We found 44918 price guide item(s) matching your search

Howard Hodgkin (b.1932) - `More Indian Views`, from a set of five lithographs, 1976, no. 9/60, blind stamp, Designers Guild label, 8.5" x 12"; Perspex frame

Oak monk`s bench, the panelled top over a box seat panelled base with blind fret carved friezes, 52" wide overall

South Africa. Waterlow/Pretoria Pictorials. 1926-7 balance lot of Waterlow and Pretoria printings including a number of corner blocks, two ½d Robertson covers with red Exhibition CDSs one being SAH 22cb and the other with 22v4; 1d with arrow block and three corner blocks including 23cb, two blocks of 6 pairs each showing a blind perf between each vertical pair; a few 6ds, mostly used. SG 30-2

A 19th Century Oak Cabinet on Stand with Carved Figural Panels and Centre Door Depicting Seated Queen with Child to Shelved Interior, Stand with Long Drawer with Blind Carved Decoration and Pot Board Stretcher, 97 cm x 49 cm x 147 cm

Victorian mahogany chiffonier, the mirrored back with carved and pierced gallery, shelf and supports, the base with marble top, blind frieze drawer, mirrored panelled doors and plinth base

19th century mahogany bijouterie cabinet, with flat moulded pediment, blind fret carved frieze over two glazed doors, fret carved and shaped bracket supports, standing on a table base with shaped top, fitted with a drawer to frieze and on straight cabriole style legs and pad feet, 86cm wide

Mid-nineteenth century silver christening mug, the handle in the form of a young girl holding a puppy, the body embossed with figures playing Blind Man's Buff within floral C-scroll reserves, on pedestal foot, London 1850, 6.5oz approx., 11.5cm high

A pair of book plates of Zebras and three watercolours of Indian people ``A Blind Man Going a Begging``, ``A Jamboran or Gorroo and His Disciple``, ``A Man selling things with his scales in his hand`` (5)

Sir William Russell Flint (Scottish 1880-1969) limited edition print, "Th Golden Barrier, Loch Earn" signed in pencil, with blind stamp, framed.

19th c continental pine small wardrobe with Gothic blind arch decoration

LAURENCE STEPHEN LOWRY (1887-1976), Huddersfield, reproduction in colours, signed in pencil, limited edition with blind stamp, plate size 17 1/2" x 22 1/4", gilt frame (AR)

A MAHOGANY TWO STAGE CABINET, 20th century, of Georgian design with blind fret banding, moulded cornice surmounted by an arched broken fretted pediment, two astragal glazed doors below enclosing shelving, protruding serpentine base with two drawers having brass drop handles, raised on square tapering legs with spade feet and pierced front brackets, 30" x 15 1/2" x 72 1/2"

A brass-mounted & inlaid marquetry library table Third quarter 19th century, American, walnut with oak and mahogany secondary woods, the molded rectangular top centering a burl walnut panel marquetry-inlaid with a cartouche, flowering cornucopias, foliate scrolls and garlands, surrounded by brass line-inlaid borders and a molded brass edge, over a frieze with conforming marquetry and brass inlay, one side centering a drawer and the other side a blind drawer, over a Doric column arcade joining curved brass-inlaid stretchers supporting Ionic column legs with brass capitals and bands, raised on bun feet, 30.5`` H x 51.25`` W x 29.5`` D, est: $1000/1500 Provenance: Property from an Estate, Pasadena, CA. Condition: Overall good condition. General marks, scratches, wear and nicks commensurate with age and use. Sun fading to top. A small burn mark to top. Spots of whitish residue to one side of top. Lifting to brass line inlay on one stretcher. Wear to feet with some loss of finish. No key. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

(Amérique du Nord) - NELSON, Thomas.- Guide to the city of New York and its neighbourhood.London, Edinburgh, & New York, T. Nelson & Sons, 1858.Small in-8°; 10 plates (browned, some lvs or tissue guards unbound, foxing).Publisher`s binding : full blue buckhram, decorated boards with blind frames and on upper board "Nelson`s views of American scenery" inside a gilt circle with fleurons, gilt decorated spine (turn ins and joints very slightly rubbed, corners slightly dulled).Est. : 100/ 120 €Illustrated with some in texto, a map of the city and nice views on single plates, engraved in purple on a blue sky in the back figuring the narrows from Staten Islands, the city hall, Brodway with the St Nicholas Hotel, the Fifth Avenue, etc. This volume is part of a larger collection on the American towns or city.▲ Provenance : from H. Amy to Madame Joseph De Decker in 1865 (handwritten ex-dono).¶ Illustré d`in texto, d`1 carte de la ville et de jolies vues sur simples planches (en mauve sur un ciel bleu). Pleine percaline bleue d`éd. (bruni, qqs pl. ou serpentes déreliées, piqûres, coiffes et mors lég. frottés).

