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Fleming, Ian - The Spy Who Loved Me ..., 1st edition (1st impression), d-page illustration of 'Dreamy Pines Motor Court', d/wrapper, 1962CONDITION: Cloth vg. (silver-lettered spine, silver and blind dagger on upper cover (black cloth); d/w - generally vg., little marked back cover, and trifle spine wear, text vg. Gilbert A10a (1.1)

Fleming, Ian - The Spy Who Loved Me, 1st edition (1st impression), d-page illustration of 'Dreamy Pines Motor Court', d/wrapper, 1962CONDITION: Cloth vg., silver lettered spine, silver and blind dagge upper cover, red e/ps.; d/w - generally good, v.sl. wear head and tail of spine, sl. spotting on back cover, unclipped; text v.g., 1 line biro ownership name and contemp. date front free e/p.

Jerrold, Walter - The Big Book of Fables, coloured pictorial title, numerous plates, 28 coloured, by Charles Robinson, and text illustrations, gilt and blind pictorial cloth, 4to, 1912CONDITION: Cloth worn head and tail of spine, mostly clean inside, inscribed verso of front free e/p

BEN MAILE (BRITISH 1922-2017), 'A Time of Glory', a limited edition print 324/359, signed to lower margin with fine art trade guild blind stamp, mounted framed and glazed, size approximately 63cm x 89cm

A George III Mahogany Tallboy, the upper part with moulded and dentil cornice, fitted two short and three long drawers with blind fret canted corners, the base fitted with a brushing slide and three long drawers, all with cast brass swanneck handles with ornate backplates, on ogee bracket feet, 42ins wide x 22ins deep x 72ins high

Französischer Meister tätig 2. Hälfte 18. Jh. Der blinde Belisar empfängt ein Almosen Öl/Lw., 62,5 x 69,5 cm, auf dem Keilrahmen alter Christie's-Blockstempel, etw. rest., doubl. - Belisar war ein oströmischer Feldherr des 6. Jhs. Seine bewegte Laufbahn regte die Fantasie seiner Zeitgenossen und späterer Jahrhunderte an und führte zu der Legende, er sei als blinder Bettler in Rom gestorben. Berühmte Darstellungen der Neuzeit stammen von Anthony van Dyck and Jacques-Louis David. - French Master active 2. half 18th cent. The blind Belisarius receiving Alms Oil/canvas, 62,5 x 69,5 cm, on the stretcher old Christie's block stamp, some rest., relined. -

A Guetens coloured limited edition print Christ on the cross in a contemporary indoor setting 104/300 with blind stamp and signature in pencil.

Circular Blind Spot Road Mirror on Bracket, 62cms diameter

A framed and glazed unsigned limited edition print (of 550) entitled Man Taken Ill by L.S. Lowry R.A with blind stamp for the fine art trade guild, published by Adam Collection Ltd.

Gerhard Altenbourg (1926-1989), Nähe und ferner Traum, Kaltnadel, 1988 Gerhard Altenbourg (*1926-1989) – Deutscher Maler und Grafiker Bezeichnet links unten in Bleistift „Nähe und ferner Traum“ Monogrammiert (ligiert), signiert, datiert und nummeriert rechts unten in Bleistift „GA / Altenbourg / 1988 / 9/12“, sowie hier mit dem Altenbourg-Blindprägestempel Auflage von 12 nummerierten Exemplaren (+ 2 versch. Drucker-Exemplare, 1 Probedruck, 1 Archivdruck) Aus der „Schnepfenthaler Suite“, Blatt 3 Werkverzeichnis: Janda R 107, Kaltnadelradierung auf „Hahnemühle“ Büttenkarton (Wasserzeichen) Deutschland, 1988, Plattenrand: 8,5 x 6,2 cm Blattmaße: 53,2 x 39,5 cm, Gerhard Altenbourg, Nähe und ferner Traum, Drypoint, 1988 Gerhard Altenbourg (* 1926-1989) - German painter and graphic artist Inscribed in pencil lower left" Proximity and distant dream "Monogrammed (ligated), signed, dated and numbered in pencil lower right" GA / Altenbourg / 1988 / 9/12 " , as well as here with the Altenbourg blind embossing stamp Edition of 12 numbered copies (+ 2 different printer copies, 1 sample print, 1 archive print) From the "Schnepfenthaler Suite", sheet 3 catalog raisonné: Janda R 107, drypoint etching on "Hahnemühle" handmade cardboard (watermark) Germany, 1988, platemark: 8.5 x 6.2 cm sheet size: 53.2 x 39.5 cm, very good condition

