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Aesop. Vita et Fabulae, Paris, Antonio Bonnemere 1535. 8vo., cont. blind tooled pigskin (wear to spine, a few scribbles on title). Condition Report: NB. Books are not collated unless specified, and are sold 'as seen'

Two Victorian mahogany toilet mirrors of arched form with shaped platform bases, one other yew wood veneered example in the Georgian style, four wall mirrors of varying design including two 1920s examples with split moulded and blind fret detail (7)

A 19th century mahogany and pine sided two sectional freestanding bookcase cupboard, the upper recessed and enclosed by a pair of glazed and split moulded panelled doors revealing three adjustable sliding shelves to interior, the lower enclosed by a pair of simple blind panelled doors with flame veneers

An Edwardian mahogany side cabinet with shallow breakfront and blind fret frieze over three glazed and split moulded panelled doors raised on bracket shaped supports

Eugène Grasset (1841-1917)DANGER, 1897 Colour lithograph, from Dix Estampes Décoratives, a series of ten lithographs, signed in pencil, with blind stamp and published by published by G de Malherbe75 x 42.5cm

*Salvador Dali (Spanish, 1904-1989)SURREALIST COMPOSITIONLithograph printed in colours, with pencil signature and numbered 47/300, with blind stampsheet size 75.5 x 56cm, unframed*Artist's Resale Right may apply to this lot

*Ivan Picelj (Croatian, 1924-2011)UNTITLEDScreenprint, signed in pencil l.r. and numbered 193/200, with blind stamp70 x 70cm, unframed*Artist's Resale Right may apply to this lot.

*Ivan Picelj (Croatian, 1924-2011)UNTITLEDScreenprint, signed in pencil l.r. and numbered 126/200, with blind stamp70 x 70cm, unframed*Artist's Resale Right may apply to this lot.

Small early 20th century mahogany display cabinet & case with carved blind fret work & spade feet on tapering legs H167cm W75cm

' Our Antipodes of Residence and Rambles in the Australasian Colonies ' by Godfrey Charles Mundy in three volumes, published by Richard Bentley, 1852 with blue blind stamp decorative cloth boards

Sir William Russell Flint, signed coloured print, figures in a beamed hall, Fine Art Trade Guild blind stamp, gilt framed

Sir William Russell Flint, signed coloured print, ' Unseen Target ', published Frost and Reed, 1966, Fine Art Trade Guild blind stamp

Helen Bradley, large print, figures on a promenade with blind stamp, signed in pencil, together with another smaller, Victorian figures on a pier, together with a print of a lady in a nightgown

Frank Brangwyn, signed lithograph, Continental town with figures by a stone bridge (with blind stamp), 19.5ins x 21ins

Roland Hilder, two framed prints with blind stamps, signed in pencil, views of farmhouses, together with four Roland Hilder coloured prints, unsigned

SERPENTINE CARD TABLE, George III mahogany circa 1780, with a blind fretwork frieze and green baize, 97cm W x 48cm D x 76cm H.

A GOTHIC OAK CABINET ON STAND, partially 17th century, fitted with rectangular top above heavy blind fret carved cupboard, centred with a foliate boss and flanked with acanthus carved corbels, the base on turned fluted supports. 131cm high x 110cm wide x 55cm deep

HELEN MOONEY, After Joseph Patrick HavertyThe Blind PiperOil on canvas, 67 x 54.5cm

A GEORGIAN MAHOGANY SLOPE FRONT BUREAU BOOKCASE, the associated top with a moulded cornice, above two astragal glazed doors, each with a blind fret cut edge, the front opening to reveal a fitted interior with drawers, pigeon holes, secret compartment and cupboard, with three long and two short drawers below, raised on bracket feet, as is, 7ft3 (221cm)h x 42in (107cm)w. (1)

A 19th Century Chinese Chippendale style mahogany glazed display cabinet on stand, pierced broken swan neck pediment, blind fret carved detail

