We found 44918 price guide item(s) matching your search

AN EDWARDIAN MAHOGANY CHINA DISPLAY CABINET with blind fret frieze on square tapering legs 172cm (h) x 92cm (w) x 41cm (d)

A GOOD ADAM STYLE MAHOGANY EXTENDING DINING TABLE with blind fret carving throughout the frieze and panelled tapering legs

A PINE CORNER CABINET the moulded cornice above three open shelves with pierced fretwork decoration the base with blind panel doors on bracket feet 94cm x 203cm

A print after J Linnell, Stormy Harvest, blind stamped Burlington proof

AN 18TH CENTURY STYLE WALNUT FRAMED SWING TOILET MIRROR of shaped rectangular form with turned supports and blind fretted stretcher, 58cm wide

Kodak Model A Large Format Camera. Kodak Model A 1/2 plate camera with front & rear extensions, with good bellows. (condition 5F); Fitted Thornton Pickard roller blind shutter (5G needs slight adjustment); 8" f4.5 Dallmeyer Serac lens #341362 (condition 5F); 3 DDS.

Botanical Studies, three 19th century hand coloured engravings all with 'Middleton Botanical Society' blind stamps 26cm x 18cm (3)

After Charlie Johnson Payne, 'Snaffles' (British, 1884-1967): 'The Finest View in Europe', a limited edition print signed in pencil to the margin, Snaffle bits blind stamp, printed and hand coloured, 43.5 by 71.5cm.

A 19th century French walnut centre table with a shaped leather inset top over a blind drawer on shaped legs with ormolu mounts - Height 75cm x Width 136cm x Depth 83cm

E R Sturgeon - a colour print issued in a limited edition of 850 signed to the margin by the artist with blind stamp, mounted and framed under glass, image size 27.5 cm x 66 cm

Laurence Stephen Lowry R.A. (1887-1976) - a signed limited edition coloured print 'Street Scene', signed in pencil lower right, bearing blind stamp lower left, image size 25 cm x 20.25 cm, mounted and framed under glass - Est £1000 - £2000

E R Sturgeon - a colour print issued in a limited edition of 850 signed to the margin by the artist with blind stamp, mounted and framed under glass, image size 47 cm x 67 cm

William IVth and Queen Adelaide. Coronation... 8th September, 1831. Westminster Abbey. Dean and Chapter's Ticket North Vaultings. Printed mainly in red with blind impressed royal coat of arms. Inscribed in ink, 'Joseph Allen from Revd. Dr Bell front seat...' 132mm x 97mm.

Spithover, Joseph. A group of eighteen mounted albumen prints of Rome, comprising nine views of buildings and street scenes, including a single sheet panorama of St. Peters, and nine studies of statues, 265mm x 199mm or smaller, each neatly captioned in pencil on the mount, with the blind stamp of 'Joseph Spithover, Roma', usually lower right, c.1870s

Ponti, Carlo. Fourteen large mounted albumen prints of scenes in Venice, some with printed title and description on reverse, the majority 344mm x 272mm, loose, each stamped in blind on mount 'Ponti Riva dei Schavoni Venezia', c.1870s The titled prints are as follows: Palais Ca-Doro, Le Mole vu du quai des Esclavons, Palais Pesaro, St, Marc et le Palais Ducal pris de l'Horloge, La Piazzetta, Porteuse d'eau, Cour du Palais Ducal, Pont dei Sospiri.