(Religion, Bible) - REGIUS, Henricus.- Biblia alphabetica [...] opus antehac nusq[uam] excusum & maioribus (ut vocant) concordantiis longe cum locupletius, tum perfectius [...].Coloniae, opera & impensa Melchioris Novesiani, 1535.In-4° : [496] ff. (dampstains).Hybrid binding : full calf, 16th century boards decorated with a blind tooled frame and geometrical ornaments, 17th century ribbed spine with gilt floral ornaments (rubbed, clasps missing, upper joint partially split).Est. : 300/ 400 €Bible concordance opening with a woodcut title frame attributed to Anton Woensam, featuring Christ, the four Evangelists, Saint Jerome, Saint Peter... and the monogram of Eucharius Cervicornus, an editor active in Cologne between 1517 and 1537. Historiated initial and tailpiece with angels.# VD16 R606; # http://www.libis.be; # not in Adams, nor Soltész, nor Machiels, nor Darlow-Moule.▲ Provenance : École d`arts et métiers, Marchienne-Docherie (stamp).

(Religion, Patrologie grecque) - Sanctus BASILIUS, Caesariensis.- Omnia, quae extant, opera [...].Basileae, ex officina Frobeniana (apud Hieronymum Frobenium et Nicolaum Episcopium), 1540.4 parts with continued pagination in 1 vol. in-f° : [8]- 758-[2 blanks]¬-[22] pp. (Tt6 lacking, some dampstains, more often marginals, small marginal hole at p. 347, some pp. slightly browned).Contemporary binding : full calf on wooden boards, decorated boards with blind fillets and roll-stamps (characters and floral ornaments), gilt ribbed spine, title with pen on the fore-edge (clasps lacking, spine partly unstuck, turn ins and joints renewed, some scratches, some lacks of leather on upper board, label on the inside of upper board, edges dulled).Est. : 300/ 400 €First edition of the translation by the doctor Janus Cornario or Johann Hainpol (c. 1500-1558) of the complete works of Basil the Great (330-379), Cappadocian Church Father and one of the Three Hierarchs (with Gregory of Nazianzus and John Chrysostom). Followed by the "monodia" or panegerycus and Basil`s funeral oration by the Church Father, Gregory Nazianzus (329-390), translated in Latin by the Italian historian and theologian, Raffaello Maefi (1451-1522).ogian. Copy illustrated with ornemental initial letters and Froben`s mark on title-page.▲ Provenance : Val-Dieu abbey library (handwritten mention); "Reverendissimi" Peters (handwritten ex-dono).# Adams B-336; # not Machiels nor in Soltész.Bound with (2 works in 1 vol.) : LACTANTIUS.- Divinarum institutionum libri septem [...]. Coloniae, ex officina typographica Petri Quentel, mense Augusto anni post Christum natum 1544. [24]-303 pp. (some ink stains, some light marginal dampstains at the end). Major work of the Church Father (250-325) named the "Christian Ciceron" in which he explains to pagans that polytheism is indefensible and that the reason pushes to admit Christianism`s doctrine. With the commentaries of Erasmus on the book "De opificio Dei"; # Machiels L-9, # not in Adams.