[Miller (Joseph) Botanicum officinale: or a compendious herbal...], [1722], London, E. Bell etc., 8vo, original blind-tooled calf (rubbed and scuffed), lacking titlepage, very weak upper hinge [&] Bell (John, Publisher) The Poetical Works of John Milton, four 18mo volumes, 1779, Edinburgh at the Apollo Press [for Bell], each vol. with engraved frontis (Vol I with portrait of Milton), in tatty full calf, spines with varying damage, from The Poets of Great Britain series [with] Two musical scores: Jefferys (Charles, Publisher) A Book of Beauty for the Queen's Boudoir, A Musical Annual for 1846, folio, two chromolithographic plates illuminated in gilt, morocco-backed rubbed pictorial boards, contents loose [&] Cosi Fan Tutte by Mozart [c.1890], Leipzig, C.F. Peters, large 4to facsimile reprint in dark morocco boards (4)

A coral striped velvet lined hall curtain, with chenille and voile tassel trim to leading edge, 225 x 240 cm wide, together with cream chenille Roman blind with matching trim, 124 cm wide, and one cord tassel tie-back

A complete bedroom suite of soft furnishings in voile with black and cream trimmed appliqué flower heads, comprising lined curtains, each 240 x 190 cm, a Roman blind, 107 cm wide, contrasting linen blend pelmet, double bedspread in black woven cotton, five feather filled cushions and two cord tassel tie-backs

A fine and extensive bedroom suite of soft furnishings of gold, wine and green velvet brocade, in a dense and repeating floral medallion pattern, comprising lined curtains, each 315 x 250 cm wide, pelmet in a contrasting striped brocade, 330 cm wide, Roman blind, 95 cm wide, complete double tester bed curtains in the striped fabric and complementary quatrefoil lattice brocade, a double bedspread in the same, five feather filled cushions and four cord tassel tie-backs

A complete bedroom suite of soft furnishings in dark rose, mocha and green velvet brocade, in a woven diaper pattern, comprising lined curtains, each 200 x 190 cm, pelmet in contrasting striped pattern, 200 cm wide, Roman blind, 95 cm wide, woven mocha double bedspread and four feather filled cushions

A GOOD QUALITY ANTIQUE MAHOGANY CHIPPENDALE STYLE SERPENTINE FRONT SERVING TABLE ON BLIND FRET CARVED LEGS. 214cms WIDE

ROLLING STONES: MASONS YARD TO PRIMROSE HILL 1965-1967Gerd Mankowitz (photo), published by Genesis Publications, Guildford, Surrey, 1995, signed limited edition numbered 977 of 1750, limited copies signed by Mankowitz, hardcover, quarter bound in black calf with blind-stamped spine tilting

MAHOGANY SERPENTINE-FRONTED CHEST OF GEORGE III DESIGNwith blind fretted canted corners, with central drawer flanked by two short drawers, above three graduated long drawers, frilled apron above splayed feet, 97cm high, 121cm wide, 62cm deep

WHEN WE WAS FAB: ASTRID KIRCHHERRpublished by Genesis Publications, Guildford, Surrey, 2003, limited edition numbered 29 of 750 copies, designed and signed by Astrid Kirchherr, bound in full blind stamped black morocco, in a presentation box

Edwardian mahogany blind fret carved astragal glazed corner cabinet on stand with undertier

AFTER MONTAGUE DAWSON "The Battle of Trafalgar" a colour print, signed in pencil by the artist, bears Guild Fine Art blind embossed stamps, image 74cm x 92cm in gilt frame, mounted and glazed

J.A. STEWART Extensive landscape, Fox hunting scene, a colour print, signed in pencil by the artist, bears blind stamps, 34cm x 76cm, mounted in limed oak glazed frame

AFTER T. IVESTER-LLOYD Foxhunting prints, a pair, limited edition, no.360/375, signed in pencil to margins and bearing blind proof stamps to mounts, 24 x 34cm in simulated walnut glazed frames

ERNST LEITZ WETZLAR D.R.P. LEICA ROLL FILM CAMERAnumbered 120646, in black and chrome finish, with Leitz Elmar f=5cm 1:35 lens, with fitted leather case, also with light metreNote: The camera was serviced in 2011, including a lens service, repair and reset to shutter rundown mechanism, repair and reset iris stopdown mechanism, reset to shutter speeds and blind balance and reset rangefinder.

