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JOSIAH WILLIAMS & CO. (G.M. Jackson & D.L. Fullerton) A PAIR OF EDWARDIAN SILVER NAPKIN RINGS, chased floral decoration, No. 1 & 2, with blind cartouches, London 1901, combined weight; 52g

A LATE VICTORIAN EMBOSSED SILVER MOUNTED PHOTOGRAPH FRAME, having blind cartouche to the crest, original blue velvet back with easel type folding stand, fitted bevel glass, Birmingham 1900, to show an image 22.5cm x 17.5cm, 27cm x 21cm overall

An XVIII Century Oak Thirty-Hour Longcase Clock, the hood with stepped cornice and blind fret frieze, square door flanked by square columns to brass dial with black Roman and Arabic numerals, the 45 minute numeral inscribed '40' with subsidiary seconds dial and rococo scrolling spandrels, the dial 27cm diameter, 191cm high.

An XVIII Century Oak Thirty Hour Longcase Clock, with stepped cornice, blind fret decoration and twin columns, the white dial with Roman numerals and date aperture, the trunk with a long door.

AFTER GEORGE CUNNINGHAM (Sheffield Artist, 1924-1996) Western Bank, artist proof print, blind stamp to margin, 29 x 38.5cm.

partially impressed artist's seal and pottery seal, stoneware, incised Willow Tree design, tenmoku glaze36cm high, 17cm wide (14.1in high, 6.7in wide)Footnote: One day in fine weather I went round to the Penwith Society of Art and there I saw a large tall brown Bernard Leach pot and immediately decided I would buy it, went up to the curator (Kathy Watkins) and told her I would bring in the cheque tomorrow (£35).I walked down the gallery studying at Bernard's small porcelain pots and was joined by some Americans. We got talking and I so fired them with my enthusiasm I sold some there and then to the Americans. Returning to the curator to confirm I was coming in tomorrow. Kate Nicholson was standing beside her 'Too late' said the curator 'Too late' said Kate, ‘you should be quicker I have just bought it!’I was furious but kept control and left the gallery.Who should I meet coming up from Barnaloft about to cross the road but Bernard and his housekeeper, Trudi Scott, Bernard half blind waving his stick at me said 'And what is the matter with you?’ I told him the story and mentioned the artist, to my surprise Bernard roared and roared with laughter saying 'Typical, Typical!!’ meaning the Nicholson family getting into the front row. I stamped off.Some time later just before one of his trips to Japan, I think, Bernard walked in to my studio with a large pot and placed it on my shelf in the lower studio, walked to the window with his hands behind his back, meanwhile I was shrieking 'Bernard that is just like the pot I wanted' and Bernard replied (still standing with his back to me and facing the sea) 'Well you had better hurry up this time!’ adding 'Make the cheque to the Leach pottery' the price was less the commission of the Penwith (£23).I could not believe he had made it specially for me! But he had! Sometime later the Central Office of Information requested to photograph this pot, Bernard decided to be photographed holding the pot at my studio Barnaloft, so he came in and was photographed holding it and the Central Office of Information suggested another photograph was taken, this one to be taken of us together.

§ After L. S. Lowry (British, 1887-1976), 'Market Scene, Northern Town'. Print. Signed in pencil to margin. Framed and glazed. Image size 45 x 60cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationCondition Report: § No blind stamp.

