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Click here to subscribeHenri de Toulouse Lautrec, 1864-1901, nude, limited edition lithograph, numbered in pencil to the margin 332/1250, with Toulouse Lautrec Circle blind stamp, together with another similarly numbered (2) These lithographs are two from an edition of twelve printed in London by Westerham Press, in 1969
Bus and Coach Interest; North Devon; A Bus Destination part Roller Blind, with destinations including Ilfracombe, Slade, Instow, Landkey etc., Provenance: From the John Shapland Collection; Bus Inspector and life-long bus and coach collector and enthusiast. Member of The WestCountry Historic Omnibus & Transport Trust (WHOTT)
MACKAY & CHISHOLM A VICTORIAN SCOTTISH SILVER TEA CADDY of oval cannister form, having hinged lid with ivory knop handle, Regency design bright cut decoration of swags, graduated bell husks and a blind wreath cartouche, Edinburgh 1866, 12.5cm x 9.5c m x 9.5cm high, weight 362g (including non-silver knop handle)
WELLINGTON, (Arthur Wellesley, 1st Duke, 1769-1852) Field Marshall and Prime Minister, AN AUTOGRAPHED LETTER SIGNED "WELLINGTON" 24th June 1851. To Mrs Jones, concerning an enquiry about her son, who appears to be too young. Clear hand in brown ink on paper, covers both sides of an 18cm x 12cm sheet of paper, together with a copper plate copy of the letter, blind stamped with a crown
Howe (Ellic) The London Bookbinders 1780-1806, number 59 of 250 copies, wood-engravings by Gwendolen Raverat, some printed in reddish-brown, original cloth with horizontal rules in blind, uncut, dust-jacket, Dropmore Press, 1950 § Hughes-Stanton (Penelope) The Wood-Engravings of Blair Hughes-Stanton, number 15 of 112 copies with an additional 8 engravings printed from the wood, original morocco-backed cloth, slip-case, Pinner, 1991 § Pritchett (V.S.) The Turn of the Years, number 64 of 150 copies signed by the author and artist, wood-engravings by Reynolds Stone, original cloth, illustration mounted on upper cover, Salisbury, 1982 § Warner (Sylvia Townsend) Boxwood: Sixteen Engravings by Reynolds Stone, first issue (rejected for uneven printing), "one of 500 copies" but fewer, original boards, gilt, transparent wrapper torn, Monotype Corporation Ltd., 1957; and a bundle of others including 2 unsigned proofs from the last issued in 1982 and 2 variations of a university coat-of-arms engraved by Reynolds Stone, v.s. (a bundle)
Greene (Graham) A Quick Look Behind, one of 330 copies signed by the author, original blind-stamped cloth, slip-case, 1983; The Quiet American, signed by the author to title, 1955; Our Man in Havana, 1958, the last two first editions, original cloth, dust-jacket, a little faded, extremities lightly bumped, else clean copies; and 3 others by the same, 8vo (6)
Early 20th Century Chippendale Revival mahogany centre table, the serpentine top with gadroon-carved edge on elaborate blind fretwork frieze, raised on four cabriole legs headed by leaf carved knees and terminating in ball and claw feet, 105cm x 67cm x 76cm high Condition: Two-piece top has slightly shrunk over the years leaving a gap between the planks. Top is slightly light in colour due to sun fading, would benefit from minor restoration. Crack through one quadrant support at top of one leg, another with old repair to back of scroll, otherwise sound. **Please see extra images and TELEPHONE department if you require further information.
Rosewood pedestal writing table, the hinged fall with blind-tooled skiver, one side with hinged ink bottle drawer, on octagonal pedestal support with carved foliate decoration, concave triangular platform base and scroll feet, 37cm x 38cm x 82cm high Condition: Back edge moulding missing to top. Rips to blind-tooled leather skiver. Cracks and losses to interior, lock plate missing. Dark collar to top stem suggests that this piece of furniture is a concoction formed from a small Regency davenport and a Victorian pole screen, sold as seen. **Please see extra images and TELEPHONE department if you require further information.