GREAT WAR - A RABBIT SNARE MADE BY A ST. DUNSTAN'S WAR BLINDED SOLDIER with related card inscribed price ticket Blind Veterans UK, formerly St Dunstan's was founded by Arthur Pearson, who had himself lost his sight due to glaucoma, because of the increasing numbers of British soldiers returning from the front lines during the First World War suffering from blindness, Pearson established a hostel for these soldiers as well as blinded sailors and airmen. His intention was that, with training and assistance, they could go on to lead productive lives and would not have to depend on charity.The hostel's first location was in Bayswater Hill, London. Shortly after, the organisation moved to St. Dunstan's Lodge in Regent's Park, along with its first 16 members. The Committee's work was praised by the London press at the time - a reference to the Lodge appeared in The Illustrated London News in 1915, which said: 'in a corner of London's most beautiful park is a house where miracles are worked.' On Pearson's death in 1921, the Chairmanship fell to Ian Fraser, who had been placed in charge of the charity's after-care activities by Pearson, providing assistance and social events such as reunion meetings for the blinded veterans after they had left the hostel in Regent's Park. Fraser had served during the First World War in the King's Shropshire Light Infantry and was blinded by a bullet on the Somme. Having become generally known by the name of the building in which it was based, the organisation then formally changed its name to St. Dunstan's in 1923. Fraser remained as Chairman until his death in 1974. During the Second World War, the charity admitted those who had lost their sight through their work in the auxiliary services, women's services and munitions factories, besides service personnel from Poland, Netherlands, United States, Canada and South Africa.[4] Due to concerns about potential air raids on Brighton during the Blitz, Blind Veterans UK evacuated its operation from Brighton to the town of Church Stretton, Shropshire, where it occupied the Longmynd Hotel and other buildings, setting up an industrial training centre and a hospital. By 1946, the year it returned to Brighton, the charity cared for over 2,000 blind ex-Service personnel.

A Japanese scroll painted with young boys playing blind man's buff and three Japanese pictures

A mid 18thC walnut and marquetry longcase clock, the hood having an arched top, a blind fret carved frieze and turned pillars, over a bullseye glazed door, on a box base with flower and foliage ornament, on bracket feet; the 8 day nine bell strike movement with a brass and a silvered Roman dial, subsidiary seconds & date aperture inscribed William Gib, London 90''h

Cecil Aldin, etching from 'Old English Inns Series' 'The Bell, Waltham St Lawrence' signed in pencil to the margin with publishers blind stamp of Fine Art Trade Guild, framed and glazed, 40 x 35cm

A selection of pictures including seven framed 'Cries of London' engravings after F Wheatley, a large Corot landscape print, a limited edition print titled Ascoli Piceno after Frank Bragwyn R.A printed by Eyre and Spottiswoode Ltd. FATG blind stamp lower left and an engraving after Mary L. Gow titled 'Your majesty'

A GEORGE III WING ARMCHAIR, the shape back flanked by scroll arms on square section mahogany supports with blind fret decoration united by stretchers, 93cm wide 82cm deep 121cm high

Tallis (John). Tallis's Illustrated London; in commemoration of the Great Exhibition of All Nations in 1851. Forming a complete guide to the Britsh metropolis and its environs... with historical and descriptive letter-press by William Gasbey, 2 volumes, John Tallis, circa 1851, numerous engraved plates, including one or two folding, some waterstaining towards of front of first volume, contemporary half dark brown calf gilt, rubbed, 8vo, together with Goldsmith (Oliver), A History of the Earth and Animated Nature, 2 volumes, 1856, numerous hand-coloured and monochrome engraved plates, minor waterstaining to first few leaves, contemporary half calf, rubbed and somewhat worn, large 8vo, plus Pigot (Richard), Moral Emblems with Aphorisms, Adages, and Proverbs, of all Ages and Nations, from Jacob Cats and Robert Farlie, with illustrations by John Leighton, 2nd edition, 1862, numerous wood engraved illustrations, all edges gilt, original blind-decorated brown full morocco, recased with original spine laid down, rubbed and some marks, 4to, and other mostly 19th century antiquarian interest, history and literature, natural history, including [Symon, Patrick], A Continuation of the Friendly Debate, 1669 (the second volume only of a 2 volume work), contemporary calf gilt, 8vo, A Guide to all the Watering and Sea-Bathing Places, printed for Richard Phillips, circa 1820s, De la Pluche, Spectacle de la Nature: or, Nature Display'd, volumes 1-4 only, mixed editions, 1743-44, mostly leather-bound, 4to/8vo (approximately 70 volumes) (3 shelves)