Konvolut Herrentaschenuhren 19./20. Jh. 5-tlg. Bestehend aus vier Taschenuhren und eine Blindenuhr mit Stundenrepetition, Kron- und Schlüsselaufzug. Silber, Metall. Ø 4,4 bis 5,5 cm. - Altersspuren, ein Werk muss revidiert werden. A bundle of men's pocket watches 19th and 20th c. 5 pieces, consisting of four pocket watches and one blind watch with hour repeater, crown and key winding. Silver, metal. Ø 4,4 to 5,5 cm. - Signs of age, one movement needs revision.

Kleine Eisenkassette Bayerisch, um 1700 Rechteckiger Korpus mit seitlichen Tragegriffen, Klappdeckel mit innenliegendem Kapellenschloss und vier Zuhaltungen, Front mit Scheinschlüsselloch; außen blau-weißer Rautendekor zwischen goldfarben bemalten Bändern; Hohldornschlüssel. Eisen. 25,5 x 48 x 26 cm. - Etwas korrodiert. Eisentruhe, Schatulle Small iron cassette Bavarian, around 1700 Rectangular body with side handles, hinged lid with internal chapel lock and four tumblers, front with blind keyhole; outside blue and white rhomb-shaped decor between gold-coloured painted bands; hollow pin key. Iron. 25.5 x 48 x 26 cm. - Somewhat corroded. casket

Hermès Birkin Bag 30 Kreide Kreidefarbenes Leder, goldfarbene Beschläge. 1 Reißverschlussfach, 1 Innenfach. Schloß und Anhänger mit 2 Schlüsseln. Sign. 'HERMÈS PARIS MADE IN FRANCE', Blindstempel. Staubbeutel, Originalkarton. - Hermès A Birkin Bag 30 Chalky Chalky leather, gold coloured fittings. 1 zipped compartment, 1 inner compartment. Padlock and tag with 2 keys. Sign. 'HERMÈS PARIS MADE IN FRANCE', blind stamp. Dust bag, original box. -

Hermès Birkin Bag 30 Rose Extreme Rosafarbenes Taurillon Clemence-Leder, goldfarbene Beschläge. Innen 1 Reißverschlußfach und 1 Seitenfach, Schloss und Anhänger mit 2 Schlüsseln. Sign. 'HERMÈS PARIS MADE IN FRANCE', Blindstempel. Staubbeutel, Originalkarton. Neuwertig. - Hermès Birkin Bag 30 Rose Extreme Rose taurillon clemence leather, gold-coloured fittings. Inside 1 zip pocket and 1 side pocket, padlock and tag with 2 keys. Sign. 'HERMÈS PARIS MADE IN FRANCE', blind stamp. Dust bag, original box. Mint condition. -

Hermès Vintage Kelly Bag 40 Dunkelbraun 1994. Dunkelbraunes Leder, goldfarbene Beschläge. Innenraum mit einem Reißverschlussfach und zwei Steckfächern, Schloss und 2 Schlüssel. Sign. 'HÈRMES PARIS MADE IN FRANCE', Blindstempel. Staubbeutel, Originalkarton. Gebrauchssspuren. - Hermès A Vintage Kelly Bag 40 Dark Brown 1994. Dark brown leather, gold-coloured fittings. Interior with one zipped compartment and two pockets, lock and two keys. Sign. 'HÈRMES PARIS MADE IN FRANCE', blind stamp. Dust bag, original box. Signs of wear. -

Nolde, Emil: Pferd Pferd Holzschnitt auf festem Velin. 1910. 14,7 x 10,5 cm (25,7 x 22,8 cm). Signiert "Emil Nolde" und (schwach lesbar, wohl von Ada Nolde) betitelt. Schiefler/Mosel 88 I (von II). Eines der mindestens fünf Schiefler/Mosel bekannten Exemplare des ersten Zustandes mit den drei Wolkenstreifen über dem Pferd. Ganz prachtvoller, klarer und satter, nur stellenweise etwas trockener Druck mit wunderbarem Relief, die Spuren der Schnittgrate blind deutlich eingeprägt. Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