A good late 18th Century period Mahogany Chippendale design WINDOW SEAT with upholstered padded seat and scrolled arms above chamfered square blind fret legs, fret cut corner brackets and joined by a diamond shaped under stretcher 101cm by 43cm by 68 cm high 

An XVIII Century Style Mahogany Serpentine Shaped Chest of Drawers, with brushing slide, four graduated drawers, canted corners with blind fret decoration, on bracket feet, 78cms high, 68cms wide.

A Late XVII Century Walnut Longcase Clock by Jonathan Andrews, London, the hood with blind fret frieze and circular columns with brass capitals, the long door with feather banding and circular window, on a plinth base, the square dial with silvered chapter ring engraved "Jno. Andrews, London", seconds dial, calendar aperture and blued steel hands, cherub spandrels to each of the four corners, 207cms high.

A 19th century oak and rosewood crossbanded bow fronted floor standing corner cupboard, with mahogany blind fretwork to the cornice over two glazed cupboard doors enclosing fixed shelving on bracket feet. h. 173 cm, w. 84 cm, d. 52 cm CONDITION REPORT: Joints in one door loose. General wear and tear

A GOOD 19TH CENTURY CHINESE CHIPPENDALE STYLE MAHOGANY GAINSBOROUGH CHAIR with blind fret carving padded back, arms and seat.

EG. A 19th century Chinese black lacquer panel, 84 x 100cm (33 x 39.5 in) This has been part of something else in that the lower edge has rim mounts and there are blind holes behind the opposite edge possibly for hinges or such fittings

A Victorian mahogany twin-pedestal sideboard, angular superstructure above overhanging top, blind drawer to frieze, pedestals with fielded panels applied with foliate scrolls, plinth base, 230 cm x 121 cm x 72 cm

*Jerusalem. Mottram (Charles), [Jerusalem in her Grandeur & Jerusalem in her Fall], published George Lord Beeforth, Scarborough and Haywood & Leggatt, London, 1860, pair of uncoloured engravings on India wove after H.C.Selous, proofs before titles and letters, signed in pencil by artist and engraver below image, blind stamp of the Printsellers Association to lower left, heavily water stained, prints mounted on contemporary wooden stretchers, framed and glazed in near contemporary gilt gesso frames (2)

Bible [English - New Testament]. The New Testament of our Lord and Saviour Jesus Christ. Newly translated out of the Original Greeke..., Imprinted at London by Robert Barker... and by the Assignes of John Bill, 1636, title within decorative woodcut border (manuscript date at head of title & two closed tears), close-trimmed at head & foot with slight cropping, contemporary calf, blind decoration, white metal clasp, rubbed, 24mo in 12s, together with Devotional, A New-years-gift Composed of Prayers and Meditations, with Devotions for Several Occasions, 2 parts in one, London: Simon Neale, 1681, engraved frontispiece to each part (initial frontispiece torn to edges & repaired), cropping to first word of title, also to some running titles and fore-edges, some dust-soiling, lacking rear free marbled endpaper, contemporary morocco, elaborately gilt decorated, onlays to boards, joints cracked, worn, 24mo in 12s, plus a defective copy of The Doctrine of the Bible: or, Rules of Discipline: Briefly Gathered through the whole course of the Scripture, by way of Questions and Answers..., London: T. Snodham for Thomas Pauier, 1625 (3)