Potter (Beatrix, artist, children's writer and sheep breeder, 1866-1943).- Graf (Mabel Elizabeth, nurse, served in WW I, of Hobart, fl. 1925) Australian... Commercial Diary No. 9 [of life in Australia and a visit to England], autograph manuscript, 119pp. (102pp. diary & 17pp. accounts), signed by Graf at head of title, original blind-stamped cloth, gilt, 8vo, 1925.⁂ Lunch with Beatrix Potter. "Monday 29 June 1925. Went with Chick to lunch with Miss Beatrix Potter at Hill Top Farm Sawrey (near Hawkshead). Had a most interesting day & she gave me 'Tom Kitten' & a photo of her house. Her husband took us back to Hawkshead in his car & showed us the Grasmere school etc. (Mr Heelis)." The diary begins with a visit to the second test match between England and Australia at Melbourne Cricket Ground, financial matters, social matters, registering to become a nurse etc. At the end of March Graf sails to England on the SS Ceramic (Adelaide, Durban, Cape Town, Tenriffe), arriving at Southampton. In early June she meets "the Borthwicks at Aus[tralia] House", and visits Ascot for the races. After visiting Beatrix Potter she spends time in London before travelling on the continent, to France, Switzerland and Italy, where they attended an audience with Pope Pius XI, "the Pope came & sat on throne & said a few words & blessed the people in Italian". Graf comes back to London and stays at the United Nursing Services Club at 34 Cavendish Square.

Cooper (Thomas) Thesaurus linguae Romanae & Britannicae, printed in double column, partly in black letter, lacking initial and final blanks, title with bear and ragged staff woodcut device and with various ink or pencil inscriptions (soiled and lacking upper outer corner, laid down), occasional light browning, a few ink stains, slight worming to inner margin, nineteenth century ink inscriptions to front free endpapers, nineteenth century calf ruled and stamped in blind, rubbed, loose in binding, upper cover detached, [STC 5689], folio, printed in the shop of Henry Bynneman [by Henry Denham], 1584.

Pogany (Willy).- Rolleston (T. W., translator) Tannhäuser, 116 of 525 copies signed by the artist, tipped-in frontispiece, 16 tipped-in colour plates and illustrations by Willy Pogany, original blind-stamped calf, lightly rubbed at extremities, t.e.g., 4to, 1911.

Friendship album.- E.W. (English, circa 1825) Album containing 12 fine drawings and watercolours, with poetry and verse, various monograms, dates and inscriptions throughout, each album leaf approx. 180 x 115 mm (7 x 4 1/2 in), some works tipped in on stubs, tissue guards with spotting and browning, scattered minor surface dirt throughout, contemporary calf, decorated in blind and gilt, rubbed and scuffed, slight bumping to corners and extremities, 8vo, [circa 1825].

Meteorology.- Bohun (Ralph) A Discourse Concerning the Origine and Properties of Wind. With an Historicall Account of Hurricanes, and other Tempestuous Winds, first edition, with initial blank but for "A" within 2 rows of ornaments, blank [pi]2 (misbound before initial blank) and final leaf but lacking blank [pi]7 following Contents and also 4pp. Preface, 3 engraved illustrations in text including one full-page of tornado, modern calf ruled in blind, roan label, spine slightly faded, [Madan III 2881; Sabin 6146; Wing B3463], 8vo, by W. Hall for Tho. Bowman, 1671; sold not subject to return⁂ One of the earliest works on winds in English. In compiling the text, Bohun gathered information from sea-captains and other travellers; it Includes references to the West Indies, Virginia, Florida and Guiana.

NO RESERVE Oxford colleges.- Nicholson (William) Oriel College, Oxford, full sheet 385 x 517mm., lithograph on Japanese vellum, signed in ink by the artist in lower left margins, small ink number '98' and blind-stamp of Stafford Gallery to lower right margin, tipped-in to thick card mount, Stafford Gallery, 1905; and another similar for Wadham College (2)

NO RESERVE Birds.- Mudie (Robert) The Feathered Tribes of the British Islands, third edition, 2 vol., 19 engraved hand-coloured plates, wood-cut illustrations, the odd page with margins restored or repaired tears, occasional light spotting and finger-soling, ink ownership inscriptions to pastedowns and free endpapers, original blind-stamped cloth, rebacked, preserving original back-strip, lightly rubbed and soiled, corners bumped, 8vo, 1841.

