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SIR WILLIAM RUSSELL FLINT (BRITISH, 1880-1969) 'Two Models', colour print, signed lower right, blind stamp lower left, label for 'D.C. Brown, Art Dealer, ...Glasgow' verso, published 1960, 38.5cm x 28cm.

A LARGE MAHOGANY GLAZED BOOKCASE, the dentil frieze with blind fret decoration above astragal glazed doors, 161cm wide 195cm high 37cm deep (with key)

June Bennett (1935-2013), oil on board, "Yellow Blind, White Flowers". 36.3 cm x 29.5 cm, signed and dated 93 (see illustration).

A George III mahogany longcase clock, with swans neck pediment with blind fretwork carving above the 14 inch arched brass dial and eight day striking movement with moon phase inscribed to the arch "James Sandiford, Salford", flanked by turned columns, the case with long trunk door flanked by quarter column corners with brickwork beneath. Height 234 cm (see illustration). CONDITION REPORT: In our opinion this clock is not a marriage. The seatboard is clearly original and the mask around the face fits very well. The clock is of generally good quality and in reasonable condition overall. The hood is in generally good condition with very minor scuffs, blemishes and small losses. The clock dial is very dirty but complete and undamaged. The movement is reasonably clean but the mechanism for the operation of the moon phase is missing. We have the weights and pendulum and the clock winds as it should. We have not had the clock running as the crutch through which the pendulum fits is broken although we do have the piece. When weight is applied to both the strike and gong train then the movement appear to operate. The case itself is in generally reasonable order. The dentil work below the hood has small areas of loss as does the fretwork collar. The trunk door is not significantly warped but does have minor veneer stress fractures as does the base panel. The sides of the clock are in good order and the bracket feet appear to be original.

A George III mahogany tallboy, with moulded cornice above a blind fretwork carved frieze, with two short and three long graduated drawers with brass drop handles and cockbeading to each drawer front, flanked by fluted quarter column corners, the base fitted with three drawers and raised on ogee moulded bracket feet. Width 123 cm (see illustration). CONDITION REPORT: The cornice is in generally good order. The front fretwork frieze is in good condition. There is a small fretwork loss to the right hand return and more significant losses to the fretwork on the left hand return where approximately 50% is missing. Drawers three and four have minor issues with the cockbeading and there is a small stress crack of approximately 7 inches to the right hand bottom corner of the third drawer. The moulding between the upper and lower sections has some minor losses. The three base drawers all have some issues with cockbeading. All handles and lock escutcheons are present and original. The colour of the piece is generally good. There are stress and plank cracks to both the upper and lower sections of each side. The bracket feet are original and in good order as are the backboards.

A Chippendale style settee, with deep buttoned back and arms, with loose cushions and raised on a blind fretwork carved frame with stretchers, circa 1920. Length 140 cm.

A George III mahogany bureau bookcase, with moulded Greek key cornice and blind fretwork frieze above a pair of glazed doors enclosing adjustable shelves, the base with four graduated drawers with brass drop handles and cockbeading and stringing to each drawer front, raised on bracket feet. Width 114 cm (see illustration).

A late Victorian mahogany pedestal desk, tooled leather inlay to top, long drawer flanked by short drawers to frieze, kneehole with three graduated drawers to pedestals, blind drawers to verso, later oval brass escutcheons and loop handles. Circa 1880

A late Victorian chest, oversailing top, blind fretworked frieze, two short cockbeaded drawers over three graduated long, mushroom handles. 103cm high x 105cm wide.

A Napoleonic prisoner of war straw work box, hinged cover decorated with buildings, with a castle to vesro, above one blind and one long drawer, 26cm wide, c.1815

William Russell Flint 'Sara' signed in pencil and with blind stamp and another limited edition print William Russell Flint 'Five' 213/850 with blind stamp

L.G. SPENCER; A limited edition print no.57/500 of a seascape, signed lower right, L.G. Spencer, blind gallery stamp to left, 37x38cm, framed and glazed.

A 19th century George III style steel fire grate, with blind fluted apron and square tapering husk cast legs with urn finials, together with a set of brass and steel fire irons, W.2ft 10.5in.