Foxe (John). The Second volume of the Ecclesiasticall History, contayning the Actes & Monumentes of Martyrs, with a generall discourse of these latter persecutions, horrible troubles and tumultes, stirred up by Roman Prelates in the Church, with divers other thinges incident, especially to this Realme of England and Scotlande, as partly also to all other forreine nations apperteining, from the tyme of K. Henry the viii to Queene Elizabeth our gracious Lady now raigning, Newly recognised and inlarged by the Author, London: Printed by John Daye, 1576, title within woodcut border, two woodcut plates (comprising one double-page plate of Windsor Castle, trimmed to border & detached, and the other a folding plate of the Burning of Byshop Ridley and Father Latimer at Oxford, frayed at fore-edge), numerous woodcut illustrations to text, final leaf of index torn to lower outer corner with loss, some toning, dust-soiling and few marks, 20th century blind panelled mottled calf gilt, morocco title label to spine, lightly scuffed, folio STC 11224, ESTC S121348. (1)NB. Lacks final colophon leaf at rear.

Trollope (Anthony). How the "Mastiffs" went to Iceland, with illustrations by Mrs Hugh Blackburn, 1st edition, London: Virtue & Co. Ltd., 1878, colour lithograph map frontispiece, sixteen black & white plates (including 14 lithographs & 2 mounted photographic plates), all edges gilt, original gilt & blind blocked blue cloth, in bright condition, slightly rubbed at head & foot of spine & board edges, 4toThe vendor understands this copy probably came via Miss Campbell of Blythswood, one of the party. The volume contains a loosely inserted contemporary manuscript copy two page letter from Thora Pjettersen who is mentioned several times in the narrative, and also contains a page of tipped-in pressed fern frond specimens collected at Thingvalla, Iceland on Thursday July 4th 1878 (tipped-in to verso of map frontispiece). There is also a printed card list of the 'Mastiffs' pasted to the verso of the front free endpaper, and printed folding "Itinerary of the Mastiffs to the Geysers July 1st to 5th 1878" pasted to the rear free endpaper (plus one loose copy). (1)

Martin (Martin). A Description of the Western Islands of Scotland..., 2nd edition, 1716, large folding linen-backed engraved map (detached, torn with slight loss, dust-soiled & few marks), folding engraved plate, dust-soiling and few marks, contemporary blind panelled calf, light wear to joints & extremities, 8vo, together with Headrick (James), View of the Mineralogy, Agriculture, Manufactures and Fisheries of the Island of Arran. With Notices of Antiquities, and Suggestions for improving the Agriculture and Fisheries of the Highlands and Isles of Scotland, published Edinburgh, 1807, folding engraved map frontispiece (close trimmed to ruled border & small tear to edge), occasional spotting, top edge gilt, 20th century dark green half morocco gilt, 8vo (2)

[Crouch, Nathaniel]. The General History of Earthquakes: Being an Account of the most Remarkable and Tremendous Earthquakes that have happened in divers Parts of the World, from the Creation to this Time; As they are recorded by Sacred and Common Authors; And particularly those lately in Naples, Smyrna, Jamaica and Sicily. With a Description of the famous burning Mount, Aetna, in that Island; And the Relation of the several dreadful Conflagrations and Fiery Irruptions thereof for many Ages. Likewise the Natural and Material Causes of Earthquakes, with the usual Signs and Prognosticks of their Approach; And the Consequences and Effects that have followed several of them. By R. B. [R. Burton, i.e. Nathaniel Crouch], 2nd edition, London: A. Bettesworth & J. Hodges, 1734, 177,[3]pp., without frontispiece, some leaves repaired at gutter margins, light dust-soiling, modern calf, 12mo, (collates as ESTC T71199 with 3 pages of adverts at rear, of 4?), together with [Bevis, John], The History and Philosophy of Earthquakes, from the Remotest to the Present Times: Collected from the best Writers on the Subject. With a Particular Account of the Phaenomena of the great one of November 1st 1755, in various parts of the Globe. By a member of the Royal-Academy of Berlin, 1st collected edition, London: J. Nourse, 1757, occasional spotting, contemporary quarter calf with vellum tipped boards, joints cracked, 8vo, plus Ordinaire (Claude Nicolas), Natural History of Volcanoes: including Submarine Volcanoes, and other Analogous Phenomena, translated from the original French Manuscript by R.C. Dallas, 1801, some abrasion & surface skinning to title (not affecting text), contemporary diced half calf, blind decorated spine, joints cracked, 8vo (3)