(Religion, Patrologie grecque) - ORIGENIS.- Operum [...].[Paris], in edibus Joannis Parui et Jodici Badii Ascensii (In aedibus Ascensianis, Idibus Octob. 1512).4 parts in 2 vol. in-f° : [32]-cxc, clvii, [6]-ccxxiiii, [2]-clxxv lvs (last blank lvs lacking, some lvs slightly browned, some marginal tears, one reinforced, some corners lacking, some marginal handwritten notes, some stains, marginal hole at lxii of vol. I, joint of title-page repaired, small wormholes in the beginning and marginal dampstains at the end of vol. II).Contemporary binding : full calf on wooden boards, blind decorated boards with fillets, fleurons and medaillons (with a cross and ladders), gilt ribbed spine (spines and joints repaired, fly leaves renewed, some scratches on the back boards, some fleurons or medaillons scratched, ties lacking).Est. : 600/ 800 €Second edition (1519-1520) of the translation of this very early postincunabula in accordance to the collation of this edition but with the colophon of the first edition (1512) in the fourth part. Contain all the works of Origenis : commentaries on the Bible (Genesis, Judges, Matthew, Leviticus...), the dogmatical works : "De principiis" (one of the first philosophical exposition of the catholicism), "Threni seu planctus" (on the lamentation), "Apologia Pamphili Martyris" (exhortation to the martydom), "Ruffinus de depravatione librorum, praecipue Origenis" (or "De adulteraione" on forgeries of writings during Origen`s lifetime) and the famous polemical work "Contra Celsum libri" (answer to Celius` attacks against the early Christianism contained in his "True Doctrine" of 178). Origen, from Alexandria (184/184-253/254), considered by Erasmus as the most important theologian, lead an ascetic life and and was a defensor of the apocatastasis or universal salvation. Gregorius Nazianzus, Eusebius of Caesarea (who published together an anthology of Origen`s works, "Origen`s Philocalia") and Gregorius Nyssenus resumed the same idea. Copy in a neat typography in 2 columns with dotted ornemental initial letters and 3 titles-pages (2 in red and black) with Badius Asciensius` mark (n° 1) within an engraved architectural frame with characters and Origen`s portrait in a medallion.# Renouard II-97/98; # Adams O-279 (1st ed.); # Machiels O-87 (id.); # Soltész O-132 (id.).¶ Seconde édition de ce post-incunable avec collation conforme à cette éd. mais avec le colophon de l`éd. orig. de 1512 à la 4e partie. Contient les oeuvres dogmatiques et polémiques d`Origène, considéré par Érasme comme le plus important théologien. Demi-veau à coins du 19e s. (lég. us., 2 derniers ff. blancs manquants, gardes renouvelées, éraflures).

(Religion, Patrologie latine) - Sanctus ISIDORUS, Hispalensis.- De officiis ecclesiasticis libri duo [...].Lipsiae, (excudebat Michael Blum), 1534.In-4° : [47] lvs (label and stamp on title-page, dampstains, some foxing, rare handwritten notes).Late 19th or start 20th (?) Century English (?) binding : full black calf, decorated boards with blind fillets and roll-stamps, gilt ribbed spine (label on the upper board, joints partly and slightly split, ties lacking, corners dulled).Est. : 250/ 300 €First edition of this early postincunabula religious lexic refering to liturgies, clerical functions, songs, readings, etc. ("De canticis", "De sabbato Paschae", "De Exorcitiis","De Tonsura"...) given by Johann Cochläus (1479-1552), German theologian and one of the most ardent opponents to Martin Luther. Isidorus (560/570-601/636), bishop of Sevilla, was canonised in 1522 and became Doctor of the Church in 1722.# Soltész I-54; # not in Adams nor in Machiels.Bound with (together 2 works in 1 vol.) : INNOCENTIUS III.- Libri sex, de sacro Altaris mysterio [...]. Lipsiae, (in aedibus Nicolai Fabri), 1534, [8]-91 lvs (dampstains, some foxing or stains, rare handwritten notes, small holes with small losses of text at last lf. partly reinforced or doubled, some margins reinforced at the end). First edition, given by Johann Cochläus, of the description and exegis of the liturgy by the pope from 1198 to 216; # Adams I-126.¶ Édition originale donnée par J. Cochläus du lexique religieux de Saint Isidore, évêque de Séville et Docteur de l`Église. Relié avec le traité sur la liturgie du pape Innocent III. Plein veau noir du 19e s. (mouill., marges des derniers ff. renforcés, dernier f. part. doublé).

