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After Sir William Russell Flint- 'New Model inspecting Drawings of her Predecessor', publ. 1963 by Frost & Reed Ltd.; colour photolithograph, signed in pencil and bears F.A.T.G. blind stamp, 37x57.5cm

After Sir William Russell Flint- Two maidens in a stable, publ. 1962 by Frost & Reed Ltd.; colour photolithograph, signed in pencil and bears F.A.T.G. blind stamp, 48x63cm

After Sir William Russell Flint- Artist painting by a canal in a French town; colour photolithograph, signed in pencil and bears F.A.T. G. blind stamp, 55.5x77cm

After Lawrence Stephen Lowry- Children playing a town square, publ. by Michael Stewart Fine Art; colour photolithograph, numbered 130/850 in pencil and bears publisher's blind stamp, 45x54.3cm: After A. William Brown- A busy Spanish market square; colour photolithograph, signed in pencil: Brenda King- 'Whitby'; lithograph in colours, signed, and inscribed Artist's Proof in pencil, various sizes, (3)

A 19th century mahogany linen press top, the dentil moulded cornice with a geometrical blind fret work frieze, over a pair of panelled doors enclosing fitted trays, upon a later base (140x120cm).

on detachable dished stands with bead borders, chased stiff leaves, part fluting and an applied blind frieze of trailing foliate scrolls and floral roundels, the interiors gilt, with slightly later, matching, English covers with large cone finials, crested* and engraved underneath with scratchweights "No 1, 37-11" and "N02, 37-10", by Johannes Schiotling, Amsterdam 1780, the cover by John Edwards (III), London 1798, 8.4in (21.3cm) diameter of base approximately 73.5oz. (2)

G. Widdas (19th century): 'The Blind Peasant', oil on panel, unsigned, labelled verso, 20cm x 24cm

A George III oak longcase clock, the caddy top hood with blind fret frieze, with half round gilt capped columns, square brass dial with silvered chapter ring, subsidiary seconds and date apertures, black Roman numerals, with Arabic five minute divisions enclosed by cast spandrels inscribed on reverse W Barnard, the moulded arched door with bullseye aperature, on a plinth base, 8 day movement striking a on bell, dial 30cm (12" square), 210cm high overall

A 19th century mahogany serving table of inverted bow breakfront form, the top outlined with ebonised banding above a central blind drawer enclosed by a pair of drawers outlined with satinwood and ebonised banding and with pierced brass ring handles, the whole on fluted tapering supports with brass sockets and barrel casters, 200cm x 54cm (previously with a raised back)

SHAW, HENRY The Decorative Arts Ecclesiastical and Civil of the Middle Ages. William Pickering, 1851. 4to., orig. blind tooled cloth, spine gilt, with ticket of J. Rodwell, New Bond Street. 41 engraved or lithographic plates, many chromolithographs, some gold- heightened. Text illustrations (loosening in binding).

WALSH, Rev. ROBERT Constantinople and the Scenery of the Seven Churches of Asia Minor Illustrated. Second Series. Fisher, Son & Co., n.d. Cont. full green morocco, blind tooled and gilt, a.e.g., with ticket of Seacome & Prichard, Chester. Additional engraved title, frontispiece, folding map and 47 plates by Thomas Allom. -- WRIGHT, Rev. G. N. & L. F. A. BUCKINGHAM. Belgium, The Rhine . . . The Mediterranean. Vol. 2 only. (2)

HISTORIA DE LAS GUERRAS CIVILES DE GRANADA Nueva Impression . . ., Amberes, Por Henrico y Cornelio Verdussen, 1714. 8vo., fine later blind tooled green calf gilt, a.e.g., lemon silk endleaves. Inscribed on verso of front endleaf "From Ly E. Butler's & Miss Ponsonby's sale - Llangollen August - 1832". With ms. annotations on blanks.

