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O’SULLIVAN, T.D., M.P. Prison Poems; or, Lays of Tullamore. Dublin, Nation Office, 1888.Timothy Daniel Sullivan [1827-1914], born in Bantry, was MP for Westmeath and later for Dublin. His best-known songs include ‘God Save Ireland’, in memory of the ‘Manchester Martyrs’, and ‘Ireland Boys, Hurrah’. He was a member of the Irish Party and a supporter of the Land League. In 1888 he served two months in Tullamore Jail for publishing reports of banned Land League meetings. With[CANNON, Rev. Francis]. An Apostrophe to the Spiritual Sons and Daughters of St. Patrick, at Home in Hibernia, and Scattered over this World of Ours. By An Americo-Hibernian Priest. Green buckram with blind stamped design, title in gilt. Duffy, Dublin n.d. (c. 1878). Inscribed to V. Rev. R. White O.P. by the Author.Fr. Cannon was born in Killybegs and spent much of his life in America where he became a Franciscan, but returned home late in life. Scarce. (2)

SIR JOHN LAVERY RA RHA RSA (1856 -1941)Michael Collins and Arthur GriffithSigned lithographic prints, 33 x 43.5cmSigned by both artist and sitters with Artist's Proof blind stampProvenance: This lot was purchased by the vendor in these rooms, April 20th 2010, Independence Sale, Lot 586, for €4,250.

EARLIEST APPEARANCES OF OSCAR WILDE IN BOOK FORMMac Ilwaine (Rev. W.) Lyra Hibernica Sacra, 8vo, Belfast 1878. Original crimson red cloth boards with gilt and blind stamp decoration. Contains four poems of Oscar Wilde, his earliest appearances in book form.

ECHARD, LAURENCE (1670-1730), Trans. Plautus's Commedies, Amphitryon, Epidecus, and Rudens, made English with critical remarks upon each play. L. 1694. 1st Eng., ed. 1 vol. 8vo. ESTC R4311. 2pps., of pub adv to rear. Cont., cf. Blind tooling to boards. Along with C. Julii Caesaris et A. Hirtii de Rebus a C. Julio Caesare gestis Commentarii. Trans., Michael Maittarie. Lacks title page, but appears to correspond with ESTC T491980. Lacks pages from 357 onwards. Nice frontis and two folding maps of three present. Plus another on Odes. [3].

GORDON, REV. JAMES BENTLEY (1750-1819). A History of Ireland from the Earliest Account. To the Accomplishment of the Act of Union with Great Britain in 1801. L. 1806. 2 vols. 8vo. 1st ed. Cont., calf with marb., boards. Boards beginning to split, but holding firm. Spines with gilt motif & black mor., j.t. (scuffed and rubbed). Copac reports only 3 copies. Rare. Along with, Hole, (Dean R). An Oxonian. A Little Tour in Ireland. L. 1859. 8vo. 1st ed. Fdg hand col'd. engd. frontis, linen bck. 4 plts. complete. Orig pict blind stpd cl gt & a.e.g. Nice copy. [3].

Bulstrode of Cambridge; a Victorian oak Gothic Revival centre table, the canted rectangular leather inset top over a blind Gothic tracery frieze with pair of drawers on four turned supports, united by stretcher , the drawer stamped 'Bulstrode Cambridge', 114cm wide. Illustrated

Laurence Stephen Lowry The Pond signed in pencil, Guild blind stamp colour print 43cm x 57cm This lot may be subject to Artist Resale Right

Laurence Stephen Lowry Street Scene signed in pencil, Guild blind stamp colour print 25cm x 20cm This lot may be subject to Artist Resale Right

A late Georgian mahogany chest/cabinet, fitted with banks of four drawers over a central blind drawer and recess, single long drawer under, bracket feet, width 91cm, depth 51cm, height 80cm.

A Regency mahogany washstand commode, adapted with ebony cock beading, hinged lid enclosing an open interior, now with a single door over a blind drawer, further drawer and commode drawer under, square tapering legs, old restoration, width 57cm, depth 56cm, height 91cm.

