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Jones (Owen). The Sermon on the Mount, Longman, 1844, thirty-two stiff card pages, the text surrounded by col. borders chromolithographed in green, red, blue, black and gold, with a single chromolithographed illust. finished by hand, slight browning, orig. brown calf by Hayday, embossed in blind, with cut-out vellum panels on front and back titled calligraphically by hand, vellum panels and joints slightly rubbed, a.e.g., small 8vo. McLean, Design, pp.86 and 224. (1)

Jones (Owen). The Prism of Imagination, by the Baroness de Calabrella, Longman, Brown, [etc.], 1844, decorative borders printed in col. around every page of text, and a series of illuminated chromolithographed title pages in the "Alhambra" style by Owen Jones, slight browning, orig. brown morocco, blocked in gilt and blind, a little rubbed, a.e.g., 8vo. McLean, Design, p.88. A scarce secular gift book. (1)

Lockwood (M.S. and Glaister, E.). Art Embroidery. A Treatise on the Revived Practice of Decorative Needlework, Marcus Ward, 1878, nineteen plts. printed in cols., wood engrs. in the text, orig. brown cloth, blocked in gilt and blind, slightly rubbed at extremities, a.e.g., 4to. (1)

Martin (John, illust.). The Paradise Lost of Milton. With Illustrations by John Martin, Charles Tilt, 1833, twenty-four mezzotint plts., slight marginal staining at the beginning and end, mid-19th-c hal calf, spine gilt, black leather label, marbled board sides, a.e.g., together with The Paradise Lost of Milton. With Illustrations by John Martin, Henry W. Washbourne, 1849, twenty-four mezzotint plts., contemp. full purple morocco, sides blocked in gilt and blind, spine gilt in compartments between raised bands, a trifle rubbed, a.e.g., large 8vo. A monumental work, first published in twelve parts, 1825-27. (2)

Nature and Art, Vols.1 and 2 (all publ.), Day & Son, 1866-67, all of the various plts., incl. chromos. present as listed, except for "Hawking in the Olden Time" in Vol.1 (? issued later as a general title-page), orig. blue cloth, upper covers and spines blocked in gilt to an ornate design representing the arts and the natural world, lower covers blocked in blind, a.e.g., a good bright copy, together with a copy rebound as a single volume, including the "Hawking" plt. in Vol.1, in contemp. half blue calf, spine gilt, red leather label, red cloth sides, a.e.g., large 8vo. "Nature and Art" was the first periodical to use chromolithograph plates as illustrations. It was continued, in 1867, as "The Chromolithograph". The copy in orig. cloth has, loosely inserted, the original watercolour sketch of the Entrance of Glenfinlas, near the Brigg of Turk and the Trosachs, by Aaron Penley, reproduced facing p.48 in Vol.1. See McLean, Design, p.136. (3)

Pickering (William, publisher). The New Testament in English translated by John Wycliffe circa MCCLXXX. Now first printed from a contemporary Manuscript formerly in the Monastery of Sion, Middlesex, late in the Collection of Lea Wilson, Printed at Chiswick by Charles Whittingham for William Pickering, 1848, frontis and title-page in red and black, the half-title present, full dark purple morocco by Hayday, tooled in blind, spine lettered in gilt, joints a trifle rubbed, a.e.g., small 4to. Bookplate of G. F. Watts on the front pastedown, and presentation inscription "Georgiana Burne Jones from C.P.", dated 1860. (1)

Summerbell (L.). The May Queen by Alfred Tennyson, In Illuminated Borders designed by L. Summerbell, Frederick Warne, [c.1875], title-page and eighteen pages of text, chromolithographed by George Berridge, orig. purple cloth, upper cover lettered and blocked in gilt to a floral design, spine lettered in gilt, lower cover blocked in blind, a.e.g., spine faded, together with another copy, in a variant binding, orig. green cloth, upper cover blocked in gilt and black, a.e.g., a trifle rubbed, 8vo. (2)