A GEORGE III OAK LONG CASE CLOCK with thirty hour movement, the square brass dial with rococo spandrels and silvered dial with Roman numerals, the matt gilt centre with silvered calendar aperture and circular name plate inscribed "Fran.s Bayley Uttoxeter", the square hood with blind fret frieze and turned angle pillars, lacking door, the trunk with long cross banded door, the plain base on a shaped apron. Dial Width 12". Width 12.5". Height 80".

Cecil Charles Windsor Aldin, R.B.A., (1870-1935) . GOLFING SUBJECTS. Reproductions printed in colours, signed in pencil, published by Eyre & Spottiswoode, with Fine Art Trade Guild blind stamp, (image 35cm by 50cm) (2)

Sir William Russell Flint, R.A., R.W.S.. THREE NUDES ADMIRING A PAINTING. Limited edition reproduction printed in colours, signed in pencil, published 1951 by Frost & Reed, with Fine Art Trade Guild blind stamp, (image 46cm by 64cm)

Sir William Russell Flint, R.A., R.W.S.. BATHERS ON A JETTY. Limited edition reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, (image 39cm by 53cm)

Sir William Russell Flint, R.A., R.W.S.. LA VOULTE SUR RHONE. Limited edition reproduction, signed in pencil, published 1969 by Frost & Reed, with Fine Art Trade Guild blind stamp, (image 45cm by 61cm)

Sir William Russell Flint, R.A., R.W.S.. TERESA, YOLANDE AND ANNA-MARIA. Limited edition reproduction printed in sanguine, signed in pencil, with Fine Art Trade Guild blind stamp, (image 30cm by 59cm)

A George II Plum-Pudding Mahogany Bureau, the slope enclosing a well-fitted interior, over four long drawers between fluted quarter columns with blind-fretted bases, on gadrooned ogee bracket feet, (106cm by 111cm by 56cm)

A George III Mahogany Secretaire Bookcase, having a scrolled, rosette carved and fret-pierced pediment over a dentilled cornice and blind-fretted frieze, the two astragal-glazed doors enclosing adjustable shelves, the base with a two-as-one fitted secretaire drawer over three long drawers, on ogee bracket feet, (243cm by 115cm by 63cm)

An 18th Century Mahogany Chest on Chest, with a dentilled cornice and blind-fretted frieze over two short and three long drawers, between fluted canted corners, the base having a slide over three long drawers, on bracket feet, (185cm by 113cm by 58cm) (A/F, a marriage)

A pair of Georg Jensen silver cufflinks, each of domed square form with triangular blind fret cut borders.

After Gordon King- 'The Fan'; reproduction print in colours, signed and numbered 779/850 in pencil, bears Fine Art Trade Guild blind stamp, tondo, 30.5x31cm: together with one other similar print after the same hand titled 'The Mask', also signed and numbered 779/850 in pencil, 30.8x30.7cm., (2)

A George III mahogany bureau bookcase , the dentil moulded and blind fret work cornice, over a pair of astragal glazed doors, the base with a sloped fall front enclosing a well fitted interior, above two short and three long graduated drawers, raised upon moulded bracket feet, 212x105cm.

A George III style mahogany bureau bookcase , 19th century with dentil and blind fret cornice over a pair of astragal glazed doors, the base with writing slope over four long graduated drawers and on bracket feet, 203x90cms.

A George III style mahogany card table, circa 1900. The rectangular fold over top with green baize interior and blind fret work edge, above a veneered frieze with gadrooned moulding, raised on square chamfered support with dot and dash reeding, 73x90cm.

George III mahogany chest on chest, with dentil and blind fret cornice, 2 short and 3 long graduated drawers, above a brushing slide and 3 further long drawers, the whole with deal sides, on bracket feet (some replaced veneer to drawer fronts) 185cm high x 109cm wide x 51cm deep.

A Georgian style mahogany wardrobe having blind fret cornice, pair of panel doors enclosing hanging space above long drawer on ogee bracket feet, 126cms.