A Regency design gilt wood and gesso overmantel, 19th Century, tripartite plate, trellis pattern blind fretwork frieze, flanked by fluted pilasters with Corinthian capitals, width 163cm, height 80cm.

A French mahogany, satinwood and gilt metal mounted transitional style ladies writing table, the rectangular top with tooled leather insert, above a blind frieze drawer centred with a bleu celeste ground porcelain panel decorated with shepherd and attendant girls, the back and sides similarly decorated with circular and oval porcelain panels, raised on tapered cylindrical supports with fluted detail, acanthus collars and tapered cylindrical feet, 81cm wide x 72.5cm high x 60cm deep.

A 19th century mahogany work table, the hinged, revolving, rectangular top above a blind frieze drawer and pull-out well within a U-shaped frame, raised on a baluster column and concave platform base with scroll feet and brass casters, 53cm wide x 75cm high x 37.5cm deep.

A late 19th century kingwood, floral marquetry and gilt metal mounted occasional table, the shaped oval top centred with flower and foliate inlays, above a blind frieze drawer, raised on four tapered cabriole supports with foliate cast mounts trailing to pierced sabots, 78cm wide x 71.5cm high x 49cm deep.

A 19th century mahogany and boxwood lined bureau bookcase, the moulded cornice with dentil frieze above a blind fret work arcaded frieze, over a pair of astragal glazed cupboard doors opening to a fitted interior of adjustable sliding shelves, the bureau with a hinged fall front opening to a fitted interior of pigeon holes, cupboard door and small drawers, over four long graduated drawers, raised on bracket feet, 117cm wide x 226cm high x 53cm deep.

A George III oak tall boy, the moulded cornice above a blind convex frieze drawer over two short and three long graduated drawers, on a base fitted with a small central drawer flanked by two deeper drawers, raised on short cabriole supports with scroll carved details, 102cm wide x 154cm high x 61cm deep.

Pair of Paisley design curtains 210cm drop & matching blind

BRYAN PEARCE. Westcotts Quay. Coloured etching. Stamp signed, numbered 64/300 & with Estate of Bryan Pearce blind stamp. 38 x 40cm.

Margaret Chapman signed print with blind stamp

After Margaret Chapman, framed print "Butcher Boy #1", signed with blind stamp

After Tom Dodson, framed print, signed with blind stamp

Four contemporary blind fabrics (D110cm x W150cm x 2, D113cm x W108cm, D140cm x W160cm)

After Sir William Russell Flint (Scottish 1880-1969): 'Castanets', limited edition proof signed in pencil with blind stamp 42cm x 55cm

After Joseph Mallord William Turner, engraving, Nemi Italy, signed in the plate and dated 1840 and with a feint blind stamp, 34cm x 49cm - framed and glazed, with Thomas Agnew & Sons label verso

Steven Townsend signed Limited Edition 255/400, barn owl, with blind backstamp. 25 cm x 20 cm, framed and mounted.

Wendy Reeves, signed Limited Edition print 681/850, "The Best of The Day", with Fine Arts Trade Guild blind stamp. 35 cm x 53 cm, framed and mounted.

2 books, "From Foxes Earth to Mountain Tarn" by J.H. Crawford, with blind stamp "Review Copy" with John Lanes Compliments, published by John Lane, and "Lakeland Grey" by Richard Clapham 1947.

Steven Townsend, signed Limited Edition print 21/500, "Daylight Vigil", with Northern Editions blind stamp. 45 cm x 35 cm, framed and mounted.

George W. Pickering, signed Limited Edition print 189/500, "Reflections of Bygone Days" barn owl, with Northern Editions blind stamp and Certificate of Authenticity verso. 37 cm x 29 cm, framed and mounted.