Wills (Alfred). 'The Eagle's Nest' in the Valley of Sixt; a Summer Home among the Alps; together with some Excursions among the Great Glaciers, 2nd ed., 1860, half-title present, twelve tinted litho. plts., 4pp. pubs. ads. at rear, orig. gilt dec. cloth, minor wear to extrems., together with Cheever (George B.), Wanderings of a Pilgrim in the Shadow of Mont Blanc and the Jungfrau Alp, new ed., n.d., c. 1860, ten steel eng. plts., text within decorative border, a.e.g., orig. gilt dec. cloth, minor wear to head and foot of spine, plus Bell (Caroline), Pictures from the Pyrenees; Or, Agnes' and Kate's Travels, pub. Griffith & Farran, 1857, eight hand-col. plts., a few wood engs. to text, 16pp. pubs. cat. at rear, some minor scattered spotting, a.e.g., orig. blind-stamped and gilt dec. cloth, upper joint partly split, and Anderson (Eustace), Chamouni and Mont Blanc: A Visit to the Valley and an Ascent of the Mountain in the Autumn of 1855, pub. 1856, two col. litho. plts. (one folding), orig. blind-stamped cloth gilt, spine sunned, all 8vo (4)

Bregion (Joseph and Miller, Anne). The Practical Cook, English and Foreign; containing a Great Variety of Old Receipts, Improved and Re-modelled, 1845, twelve eng. plts., minor adhesion damage to p.223, 16pp. pubs. ads. at rear, orig. blind-stamped cloth gilt, a little rubbed, small 8vo, together with Louvet de Couvray, Les Aventures du Chevalier de Faublas, 2 vols., Paris, 1842, num. engs. to text, orig. printed wrappers, retained in later crimson half morocco gilt by David, a little rubbed, large 8vo, and other misc. books (a carton)

Dinsdale (Alfred). Television, with a Foreword by Dr. J.A. Fleming, 2nd ed., pub. Television Press Ltd., 1928, port. frontis., b & w illusts. from photos., diags. to text, orig. cloth, a little rubbed on spine, 8vo, together with Holtzapffel (Charles), Turning and Mechanical Manipulation. Intended as a Work of General Reference and Practical Instruction, on the Lathe, and the Various Mechanical Pursuits followed by Amateurs, vols. 1-3 (of 6), 1846-56, diags. to text, orig. blind-stamped cloth gilt, upper hinge of vol. 3 split, 8vo, and Harrod's General Catalogue, 1929, num. b & w illusts. of household goods, incl. furniture and fittings, clothes, sports equipment, etc., orig. cloth gilt, soiled and worn, 4to, with other misc. books incl. trade catalogues, television and radio interest, etc. (3 shelves)

A pair of Royal Crown Derby plates, painted with flowers by C. Gresley against a pale blue border, date code 1937 (10.5in.) and a Mintons plate moulded and painted with a Blind Earl-type floral design, date code 1878 - 9.25in.

A fine Cheshire figured mahogany eight-day longcase clock with moonphase, circa 1780, the four-pillar rack and bell striking movement with 13.5 inch brass Roman numeral break-arch dial, with subsidiary seconds dial and calendar aperture to the foliate scroll engraved silvered centre, within silvered chapter ring and foliate scroll spandrels beneath moonphase and signature 'Samuel Clare, Hatton' to arch, in swan neck pedimented case with verre eglomise infill and fluted pilasters to hood over blind fret decorated throat and shaped-top bookmatch veneer trunk door flanked by quarter columns, on raised panel applied plinth base with canted angles and ogee bracket feet, 252cm high..

A good Somerset oak thirty-hour longcase clock, circa 1765, the four-pillar outside countwheel bell-striking two-handed movement with 11 inch square brass dial applied with Roman numeral chapter ring, with Arabic minutes and signed 'John Rouckliffe, Bridgwater' to lower edge, with string of pearl pattern spandrels and leafy scroll arch bird in flight engraved centre, the square-top case with ogee moulded cornice, blind fret frieze and integral pilasters to hood, over rectangular trunk door and plinth base with shallow skirt, 194cm high.

An Edwardian mahogany Chippendale Revival lamp table, with pierced gallery top over shaped blind fret apron and four square section tapered supports with platform undertier supported on shaped pierced stretchers between, 77cm high, the top 43cm x 37cm.

An Edwardian figured mahogany display cabinet, with moulded cornice over crossbanded flame figured frieze and twin astragal glazed doors enclosing shelved interior, with panel veneered fiddle back figured blind panels to base, on four square section tapered supports with spade feet, 92cm high, 169cm wide, 36cm deep.