(Religion) - [Sanctus BEDA, Venerabilis.- Opera [...].Basileae, per Joannem Hervagium, 1563.8 parts in 4 vol. in-f° (text n.c., some lvs slightly browned, some marginal light dampstains, small foxing, some marginal holes, handwritten notes in vol. I, small wormholes at the end of vol. II).19th Century binding : half sheepskin, decorated calf boards with blind fillets and fleurons, gilt ribbed spine, red edges, title with pen on the fore-edge (rubbed, spine renewed and original boards stuck on the covers, edges and corners dulled).Est. : 800/ 1.000 €First edition of this very interesting collection of works as Beda (672/673-735),English monk, author and Doctor of the Church treated many subjets in many aeras : grammar, spelling, arithmetics, astrology, astronomy, music, natural history, martyrology, intrepetations of biblical Hebrew and Greek names, commentaries (on Leviticus, Deuteronomy, parabale of Solomon, Book of Numbers, Gospels, Epistles of Saint Paul...), sins remedy, etc. The arithmetics, astrology and astronomy treaties (parts I and II) contain tables (of Pythagorus and multiplication), calendars (with feast days and martrys, lunar cycle, ephemeris -2 with caracters in red and black...) and lists (Roman emperors, pontiffs since Eusebius...), etc. Our copy is also illustrated with decorated or historiated initials letters, several diagrams (sphere, planets position, sundial, eclipses, planetes alignment, constellations...), scores, allegorical representations (planetes, astrological signs and months) and a vignette figuring Noah`s arc. Title within a nice architectural frame with Beda, Janus in a medallion, Sybilla writing on the arc "P.P.P.P.E.S.S.S.E...", Mercurius with 3 heads in a medallion in front of a Roman (?) landscape, the Roman she-wolf, and the personified Tiber (?).# Adams B-447; # not in Soltész nor in Machiels.▲ Provenance : Francesco Bohoyd (handwritten mention).Joint, same author and condition (2 works in 5 vol. in-f°) : [Tomus Tertius Collectaneorum in Epistolas D. Pauli Apostoli [...]. Paris, Jodoco Badio & Joanni Roigny (in chalcographia Jodoci Badii Ascensii, impensis communibus ispius & Joannis Roigny, calend.Aprilis.Anno, 1534)] (title-page and 1st lf. missing). Second edition (1st ed. : 1522); # Renouard II-152.¶ Édition originale des traités de Bède le Vénérable sur des sujets très variés (grammaire, orthographe, histoire nat., astronomie, astrologie, interprétation des noms hébreux et grecs de la Bible, commentaires...). Les 2 prem. t. sont illustrés de nombreux in texto dont des tables, des calendriers ou des diagrammes. Demi-basane du 19e s. (pet. défauts, lég. us., rel. frottées, dos refait et plats de la rel. originelle cons.). Vol. III des commentaires de Bède le Vénérable joint.

(Religion) - DIONYSIUS, Carthusianus.- [...] Super omnes S. Dionysii Areopagitae libros commentaria [...].Coloniae, impensis Petris Quentel, 1536.2 parts in 1 vol. in-f° : [12]-420, 59-[1] lvs (some small marginal dampstains in the beginning, larger and slightly stronger at the end, marginal tear with loss at cccxxxi, some errors in the signature of NNN corrected by hand, tear in the text without loss at ccccvi).Contemporary binding : full calf on wooden boards, blind decorated boards with fillets and fleurons, ribbed spine, title with pen on the fore-edge (brass clasps partly lacking, lower corner of upper board lacking, some lacks of leather, upper board partly split, faded spine, label on the inside of upper board, handwritten provenances on the upper fly lf.).Est. : 400/ 500 €Very rare first edition of the commentaries on the 4 works of the Pseudo-Dionysius the Areopagite ("Divine names", "Mystical theology", "Celestial Hierarchy", "Ecclesiastical hierarchy") and letters by Denis the Cartusian or the "Doctor extaticus", also known as van Rijckel or van Leeuwen (1402-1471), famous theologian and mystic from Limburg (Belgium). Followed by letters from Ignatius of Antioch, Polycarp of Smyrna and saint Anthony. The second part of the volume consists of different versions of the works of the Pseudo-Dionysius (by John Scottus Eriugenia, John Sarracenus, Ambrosius the Camaldules and Godefroy Tilman) and at the end the "Apologia ostenden beatum dionysium", the Pseudo-Dionysius` life by Battista Spagnoli and finally the "Martyrium" translated from the Greek into Latin. The Pseudo-Dionysius whom the identity is not clear and sure, is probably a Syrian monk who lived around 500 and is one of the important sources for the Christian spirituality. He was also identified as Saint Denis of Paris, 1st bishop of the town tortured in 300, or as Denis the Athenian like in the Acts of the Apostles. Neat typography with illustrations by Anton Woensam (1492/1500-1541), famous German painter and engraver on wood : title within an engraved frame figuring the Evangelists and the four Church Fathers on the sides, the celestial reign with the Trinity above and earthly reign below, larges historiated or ornemental initial letters and a woodcut (also by Woensam (?)) figuring the arms of the dedicatory Érard de la Marck, prince-bishop of Liège.# Adams D-620; # not in Machiels nor in Soltész.▲ Provenance : Johann Reinhard Mahler, doctor in canon and civil law in Hamburg (handwritten mention); Lambrechts (id.).¶ Édition originale des commentaires de Denis le Chartreux sur les 4 ouvr. du Pseudo-Denis l`Aréopagite (autres versions des ceux-ci dans la 2de partie). Suivis de lettres d`Ignace d`Antioche, Polycarpe de Smyrne et saint Antoine. Avec des ill. d`Anton Woensam. Plein veau sur ais de bois de l`ép. (pet. défauts, dos passé, qqs manques de cuir, mors sup. part. fendu).