Hooker (Richard). Of the Lawes of Ecclesiastical Politie, printed for William Stansbye, [1622], engraved title page (laid down, with some slight defects), initial blank not present, decorative chapter headers, additional title page to part five, final leaf repaired and laid down, light water stain to lower margins, endpapers renewed, contemporary full calf, blind ruled border, rubbed and a little wear to extremities, folio (STC 13717. Early ownership signature to title of Marke Westfield and additional ownership inscription to A2 "Ann Westfield her booke 1679"), together with other 18th and 19th-century antiquarian literature and reference, including The Works of Samuel Johnson, LL.D., volumes 1-11 (complete), 1787, uniform contemporary gilt-decorated calf, loss to boards and spines, 8vo, Post Magazine Almanack, a broken run of 26 volumes, 1855-1903, original gilt-decorated green cloth, 8vo, some leather bindings, condition is generally good, 8vo (3 shelves)

A Regency mahogany bow front corner whatnot of small proportions, shaped gallery, single drawer to frieze flanked by blind drawers, shaped undertier, spreading square supports. 80cm high x 55cm wide.

An 18th century oak box, hinged top, blind fret worked front

A mahogany side cabinet, oversailing top, blind fretwork to frieze, fielded panel door enclosing shelving flanked by fluted columns, bracket feet, circa 1900.

After ANTHONY OSLER; a set of four limited edition nautical theme colour prints, "Off to the Fishing Grounds", "Tough Little Smacks", "A Fair Wind" and "Barge on the River", all with blind stamp lower left and all limited Edition 122/850, all signed in pencil lower right, all 22 x 28cm, all framed and glazed.

LS Lowry. St Luke's Church. Limited edition colour print no. 850/424. 46cm x 61cm. Blind stamp lower left. Signed in pencil. Condition - good, minor discolouration, a little dirt behind glass, frame currently held together with tape.

A mahogany entertainment cabinet, with blind draw front door, 84.5cm high

A pen and ink with watercolour wash industrial landscape, featuring the Evered & Co. Ltd. Surrey Works in Smethwick, monogrammed WW lower left and dated 23-7-76 lower right 28.5cm x 39.5cm, framed and glazed; together with a signed aquatint after P. Hmpden Hart entitled 'La Pulcinella', complete with blind stamp lower left 51.5cm x 35cm, framed and glazed (2)

Of Antarctic interest: A set of three photographic prints made from the original negatives taken by H.G. Ponting during the Arctic Expedition of 1910-1913 with Captain Scott, with individually numbered certificate from an edition of 400, and with blind stamp to the border 40.5cm x 31cm, framed and glazed (4)

Edwardian mahogany window table, oval top with a moulded edge, blind fretwork to the frieze and square tapering legs, reduced, width 72cm, depth 45cm, height 56cm.

Whellan, William & Co "History, Gazetteer and Directory of Northamptonshire; comprising a general survey of the county and the history of the diocese of Peterborough...", Whittaker & Co 1849, map missing, inscription on ffep named then Wellingborough 1849, hinges cracked, backstrip separating, bumped and worn Baker, Ann Elizabeth "Glossary of Northamptonshire, words and phrases...", John Russell Smith 1854, two volumes, purple blind stamped cloth with gilt titles, backstrips faded "Northamptonshire notes and queries 1888-89, 1892-93 and 1894-95" Morton, John "The Natural History of Northamptonshire...", London, R Knaplock 1712, two volumes, plates, maps missing, various loose maps and geographical plans, fossil plates included, marbled boards, half-leather, volume one backstrip separated, boards separated, condition poor and other related volumes (15)

Prideaux, Dr Humphrey "The Original and Right of Tithes for the Maintenance of the Ministry in a Christian Church...", London printed for R Knaplock 1736, contemporary inscription on title page, faded library stamp on title page, bookplate inside front cover, various pencil markings, contemporary blind stamped leather, possibly re-backed Sangster, John "The Rights and Duties of Property: with a plan for paying off the National Debt", Whittaker & Co 1851, contemporary inscription on ffep, possibly by the author as signed by the author Low, David "On Landed Property and the Economy of Estates...", Longman, Brown, Green and Longmans 1856, various illustrations, plans, green cloth and eight various pamphlets on agriculture (5 volumes) (8)