A George III mahogany chest on chest, the dentil and blind fret cornice above two short and three long drawers between reeded canted corners, the base with a brushing slide over three long graduated drawers, on bracket feet, 111cm wide

After Sir William Russell Flint THE MIRROR, Limited edition print, signed in pencil, published 1962 by Frost & Reid Ltd, blind stamp to corner 32 x 48cm

AN EARLY 20TH CENTURY MAHOGANY GEORGIAN STYLE BOW FRONTED DISPLAY CABINET, with moulded cornice and frieze above a pair of glazed doors with arched glazing bars enclosing fixed shelves, the sides also glazed, the lower part with a pair of blind doors with applied ribbon bow and leaf and berry oval wreaths, on turned legs. Width 51". Height 74".

A VICTORIAN WELSH OAK DOUBLE CORNER CUPBOARD, the upper part with moulded cornice above a pair of glazed doors with applied mouldings enclosing shaped shelves, the lower part having a pair of blind doors with similar mouldings, the angles canted throughout, raised on bracket feet. Width 39". Height 80".

AN EARLY 19TH CENTURY OAK LONG CASE CLOCK, with eight day striking movement, the arched painted dial with arabic numerals, second and calendar dial and inscribed "Fox Beverley", the domed hood with turned wooden finials, blind fret and fluted angle pillars, the trunk with long shaped door, the cross banded base on bracket feet. Dial Width 12". Width 13". Height 94".

A LATE 19TH CENTURY WALNUT GRANDE SONNERIE WALL REGULATOR, the three train weight driven movement quarter striking and chiming on a coil, the dial with roman numerals, the rectangular architectural case with glazed front and sides, the back board with blind fret panel, the base tapered. Height 57". Width 14.5".

Kelly's Directory of Somerset, 1906, blind stamped cloth (some fading)

Kelly's Directory of Somerset and the City of Bristol, 1797, blind stamped cloth (spine faded)

An early 20th century mahogany display table, the hinged and glazed top with a blind fret carved border on carved cabriole legs with 'X' stretcher on ball and claw feet, 78cm high x 47cm deep x 79cm wide

CECIL ALDIN, Figures outside a Manor House, colour print, published by Eyre and Spottiswoode Ltd, pencil signed with blind stamp of the Trade Art guild with minor spotting in margin edges, 12 1/2 x 15 1/4in

A George III mahogany chest on chest, the dentil cornice above a blind fret secret drawer and reeded quarter pilasters with gilt brass corinthian capitals, the two short and six long graduated drawers fitted replaced cast brass handles on ogee bracket feet, 6ft 2.25in (188.6cm) 4ft (122cm) wide.

A William IV mahogany bow front chest, crossbanded top with boxwood stringing to a moulded edge, brass inlaid blind frieze drawer above four long drawers, on swept bracket feet, 44in (112cm) high x 42in (107cm) wide.

A French kingwood marble top vitrine in the manner of Francois Linke, fitted a blind frieze drawer above a pair of wire grille, glazed and silk curtained doors, a central drawer and tambour shuttered cupboard, quarter veneers,foliate leaf and wreath moulded ormolu mounts to the frieze, plain ormolu edge mounts, foliate chased mounts to the dwarf cabriole legs, apron and sabots, c. 1900 4ft 2.5 in (128cm) high x 24 in (61cm) wide.

An 18th century walnut veneered longcase clock, the 8 day five pillar movement striking on a bell to a brass arched dial with moon phase and subsidiary seconds dial and date aperture, inscribed 'John Gordon, London', the stepped hood with blind fret decoration, the trunk door with a moulded edge to a base with later mouldings and block feet, 8ft 3in (251.5cm) h.

Laurence F. Rosso, North West Coast Indian Contemporary School- 'Eagle Box Design', publ. by E.B. Gallery Collection; lithograph in black and red, signed titled and numbered 87/225 in pencil, bears publisher's blind stamps, 76x56.8cm

After Jules Cheret- Dancer standing full-length, publ. by Les Maitres de L'Affiche, Imprimerie Chaix; lithograph in brown and orange, bears publisher's blind stamp, 38.3x28cm: together with two other similar prints after the same hand, and one other after a different hand, titled:' Women’s Edition (Buffalo), Courier', (4)

MAHOGANY PEMBROKE TABLE ON FOUR TURNED LEGS ENDING IN BRASS CASTORS TOP 82CM. X 108CM. (MAX.) SINGLE DRAWER TO ONE END OTHER BLIND C.1830

AN EDWARDIAN MAHOGANY BIJOUTERIE TABLE, the glazed top with blind fret carving on reeded tapering legs joined by a platform stretcher with fretwork gothic pierced border, 20".