Shropshire. The Shropshire Gazetteer, with an Appendix, including a Survey of the County, and Valuable Miscellaneous Information, bound in two volumes, Wem: Printed & Published by T. Gregory, 1824, folding engraved map frontispiece, twenty-two lithograph plates and one wood-engraved plate, occasional light spotting, contemporary gilt & blind decorated calf, 8vo (2)

Elzevir Press. M.Acci. Plauti Comoediae Superstites XX, accuratissime editae, Amsterdam: Typis Ludovici Elzevirii, 1652, engraved title (cropped at fore-edge), Ff5 & Ff6 torn with slight loss, dust-soiling and light spotting, armorial bookplate of Hudson Gurney to upper pastedown, front free endpaper deficient, contemporary speckled calf, joints cracked and some wear, 16mo in 8s, together with Pub. Terentii Comoediae sex ex recensione Heinsiana, Leiden: Ex Officina Elzeviriana, 1635, engraved title, armorial bookplate of Sir Everard Fawkener (1694-1758, English merchant and diplomat), rear free endpapers deficient, early 18th century calf, upper board detached, lower joint cracked, 12mo, and Caius Suetonius Tranquillus cum annotationibus diversorum, Amsterdam: Typis Ludovici Elzevirii, 1650, engraved title cropped at fore-edge, contemporary vellum, blind embossed oval emblem to centre of each board, lacking ties, 16mo in 8s, plus two other worn & deficient Elzevir Press volumes (5)

Whitehurst (John). An Inquiry into the Original State and Formation of the Earth, Deduced from Facts and the Laws of Nature..., 2nd edition, considerably enlarged, 1786, half-title, engraved portrait frontispiece (offsetting to title), seven engraved plates (five folding), some dampstaining mostly to gutter margins of initial leaves, scattered spotting, armorial bookplate of George Arnold to upper pastedown, contemporary marbled boards with modern half calf, 4to, together with a 3rd edition, revised & corrected of the same work, without portrait frontispiece, and Warren (Erasmus), Geologia: or, a Discourse concerning the Earth before the Deluge..., 1790, early annotations to title, final four leaved frayed to margins and repaired to margins, some dampstaining, dust-soiling and marks, rear endpaper deficient, contemporary calf, upper board scratched, 4to, with Whiston (William), A New Theory of the Earth, from its Original, to the Consummation of all Things..., 1696, engraved frontispiece (torn at head & few holes), seven engraved plates at rear (one folding), engraved illustrations, hole to upper blank margin or errata leaf, some dust-soiling and marks, recent front free endpaper, contemporary blind panelled calf, repaired at head & foot of spine, joints cracked, 8vo, plus three other 18th century related (7)

Clavius (Christoph). In Sphaeram Joannis de Sacro Bosco, commentarius, nunc quarto ab ipso Auctore recognitus & plerisque in locis locupletatus, Lyon: Joannis de Gabiano, 1602, title in red & black and with woodcut of an armillary sphere (torn to upper blank margin with slight loss to single ruled line), numerous woodcut diagrams throughout, *3 with printing fault affecting last line at foot of each side, contemporary blind embossed pigskin over wooden boards with bevelled edges, brass clasps, 3 x 6cm area of leather to lower outer corner of rear board torn away, 4to This is the fourth edition, revised by the author of his highly regarded commentary on Sacro Bosco's important text concerning astronomy. (1)