(Science) - AGRICOLA, Georgius.- De re metallica libri XII [...].Basileae, (apud Hieron. Frobenium et Nicolaum Episcopium, mense Martio.) 1556.In-f° : [10]-[2 blanks]-538 [i.e. 502]-[74] pp.; 2 plates (marginal wormholes, some with small lacks of text, handwritten provenance crossed off title-page, some marginal dampstains, tear reinforced p. 453, some errors in pagination).18th Century binding : full calf, decorated boards with blind fillets, roll-stamps and fleurons, gilt ribbed spine, blue edges (slightly rubbed, light dampstains in the center of upper board, spine partly detached, small lacks of leather at the upper turn in, joints and back board, 1 wormhole on the spine, rest of label stuck on the spine).Est. : 10.000/ 12.000 €First edition posthumous of this famous work by Agricola (1494-1595), German physician of the mining centre of Joachimsthal in Bohemia, on the mining, refining and smelting metals, alchimy prerogatives until then. "De Re Metallica embraces everything connected with the mining industry and metalurgical processes, including administration, prospecting, the duties of officials and compagnies, the manufacture of glass, sulphur and alum" (cfr PMM). Illustrated with more than 280 woodcuts in the text attributed to Hans Rudolf Manuel Deutsch (1525-1572), some very larges, figuring the different stages of the extraction and transformation of metals. Followed by "De animantibus subterraneis", published in 1549. Copy in a fresh condition and in a neat typography with larges ornemental initials and mark of Froben on title-page and on the back of last leaf.# Adams A-349; # Soltész A-80; # Printing and the Mind of Man n° 79; # van Lennep, Alchimie, Bruxelles, 1984, p. 21; # not in Machiels.¶ Édition originale posthume de ce célèbre ouvrage du physicien allemand Agricola sur les mines, le raffinage et la fusion des métaux (aspects étudiés jusque là par l`alchimie) illustré de plus de 280 bois in texto. Plein veau de l`ép. (trous ou gal. de vers marg., rel. lég. frottée, qqs pet. manques de cuir).

(Flandres) - [ASSIGNY, Marius d`].- The History of the Earls and Earldom of Flanders, from the first establishment of that Sovereignty to the Death of the late King Charles II. of Spain.London, printed for D. Brown, S. Crouch, J. Taylor, and A. Bell, 1701.In-8° : [18]-306-[14] pp.; 1 plate.Contemporary English binding : full calf, decorated boards with blind rectangular patterns and blind angular fleurons, ribbed spine, red sprinkled edges with title with pen (joints split, rectangular designs at the top and the bottom renewed with joints partly reinforced, endpapers renewed).Est. : 200/ 250 €Rare first edition of this translation of the French "Histoire des Comtes de Flandre [...]" (1698) about the history of the Southern Provinces up to the Treaty of Ryswyck in 1697. Containing a list of the names of the English field-officers and colonels who had participated at the storming of Namur and in the campaigns of Steenkerk and Landen. Large, very detailed, engraved folding map of Flanders by Herman Moll, published by C. Browne and dated 1700.# not in Brunet, Graesse, BB.¶ Édition originale de la traduction de l`histoire de la Flandre jusqu`au Traité de Ryswyck en 1697 par d`Assigny (c. 1643-1717). Avec une grande carte dépl. Plein veau de l`ép. (mors fendus, prem. et dernier caissons restaurés avec mors part. renforcés, gardes renouvelées).¶ Zeldzame Eerste uitgave van de Engelse vertaling van de "Histoire des Comtes de Flandre [...]" uit 1698 betreffende de geschiedenis van de Zuidelijke Provincieën tot het Verdrag van Rijswijk in 1697. Met namenlijst van de Engelse officieren die deelnamen aan de bestorming van Namen en de veldslagen van Steenkerk en Landen. Met grote uitvouwbare kaart door H. Moll. Eigentijdse Engelse kalfslederen band (scharnieren gebroken, schutbladen vernieuwd).