Lionel Edwards (British, 1878-1966), study of figures on horseback following the huntsmen and hounds into a valley, signed in pencil, blind stamped lower left, polychrome print, published by Eyre & Spottiswoode, London. H.38cm W.52cm

A pair of WWI nurses cloth aprons, together with a blue black out blind (3)

Late Georgian secretaire inlaid bookcase with a fitted interior over two blind doors , 1 Astragal glass broken otherwise in original condition .Height 240cm,width 114cm , depth 48cm .

Country oak Cross banded burean bookcase, blind doors with ogee panels, drawer lopers 5 drawers total to base , some restoration required . height 210 cm ,width 105cm , depth 56cm

E Gomme G Plan suite of furniture comprising of two corner units with shelves, sideboard with cupboards, drawers and internal serving tray, bookcase with glass sliding doors and sliding blind doors, constructed from golden oak

Framed L.S Lowry print 'Man looking out to Sea' with blind stamp, unsigned, 27cm x 39cm, frame size 40cm x 52cm

Limited edition Steven Townsend number 10 of 500 artist blind stamp , entitled Curiosity

'The Ark Turning into the Wind', David Sheppard limited edition print with blind stamp pub. Solomon & Whitehead, signed and numbered 480/850 in pencil on the margin 49cm x 84cm

'Janelle and the Volume of Treasures', Sir William Russell Flint limited edition colour print with blind stamp numbered in pencil 161/850, 40cm x 54cm

Rclining Nude, Sir William Russell Flint limited edition colour print with blind stamp numbered in pencil 790/850, 42cm x 59cm

'Reclining Nude', Sir William Russell Flint limited edition colour print pub. Frost & Reed 1963 with blind stamp signed in pencil 35cm x 60cm

A Universal Furniture modern reproduction mahogany and cross banded chest on chest in the George III taste, the moulded and dentil cornice above a blind fretwork carved frieze and two short over three long graduated drawers flanked by quarter cut fluted side pilasters raised on a base of three long drawers to carved ogee feet

A Univeral Furniture reproduction mahogany sleigh bed in the early 19th Century manner, the ends with cross banded reeded and blind fretwork banded decoration, and a modern cherrywood two drawer side table in the 19th Century taste

Sir William Russell Flint, 'Anne Marie by The Loire', signed in pencil and blind stamped, colour print, I.45 x 61cm.

Sir William Russell Flint, river scene, signed in pencil and blind stamped, colour print, I.49 x 67cm.

A 19th century mahogany corner cupboard with blind dentil frieze 78cm wide and A Victorian giltwood and gesso overmantel mirror, 117cm high, 120cm wide (2)

Circa 1815 English Hepplewhite mahogany sideboard with satinwood cross banding and shell inlay. Three drawers above two side cabinets with blind doors. Unsigned. Minor surface wear from normal use otherwise good antique condition. Measures 36-1/2 inches tall, 77-1/4 inches long and 20-5/8 inches deep. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request. Purchased 6/25/1989 at Sutton-Strafford, Inc. Adamstown, PA $8,500. Copy of receipt to accompany Lot.

Jeffrey Steele "Christ Healing the blind" Oil on canvas Bears a plaque to the frame dated 1951 57 x 72.5cm The reverse of the canvas painted with a carnival scene also script - "Drawn and painted by me, Jeffrey Steele and completed on my nineteenth birthday 3rd July 1951, Leading the Blind, and behold, there were two blind men sitting by the way side, and when they heard that Jesus passed by, cried out, saying, have mercy on us, O Lord, Son of David, and the multitude rebuked them, because they should hold their peace, but they cried out the more, saying, have mercy on us, O Lord, the son of David and Jesus stood still and called them and said, What will ye that I shall do unto you? They say unto him, Lord, that our eyes may be opened. So Jesus had compassion on them and touched their eyes, and immediately their eyes received sight, and they followed him". St Matthew, 20 v.30-34

A late 19th century mahogany linen press, the moulded dentil cornice with a blind fretwork panel above a pair of cupboard doors enclosing linen slides, the base with two short and two long drawers on bracket feet, 133cm wide x 59cm deep x 210cm high CONDITION REPORT: Even colour, some cracks to the veneers, scuffs to the feet, surface scratches in overall used condition

A 20th century Chinese Chippendale style mahogany display cabinet, the pierced cornice above a blind fretwork frieze and a pair of glazed doors, the base with a rectangular top above a single drawer on square tapering legs and spade feet united by stretchers, 178cm high x 76cm wide x 42cm deep

HODLER, Ferdinand : [1853-1918]- Standing Nude, lithograph signed in pencil and with blind stamp bottom right, sheet size 35 x 21cm.

