrist watch, with blind lapis dial and diamond set bezel, on an integral textured 14ct gold Jaeger Le Coultre bracelet.

Lot 939

An unusual floral collage, formed from postage stamps heightened with watercolours, signed Philip Ainsworth, 1928, mounted, framed and glazed, 16 cm square, to/w a blind-carved wood panel decorated with Gothic scrolls (2)

Lot 1212

The Book of Common Prayer, 12mo, contemporary black morocco decorated in blind, engraved advertisement leaf, portrait, additional title and plates, 1739; bound with: Brady (N.) A New Version of the Psalms of David, 1737.

Lot 1277

Harrison, Liverpool: a handsome George III mahogany longcase clock, the brass dial with silvered roman chapter ring with inner date track, the centre of the dial with subsidiary seconds dial and decorative nameplate, with moon phase to the arch and inscription over "The man is yet unborn who duly weighs an hour", foliate spandrels, two train movement with anchor escapement, pull repeat lever, the case with floral swan neck pediment centred by pierced fret cornice, arched door flanked by fluted columns, the central section with blind fret panel above a shaped flame mahogany door, flanked by fluted quadrants, panel base, on ogee bracket feet, 95in. high, with weights and pendulum. See illustration

Lot 1313

An 18th Century oak cupboard on chest, the flowered Greek key cornice above blind fret work frieze, central covered door enclosing shelves above two short false draws flanked by two further arched panel doors, the base fitted three short and four long drawers with brass bow pattern handles, raised on ogee bracket feet, 69 x 23 x 84in. high.

Lot 1322

An early 19th Century gilt and black painted triptych overmantle mirror, by J. Lawson, the beaded cornice above blind fret frieze centred by hypacanthus, the three plates flanked by Egyptian style reeded columns, 53 x 25in.

Lot 1346

A late Victorian mahogany three piece bedroom suite, to include: wardrobe with blind fret carved pediment above flared cornice, flowerhead and fluted decoration to frieze, the two central doors carved with drapery and urns enclosing sliding shelves, two short and three long graduated drawers under, flanked by a pair of beveled mirror panel doors enclosing hanging spaces, raised on cutaway plinth base; dressing table with rectangular bevelled mirror back on turned supports flanked by jewellery drawers, three further drawers and three cupboard doors under, raised on cutaway plinth base, carved to match wardrobe; and a pedestal cabinet fitted single drawer carved with drapery and single cupboard door carved with urn raised on cutaway plinth base, wardrobe 85 x 22 x 87in. high, dressing table 53 x 23 x 72 1/2in. high; pedestal cabinet 17 x 14 x 30in. high.

Lot 42

Limited edition signed print with blind stamp "The old flower seller"

Lot 43

Limited edition signed print with blind stamp "The old balloon seller"

Lot 122

An old destinantion bus blind.

Lot 329

Albert Irvin (Scottish 1922 - 2015). Alpha, silkscreen, limited edition 163/300. Signed in pencil and dated '94. Published by Advanced Graphics London with their blind stamp (watermarks bottom and upper left). 36 x 31cm.

Lot 302

London Country (London Transport-manufactured) RF-class DESTINATION BLIND type 'L' 'RF Type Front' from Amersham Garage dated 20.7.71. Appears to have later been used on SM type vehicles as well. In well-used but still good, ex-vehicle condition. [1]

Lot 301

London Transport TROLLEYBUS DESTINATION BLIND from Edmonton Depot dated 22.5.59 and for the front and rear destination boxes. Missing the final panels. The lower remaining panels are in well-used condition, the upper panels are in very good condition. [1]

Lot 305

London Transport TRAM DESTINATION NUMBER BLIND dated Feb 24, 1948 and for use at New Cross depôt on those trams fitted with roller blinds rather than metal stencils. In well-used condition, more so on the higher numbers but still entirely serviceable. [1]

Lot 265

London Transport ROUTE NUMBER STENCIL '230' for the RLH-type, low-height buses working out of Harrow Weald garage from 1953-69 and probably also for the STL-types operated before them from 1943 on. These plates were located in the lower rear window of these buses as they did not have a destination blind box at the back. In well-used, ex-vehicle condition. [1]

Lot 304

London Country RF/RP-type DESTINATION BLIND type 'M' (Green Line) from Harlow Garage dated 7.78. A King & Flack-manufactured blind in London Transport style. Also contains local bus routes on which the coaches performed early-morning duties. Small amount of damage to number in first panel, otherwise in good, ex-vehicle condition. [1]

Lot 307

London Country RF/RP-type DESTINATION BLIND type 'M' (Green Line) from Guildford/Hertford Garages. Date has faded but believed to be c 1972. A King & Flack-manufactured blind in London Transport style. Also contains local bus routes on which the coaches performed early-morning duties. Bottom hem is missing, otherwise in good, ex-vehicle condition. [1]