Medicine.- Hippocrates. Opera omnia quæ extant [graece], parallel Greek and Latin text, title with woodcut printer's device, woodcut head-pieces and decorative initials, final f. with woodcut printer's device, otherwise blank, browned, spotted, contemporary ornately blind-stamped calf over wooden boards, metal corner-pieces, remains of metal clasps, joints split, but holding firm, part of upper joint and foot of spine with leather missing, a few chips, rubbed and scuffed, folio, Frankfurt, Daniel & David Aubry, 1621.

NO RESERVE International Exhibition of 1862.- The Illustrated Catalogue of the Industrial Department British Division, British Division, 2 vol., half-titles, engraved and lithographed frontispieces, folding plan, numerous steel-engraved illustrations, vol.1 plan and 3 preliminary ff. detached, vol.2 some water-staining at foot and with upper hinge split, original blind-stamped and gilt pictorial cloth, spines faded, rubbed, 4to, Printed for Her Majesty's Commissioners, 1862.⁂ A third volume covers Foreign and Colonial divisions.

Lucretius Carus (Titus) De rerum natura libri sex, edited by Hubert von Giffen, collation: *8 **8 A-Hh8, lacking final blank, title with woodcut printer's device, woodcut initials, title very lightly soiled with small tear to lower outer corner, rust spot/hole to lower margin of **1-3, old ink inscription to front free endpaper, contemporary panelled calf ruled in blind and blocked in gilt with central oval medallion and small ornaments at corners, later endpapers, rubbed, a few stains, wormtrack to upper cover, corners repaired but worn, rebacked, [Adams L1664], 8vo (c.170 x 105mm.), Antwerp, Christopher Plantin, 1566.

NO RESERVE Athanasius (Saint) Opera omnia, 2 vol. in 3, half-title, engraved portrait frontispiece (bound in later), map of Egypt, head-pieces and historiated initials, privilege f. at end of vol.3, spotted, some marginal worming, mostly in vol.2, occasional light staining, lightly browned, engraved Garter bookplates of St. George's chapel, contemporary panelled calf, blind-stamped Order of the Garter centre-pieces, rather worn, but holding, folio, Paris, Jean Annison, 1698.

Toulouse Lautrec (Henri de, 1864-1901), Divan Japonais, 1893, lithograph, from Maitres de L'Affiche, embossed with blind stamp, unframed40 x 29cmCondition report: Slightly toned and discoloured throughout. The margins with a few small tears on the edges (one to the right hand edge, one to the lower edge, and one to the left hand edge). The lower left hand corner has been repaired fairly crudely and the top right hand corner has a small knock. The lower margin has what appears to be a brown water stain. There are various small spots, smudges and light creases to the margins overall. The image itself has a small pinprick sized hole on the left hand side, some light scratches (most evident on the darker areas) and a little fading to the lighter areas.

Four original lithographs from Maîtres de l'Affiche, all blind stamped and comprising two works by Dudley Hardy, one by Jules Cheret and one by Steinlen (4)40.5 x 29cm

Laurence Stephen LOWRY (1887-1976)'Outside the Mill'Limited edition print of 550 copies, published by Adam Collection LtdFine Art Trade Guild blind stamp numbered 348 (DEJ)Print size 34 x 24.5cm

Laurence Stephen LOWRY (1887-1976)'Woman with a Beard'Limited edition print of 750 copies, published by Adam Collection LtdFine Art Trade Guild blind stamp numbered 557 (FFH)Signed in pencilPrint size 58 x 48.5cmCondition report: This print has a fairly even spread of foxing spots, the is a browned strip along the lower edge presumably from a previous mount, minor crease to the left of the title and a pencil stroke on the blind stamp

Set of Four Large French Framed Coloured Prints after C.N. Cochin et J.P. le Bas Socu Sculpserant 1778 A.P.D.R. of Vue du Port De Dieppe, Port of Marseille, Port of Bordeaux, and Port of Antibes. Framed and glazed, overall size 29'' x 36'', with fleur de lis blind stamp to the margins.