A GEORGE III SILVER SUGAR BASKET, swing handle, gilded interior on shaped platform foot, London 1792, engraved armorial to one side and blind cartouche to the other side, makers mark indecipherable, weight; 201g Condition Report – overall impression the condition is good, blemish to leading edge, top rim, about an inch from handle on one side, the internal gilding a little worn, nice crest, one side blank cartouche, the other no evidence of erasure, a little wobble on a flat surface, a little roughness underneath, on one edge, possible repair

A MID GEORGIAN MAHOGANY CHEST-ON-CHEST having dentil cornice over blind fret carved frieze, two inline drawers over three graduating full width drawers, supported on a deeper base section, also having three graduated full width drawers, with brass sw an neck drop handles and shaped bracket feet, 187cm x 121cm

A DECORATIVE 9K GOLD OPEN FACE POCKET WATCH, gilded dial with Roman numerals, on a chain with fob & key, together with a SILVER WATCH FOB having blind cartouche, Birmingham 1922

AFTER F A STEWART A pair of Hunting Field colour prints, signed in pencil to the margin, bears Fine Art Guild Blind Stamps, oak framed

A VICTORIAN TORTOISESHELL AND MOTHER-OF-PEARL CARTE DE VISITE CASE, inset to either side a central engraved mother-of-pearl panel, an image of birds about a birdbath to one side and a floral mounted blind cartouche to the other, opens to reveal a red silk lined interior, 10.5cm x 7.5cm

LA FRANCE HÉROIQUE ER SES ALLIES 1914-1919, Gustave Geffroy, 2 Bde., mit vielen Abb., Paris, um 1916, schöner blind- und goldgeprägter Jugendstil-Halbledereinband

A Louise Braithwaite- signed limited edition print 'ParkLife' with blind stamp together with prints, watercolours and various other items.

Early XX Century Mahogany Bookcase, with a stepped cornice, open shelves, blind fret, side on cabriole legs.

After Laurence Stephen Lowry (1887-1976), 'Family Discussion', limited edition print 7/850, 34 cm x 24 cm, unsigned, blind stamped. Est £100 - £150

L S LOWRY limited edition (12/850) lithograph - children and other figure in street, entitled 'Viaduct Street Passage' (1959) published by Adam Collection, blind-stamped, unsigned, 36 x 35cms Condition Report: fresh unfaded impression, framed and glazed

FOUR 19TH CENTURY POTTERY COCKLE OR NURSERY PLATES, including plates printed 'The Italian Savoyard', 'The Corn is Taken Home', '...Blind Man's Buff...' and 'The Bottle...', 15cm diam. approx. (4) Condition Report:: some with cracks, staining

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - IBROXcirca 1940s from the older Standard cars, frame size 26.5cm x 79.1cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - LONDON ROADcirca 1940s from the older Standard cars, frame size 26.5cm x 97.7cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - ST. GEORGE'S CROSScirca 1940s from the older Standard cars, frame size 26.5cm x 98cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - BON ACCORD ST.circa 1940s from the older Standard cars, frame size 26.5cm x 98cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - TOLLCROSScirca 1940s from the older Standard cars, frame size 26.5cm x 96.7cm

276 - - Jim Avignon. The blind passenger. 2020. Acryl auf Papier. Unikat. 60 x 85 cm. Der Maler, Illustrator und Konzeptkünstler Jim Avignon ist einer der ungewöhnlicheren Charaktere in der aktuell eher karriereorientierten deutschen Kunstszene. Immer wieder sucht er die Konfrontation mit dem Establishment und legt sich dabei selten fest, ob er nun Pop-Art, Street-Art, ein Picasso auf Acid oder einfach nur der schnellste Maler der Welt sein will. Sein Markenzeichen sind leuchtende Farben, gelegentlich beißender Witz, unprätentiöses Material und ein schwindelerregender Output. - Er pfeffert der Welt der hochheiligen Kunst mit frischem Elan seine kunterbunten, ironisch-frechen und erschwinglichen Arbeiten entgegen. Sie ersetzen erhabene Selbstreferenzialität durch schwarzen Humor und Selbstironie. "Good Artists Go To The Museum, Bad Artists Go Everywhere".

A Padetti Atlantic green blackout Roman blind, RRP £53.16.

A Brambly Cottage blackout roller blind, RRP £38.44.