Eighteenth century longcase clock with eight day movement, circular brass dial with engraved floral decoration and rosette windy holes, subsidiary seconds dial and calendar aperture, signed - Tho's Mankes, Chesterfield, in a pale mahogany case with fluted columns and full length shaped door, the hood with plain turned columns and brass Corinthian capitals, hood door with circular glass panel and blind fret corners, 206cm overall height

George III Chippendale Influence wing back chair, the exposed beech and pine frame on mahogany legs, with Chinese Chippendale Influence blind fret decoration and rear sabre legs joined by stretcher, on original brass and leather castors, 112cm high

George III mahogany gateleg card table of Chinese Chippendale Influence, with drawer to each end, Chinese blind fret frieze, pierced brackets, on moulded square chamfered legs, 91cm wide

R. B. Kitaj (American, 1932-2007), ``Aviator,`` color lithograph, signed in pencil lower left, edition 13/100, Gemini blind stamp lower right, sight: 15.75``h x 15.75``w, overall (with frame): 16.625``h x 16.625``wStarting Price: $150

Nathan Oliveira (Californian, 1928-2010), "Composite Head," 1972, lithograph, pencil signed, dated, titled and numbered, from an edition of 10, printed and published by the Tamarind Institute, Albuquerque, New Mexico, with the watermark and blind stamp lower right recto, sheet: 29.75"h x 22.5"w, overall (with frame): 37.75"h x 45.25"w. Provenance: from the private collection of June Wayne, artist and founder of the Tamarind Lithography Workshop.Starting Price: $1000

Robert Graham (Mexican/American, 1938-2008), Untitled, 1993, lithograph, signed and dated lower center, blind stamp lower left, sight: 14.875``h x 10.625``w, overall (with frame): 20.25``h x 16.125``wStarting Price: $250

An 18th century joined oak childs elbow chair, the panelled back with blind carving, the whole on bobbin turned forelegs (with some repairs and adaptations), w.38cm, d.27cm, h.68cm

AFTER HELEN BRADLEY "Blackpool South Shore (Waterloo Road)", a coloured print, signed in pencil and bearing embossed blind stamp

AFTER R. CATON WOODVILLE "1st World War Soldier with blooded headband standing holding a rifle", black and white engraving, signed in pencil, bears impressed blind stamp lower left

An Edwardian mahogany standing corner cupboard, in two sections, with moulded cornice above a blind fretwork frieze and glazed door, the base with panelled door and the whole raised on foliate carved bracket feet. Width 28 ins.

A VICTORIAN BURR YEW DAVENPORTwith gallery, leather inlet slopE, ink drawer and a slide to either side above three drawers or blind drawers, the front and back panelled, on lobed bun feet with castors, Bramah lock, 87cm h; 52 x 56cmA high quality Davenport in fine original condition, small veneer loss on front lip of sloping front and a smaller chip on the side near the base retaining all four original Bramah locks and the turned knob of fine colour with a few ink stains on the top but not repolished or repaired

A REGENCY ROSEWOOD SOFA TABLEwith bead mouldings and fitted with two drawers and opposing blind drawers, on trestles with high stretcher and down swept crossbanded legs with brass castors, 72cm h; 71 x 156cmA finely preserved example with the odd small loss of moulding and other pieces neatly restruck, not repolished or restored, complete and sound

A REGENCY YEW WOOD DAVENPORTwith ebony beading, the sliding top with gilt brass gallery and ink drawer above a slide and four graduated drawers or blind drawers, the brass ring handles and castors original, 83cm h; 41 x 46cmOf fine colour and in good condition, the brass lock replaced

A GEORGE III MAHOGANY CHEST ON CHESTwith key fret cornice and fitted two short and three graduated drawers flanked by blind fret angles, the lower part with three further drawers beneath a brushing slide, on bracket feet, 196cm h; 56 x 110cmPierced brass handles and lockplates replaced, the locks old brass replacements, minor damage on the angles, let in repair to the back edge of one side of the upper part; repolished