A Capo di Monte figure of a tramp with a blind man and his dog.

ST. HELENA - ARNOTT (DR ARCHIBALD)Autograph letter signed ('Arch Arnott') to Lieutenant General Sir Hudson Lowe ('Sir'), marked 'Private', reporting that he has just returned from Longwood where he found '...General Bonaparte somewhat better than he was in the morning. He has however eaten almost nothing today, & had some sickness...', integral address panel ('His Excellency/ The Governor/ Plantation House'), blind paper seal, docketed on reverse, 2 pages, slight discolouration and dust staining, loss where seal opened not affecting text, remains of guard, 8vo (185 x 114mm.), Deadwood, 22 April 1821 [Easter Day]; with a printed copy of Archibald Arnott's report 'An Account of the Last Illness, Decease, and Post Mortem Appearances of Napoleon Bonaparte', John Murray, 1822, with ownership inscription dated 1822Footnotes:Provenance: Collections of Dawson Turner & J.B. Heath sale, Sotheby's, 28 October 1957Bibliothèque impériale de Dominique de Villepin, Pierre Bergé, Drouot, Paris, 19 March 2008, lot 329Private collection'HE HAS HOWEVER EATEN ALMOST NOTHING TODAY & HAD SOME SICKNESS': Napoleon's doctor reports to the Governor of St Helena.Every detail of Napoleon's life was under intense scrutiny during his exile and no more so than during his final illness from March 1821 until his death on 5 May. Archibald Arnott, a surgeon to the 20th regiment and encamped with them on Deadwood Plain, had taken over as Napoleon's physician shortly before our letter was written and was obliged to report back daily to the Governor, Sir Hudson Lowe. The previous doctor, the Corsican Dr Antommarchi, had been summarily dismissed for the final time by Napoleon himself just the day before our letter, after giving him a painful double-dose of emetic, and Arnott became his only trusted physician. Napoleon had a general distrust of the medical profession as a whole - General Bertrand in his Cahiers de Saint-Hélène, Le 500 dernier jours (1820-1821) wrote that on the 21 April Napoleon commented as he was completing his will that he 'would soon be in the company of the greats... People will not say that doctors cured me. Rather they delayed my arrival...'. Much has been written about the death of Napoleon and there has been much speculation over whether he was deliberately poisoned with arsenic or whether he died of stomach cancer or a myriad of other conditions including malaria, tuberculosis and syphilis. On first examining the patient Arnott reported back to Lowe that Napoleon was suffering nothing more than hypochondriasis – the full seriousness of his physical illness not becoming apparent to him until the end of April - and has been criticised for his treatment, in particular for giving him a possibly-fatal dose of calomel. However, Arnott's final conclusion that he died of stomach cancer is now widely accepted. A detailed daily report of this time, including intimate details of the post-mortem was published by Archibald Arnott in 1822 and is included in the lot. The entry for 22 April echoes the sentiments in our letter - 'On the morning of the 22d of April he felt a sensation of heat, with dryness in the stomach, and a sense of suffocation... what came off his stomach was shown to me, it was a something he had eaten the day before, quite undigested... After the vomiting, his stomach was much relieved and he conceived himself better on the whole...'.The letter is almost certainly from a cache of eight sold at Sotheby's on 28 October 1957 from the collections of Dawson Turner and J. B. Heath. A previous catalogue for the sale of the Dawson Turner Library in June 1859 confirmed that Turner purchased many items from 'Mr Brown, Bookseller of Holborn' who in turn had purchased them direct from Sir Hudson Lowe's son.For further information on this lot please visit Bonhams.com

A rare Grainger, Lee and Co nightlight holder, circa 1830-35In the form of a sentry box, the sides with blind Gothic windows picked out in gold on a green ground, a lithophane panel at the front depicting Napoleon in battle, the back open to receive the nightlight, 16cm highFootnotes:Another example is illustrated by John Sandon, The Dictionary of Worcester Porcelain (1993), p.221. See also that sold by Bonhams in Edinburgh on 9 July 2020, lot 75.For further information on this lot please visit Bonhams.com

Charles Frederick Tunnicliffe (1901-1979) Ducks and magnolia, photolithograph, signed in pencil and with trade guild blind stamp, 14" x 19.75".