*Beryl Cook (1926-2008)'ANGELS' 1982Offset lithograph, signed in pencil l.r., from an edition of 850, published by Alexander Gallery Publications Ltd., Bristol, with Fine Art Trade Guild blind stamp31.5 x 40.5cm*Artist's Resale Right may apply to this lot.

*Lynn Chadwick (1914-2003)HAMMACHER, 1971Lithograph printed in colours, signed in pencil and dated 71, published by Erker-Presse St. Gallen, with their blind stamp76.5 x 56cm*Artist's Resale Right may apply to this lot.

*Lynn Chadwick (1914-2003)SEATED FIGURES, 1972Lithograph printed in colours, signed in pencil and dated 72, numbered 5/5, published by Erker-Presse St. Gallen, with their blind stamp75 x 55cm*Artist's Resale Right may apply to this lot.

*Lynn Chadwick (1914-2003)TWO SITTING FIGURES, 1971Lithograph, artist's proof, signed in pencil and inscribed 'E.d.A.', published by Erker-Presse St. Gallen, with their blind stamp76.5 x 56cm*Artist's Resale Right may apply to this lot.

A mid 20th Century mahogany square topped coffee table having blind fret decoration.

Good quality mahogany twin pedestal desk, the red leather inset top, crossbanded and moulded above nine crossbanded drawers divided by blind fretwork, surrounding a shaped kneehole on plinth bases, 48ins wide

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

MODERN SCHOOL, THE BLIND FIDDLE PLAYER OIL ON CANVAS

Four Unframed Alan King Limited Edition Signed Prints ' Winter Steam ', no. 17/850, 18/850, 19/850 & 20/ 850 together with Four Unframed Alan King Signed Prints ' In the mood ofr Celebration ' (all with blind stamps)

A George III mahogany tea urn stand with cup slide and blind fretwork decoration

E...S...K..., still life of an apothecary jar and apples, blind stamped, watercolour, 29 x 51cm.

Edward Wesson, 'Westminster from Lambeth Bridge', signed in panel, blind stamped, colour print, I.33 x 50.5cm.

A modern mahogany occasional table with blind fretwork carving and multi-pillar supports united by a pierced X frame stretcher, together with a glass topped metal framed coffee table with lattice undertier and an early 20th Century long footstool

JOHN LATHAM FIVE PHOTO ETCHINGS ETCHING Blind Stamped 2004 4 ONLY IN PORTFOLIO The Stoneman Print Collection Hugh Stoneman (1947-2005) was one of the art world's most respected, master printers. During his 33 year career he worked with some of the world's most important artists. His expansive talent encompassed the production of huge woodcuts for the grandfather of British abstract art Sir Terry Frost and ranged right across the board to the creation of wonderful photogravures for the first ever female Magnum photographer Eve Arnold. This unique auction, which includes some previously unreleased works, offers a once in a lifetime opportunity to purchase prints that will never be reproduced. Condition Report: Sheet Size 97.5 X 76.5 cm GOOD

World Oddments. A miscellanea of largely 19th-20th Century issues, nearly all minors -- with some somewhat better pieces. German New Guinea, 1 Pfennig, 1894 A. AU; New Zealand. Penny Token, 1881, Maori warrior. EF; 18th Century Maltese AEs (4), a grouping of coins of Luxembourg (18) including a John the Blind 1946 100 Francs; Uncirculated Mombasa 1888 Pice; Eritrea 1891 Lira (obverse scrape and some scratches), and others. One holed, generally Fine-AU. (45)

Yeats, William Butler (1865-1939). Irish poet and one of the foremost figures of 20th Century literature. . TLS, 1 page, 4vo. Postal envelope included. Riversdale, Eilbrook, Rathfarnham, Dublin. November 3, 1937. To Mr. Heywood. Regarding a book dedication."You may certainly dedicate your book to me as long as you do it off your own bat…" Yeats doesn't want to be forced to read Haywood's book because "…my eyes have for the moment gone semi-blind." Some folds, otherwise in fine condition. From the collection of Diana Herzog.