A mahogany bookcase, the blind latticework frieze above a pair of astragal glazed panelled doors enclosing adjustable shelves raised on bracket feet, width 122cm

GREEN LACQUERED LONG CASE CLOCK, 18th century, the brass dial with 11 1/2" silvered chapter ring, subsidiary seconds dial and date aperture beneath a moon and sun phase dial with an automaton figure of Father Time, inscribed Wm Andrews, London, on an eight day striking movement, the hood with blind fretwork, arching glazed door with 3/4 columns, the trunk with arched panel and plinth base, the whole with a chinoiserie pagoda scene in relief with gilt painted highlights, height 217cm

MANNER OF CORNELIS ENGEBRECHTSZ (c.1460/68-1527) TRIPTYCH: ADORATION OF THE MAGI (centre); THE TAKING OF ST. PETER (left); THE BEHEADING OF ST. PAUL (right) Oil on panel, the outer wings apparently by a different hand, showing `Noli me Tangere` (left) and `Christ healing the blind man` (right) Central panel 44.5 x 33cm.; wings 44.5 x 15cm.; open 50.5 x 73cm inc frame; closed 50.5 x 37cm. ++ Paint loss in central panel, principally at tight, but also elsewhere (see head of kneeling magus at left); some incipient blistering and flaking of surface; some scattered retouching on all panels

BRASS FOUR PANE CARRIAGE CLOCK, the enamelled face with French style numerals to the main and alarm dials, on an eight day half hourly striking brass movement with repeater and alarm mechanisms, in a case with Corinthinan column corners and blind fret work panel to the front, height excluding handle 16cm

WOOD VENETIAN BLIND SIZE 120X200CM BEECH COLOUR / GRADE: UNCLAIMED PROPERTY (DC4)[{MK140416}]

WOOD VENETIAN BLIND SIZE 120X200CM BEECH COLOUR / GRADE: UNCLAIMED PROPERTY (DC4)[{MK140416}]

•DAME ELISABETH FRINK (1930-1993) "Man", signed in pencil to the margin and numbered 48/100, printed at Kelpra Studio with their blind stamp, etching and aquatint in brown, plate size 8.5" x 7.75". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.

•DAME ELISABETH FRINK (1930-1993) "Horse", signed in pencil to the margin and numbered 8/100, printed at Kelpra Studio with their blind stamp, etching with aquatint in reddish brown, 8.25" x 7.75". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.

•DAME ELISABETH FRINK (1930-1993) "Strawberry Roan", signed in pencil to the margin and inscribed A/P, printed at Kelpra Studio with their blind stamp, artist proof etching with aquatint in brown, 1980, plate size 21.25" x 27.25". See illustration. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.

A VICTORIAN MAHOGANY "CHIPPENDALE REVIVAL" DISPLAY CABINET, the upper section with a pierced border above twin glazed doors enclosing a shelved interior, above two short drawers and an open shelf stretcher, with all over blind fret and pierced carved decoration, 29" wide. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.

A GEORGE III STYLE MAHOGANY SILVER TABLE of Chinese Chippendale design, the rectangular top with a pierced fretwork gallery over a conforming blind fret work frieze, on four chamfered legs, pierced corner brackets and block feet, with "S"-scroll stretcher with a dished circular platform, 27.25" wide. Provenance: The Collection of the late William Gronow Davis MFH of King John's House, Tollard Royal, Wiltshire.

A VICTORIAN MAHOGANY WRITING DESK, the upper section with two cupboards, above a leather-lined sloping writing surface enclosing a fitted interior, above a single blind and two short drawers, on two pedestals of three short drawers and plinth bases, 54.5" wide. See illustration

MICHAEL ROTHENSTEIN (1908-1993); a signed limited edition woodcut and lino engraving, "White Horse Sunrise", signed in pencil lower right and numbered 77/150 lower left, also bearing blind stamp lower right, 66 x 51.5cm, framed and glazed. Provenance: purchased from Christie's Contemporary Art, sold with certificate of authenticity. (D) CONDITION REPORT: Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Fever Van", signed in ballpoint pen lower right, bearing Fine Art Trade Gallery blind stamp and letter to number stamp indicating 302/850, 44 x 53cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk No foxing. Brown discolouration to the margin. Colours still good. Signed in pen. Not inspected out of the frame.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "View of a Town", signed in pencil to lower right, bearing Fine Art Trade Guild blind stamp and letter to number indicating 111/850, 47 x 57.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk Quite badly browned to margin and image. Retains good colour. Signed in pencil. Blind stamp lower left. No foxing. Not inspected out of the frame.