Jules Cheret (1836-1932) French, 'Saxoleine' and 'Folies-Bergere' (Les Maitres de L' Affiche plates 13 and 21) colour lithographs with blind stamps, 12.5" x 9" and 11" x 8", (2).

Fernand Toussaint, 'Le Sillon' (Les Maitres de L'Affiche plate 80), colour lithograph with blind stamp, 10.75" x 8".

Paul Berthon (1872-1934) French, 'Lecons de violon', (Les Maitres de L'Affiche plate 175), colour lithograph with blind stamp, 8.25" x 10.5".

J. W. Beggarstaff, 'Hamlet', (Les Maitres de L' Affiche plate 107), with blind stamp, 13.5" x 5".

Y A William IV rosewood folding card table, circa 1835, the hinged and revolving top opening to a baize inset interior, 73cm high, 102cm wide, 50cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall with a polished appearance, the rosewood is a uniformly dark colour with natural variation due to grainThe interior baize is old, faded, split and discoloured. There is one blind frieze drawer, this is 'hidden' to one short side, this is mahogany linedOverall solid and stablePlease refer to additional images for visual reference to condition Condition Report Disclaimer

Y A Victorian rosewood library table, by Gillows of Lancaster, circa 1850, with two blind frieze drawers, one stamped for the maker, 73cm high, 108cm wide, 61cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe top with some fading and colour variation,The table is solid and stable overallSome minor chips and losses, The stamp to the drawer is slightly faint but can be read, the drawers are mahogany linedPlease refer to additional images for visual reference to condition Condition Report Disclaimer

A Victorian mahogany dressing mirror, circa 1870, the arched plate above the stand base with flanking blind drawer compartments and central lift top box, 82cm high, 61cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses to veneersMirror plate is clean and presentable in appearance, this is possibly a later replacement - the plate swings in the supports and is easily angle adjustable at time of reportPlease refer to additional images for visual reference to conditionCondition Report Disclaimer

GERALD COULSON PRINT ENTITLED ' SCRAMBLE' WITH BLIND FRET STAMP AND SIGNED IN PENCIL BY THE ARTIST

LIMITED EDITION PRINT 379/700 ENTITLED 'SONIC LADY AT GOODWOOD', WITH BLIND STAMP, SIGNED IN PENCIL BY CLAIRE EVA BURTON

AN ASSORTMENT OF SEWING ITEMS TO INCLUDE SINGER BUTTON HOLE ATTACHMENT, SINGER SPECIAL DISCS AND A BABY BLIND STITCH SEWING MACHINE ETC

A GUCCI BLIND FOR LOVE BANGLE WITH A PRESENTATION BOX

Michael Barnfather (1934- ) limited edition print 466/850, Boat on a Lake scene. 70 x 37 cm, with gallery blind stamp.Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Early 20th Century oak two door blind panelled smokers cabinet, the interior revealing fitted drawers, with key. (B.P. 21% + VAT)

Y A Regency rosewood centre or library table, circa 1820, the rectangular top with rounded corners above a pair of frieze drawers, fluted supports and platform base, 74cm high, 137cm wide, 65cm deep  Provenance: The property of a lady and gentleman, removed from a Cheshire country houseCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, some marks and stains to the top and other areasOverall solid and stableThis has blind drawers by design - the flower mouldings are original, Knocks and scuffs to the extremities including feetPlease refer to additional images for visual reference to condition  Condition Report Disclaimer

Cylinder carriage timepiece with painted and gilt porcelain dial depicting a coastal scene with boats, in Anglaise style case with fluted stopped columns and blind fret bands. 13cm. 