Bernard McMullen Limited edition Print with Double Blind stamp Signed in pencil - Blackburn 56/850

Edwardian mahogany sideboard, the raised blind fret back on a breakfront moulded top, over two short bowfront drawers and pierced fret kneehole frieze, flanked by two cupboard doors and further blind fret borders, raised on eight square spade legs, 72" wide, 24" deep, 43" high

George III mahogany bureau cabinet, with two panelled cupboard doors enclosing a shelved interior and surmounted by a blind fret carved swan neck cornice, over the bureau opening to reveal a central serpentine cupboard door flanked to either side by pigeon holes and four small drawers, with green leather tooled inset writing surface over two short and two long drawers, supported upon ogee bracket feet, 41.5" wide x 21.5" deep x 86" high

1920s mahogany display cabinet, the moulded top over a blind fret carved frieze and astragal glazed doors enclosing glass shelved interior, raised on cabriole legs and claw on ball feet, 53" wide max, 18" deep max, 73" high

After Gerald Anthony Scarfe CBE., RDI., (b.1936) - 'Everyman' signed artist's proof also inscribed with the title and numbered 32/99, together with the blind stamp for Michel Casse, litho-Paris coloured lithographic print, 19" x 25.25"

Early 20th century mahogany Chippendale style pagoda three tier open bookshelves, the pagoda top over a blind strapwork carved frieze and geometric open pierced fretwork sides, 30" wide, 8" deep, 40.5" high

C18th Irish red walnut Chippendale style foldover tea table with blind fretwork carvings to legs 90cm L

[Dodgson (Charles Lutwidge)], "Lewis Carroll". Doublets: A Word Puzzle, first edition, bookplate to pastedown, title and endpapers a little browned, original blind-stamped cloth, gilt, few marks and light rubbed to spine ends and corners, 12mo, 1879.

NO RESERVE Beardsley (Aubrey).- Wilde (Oscar) Salome, review copy with blind-stamp to title, plates by Beardsley, publisher's advertisements at end, original cloth, small 8vo, 1912.

NO RESERVE Kindergartens & Infants.- Bainbrigge (William Henry) Early education: being the substance of four lectures delivered in the public hall of the Collegiate Institution, Liverpool. Printed by request, first edition, presentation copy from the author, half-title, some spotting or mostly light foxing, original blind-stamped cloth, spine little chipped to head and with paper label removed from foot, g.e., Blackadder and Co., 1854; and 9 others, 19th century Kindergartens & Infants, v.s. (10)

NO RESERVE Felltham (Owen) Resolves: divine, moral, political, twelfth edition, initial f. 'The face of the book, unmask'd', engraved additional pictorial title, some spotting, 19th century blind-stamped calf, upper cover detached, small split at head of spine, rubbed, Printed by Benj. Motte, for Cha. Harper, at the Flower-de-Luce, 1709; and another, on John Colet (lacking portrait), 8vo (2) sold not subject to return.

NO RESERVE Blind & deaf.- Moon (William) Light for the blind: a history of the origin and success of Moon's system of reading (embossed in various languages) for the blind, first edition, half-title, mounted photographic portrait frontispiece, specimen plate of Moon's embossed alphabet, frontispiece and title foxed, occasional spotting elsewhere, original blue cloth, gilt, rebacked, preserving original backstrip, soiled and rubbed, Longmans & Co., 1873 § International Health Exhibition, London, 1884. Oral Instruction of the deaf and dumb, some spotting, 1884 bound with 3 other works relating to the IHE, modern cloth; and 6 others, blind & deaf education, v.s. (8)

Ruskin (John, art critic and social critic, 1819-1900).- Albumen print photograph of Filippino Lippi's Madonna and Child signed by Ruskin below image, light fading to image, faint blind-stamp of Ruskin lamp to lower corner of image, light creasing to mount, c.280 x 225mm., c.1875.⁂ An interesting piece of Ruskin ephemera - the present example is very similar in subject, mount and used of blind-stamp to those held at the Ahmoleon that were donated by Ruskin to the Ruskin Drawing School in 1875 for use as teaching aids. It seems likely therefore that the present example was gifted by Ruskin from his personal collection.

Canada.- Bouchette (Joseph) The British Dominions in North America; or a Topographical and Statistical Description of the Provinces of Lower and Upper Canada, 2 vol., 30 engraved, lithographed or aquatint plates and maps only (of 31), 1 double-page, 1 folding, 4 tables at end vol. 1, one with loss, neatly restored, tissue-guards, b2-3 detached (vol. 1), occasional faint off-setting, occasional spotting, previous owner's blind-stamp to front free endpapers, contemporary half-calf, very slight bumping to spine extremities, 4to, 1832.