William & Mary-style walnut lowboy, the cross grain-moulded rectangular top with blind-tooled wine skiver over shallow central drawer, wavy kneehole and two deep drawers, raised on tapering octagonal supports and wavy X-stretcher on bun feet, 79.5cm x 54.5cm x 70cm high Condition: General scuffing and wear to leather skiver. Typical minor cracking to veneer including splits to side panels. Reverse is not veneered and shows ends of dovetails indicating a possible concoction. Sold as seen. **Please see extra images and TELEPHONE department if you require further information.
A GOOD LATE 18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by JOSEPH FINNEY, LIVERPOOL, with an arched dial with moon phase movement, silvered dial and subsidiary seconds dial, matted gilt trellis ground, ornate cast spandrels, the arch engraved with motto "On times uncertain, date eternal hours depend", the hood with eagle and bull finials, swan neck pediment, fluted columns with brass capitals, the case with fluted columns and blind fret decoration on ogee bracket feet. 8ft 5ins high.
A good 1930's Queen Anne revival oak chest of drawers. The chest being raised on squared legs with an upright bank of 3 drawers having carved and embellished blind fret detailed sides. Above, a flared edge top with stub stage gallery back having further blind fret worked detailing. Measures 110 x 48 x 85cm.
A 19th century George III oak West Country painted face longcase - grandfather clock by Hancock of Yeovil, Somerset. The painted dial with roman numeral chapter ring, painted fruit spandrels and faceted hands. The brass movement set within complete with pendulum and weight. Set within oak case with column hood having blind fret worked frieze over trunk. Measures 55 cm high x 51 cm wide x 27 cm deep.
SET OF FOUR CHINESE EXPORT PADOUK 'CHIPPENDALE' SIDE CHAIRS 19TH CENTURY the shaped and carved top rails ending in scroll terminals above pierced and carved splats and side rails carved with oak leaves, over drop-in caned seats raised on blind-fret carved square legs with pierced brackets (57cm wide, 98cm high, 43.5cm deep) Qty: (4)
GEORGE III MAHOGANY CABINET-ON-STAND 18TH CENTURY the dentil moulded cornice, above a pair of panelled doors enclosing a shelf, on a stand with two short frieze drawers, raised on blind fretwork carved square legs with pierced spandrels (132cm wide, 173cm high, 65cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland
EARLY GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY the dentil moulded cornice above a pair of astragal glazed doors enclosing shelves, above a blind-fret carved secretaire drawer with a fitted interior and four long graduated drawers, flanked by fluted angles, raised on ogee bracket feet (127cm wide, 212cm high, 58cm deep)
A small reference of Worcester porcelain and a Chelsea plate circa 1760-70s including a 'Three Flowers and Butterfly' teapot lacking cover and matching teabowl; 'Bird in Branches' and 'Man in a Pavilion' tea bowls, fluted teacup with cell diaper border; 'Blind Earl' circular plate, a similar moulded leaf dish and a Chelsea red anchor period plate strawberry moulded plate painted with a bird (damages, repairs) (9)
A George III mahogany chest on chest, with moulded dentil cornice and blind fretwork carved frieze above a series of eight drawers all flanked by canted angles and raised on bracket feet. Width 125 cm, height 170 cm, depth 58 cm (see illustration). CONDITION REPORT: The chest is in generally good order. The moulded cornice is in good condition all round. The dentil work is all present with the exception of one very small piece right at the very rear left-hand side of the cornice. The frieze beneath is in generally good condition with one minor stress fracture to the rear right-hand corner. The fretwork is mostly present and is in particularly good condition along the front. Both sides have had small repairs and there are small losses. The sides at the top are in generally good order and the same comments apply to the base. The drawer fronts are all in good condition with no losses to the cockbeading. The drawer linings are all oak. The drawer fronts are thick veneer onto oak. This will be the same for the sides of the cabinet. The left-hand return base moulding has the rear 10 cm of moulding detached. We have the piece. The bracket feet are in good condition all round. The left-hand canted angle has had an old veneer repairs. The rear boards are pine and appear to be original. The colour of the piece is generally good. It has probably been cleaned and lightly polished within the last 10 years.