Quintilianus (Marcus Fabius). Oratoris Eloquentissimi de Oratoria Institutione Liber Primus [-xii, Argumentis doctissimis elucidatus], Paris: Michaelis Vascosani [& Matthaei Davidis], 1544-1553, colophon at end of part xii 'Parisiis, Excudebat Thomas Richardus, 1550', bound with at rear Declamatoris Eloquentissimi Declamationis Primae Argumentum, 60 leaves with drop title, staining particularly at front & rear, dampstaining throughout, contemporary vellum, 4to, together with Augustine (Saint, Bishop of Hippo), Episcopi... pars secunda, Hoc est, pugnarum adversus Haereses Donatistarum, Quorum omnium seriem versa pagina indicabit. Tomi Septimi pars prior [-pars posterior] cum Indice rerum & sententiarum locupletissimo, volume 7 only (of 10) in two (parts 1 & 2 ), Lyon: Apud haeredes Jacobi Juntae, 1562, printer's woodcut device to titles (with early ink annotation to each), some dampstaining, contemporary blind panelled vellum gilt, gilt embossed armorial to centre of each board with motto 'Desperer Servira', ties deficient, 8vo (3)

[Serao, Francesco]. The Natural History of Mount Vesuvius, with the Explanation of the various Phenomena that usually attend the Eruptions of this celebrated Volcano. Translated from the Original Italian, composed by the Royal Academy of Science at Naples, by Order of the King of Two Sicilies, 1st English edition, London: E. Cave, 1743, two folding woodcut plates (one lined to verso & with closed tear to central fold), folding table, blind library stamp to title plates, few other leaves & free endpapers, ink library stamp to verso of title, occasional scattered spotting, ownership signature of John Wickins 1744 to front free endpaper, later quarter sheep, joints cracked, spine worn, 12mo in 6s, together with Winchilsea (Heneage Finch, 2nd Earl of), [A True and Exact Relation of the Late Prodigious Earthquake & Eruption of Mount Aetna, or, Mount-Gibello; as it came in a Letter Written to His Majesty from Naples by the Right Honorable The Earle of Winchilsea, His Majesties late Ambassador at Constantinople, who in his Return from thence, Visiting Catania in the Island of Sicily, was an Ey-witness of that Dreadfull Spectacle. Together with a more particular Narrative of the same, as it is collected out of severall relations sent from Catania, Printed by T. Newcomb, 1669], folding engraved frontispiece present with few repairs to edges (dust-soiled and dampstained, old ink stamp to verso of Royal Meteorological Society, Symons Bequest), facsimile title and final leaf, first & last leaf repaired at gutter margin, spotting and dust-soiling, early 20th century wrappers with manuscript title and ink stamp to upper cover, slim 8vo, contained in modern portfolio, plus Hamilton (William), Observations on Mount Vesuvius, Mount Etna, and Other Volcanos: In a Series of Letters Addressed to the Royal Society, 2nd edition, 1773, five engraved plates and one folding map, contemporary half calf, rebacked preserving original spine, 8vo, plus four 18th century disbound pamphlets (one defective), including A Sermon on the Late Earthquakes, More particularly that at Lisbon..., by Thomas Alcock, Oxford, 1756 (7)

Gordon (Patrick). Geography Anatomiz'd: or, The Geographical Grammar. Being a short and exact analysis of the whole body of modern geography, after a new and curious method, Seventeenth edition, corrected, and somewhat enlarged; and a set of new maps, by Mr. Senex, 1741, half-title, title printed in red and black, folding map of the world, and 16 folding engraved maps by Senex, including Asia, Africa, North America and South America, contemporary blind-panelled calf, spine label loosely inserted at front of volume, a little rubbed and upper joint partly cracked, a very good clean copy, together with a defective copy of William Salmons's Geographical and Astronomical Grammar, mid-18th century, with 16 folding maps, some tears, soiling and defects, contemporary calf, some wear, both 8vo (sold with all faults) (2)

*Nelson (Admiral Horatio). Cormack (M.), Lord Nelson, published Paul & Dominic Colnaghi & Co., 1894, mezzotint on india wove after John Hoppner, blind stamp of the Printseller's Association to lower right, 650 x 460 mm, framed and glazed in a near contemporary gilt gesso frame with a velvet 'cushion' inner bevel and a maritime crest at base (1)