Fitzgerald (F. Scott) The Great Gatsby, scattered spotting, slight shelf-lean, fading to spine and covers, lower joint splitting, slit to spine, rubbing and light wear to extremities, 1926; Tales of the Jazz Age, "review copy" blind-stamp to title, spine a little dulled, spine ends and corners a little bumped, light rubbing to extremities, 1923, first English editions, original cloth; and 4 others, Fitzgerald, 8vo (6)

NO RESERVE [Combe (William)] [The Three Tours of Doctor Syntax], comprising The Tour of Doctor Syntax in Search of the Picturesque; The Second Tour of Doctor Syntax, in Search of Consolation; The Third Tour of Doctor Syntax, in Search of a Wife, 3 vol., "ninth edition", 2 hand-coloured aquatint pictorial titles in vol. 1 and 3, and 78 plates, offsetting, spotting, original green blind-stamped cloth, spines pictorial gilt, spines faded, large 8vo, 1855.

NO RESERVE Europe.- [Byron (Anne Isabella Milbanke, Baroness, attributed to)] What de Fellenberg has done for education, first edition, ?lacking half-title, spotted, a few small stains, modern marbled boards, Saunders and Otley, 1839 § Perry (Walter Copland) German university education; or, the professors and students of Germany, first edition, 32pp. publisher's catalogue at end, some spotting and light browning, original green blind-stamped cloth, spine gilt, rebacked, preserving original backstrip, chipped at head and with label removed from foot, corners worn, [Bonn: printed by Charles Georgi] & London, Longman [& others.], 1845; and 8 others, 19th century European Education, v.s. (10)

Henri de Toulouse-LautrecEllesWith a specially written introduction by Michel MelotThe Toulouse-Lautrec Circle in association with the Sunday Times.This book issued in November 1969Limited edition No.1116 / 1250containing eleven lithographs, numbered in pencil with blind stamp, Together with a copy of the limited edition of Clownesse au Moulin Rouge, No.940/5000In slip case

Pablo Picasso - Framed limited edition giclée portrait print depicting Francois Gilet, 1946, Limited to 1000 copies, with blind stamp. Approx. 53cms x 43cms

A reproduction mahogany partners style desk, leather inlaid top, long drawer over kneehole flanked by flights of four drawers, blind to verso. 77cm high x 158cm wide x 76cm deep.

A George III mahogany chest on chest, the dentil cornice over a blind fret frieze, the top with two short over three long graduated drawers with original gilt brasses, the angles with fluted quarter columns, on a three drawer base with ogee bracket feet, 47 x 24in. (119.5 x 61cm.), 67¼in. (170.75cm.) high. *Some losses to dentil carving. Replaced section to blind fret frieze to back of RH side, Small old shrinkage crack to lower LH side. Polish to top of RH side a little matted. A few minor losses to cockbeading. Good colour and patina.

A Victorian British Passport document (No. 45950) issued to Gustave Sichel to travel on the Continent and Russia, the single folded printed sheet of linen paper, with ink additions, authorising Gustave Sichel ("a naturalised British subject") to travel on the Continent, issued 6th April 1857 by George, Earl of Clarendon, Secretary of State for Foreign Affairs, with his facsimile signature and coat of arms printed at foot, Royal arms at head of document, signed by Sichel, with Five Shillings blind duty stamp at lower left corner, both sides with French, Italian and Russian diplomatic stamps, laid down at upper left corner in gilt lettered leather wallet, the notebook almost full with further Russian, Swedish, French, German and Italian stamps and ink notes.

A Chippendale style mahogany two-drawer small Pembroke table, 20th century, the rectangular dropflap top with reeded edge, over two drawers and blind fret carved stiles, raised on four cluster column supports with block toes, united by a pierced X-stretcher, 19 x 15in. (48.25 x 38cm.), 28¼in. (71.5cm.) high.

after Sir William Russell Flint P.R.A., P.R.W.S., R.S.W., R.O.I., R.E., 'Model for Elegance', numbered 398 from an edition of 850, pub. April 1984, Michael Stewart Fine Art blind stamp, 14½ x 19 5/8in. (37 x 50cm.), in a painted antique style swept frame.

TABLETT / PLATTE / tray, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Geschweifte Form mit godroniertem Rand und seitlichen Schleifenhandhaben. Polychrome Blütenstaffage u. a. mit Bandwinde, Vergissmeinnicht und Wicke; Goldakzentuierungen und Goldrand. H. 3,8 x L. 40 x B. 28 cm.