Napoleonic War Period Light Cavalry Officer’s Sword.A good quality example modelled on the 1788 Light Cavalry pattern. The single edged 33 inch blade with engraved decoration depicting a mounted cavalry officer and a stand of arms. The back of the blade with engraved initials “IBB”. The hilt with a single steel bad and chequered wood grip. Housed in original brown leather and steel mounted scabbard. The leather with blind tooled decoration of a style found on Scottish broadsword scabbards. Overall condition is good engraving clear to parts. The scabbard is mounted with steel top and middle mounts chape is brass. One loose ring absent.
WW2 Period RAF Good Selection of Pilot Air Publicationsincluding AP2095 Pilot Notes General ... AP1732B Instructions Handbook of Advanced Flying Training ... AP129 Flying Training Manual Part 1 Land Planes ... AP1751 Blind Approach Pilots Handbook ... RCAF Instructors Handbook of Advanced Flying Training. 12 items.
A Liverpool longcase clock of small proportions, broken swan neck pediment flanked by urn-shaped finials above filigree metal dial set with Roman and Arabic numerals, blind fretwork and gadrooned decoration throughout, shaped door flanked by quart pilasters, raised on bracket feet, spring driven and chiming, height 150cm (af). CONDITION REPORT Overall very good condition, one of the teardrop finials below the dial is missing. Some normal age-related wear, no obvious signs of damage or repair to the case. No twisting of door, movement appears complete. Keys and pendulum present. Ticks when wound.
A large photogravure of 'Royal Insurance Company 1905' with signatures under image, 72 x 56cm, a pair of 19th century coloured engravings after David Wilkie RA 'Blind Man's Buff' to His Most Gracious Majesty George IV King of Great Britain and 'Blind Fiddler' engraving respectfully dedicated to Sir George Beaumont Baronet, engraved by ABR Rainbach, both 39 x 60cm and various other prints and amateur artworks (9).
A George III mahogany display cabinet, with blind fret carved swan neck pediment and two astragal glazed doors over two short and one long drawer, on ogee bracket feet, W.4ft 7in. D.1ft 8in. H.8ft 3in.CONDITION: A good-looking piece that is probably adapted from a plainer example. Blind-fret pediment looks later. One small loss of crossbanding to the left door. Key works door lock but no key for drawers. Top and bottom shelves have three slots to adjust the height but middle shelf is fixed. Handles later. Good rich colour and state of polish.
A George III mahogany chest on chest, with fretted swan neck pediment, blind fret carved frieze, three short and three graduated long drawers over three further long drawers, on bracket feet, W.3ft 9in. D.1ft 10in. H.6ft 10in.CONDITION: Good rich red mahognay tone and high state of polish. Repolished fairly recently. Metalwork all later. Fretwork pediment with numerous small old repairs - looks to be an later, probably Edwardian, 'improvement'. Both sides to the upper section have vertical splits. Backboards match. No key. Overall definately 'improved' but a good lokking piece in good condition.
§ Albert Irvin, OBE, RA (1922-2015)coloured screenprint, printed by Kip Gresham at Curwen Chilford,Ranelaghsigned in pencil and dated '93, 39/22524.25 x 29.75in.CONDITION: Very good clean condition with no faults noted, blind stamped in left and right bottom corners, housed under perspex in a slim gilt frame, no labels verso. Provenance; Purchased from Advanced Graphics.
A George III silver five division cruet stand by Robert Hennell I,(a.f.) with three matching casters and two associated? unmarked mounted cut glass bottles, the stand with ring handle, engraved crest and fluted feet, one of the three casters has a blind cap, London, 1778, stand height 32.8cm, 43.5 oz.CONDITION: The handle is broken at the top. Minor chips to the base rim of both glass bottles. Casters in good order. Minor surface scratches in general, commensurate with age and use. Hallmarks clear.
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