Goodridge (Charles Medyett, of Paignton, Devon). Narrative of a Voyage to the South Seas, and the Shipwreck of the Princess of Wales Cutter, with an Account of a Two Years' Residence on an Uninhabited Island, by one of the Survivors, Charles Medyett Goodridge, 2nd edition, Exeter: Printed & Published by W.C. Featherstone, and sold by the author, 1838, lithograph portrait and plate (lightly dampstained at head), subscribers' lists present, occasional spotting & finger soiling, lower hinge strengthened with archival tissue, original cloth, joints cracked, rubbed and some marks, slim 8vo, contained in a modern slipcase, together with Boyles Murray (Thomas), Pitcairn: The Island, The People, and the Pastor; with a Short Account of the Mutiny of the Bounty..., 2nd edition, 1853, wood engraved frontispiece, seven plates & few vignette illustrations, two lithograph portraits & one plan, scattered spotting, original green cloth, gilt & blind blocked decoration, joints splitting & some fraying at head & foot of spine, some browning to spine and boards, 8vo, plus Stowe (Harriet Beecher), Uncle Tom's Cabin; or, Negro Life in the Slave States of America, The People's Illustrated Edition, London: Clarke & Co., 1852, wood engraved frontispiece, additional title and plates, original green cloth with blocked decoration, spine faded to brown, frayed to extremities, 8vo (3)

Paris (Matthew, 1200-1259). Matthaei Paris Monachi Albanensis Angli, Historia Major. Juxta Exemplar Londinense 1571, Verbatm Recusa. Et cum Rogeri Wendoveri, Willielmi Rishangeri..., 2 parts in one, London: Richard Hodgkinson, 1640, title printed in red & black, separate title page to second part dated 1639, some dampstaining to lower outer corners, armorial bookplate of John Francis Basset to upper pastedown, endpapers renewed, contemporary blind & gilt panelled calf, gilt arabesque to centre of each board, rebacked and corners repaired, extremities lightly rubbed, folio, (STC 19210), together with Sermons, Certaine Sermons or Homilies appointed to be read in Churches, in the Time of the late Queene Elizabeth of famous memory. And now thought fit to bee reprinted by Authority from the Kings most Excellent Maiestie, London: Printed by John Bill, 1623, engraved portrait frontispiece remargined, title within decorative woodcut border, title strengthened to inner margin & following two leaves repaired to lower margins, contents leaf lined to verso, black letter text, manuscript notes to verso of final leaf, later endpapers cracked at hinges, contemporary calf, lacking clasps, rebacked, joints cracked at head, small folio, with Bentivoglio (Cardinal), The History of the Wars of Flanders..., Englished by the Right Honourable Henry Earl of Monmouth, 1678, engraved portrait frontispiece, title in red & black, folding engraved map lined to verso, engraved portrait illustrations, some dust-soiling and few marks, modern half calf, small folio, plus to other 17th century folio volumes (5)

A George III mahogany and strung bow front corner cupboard, having a moulded cornice, blind fret frieze over a pair of doors within reeded pilasters enclosing four shelves and three short drawers

An early 19th Century partner's mahogany kneehole desk:, the rectangular moulded top inset with a divided panel of tooled leather, to one side containing three narrow drawers to the frieze with recessed quatrelobe and blind fret geometric panels below and with three short drawers to each pedestal, the reverse with three narrow drawers to the similar frieze and with pedestal cupboards below each with twelve alphabetically labelled small drawers and enclosed by a faux drawer door, the sides with brass carrying handles, on a plinth base with castors, the top 146cm (4ft 9 1/2in) x 85cm (2ft 9 1/2in).

A Worcester blue and white mug, a similar milk jug and cover and a 'Blind Earl' polychrome sweetmeat dish: the cylindrical mug transfer printed with the 'La Peche/La Promenade Chinoise' pattern, hatched crescent mark, circa 1775-80, 12 cm high [crack to handle]; the jug transfer printed with the 'Fence' pattern, circa 1775-80, 14 cm [restored]; the leaf dish painted with floral sprays and a ladybird, circa 1770, 16 cm wide [some damage].