AN EDWARDIAN BEECH-FRAMED THREE-SEATER SETTEE having an upholstered humped back, arms and seat, in sage green plush, on a Chippendale-style blind fretwork apron with gadrooned edge, on leaf-carved ogee legs with claw-and-ball feet, with brass castors, 178cm, (70in) wide

A SMALL EARLY 20TH-CENTURY MAHOGANY TALLBOY OR CHEST-ON-CHEST of narrow proportions in the Chippendale taste, the upper stage having a moulded rectangular cornice above blind fretwork to the frieze and canted front corners, framing two short and three long cockbanded drawers with rococo style escutcheons and bale handles, the lower stage having a brush slide above three matching drawers, on bracket feet, 55cm x 39.5cm x 165cm high, (21.6in x 15.5in x 65in)

A late 19th century walnut and ebonised side cabinet, the three-quarter gallery with musharabeyah panels, above two blind fret drawers with turned handles and a shelf with Eastern style arched recesses on turned columns above two doors, and panels with turned spindles, on a plinth base with bracket feet, 127 high x 48 deep x 150cm wide, (some damage, lacking one finial)

A Holl (19th Century) Blind Man's Buff, inscribed on the reverse "A Holl", oil on canvas, 24 x 39cm

An 18th century oak cased longcase clock, the moulded cornice with blind fret worked frieze above a glazed door flanked with fluted columns enclosing a brass dial with silvered chapter ring, moon phase and date apertures and Roman numerals, signed Reynolds, Kirkbride, with four pillar bell striking movement above an arched long trunk door flanked with quarter columns, standing on a panelled plinth base with bracket feet, 206cm high

A Moorcroft pottery baluster vase, the pale blue mottled ground decorated with leaf and berry pattern, to blind with bramble pattern, in shades of purple, blues and greens 7 1/2" high, printed Moorcroft Made in England with Artists initials.

A Moorcroft pottery ovoid vase, the deep turquoise ground to blind with foxgloves in shades of pink and ivory 4 1/4" high. Impressed factory mark Moorcroft printed and made in England with artists initials.

A George III mahogany chest of four graduated drawers with moulded top, canted case with vinefret decoration, the cast brass rococo handles of foliate form, raised on a band of blind fretwork and ogee feet 34" wide.

"The Blind Fiddler", engraving after Sir David Wilkie; "St. Nicholas, Newcastle from Dean Street", lithograph with hand-colouring; and sundry other prints - all unframed. (5)

The stag at bay, large-plate engraving after Sir William Landseer, with CMW publisher's blind stamp.

An embossed and pierced paper model of a cathedral, English 19th century, with two spires above blind arcading and triple portal, with further blind arcading and tracery, set on an oval wooden stand supporting the glass dome. Some restoration needed, height excluding dome 65cm.

A late Victorian mahogany partners desk, in George III style, the green leather inset top with moulded edge, over three blind fret work frieze drawers and opposing drawers, upon pedestals each with four graduated drawers and opposing cupboards, ball - flower cornered panels, and canted corners with carved capitols. 190x80cm.

An George III mahogany linen press, the cornice with geometric blind fret work, above two panelled doors enclosing later hanging rail and frabric lined interior, above a base of two short dummy drawers and one long drawer, raised upon plain bracket feet, 180x130cm.

SERVITA, Paul (Sarpi) - The History of the Inquisition, Translated out of the Italian, 2nd edition (?), London 1655, 19th Century blind stamped morocco, SHAW, Peter - The Juice of the Grape, or Wine Preferable to Water....., London 1724, 19th Century half morocco, title page grubby, creased etc., and The Famous History of Friar Bacon....Bungey and Vandermast, J. Hollis, London, not dated [1796],1 illustration, marbled wrappers, extremities chipped, etc. (3)

LAYARD, Sir Austen Henry - Discoveries in the Ruins of Nineveh & Babylon, 1st edition, London 1853, folding frontispiece, 2 folding maps, other folding plans, original blind stamped pictorial brown cloth, light spotting, BAKER, Sir W. - The Nile Tributaries of Abyssinia, Hartford 1868, later quarter morocco, spotting throughout, together with eight other titles mainly relating to Egypt. (10)