EARLY 19th CENTURY WELSH OAK DOG KENNEL DRESSER having moulded cornice over three shelf boarded rack back, the base with moulded edge top over three moulded frieze drawers having turned knobs, and above an arched dog kennel flanked by two blind panelled cupboards, standing on stile feet. C. 1830. 83" x 62" x 15" (210 x 153 x 38cm). CONDITION REPORT: Overall fair condition for its age. General wear, scuffs and stains, minor damage to drawer front mouldings, edge mouldings, in places, base boards to dog kennel are loose.

EARLY 19th CENTURY WELSH OAK TWO STAGE CORNER CABINET, having moulded cornice over single astragal glazed door revealing three fitted shelves to the interior, on a projecting base with two blind panel cupboards standing on pierced bracket feet. C. 1810. 30" x 34" x 16" (203 x 86 x 40cm). CONDITION REPORT: Good overall condition for its age, no obvious serious losses or damage.

19th CENTURY OAK TWO-STAGE LINEN PRESS, having moulded cornice over two strung inlaid blind panel doors revealing fitted shelves to the interior, the projecting base with two short and two long, cock beaded drawers, having turned knobs on a moulded base. C. 1840. 48.5" x 22" x 76" (123 x 56 x 193cm). CONDITION REPORT: Nasty vertical crack to one door panel with some areas with missing stringing, lacks original feet, cracks to end panels and a little dry in places. Minor damage to edge mouldings commensurate with wear and tear. Minor damage and losses to edge mouldings in places.

18th CENTURY DESIGN MAHOGANY TWO STAGE PRESS CUPBOARD, having moulded dentil cornice over two blind panel doors, the projecting base with moulded edge over two short and two long cock beaded drawers all with foliate cast handles and escutcheons, standing on ogee bracket feet. 71" x 53.5" x 24" (180 x 136 x 61cm). CONDITION REPORT: Some wear and tear commensurate with age, minor losses to dentil cornice, scratches and scuffs to projecting angles, some losses to drawer cock beading, particularly lower drawer. Appears altered - cornice replaced? Two adjustable shelves not trays.

EARLY 19th CENTURY WELSH OAK DOUBLE BLIND CORNER CUPBOARD, having moulded cornice over inlaid frieze, two pairs of blind panel doors on bracket feet. C. 1840. 40" x 18" x 78.5" (100 x 46 x 198cm). CONDITION REPORT: Overall appearing in good original condition. Detailed condition report on request.

EARLY 19th CENTURY WELSH OAK DOUBLE CORNER CABINET, having moulded cornice over two rectangular glazed doors revealing two fitted shelves to the interior, on a projecting base with a pair of blind panelled cupboards standing on bracket feet. C. 1840. 49" x 24" x 79" (124 x 61 x 215cm). CONDITION REPORT: Evident minor losses to mouldings and other wear and tear commensurate with age. One broken pane of glass. Detailed condition report on request.

EARLY 19th CENTURY MAHOGANY DOUBLE CORNER CABINET, having moulded cornice over a pair of astragal glazed doors revealing fitted shelves to the interior, the projecting base with a pair of arch blind panel doors on bracket feet. C. 1840. 84" x 41" x 22" (213 x 104 x 56cm). CONDITION REPORT: Rather grubby overall and missing areas of veneer particularly to edges and angles. General wear and tear commensurate with age.

19th CENTURY WELSH OAK DOUBLE CORNER CUPBOARD having moulded cornice above mahogany frieze, single arch glaze door revealing fitted shelves to the interior. The base with two blind panelled doors on bracket feet. 46" x 18" x 83" (117 x 46 x 211 cms). CONDITION REPORT: Generally worn and scuffed with age. Knob replaced on the glass door. One pane cracked. Two noticeable cracks to panel doors. One bracket foot replaced.

19th CENTURY WELSH OAK TWO STAGE DOUBLE CORNER CABINET having moulded cornice over single astragal glazed doors with two fitted shelves to the interior. Two blind panelled cupboard doors below with single shelf to the interior standing on bracket feet. 36" x 22" x 80" (91 x 66 x 203 cms).