THE ROLLING STONES - OUT OF OUR HEADS/NO. 2 - ORIGINAL EU/UK PRESSING LPs. Very sharp and clean pack of 2 x Stones 60s originals. Titles are Out Of Our Heads (EU copy SKL 4725, unboxed labels, 1L/2L matrix endings, 'I'm All Right' - Ex condition very clean record, a couple of very light and faint surface hairline marks/Ex a little laminate wear, glue on the bottom edge just starting to come loose/og blue stereo inner) and No. 2 (UK LK 4661 1A/1A - VG+ with a couple of light surface marks and some minor poly bag residue/VG+ some minor creasing/light staining on the reverse, with 'blind man' text).

THE ROLLING STONES - 'NO. 1 AND 2' LPs (EARLY UK COPIES WITH PRINTING ERROR). An enticing selection of 2 x early pressing UK LPs with an unusual printing error! Titles are The Rolling Stones (unboxed LK 4605 2A/4A - clean Ex record with a couple of light and minor surface marks/Ex condition unusual 'printing error offset' sleeve with pink visible along part of the top edge and underneath the Decca logo and 'green' visible around parts of the band, almost giving the effect of the 'shadow sleeve', please see images) and No. 2 (LK 4661, unboxed 2A/1A - Ex lovely clean record/Ex sharp condition sleeve, no 'blind man').

THE ROLLING STONES - 60s/70s LP COLLECTION. Fantastic instant collection of 10 x LPs from the 60s/70s including many clean original/early UK pressings. Titles are Satanic Majesties (stereo unboxed TXS 103 T2-6K/T2-5K - VG with some surface marks/scuffs, with red swirl inner in Ex condition/Ex+ very clean original lenticular sleeve), Beggars Banquet (mono unboxed LK 4955 4A/2A - Ex+ or archive superlative condition record showing few marks/Ex+ super clean sleeve), S/T (unboxed LK 4605 2A/3A - VG+/VG), No. 2 (unboxed mono LK 4661 1A/1A - VG+/VG blind man), Aftermath (unboxed LK 4786 4B/6A - Ex/VG+), Big Hits... (unboxed mono TXL 101 1A/4A - Ex+/Ex lovely copy), Between The Buttons (unboxed LK 4852 4A/6A - Ex+/VG+), Ya-Ya's (SKL 5065 1W/1W - Ex+/Ex+), Stone Age (SKL 5084 - VG/Ex+ with booklet) and Metamorphosis (SKL 5212 P-2W/P-1W - Ex/Ex+).

BLUES/ R&B/ SOUL - LPs. An excellent selection of 29 LPs. Artists/ titles include Gil Scott-Heron - Nothing New (XLLP575RSD, new & sealed), Otis Redding - Otis Blue (8122795608, new & sealed). Blues Anytime Vol 3 (IMLP 019), Big Bill Broonzy - Sings Country Blues (XTRA 1093), John Lee Hooker (FS 222), Walter Davis - Think You Need A Shot (INT 1085), Earl Hooker - Hooker And Steve. Blind Willie Johnson - Praise God I'm Satisfied. Memphis Slim, Wilson Pickett, BB King, Walking The Blues (NPL 28044), The Bluesman Of The Middy Waters Chicago Blues Band (SPIVEY LP1008), Otis Spann, Gary Davis, Lightnin' Hopkins, Janis Joplin, Furry Lewis, Blues Roots Mississippi, The Beginning British Blues, Taj Mahal, Chuck Berry. Condition is generally VG to Ex, mostly VG+ and above.