A GEORGE III PINE BREAKFRONT LIBRARY BOOKCASE of Chippendale design, the upper section with astragal glazed doors enclosing interior adjustable shelves, surmounted by a blind fret card frieze and dentilled pediment, the lower section with four panelled doors on moulded plinth base.

Worcester Blind Earl moulded leaf dish circa 1770 with branch handle, painted with flora, (old restoration) 16cm wide

A Samson porcelain figure group modelled with two couples in flamboyant dress playing 'Blind man's Bluff,' on a pierced and gilt scrolling base bearing a coat-of-arms, 33cm. wide, underglaze blue marks, late 19th century, complete with fitted case.

A mid 19th century mahogany console table with blind fret-carved raised back centred by a horse and a lion crest, the similarly carved frieze centred by carved flowers and foliage and on massive acanthus-carved cabriole front supports with scroll feet, 118cm. high x 138cm. wide, some damage.

Venetian School, 17th Century. Narcissus and the blind Tiresias with a Nymph, oil on canvas, 97 by 132.5 cm.; 38.125 by 52.125 in.

LITTLETON Sir THOMAS. Littletons tenures in English, Lately perused and ameded. Printed for the Companie of Stationers, 1621. Black eltter, Small 8vo., full calf decorated in gilt and blind, (some margins stained, gutter of title repaired). STC 15782

STANFORD, Sir WILLIAM. An Exposicion of the Kinges prerogative...R. Totel, 1568. Second Edition, 8vo., black letter, 8vo., cont. panelled calf with initials W and K on sides in blind, (rebacked). last few leaves stained, some worming to margins). STC 23214

TEMPLE. Sir WILLIAM. Obseverations Upon the United Provinces of the Netherlands. Second Edition Corrected and Augmented. Printed by A. Maxwell, 11673. 8vo., panlled calf (library blind stamp on title and further stamp on verso). Wing T 657

WILSON, ARTHUR. The History of Great Britain, Being The Life and Reign of King James the First...Printed for Richard Lownds, 1653. First Edition, folio, 18th c. calf gilt, gilt crest of gryphon on sides and blind over-stamp of Edinburgh Public Libraries on lower cover (rebacked) Engraved portrait frontispiece. Wing W 2886

BARBER, THOMAS. Picturesque Illustrations of the Isle of Wight. n.d. 8vo., orig. blind tooled cloth gilt, spine gilt (head of Lower joint splitting). Engraved title, double page map and 40 plates (some staining to plate margins at end). With Second Edition of Willia, Cooke. A New Picture of the Isle of Wight, Southampton, 1813 (plates and text browned), and another on the same (3)

WADE, W.M. Walks in Oxford. 2 vols., Oxford, n.d. 8vo., cont. calf, tooled in gilt and blind, lacks 2 labels). 72 engraved plates by J. & H.S. Storer (some spottin g). With another on Oxford (3)

PUGIN, A.C. and C.HEATH. Paris and Its Environs. 2 vols., in one. 4to. , orig. blind tooled cloth gilt. Engraved title and 202 views (2 to a plate). (lacks 2nd engraved title). With 9 other volumes (10)

WALTON, IZAAK, CHARLES COTTON and ROBERT VENABLES. The Universal Angler..Printed for Richard Marriott, 1676. In three parts. Engraved title for The Compleat Angler, Fifth Edition, 1676 (laid down and slightly defective). Vignette on title of part 2. frontis. To part 3. text illustrations (H1 defective in 1st part, 3rd part lacks E7 and 8). Wing W 674. Bound with NOBBES, ROBERT. The Compleat Troller, Or, The Art of Trolling. Printed by T. James for Tho. Helder, 1682. Two woodcuts in text (2 minute holes in D1, some browning to text). Wing N 1193. 16mo., 19th c. blind-tooled calf. Bookplate of Robert Vaughan Hughes. Wyelands.