Lot 300

London Transport Bristol BL-class DESTINATION BLIND type 'CC' dated 25.1.80 for the single-deck routes out of Kingston Garage. Includes black-on-yellow displays for the indirect journeys. The blind fits the side destination box, the one that the drivers were reluctant to use.... In good ex-vehicle condition. [1]

Lot 303

London Country (London Transport-manufactured) RMC Routemaster Coach DESTINATION BLIND type 'SS' (front and side boxes, also fits rear) from Grays Garage dated 3.11.70. The blind also contains local bus routes on which the Green Line coaches performed early-morning duties. In good, ex-vehicle condition. [1]

Lot 386

A late George III cast iron fire grate, with bow front centre section, flanked by blind fret decorated upright panels, 54cm H x 89cm W x 31cm D

Lot 245

Sir Peter Scott (1909-1989), artist signed colour print, Ducks in flight, signed in pencil, with blind stamp Arthur and Ackermann, 1948, 41cm x 48cm

Lot 243

Sir William Russell Flint (1880-1969), signed artist colour print, The Little Flower Girl Senlis,, signed in pencil and with blind stamp, 47cm x 60.5cm - framed and glazed

Lot 237

After Sir William Russell Flint (1880-1969), limited edition colour print, In a Burgundian Granary, limited edition 369/850, with blind stamp, 52cm x 68cm - framed and glazed

Lot 233

Sir William Russell Flint (1880-1969), signed artists colour print, Esperanza, signed in pencil and with Fine Art Trade Guild blind stamp and with Aitken Dott & Son label verso, 43cm x 57cm - framed and glazed

Lot 235

Sir William Russell Flint (1880-1969), signed artist colour print, Le Quatorze Juillet, signed in pencil and with Fine Art Trade Guild blind stamp, 48.5cm 63.5cm - framed and glazed

Lot 241

After Sir William Russell Flint (1880-1969), limited edition colour print, A Florentine Masquerade, limited edition 334/750 and with blind stamp, 70.5cm x 52cm - framed and glazed

Lot 239

After Sir William Russell Flint (1880-1969), limited edition colour print, Three nudes reading, limited edition 279/850 and with blind stamp, 42cm x 58cm - framed and glazed

Lot 236

Sir William Russell Flint (1880-1969), artists signed colour print, Secret retreat, signed in pencil and with Fine Art Trade Guild blind stamp, 45cm x 59cm - framed and glazed

Lot 242

Sir William Russell Flint (1880-1969), signed artist colour print, Conversation St Martin D'ardeche, signed in pencil and with blind stamp, 53cm x 68cm - framed and glazed

Lot 240

After Sir William Russell Flint (1880-1969), limited edition colour print, Model Critie, limited edition 612/850, with blind stamp, Paragon Fine Arts label verso, 39.5cm x 57cm - framed and glazed

Lot 234

Sir William Russell Flint (1880-1969), signed artist colour print, Venetian Festival, signed in pencil and with Fie Art Trade Guild blind stamp, 48cm x 68cm - framed and glazed

Lot 238

After Sir William Russell Flint (1880-1969), limited edition colour print, Variations II, limited edition 205/850, with blind stamp and certificate verso, 53cm x 70cm - framed and glazed

Lot 373

After Herbert Draper, a seated girl in white dress, print, gallery blind stamp and artist's signature in pencil to the margin (50cm x 27cm) glazed in a gilt frame.

Lot 682

An 18th century and later mahogany stool with square chamfered blind fretwork legs united by an H shaped stretcher removed from a Cambridge College- Height 46cm x 66cm x 55cm Condition report: In need of restoration

Lot 670

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Industrial Scene", signed in pencil lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 033, 25.5 x 20.25cm, framed and glazed. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. FATG stamp so print run is probably 850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 674

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Three Men and a Cat", signed in pen lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 249, 25 x 17cm, framed and glazed. (D) CONDITION REPORT: FATG stamp so print run is probably 850. Signed in black biro. Condition of the image is good. Strip of slight yellowing to margin indicating a possible re-mount. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 672

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Level Crossing, Burton Upon Trent", signed in pencil lower right, bears Fine Art Trade Guild blind stamp lower left and letter to number stamp 537, 41.25 x 57cm, framed and glazed. (D) CONDITION REPORT: Very faded, print is not straight in mount. FATG stamp so print run is probably 850. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 450

ROSEMARY WREN (1922-2013) for Oxshott Pottery; three raku blind mice, impressed wren marks and incised pottery names, height 6cm (3). (D) CONDITION REPORT: Chip to nose of one mouse, otherwise appears good with no obvious signs of other faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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