A VICTORIAN CAKE BASKETembossed and crisply chased with pendant flowers, scrolls and blind trellis, with swing handle, on conforming foot, 26cm diam, by W R Smily, London 1853, 22ozs 10dwtsAs new, heavily tarnished

A Georgian vinaigrette, of small rectangular form, with fish scale chasing around blind cartouche and foliate pierced grille

A Turkish/North African leather, skin and silver and gilt thread purse, 20th century, of rectangular form with two domed shaped panels blind pierced with skin enclosed by stylised scrolling thread, 24cm wide; with ten further Turkish North African leather purses, of various size, form and decoration, (11).

A George III style mahogany breakfront bookcase comprising a broken arch pediment with lattice piercing, blind fret frieze, the central dual glazed doors with canted rectangular panes, enclosing three shelves, similar side cupboards, the lower projecting section with four cupboards, plinth base, H 240 x W 229 cms approximately

A mahogany and rattan covered chest of two short blind fret drawers over three long drawers, metal bracket feet with stylised paterae, H 88 x W 95 x D 55.5 cms approximately

Samuel William Reynolds, British 1773-1835- "The Age of Innocence", after James Northcote RA; mezzotint, 36.5x27cm: Alexander Browne, British fl 1659-1706, Publ- "Frances Stuart Countess of Portland", after Anthony van Dyck; mezzotint, 39x27.2cm: James Wilson, British fl. 1760-1780- "Miss Jones", after Catherine Read, c.1768-1771; mezzotint, 35x25cm: Richard Purcell, British fl. 1746-1768- "The Revd John Cennick", after Thomas Jenkins; mezzotint, 35x25cm: Robert Sayer & J Bennett No 53 Fleet Street 17 April 1779, Publ- "Blind Plaintiff lame Defendant Share the friendly Law`s impartial Care. A Shell for him a Shell for thee. The middle is the Lawyers Fee"; mezzotint, 36x24.5cm: Carington Bowles, Map & Printseller No 69 in St Pauls Church Yard London, Publ, 18th century- "Beau Mordecai Inspir`d"; mezzotint, 35.5x25cm., (6) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Anthony Benjamin, British, 1931-2002- "Clarendon"; screenprint printed in colours, signed, titled, and dated 72` and inscribed 43/95 in pencil, with blind stamp,104.5x75cm: together with two further screenprints printed in colours entitled "Meccarama" and "Egyptienne Sherif", ea. signed titled, dated `72, embossed with blind stamp and numbered 33/95 and 59/95 respectively, ea. 104.5x75cm, (3), (unframed), (may be subject to Droit de Suite)

Jacob Krämer (1892-1962): Bust Portrait, charcoal signed and dated '18 inscribed 'To Harold from Jacob' 30cm x 27cm; Bust Portrait, black ink inscribed 'To Harold from Jacob' 25cm x 20cm; 'The Blind Beggar', second impression artist's etching titled signed and dated 1918 in pencil also inscribed 'To J H Wood' 19cm x 22cm (all unframed) Provenance: Gift from the artist to John Harold Wood artist, author (Jamaican Palette 1955) and Landscape Gardener (Gold medal winner RHS Chelsea Flower Show 1913) DDS - Artist's resale rights may apply to this lot

Herbert Thomas Dicksee (1862-1942): 'Old African Lion', etching signed in pencil published Frost & Reed 1924 with blind stamp, original hand written title and artist's address label verso 16cm x 29cm

Herbert Thomas Dicksee (1862-1942): 'Tiger Drinking', etching signed in pencil published 1921 with blind stamp, original hand written title and artist's address label verso 21cm x 31cm

George III inlaid mahogany bureau cabinet with blind fret decoration, the fall front enclosing a fitted interior over two short and three long drawers.

Pair of 20th century mahogany circular lamp tables with frieze drawers and blind fret carving, on four legs with understretchers, 66cm diameter.