LAMBARDE, WILLIAM. A Perambulation of Kent...for Ralphe Newberie, 1576. First Edition, partly black letter, small 4to., cont. calf gilt blind tooled central ornament on isdes. Title wihtin woodcut border (margin of title cropped at top and bottom). Engraved map of the Heptarchy, hand coloured, pasted to verso of 2nd errata leaf. 2 final leaves of Tble in duplicate. (lacks folding map, some ink annotations in text). Bookplate of Chalres Spooner, Esq. STC 15175

A mahogany small chest, with a slide above three long drawers, brass handles and escutcheons and blind fret canted corners, on bracket feet, 22 1/2" wide (57cm)

Victorian mahogany adjustable piano stool by Chas Woodman of Bath No 3241, blind fret-work detail below upholstered seat

A mahogany bow fronted sideboard, crossbanded and line inlaid, fitted with five drawers or blind drawers including a cellaret and door, on square tapered legs with spade feet, 88cm h; 106 x 55cm Small repair to the apron but in otherwise good condition

A mahogany drum table, the leather inlet revolving top fitted with four drawers and opposing blind drawers with brass handles on turned pillar and quadruple moulded legs with castors, 73cm h, 101cm diam The leather top a little scuffed and stained in places, the veneers rather faded overall but in generally good condition without damage or restoration

A George III mahogany bureau-cabinet, with stepped cornice and blind fret frieze, the cabinet with adjustable shelves enclosed by doors with 'gothick' carved glazing bars, the bureau with a conforming interior and four moulded drawers flanked by fluted pilasters, on ogee feet, 209cm h; 113 x 59cm In generally very good and original condition, the cabinet slightly more faded in colour than the bureau. Minor losses only, one drawer lacking a lock, the handles replaced; minor replacements, the feet replaced or with repairs.

AN EDWARDIAN CHIPPENDALE REVIVAL MAHOGANY CORNER CABINET, the dentil and blind fret frieze above a pair of thirteen pane astragal glazed doors, twin doors below, raised on bracket style feet, 39 ins wide x 81 ins high.

Surtees, Robert Smith. Handley Cross or, Mr. Jorrock's Hunt. Illustrated in Colour by Cecil Aldin. 2 volumes, large octavo, n. d. [c.1910]. Some scattered spotting. [Steel, J. M.] Scotch Loch-Fishing. By "Black Palmer." Edinburgh and London. 1882. Interleaved throughout. Original limp cloth binding, slightly rubbed. Hills, John Waller. River Keeper. The Life of William James Lunn. 1934. Original cloth binding, rubbed. Gathorne-Hardy, Alfred Erskine. My Happy Hunting Grounds with Notes on Sport and Natural History. ... 1914. Original cloth binding, spine faded. Anon. Experiences of a Game Preserver. By "Deadfall" of "The Field." 1868. Original (rubbed) blind-stamped cloth binding, gilt. Together with a small collection of hunting, shooting and fishing books. Various formats and bindings.

Willam Lee Hankey, (1869-1952) AN ENGRAVED PRINT OF A LADY, depicted bust-length, published by the artist with his blind stamp, signed in pencil, image size 24cm x 19.5cm, (9.6in x 7.7in), in ebonised frame under glass (foxing)

A GOOD LATE 19TH-CENTURY DUTCH ROSEWOOD AND MARQUETRY THREE-FOLD DRESSING SCREEN each panel having a humped top with foliate plush-covered shaped panel above a finely inlaid foliate scene, one depicting lovers in a landscape, another a group of adults playing "Blind Man's Buff", the third a dandy conversing with a lady over a garden wall, all within a border of foliate scrolls and flowers, including tulips, 166.5cm x 149cm high, (65.5in x 58.6in) wide

AN EARLY 20TH-CENTURY MAHOGANY-STAINED BIJOUTERIE TABLE having a hinged glazed serpentine-sided oblong lid and glazed sides, the latter with Chippendale-style blind fretwork to the corners, on slender foliate-carved cabriole legs, 66cm x 47cm x 74cm high, (26in x 18.5in x 29in)

A mahogany bookcase with a blind fret carved cornice above two pairs of astragal doors enclosing adjustable shelves, raised on acanthus leaf carved dwarf cabriole legs with claw and ball feet, 70in. x 50in. high.

A fine late Georgian oak longcase clock, the broken arch pediment centred by a brass sphere, the arched hood with lined fret carved panels above the art glazed panelled door enclosing the 12in. brass dial, the silvered boss to the arch inscribed 'John Bates', with silvered chapter ring and roman numerals, fitted seconds dial and date aperture, fitted eight day striking movement, the trunk below with rectangular panelled door flanked by blind fret carved chamfered corners, raised on bracket feet, 19in. x 89in. high.

An Edwardian narrow mahogany secretaire, the top with pierced three-quarter gallery above a fielded fall-flap opening to reveal a leather-lined writing surface and pigeon holes, a panelled hinged flap below enclosing stationery compartments, decorated with blind fret carved banding, raised on splay scrolling feet, 25in. x 46in. high.