CLASSIC/ BLUES ROCK - LP PACK. A superb selection of 16 LPs. Artists/ titles include Rory Gallagher inc S/T (2383 044), Live! In Europe (2383 112) & Deuce (2383 076). Taste - Live Taste (2310 082), Blind Faith - S/T (583059). Cream inc Disraeli Gears (594003), Fresh Cream (593 001), Goodbye (583 053), Live Cream (2383 016), Wheels Of Fire (582 033), Cream On Top (2855 002), Volume II (2394 155). Jimi Hendrix inc Rainbow Bridge (K44159), More Experience Volume Two (NR 5061), High Live N Dirty (AFEMP1031). Thin Lizzy - Live And Dangerous (6641 807). Condition is generally VG to Ex, mainly VG+ and above.

A Victorian Treen Rectangular Carved 'Blind Man' Table Snuff Decorated in Relief with Scenes From the Tam O'Shanter Poem. Chip Carved Border. 20x10x9cms High

A mahogany linen press, with a moulded cornice, over a blind fretwork frieze, palled doors, enclosing five oak slides, with fret cut handles, with rails to the interior of the doors, over two short and three long drawers on bracket feet, 114.5cm wide, 62cm deep, 194cm highCondition report: Used condition, damage and wear to both sides, and each side to the doors with some missing pieces. Cockbeading missing, central strip to the cupboard with loss. Knocks and wear throughout.

EYES TO THE BLIND PICTURE - MARGARET COLYER

Signed print by Margaret Chapman with artist blind stamp

Tom Dodson limited edition print, 479/850 with artist blind stamp & monogram

An as new window blind

THREE PIECES OF ROYAL DOULTON SERIES WARE, comprising two Nursery Rhymes G (Toys) scenes 'Three Blind Mice see how they run' mug, height 8cm and 'There was a Little Man And He Had a Little Gun' bowl, D2833, diameter 15.5cm, together with Souter C series 'Kateroo God Bless The Cat.....' pin tray, all with black backstamp (3) (Condition report:- chip to base of mug, hairline and very crazed, bowl glazing is very crazed)

* EDWARD SUMMERTON RSA,ONE NIGHT IN BANGKOKmixed media on paper, signed; titled in newspaper article versoimage size 40cm x 50cm, overall size 62cm x 69cm Mounted, framed and under glass.Note: The Royal Scottish Academy entry states: "Edward Summerton RSA is a critically-acclaimed artist whose work has expanded from the practice of painting into photography, sound works, prints, objects, collaborations and the organising of events and exhibitions. He has recently curated Blind Sight where 50 visual artists were invited to submit sound works to be exhibited as a jukebox installation; Doctor Skin, a unique public art event where artists designed temporary tattoos to be worn by the public; Bird of the Devil, a publication collaborating with 17 writers, and Digital VD, a one hour film work involving one minute films by 60 artists. Summerton is Senior Lecturer in Art and Media at Duncan of Jordanstone College of Art, Dundee. His work has been exhibited in solo and group exhibitions worldwide and is held within public collections including the BBC and the Museum of Modern Art, New York (MOMA)". Edward Summerton's paintings very rarely appear at auction.

ANDY WARHOL 'Kiku - Chrysanthemum', 1983, lithograph, numbered 83/100 by Leo Castelli Gallery, Edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm framed and glazed.

LOCAL INTEREST! Limited edition number 108 of 375, - THE STORY OF THE TWEED by the Right Honourable Sir Herbert Maxwell with illustrations by D Y Cameron. published by L: James Nisbet and Company, Limited in 1905, 270 pages. With twenty full sized engravings complete with captioned tissue guards and one small illustration to title page. Folio, olive green cloth, gilt lettering and Celtic decoration to front and spine, in blind Celtic design borders to front, 40x30cmApprox 1 pieces

A large deep-seated three/four seater Settee for re-upholstery, having a high quality dark-wood show frame with blind fret-work carved decoration, rope-twist details and well portrayed carved paw feet, 77'' long x 40'' deep x 32'' high.

An unsealed vintage wooden clothes airer & a window blind

A quantity of games including cribbage, dominoes for the blind, magnetic chess set, cards etc