A stunning 1960's Gordon Russell sideboard of long and low form raissed on squared supports with blind fronted cabinet doors having recess handles to the door tops. Gordon Russell of Broadway labels to the verso Measures: 73 x 183 x 50.

An Edwardian mahogany chiffonier / pier cabinet. Raised on serpentine base with single glass display cabinet having a blind fret worked dentil and flared top above. Measure: 103 x 60 x 39.

A stunning 19th Century Chinese export lacquered chinoserie decorated cabinet stand / marriage chest. The cabinet with gilded decorated with buildings, people and landscape scenes having a fully appointed interior of drawers. All raised over stunning profusely carved cabriole legs with blind fret worked apron. Dismantles into 2 pieces, the drawers linings of oak construction

19thC gilt framed engraving entitled "Blind man's bluff". 76x55cm

Great Britain - QV (line engraved) : (SG 14) 1841 2d blue, Bam 4 very small to huge margins, vertical guide line outside NE corner square, double (blind) A, slight gum tones, h/r, m.m. Very scarce. Cat £6250 (image available)

IVON HITCHINGS LITHOGRAPH. Ivon Hitchings offset lithograph colour print flower painting 1931, No 213/500 with gallery blind stamp, 50 x 60cm

Margaret Chapman. Colour print. 24cm x 33cm. Framed. Blind stamp lower left. Signed in pencil.

Lawrence Stephen Lowry R.A (1887-1976) print 'The Harbour'' signed in pencil by Lowry lower right and with Fine Art Trade Guild blind stamp lower left, believed to be a limited edition of 850 (44 x 58cm)

A 19th century Scottish oak chest of drawers with three short blind frieze drawers. 124.5cm high x 124cm wide x 57cm deep. Splits to sides and some inlay losses.

A late 19th/early 20th century mahogany serpentine chest of four long drawers flanked by blind fret canted front curners under a brushing slide and raised on splay bracket feet. 80cm wide, 81cm high, 50.5cm deep. Provenance: Bowdon Old Hall, Cheshire

A set of six 19th century mahogany Chippendale style dining chairs, each with shaped top rail over a pierced vase shaped back splat above a recovered drop-in seat on squared chamfered blind fret carved front legs, united by a plain H-structure (6). 56cm wide Provenance: Bowdon Old Hall, Cheshire

An early 20th century mahogany triple wardrobe with blind fret decoration, fitted with 18th century style swing brass handles, 202cm wide Provenance: Bowdon Old Hall, Cheshire

An 18th century style serpentine mahogany chest of four long cockbeaded drawers under a pull-out brushing slide between blind fret canted front corners raised on ogee shaped bracket feet, 94cm wide, 81cm high, 52cm deep

A Worcester 'Blind Earl' moulded plate, circa 1770, painted with scattered floral sprays and sprigs within a brown-lined scalloped rim, unmarked, 19.5cm diameter Provenance: Bowdon Old Hall, Cheshire

A George III mahogany glazed bookcase with Chippendale style astragal glazed doors under a Greek Key moulded cornice and scrolling leaf frieze, on a later blind fret decorated stand, 132cm wide, 201cm high, 36.5cm deep Provenance: Bowdon Old Hall, Cheshire

An early 20th century mahogany low glazed bookcase, the blind fret frieze over three astragal glazed doors revealing two adjustable shelves raised on shaped bracket feet, 181cm wide, 114cm high, 32cm deep Provenance: Bowdon Old Hall, Cheshire