AN EARLY 19th CENTURY MAHOGANY LONGCASE CLOCK, the attractively painted arched dial signed James Miller, Port Glasgow, 8 day movement, the hood with swan neck pediment and fluted brass mounted columns, the ogee arch carved trunk door beneath a band of blind fretwork and flanked by fluted quarter columns on a square plinth. 2.07m

AN EARLY 18th CENTURY DUTCH FLORAL MARQUETRY WALNUT LONGCASE CLOCK, the hood with caddy top, decorated with tulips, carved with blind fretwork and enriched with gilt spheres, the front and sides with spirally turned columns, the trunk door finely inlaid with birds and a flower filled urn and fitted with an oval lenticle, on a rectangular box plinth, the 12” brass dial signed Barent Walis, Amsterdam eight day quarter striking movement. 2.34m

Percy Lancaster (British, 1878-1951) Three Old Women,The Little Bridge and The Portal, each signed in pencil, and with Peter David`s blind stamp, etchings (3)

James Alphege Brewer (British, act. 1909-1938) Lake Lugano and Sorrento, both from the Italian Lake Series, each signed in pencil and having the blind stamp of The Fine Art Trade Guild, coloured etchings, 52cm x 17.5cm (2)

ARR AFTER SIR WILLIAM RUSSELL FLINT RA (British 1880-1969), 'Model for Elegance', colour reproduction, c. 1984 with blind stamp for Michael Stewart Fine Art Ltd., no. 424 of an edition of 850, 34cm x 49cm

Wortley, Axe Prof. J. (ed) "The Horse, its Treatment in Health and Disease..."four volumes, The Gresham Publishing Company, 1906, green cloth, gilt titles, blind stamped decorations, together with a Pamphlet, "The Horse Dissected Model" (5)

Mrs Beeton's Household Management...a complete Cookery Book..", coloured plates and illustrations, colour frontis, Ward Lock and Co Limited, brown boards, with red backstrip, blind stamped and gilt decorations to backstrip, some marks to front board, binding tight and clean

Hulme, F. Edward "Familiar Wildflowers", 1st, 2nd, 3rd and 4th series, Cassells, Petter, Galpin and Co, colour plates with tissueguards and illustrations throughout for all four volumes, some foxing but plates clean, green cloth, heavily decorated with gilt titles, flowers and coloured front boards, and a.e.g., Johns, Rev. C.A. "Flowers of the Field", George Routledge, 1911, various colourplates, illustrations throughout, colour frontis with tissueguard, library plate inside front board, green cloth, blind ruled gilt decorations and titles, with South, Richard "The Butterflies of the British Isles", and "The Moths of the British Isles", first series and second series, both published Frederick Warne and Co., colourplates and illustrations, blue cloth with gilt titles and decorations, Coward, T.A. "British Birds of the British Isles and Their Eggs", with coloured plates and other illustrations, published Frederick Warne & Co., first series and second series brown decorated cloth (10)

WWI family group of medals, distinguished conduct group of four to "Thomas Ashmore, Sixth Battalion Dorsetshire Regiment", DCM named to "13447. Pte. T. Ashmore. 6-Dorset.R", 1914-15 star war and victory medals named to "13447. Pte. T. Ashmore. Dorset.R.", Thomas Ashmore died of wounds on 25/10 1917, DCM citation "For conspicuous gallantry and devotion to duty after heavy bombardment by mustard gas shells, from which his company suffered severely, he carried out his duty as a stretcher bearer. Although almost blind and vomiting severely he continued until quite exhausted and unable to see.", group of four medals awarded to "Daniel Ashmore, 6 Dorset Regiment", 1914-15 star, war and victory medals named to "11829. Pte. D.B. Ashmore. Dorset. R.", WWII defence medal un-named as issued, mounted on bar, box of issue for WWII defence medal

A George lll Mahogany Eight Day Longcase Clock, swan neck pediment with blind fretwork decoration, Mahogany crossbanded case, the painted enamel dial with seconds dial and date aperture, 91ins.

Armenian Book, 1767. Quarto, title printed within woodcut border, each text page printed within a compartment, whimsical woodcut initials in the Armenian manuscript style used throughout, woodcut head- and tail-pieces throughout, and device on colophon, with many manuscript notes in Armenian inside the boards, on fly leaves, and preliminaries, bound in its original wooden boards, covered with dark blind-stamped leather, sympathetically rebacked, missing leather restored, 7 3/4 x 5 3/4 in.

Benayi Divani Manuscript. [Istanbul, 1570]. Text in Ottoman Turkish and Persian, 39 leaves, written in black and red ink on tinted papers, with gold and colored accents, bound in smooth red sheepskin with a gilt compartment on each board and a blind-tooled floral decoration inside; thumbing to text, water stains, old stamps, 9 1/2 x 5 3/4 in.