LAYARD, Sir Austen Henry - Discoveries in the Ruins of Nineveh & Babylon, 1st edition, London 1853, folding frontispiece, 2 folding maps, other folding plans, near contemporary gilt and blind stamped leather, some spotting, EDWARDS, William H. - A Voyage up the River Amazon, 1st English edition, London 1847, bound with HEAD, Sir Francis - Journeys Across the Pampas...., 4th edition, London 1846, contemporary half morocco, together with two other titles. (4)

SWINTON, William - Campaigns of the Army of the Potomac, 1st edition, New York 1865, 5 engraved portraits, later half morocco, some spotting/water damage, JAY, William - A View of the Action of the Federal Government, in Behalf of Slavery, 1st edition, New York 1839, contemporary blind stamped green cloth (2).

DONOVAN, Edward - The Naturalist's Repository, 2 volumes, printed for the author, London 1823 & 1824, 72 hand coloured plates, contemporary blind stamped green cloth, 6cm piece of spine detached, chips, etc.

BELON DU MANS, Pierre - De Aquatalibus; Libri Duo, 1st edition, Paris 1553, approximately 176 woodcut illustrations, 19th Century blind stamped leather, some discolouration, owners name on title, front board detached, Ob. 8vo.

LOUDON, John Claudius - The Magazine of Natural History, 9 volumes, London 1829-36, contempory blind stamped green cloth, some spotting, bindings grubby, etc.

A reproduction mahogany tall boy with a blind fret carved cornice above two short and five long graduated drawers, complete with a brush slide, raised on ogee bracket feet, 38.5in. x 65in. high.

A large Victorian burr walnut wardrobe, the arched cornice with dentil frieze above a pair of ornate blind fret carved panelled doors depicting acanthus leaves and urns, a pair of bevelled mirror panelled doors below set at angles and making a triangular shaped recess, with four drawers under flanked by a pair of arched bevelled full length mirror panelled doors enclosing hanging space, bearing the maple & Co. Ltd trade label, raised on a plinth base, 83in. x 97in. high.

A Georgian style mahogany chest of four long graduated drawers fitted a baize lined brush slide and brass handles flanked by blind fret carved canted corners, raised on ogee bracket feet, 32.5in. x 34in. high.

A 19th Century oak hanging corner cupboard, the cornice with acanthus leaf decoration above a pair of blind fret carved doors depicting urns and acanthus leaves fitted brass hinges and lock escutcheons, 24in. x 39in. high.

A mahogany hanging corner cabinet decorated with blind fret carving, dentil cornice above the astragal door enclosing shelves, 26in. x 38in. high.

A George III mahogany longcase clock, the hood with swan neck pediment and brass finial, decorated with blind fret carved panels above the arched glazed panel door, flanked by fluted brass mounted pilasters, the movement (not contemporary with the case) fitted a silvered dial, subsidiary date and seconds dials, decorated with spandrels and a circular disc to the arch engraved A. Pringle, Edinburgh, fitted eight day striking movement with new seat board, the trunk below with an inlaid panel door flanked by fluted pilasters, raised on ogee bracket feet, 18in. x 87in. high.

AN EARLY GEORGE III STYLE CHEST OF DRAWERS, the ogee moulded top above a brushing slide and an arrangement of four graduated long drawers flanked by blind fret canted corners, standing on ogee bracket feet, (alterations and restorations), 31.5 x 17.5 x 33.5in (80 x 45 x 85cm).

Sir William Russell Flint R.A. 'THREE GROUPS OF VIVIERS' Reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, 42 x 58cm

Sir William Russell Flint R.A. 'HOLIDAY AFTER RAMADAN' Reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, 45 x 60cm

Laurence Stephen Lowry R.A. 'THE HARBOUR' Reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, 40 x 56cm

A Victorian mahogany Scotch chest with a blind frieze drawer and four short drawers above three further graduated long drawers with turned knob handles flanked by cylindrical columns, a blind plinth drawer and bun feet, 51in. (130cm) wide.

An early Victorian mahogany pedestal Pembroke table with one blind and one opening frieze drawer on a turned column, splayed legs and scrolled toes, 41in. (104cm) wide.