England, Wales & Ireland. Speed (John), The Invasions of England and Ireland with al their Civill Wars since the Conquest, published Roger Rea, [1662], uncoloured engraved map, engraved by Cornelius Danckerts, decorative cartouche, compass rose and numerous rhumb lines, slight fraying and dust soiling to margins, short split at base of central fold, strengthened on verso, one small hole to image, small library blind stamp in margin, 385 x 520 mm, English text on verso Shirley. Early Printed Maps of the British Isles, 1477 - 1650, no.397. (1)

*Snaffles (pseud. Charles Johnson Payne.). Ubique Means - , published circa 1941, colour photolithograph, snaffle bit blind stamp to lower right, signed by artist in pencil to lower left, overall size 400 x 375 mm, framed and glazed (1)

Ireland. Speed (John), The Province of Mounster, published Roger Rea, [1662], uncoloured engraved map, inset town plans of Limerick and Cork, small library blind stamp to margin, occasional marginal closed tears, 390 x 510 mm, English text on verso (1)

Merioneth. Speed (John), Merionethshire Described, published Roger Rea, [1662], uncoloured engraved map, inset view of Harlech, some creasing, library blind stamp to margin, slight staining, 385 x 505 mm, English text on verso, together with, Denbighshire, published Roger Rea, [1662], uncoloured engraved map, some creasing, small library blind stamp to margin, slight staining, 385 x 505 mm, English text on verso, with, Flint-Shire, published Roger Rea, [1662], uncoloured engraved map, inset town plans of Flint and St. Asaph, some creasing, torn with slight loss at base of central fold, repaired on verso, marginal repaired closed tears, two small holes to image, 390 x 515 mm, English text on verso (3)

Vancouver (George). A Voyage of Discovery to the North Pacific Ocean, and Round the World: in which the Coast of North-West America has been carefully Examined and Accurately Surveyed. Undertaken by His Majesty's Command, Principally with a view to Ascertain the Existence of any Navigable Communication between the North Pacific and North Atlantic Oceans; and Performed in the Years 1790, 1791, 1792, 1793, 1794, and 1795, in the Discovery Sloop of War, and Armed Tender Chatham, Under the Command of Captain George Vancouver, 3 vols., 1st edition, London: G.G. & J. Robinson and J. Edwards, 1798, seventeen engraved plates after W. Alexander by J. Landseer, J. Fittler and others, and one single-page engraved map of Hergest's Islands, upper blank margin of titles with ownership signature William FitzRoy Decr. 1799 in pencil (overwritten in ink to vol. 1), with occasional pencil annotations to margins in the same hand, occasional scattered spotting and marks, some dampstaining mostly to margins of few leaves & plates, bookplates removed, 19th century half calf, gilt and blind decorated spines with morocco labels, extremities slightly rubbed, 4to Howes V-23, Sabin 98443, Hill 1753. George Vancouver (1757-1798) who had travelled with Cook on his second and third voyages, commanded HMS Discovery on the expedition to secure lands for Britain in the Pacific Northwest. He was also charged to explore the coastline between 30 and 60 degrees latitude with the intention of discovering the Northwest Passage connecting the Pacific and Atlantic Oceans. The expedition commenced in England, proceeding around the Cape of Good Hope, continuing to New Zealand, King George's Sound (discovered and named by Vancouver), Tahiti, the Hawaiian Islands, San Diego, Monterey, and San Francisco etc., progressing up the Northwest coast to Nootka Sound and Vancouver island which was named after him. Rear Admiral Lord William FitzRoy KCB (1782-1857), was the third son of Augustus FitzRoy, 3rd Duke of Grafton. He entered the Navy on 21 April 1794 and was later promoted to post-captain in 1804, taking command of the frigate Aeolus. He was present at the battle of Cape Ortegal on 4 November 1805, and at the invasion of Martinique in February 1809. In June 1810 he commissioned the frigate Macedonian to serve on the Lisbon station. On 7 April 1811 FitzRoy was dismissed from the Navy after a court-martial found him guilty of "False Expense of Stores" and "Tyranny & Oppression". FitzRoy was charged with falsifying the ship store report and selling the surplus for personal profit. He had sentenced a seaman to 48 lashes for drunkenness, four times the legal maximum. FitzRoy was declared incapable of serving again as an officer, but his former rank was restored to him by the Prince Regent the following August. He received the promotion of rear admiral in 1837, but received no further employment in the Navy. In addition to his career in the Navy he was elected Member of Parliament for Thetford in 1806, but did not actually sit in Parliament until 1810. (3)