VICTORIAN MAHOGANY BREAK FRONT SIDEBOARD, having arched foliate moulded back over small shelf, the break front with three cushion moulded frieze drawers on two foliate moulded, blind panel cupboards with platform bases. 79" wide (190cm). CONDITION REPORT: Overall good condition for age, a little grubby with wear and tear but no serious damage or losses.

A George III mahogany serpentine sideboard, circa 1800, with string inlay A George III mahogany serpentine sideboard, circa 1800, with string inlay, the shaped upper shelf fitted with a brass gallery, the base with a blind central drawer flanked by a drawer and a cellarette drawer to either side, raised on tapering legs, 142cm high overall, 242cm wide, 80cm deep

A George III mahogany bookcase , circa 1780 A George III mahogany bookcase , circa 1780, the pierced swan neck pediment set urn finial, over a carved blind frieze, the two astragal glazed doors opening to four adjustable shelves, the base with two panelled doors enclosing a shelf, 260cm high, 138cm wide, 47cm deep

two pairs of Bowood pattern cream and white rose decorated curtains and matching swag pelmet , by Colefax & Fowler, 95cm wide, 240cm drop together with a matching headboard, 144cm high, 190cm wide, and including bed cover and hangings 60cm wide, 265cm drop, and a blind to match

A French Empire mahogany and gilt metal mounted commode A French Empire mahogany and gilt metal mounted commode , first quarter 19th century, the rectangular black marble top above blind frieze drawer, and three long drawers flanked by pilasters on plinth and turned legs, 90cm high, 127cm wide, 57cm deep

Three pairs of cream Colefax & Fowler curtains with matching pelmets 80cm wide Three pairs of cream Colefax & Fowler curtains with matching pelmets 80cm wide, 238cm drop, together with a pair of Colefax and Fowler roller blinds 110cm x 190cm, a similar blind 190cm x 46cm

A matched pair of early 20th century George III style serpentine commodes, the shaped rectangular tops above two long cockbeaded drawers, over shaped aprons carved with scrolls, flowers and foliage on a blind fret work ground, raised on cabriole supports with scroll toes, 117cm wide x 89cm high x 61cm deep and 114cm wide x 88cm high x 58cm deep.

A late 19th century French kingwood and gilt metal mounted centre table, the circular top with herringbone veneers above a blind frieze drawer, raised on four cabriole supports with foliate cast gilt metal mounts, 80.5cm diameter x 74.5cm high.

An early 19th century mahogany sofa table, the rectangular top with twin drop ends above two blind frieze drawers, raised on a baluster turned column and four sabre legs with reeded details, resting on brass paw feet and casters, 143cm wide (open) x 71cm high x 62cm deep.

A 19th century carved pine gilt wood pier mirror in the George III style, the scroll carved surmount centred with a relief carved mask on a blind scroll carved ground flanked by birds heads and acanthus swags, the two larger central mirror plates flanked by fourteen smaller bevelled glass panels, within foliate carved borders, 82cm wide x 200cm high.

A 19th century Continental mahogany and gilt metal mounted chest in the Empire style, the rectangular top with pierced brass three quarter gallery above a blind frieze drawer over four short drawers and a deep drawer with double drawer front, enclosed by half columns, raised on bun feet, 64.5cm wide x 147cm high x 38.5cm deep.

A late 19th century Continental mahogany and gilt metal mounted occasional table, the square marble top with a pierced brass gallery above a small brush slide and blind drawer opened by a push button, raised on four tapered square supports with gilt metal feet, united by a square shaped under tier, 29cm square x 76.5cm high.

19th century Scottish School The Blind Piper oil on board 19cm x 22cm

LIONEL EDWARDS, The Whaddon Chase, signed print published by Eyre and Spottiswoode, blind stamped, 38cm x 52cm

J. A Brewer, Canterbury Cathedral from the South West, a framed black and white engraving signed in pencil with blind stamp, 30 x 45cm

Laurence Stephen Lowry signed L.S Lowry Laurence Stephen Lowry signed in pencil print, His Family, Limited edition of 575 This print has FATG blind stamp, Professionally framed high quality example with no obvious stains, ripples or Foxing

An antique carved walnut pugnistic style two section bookcase with pierced brass doors and carved blind fret frieze.