ERIC STURGEON, two signed country prints with blind stamps, grapes being loaded into barrel on cart and farmyard scene with chickens and figures before cottages and church, each approximately 46cm x 62cm

A porcelain figural group, 'Blind Man's Buff', a faux Meissen group of courtly lovers, and a porcelain table centre

Polybius. Polybi Historiographi Historiarum libri quinque, Nicolao Perotto interprete, Lyon: Seb. Gryphium, 1542, printer's woodcut device to title and final leaf, early faint signatures to title and marginalia and underscoring throughout, bound with Solinus (C. Julius), Polyhistor, Lyon: Seb. Gryphium, 1538, printer's woodcut device to title, red ruled borders throughout both works, all edges gilt, later endpapers with bookplate of the historian Thomas Hodgkin (1831-1913), contemporary gilt & blind panelled calf, gilt arabesque to centre of each board and 'Joannes ab Assendelft' in gilt to upper board and 'anno 1546' in gilt to lower board, rebacked, leather to board edges worn through and boards showing, (board laminations lifting & separating), 8vo (1)

Rainsford (Marcus). An Historical Account of the Black Empire of Hayti: Comprehending a view of the Principal Transactions in the Revolution of Saint Domingo; with its Antient and Modern State, 1805, half-title discarded, engraved frontispiece, two engraved folding maps and plans, eight engraved plates and a 3 page facsimile letter, all complete as listed, some spotting & few marks, toning, dust & finger-soiling, near contemporary gilt blind decorated morocco, rebacked preserving original spine, lacking spine labels, 4to (1)

Elzevir Press. Les Memoires de Messire Philippe de Commines, Sr. d'Argenton, Derniere edition, Leiden: chez les Elzeviers, 1648, engraved title, armorial bookplate of George Trevor Spencer to upper pastedown, contemporary sheep, gilt decorated spine, gilt crest of George Spencer to upper board, joints cracked, rubbed & worn, 12mo, (Willems 634), together with [Allestree, Richard], The New Whole Duty of Man..., with Devotions Proper for Several Occasions. Embellished with a Curious Set of Cuts, 2 parts in one, London: printed only for John Hinton, at the King's-Arms, in Newgate Street, [1778], engraved frontispiece, title & nine plates, one full-page engraved illustration, title to second part 23rd edition with imprint dated 1778, all edge gilt, contemporary gilt decorated red morocco, worn at head & foot of spine and to board corners, 8vo, with Exercises, Instructive & Entertaining, in False English, Written with a view to Perfect Youth in their Mother Tongue, as well as to Enlarge their Ideas in General, and give them a Relish for what is Ornamental, useful, and Good, 14th edition, Leeds: John Heaton, 1811, contemporary sheep, joints cracked and some wear, 12mo in 6s, and Binding, Memoirs of Count Grammont, by Count A. Hamilton, Translated from the French, 2 vols., new edition, 1828, numerous engraved portrait plates, some spotting and offsetting, all edges gilt, contemporary gilt and blind decorated green morocco, slightly rubbed to extremities, 8vo, plus two others (7)