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LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print, "Crime Lake", signed in pencil lower right, bearing FATG blind stamp letter to number indication 516/850, 48 x 62cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. Pencil signed. Good colour. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print "Woman With a Beard", bearing blind stamp and Fine Art Trade Guild stamp lower left, letter to number stamp 057, 58 x 48cm, and the corresponding limited edition print for sketch of "Woman With a Beard", bearing blind stamp, 21 x 13cm, both framed and glazed (2). (D) CONDITION REPORT: Very slight yellowing to the margin and the image is slightly slipped in the mount. Has not been removed from the frame so unknown if stuck down or not. No signs of foxing and minor colour fading. The smaller image is slightly rippled and has some light staining. Pencil signed. Smaller picture has rippling to paper. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print "The Cart", signed in pencil lower right, with Fine Art Trade Guild blind stamp and latter to number indicating 509/850, 52 x 40.5cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. Pencil signed. Good colour. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition colour print "Burford Church" signed in pencil to lower right, limited edition 774/850, published by Grove Galleries Ltd, Manchester, 63 x 47cm, framed and glazed. (D) CONDITION REPORT: Has not been removed from the frame so unknown if stuck down or not. No blind stamp. Pencil signed. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

AFTER SIR WILLIAM RUSSELL FLINT; a limited edition coloured print, two female figures in an interior, 339/850, bears blind stamp lower left, image 38 x 56.5cm, framed and glazed.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil study "Lytham St Annes", signed and dated 1916, inscribed on Pitcairn Galleries of Knutsford label verso, 12 x 16.25cm, framed and glazed. (D)Purchased by the vendor directly from The Pitcairn Galleries. CONDITION REPORT: Overall the drawing is in good original condition. However, there are two tiny white marks to the left hand side of the image which are paint residue on top. Some brown staining noticeably to the sky and along the lower section just above the mount. There are also traces of a possible inscription beneath the signature. Pencil signed. No blind stamp. Has not been removed from the frame so unknown if stuck down or not. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A WWI pocket compass in leather case, YMCA WWI Bible, blind soldiers gift book 1914, year book Albert bombardment, postcards, miniature death plaque, map of WWI cemeteries in Belgium, WWI POW booklet etc

Charles Johnson Payne (Snaffles 1884-1967), framed and glazed Lithograph "Vimy", blind stamp lower right, 28.5cm x 22cm

John Piper (British, 1903-1992), a framed and glazed Limited Edition (12/150) colour Screen Print, "Fountains Abbey, Yorkshire", signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 45cm x 62cm, with Christie's Contemporary Art Certificate and Christie's original sales invoice dated 1981 CONDITION REPORT: Very good with no problems with no problems/conditions issues noted, still retains strong bright colours.

John Piper (British, 1903-1992), a framed and glazed Limited Edition (14/120) colour Screen Print, "The Court House, Long Crendon', (near Thames, 14th Century Staple Hall, probably used as a wool store), created for the 1978 National Trust Collection, signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 42cm x 58cm, together with Christie's Contemporary Art Certificate CONDITION REPORT: Generally very good overall with some very minor spots/thunderflies to underside of glass visible in border, the left and right hand sides and bottom have been cut by guillotine and the top the paper looks as if it has been torn by hand, generally all good original condition.

John Piper (British, 1903-1992), a framed and glazed Limited Edition (47/75) colour Lithographic Print, "Study of Sunflowers", signed lower right in pencil in the margin by Piper and also with blind stamp lower right, image size 40cm x 55cm CONDITION REPORT: A few minor thunderflies under glass and showing in margin otherwise very good with good original strong bright colours etc., in good general order.

A large quantity of mid-18th C antiquarian books, mainly religious subjects including FARRAR, FREDERIC W.,"The Life of Christ", Cassell Petter & Galpin, tree calf leather, gilt rules, raised bands, gilt titles and decorations, paste-down title and author to backstrip, marbled endpapers, marbled edges, gilt dentelles, blind stamp 'Doidge Bookseller, Plymouth' on second ffep, two volumes; BUNYAN, JOHN "A True Relation of the Holy War, made by King Shaddai upon Diabolus, illustrated with valuable notes similar to those added to The Pilgrims Progress by Mr William Mason and others" published by J Robins & Co, printed for J &J Cundee, Ivy Lane, engraved frontis with tissue guard, engraved half-title, five plates, full leather (53) (2 boxes)

"THE HISTORY OF ENGLAND by Hume and Smollett with a Preliminary Essay by the Rev. Henry Stebbing D.D.", George Virtue, London, three volumes n.d., frontis portrait, engraved vignette on half-title, numerous plates (not collated) contemporary marble boards, half-leather, raised bands, gilt titles and decoration and paste-downs to backstrip. MERLE D'AUBIGNE, J.H., "History of the Reformation in the Sixteenth Century", three volumes, 1845 Blackie and Son, plates, bookplate inside front board, full leather, gilt rules, blind stamp decoration to front boards. DUGDALE, THOMAS "Curiosities of Great Britain - England and Wales Delineated ..." three volumes published by Tallis, London, numerous plates, plans and maps (not collated), full-leather, blind stamped, gilt decorations and paste-downs to spines, all edges marbled, bookplate inside front boards; "A New History of England from the time of its first invasion by the Romans... " four volumes 1757, and one other binding, "An Abridgment of the History of England from the invasion of Julius Caesar..." 1805 (14) (1 box)

Tolson, F. "Hermathenae, or Moral Emblems and Ethnick Tales with Explanatory Notes..." Vol I, engraved half-title, dedication, list of subscribers, engraved emblems, errata page, contemporary full-leather, blind stamped, gilt titles, raised bands, bookplate inside front board

BROWN, the Rev. John, "A Dictionary of the Holy Bible..." Samuel Leigh 1814 London, two volumes, folding coloured map to both volumes, full tree-calf lrather, gilt decorations, paste-downs to backstrip, "Concordance to the Holy Scriptures" Mathews and Leigh 1811, frontis portrait, full-leather; HOLY BIBLE printed by T Wright and W Gill 1769 Oxford, folio full-leather, backstrip worn and with loss; HOLY BIBLE Oxford University Press 1882, full-leather with brass clasp, bumped and worn, HOLY BIBLE printed by George E Eyre and William Spottiswoode 1861, full-leather with gilt blind stamp decorations, covered with buckskin wrapper (6)

TOLKIEN J.R.R. "The Lord of the Rings" George Allen & Unwin Ltd in three red cloth volumes, dust jackets not price-clipped: "The Fellowship of the Ring" eighth impression 1959, "The Two Towers" sixth impression 1959 and "The Return of the King" fourth impression 1958. All three volumes have inscriptions 'Birdwood - Trinity' in ink inside front boards (hidden by dustjacket flaps) and the third volume has a slight crease to its front board. JOYCE, JAMES, "Ulysses" The Bodley Head, 1958 reprint, green cloth with bow blind stamp and gilt titles, green dust jacket not price-clipped, TOLKIEN J.R.R. "The Hobbit or There and Back Again" George Allen and Unwin, 11th impression 1959, illustrated by the author, map on endpapers, green cloth with black decorations and a Folio Society volume (6)

A Chippendale period mahogany Stool having drop-in seat, profusely carved with blind fret decoration, the square chamfered legs united by an 'H' form stretcher

Five early 20th Century oak dining chairs, with blind fret backs, to include two carver chairs; together with a draw leaf dining table, raised on spiral twist legs, the table 75cms high; and three demi lune console tables.

Oak eight day longcase clock, the 13" painted arched dial singed W. Mason, Duns, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by fluted canted pilasters, the hood surmounted by a moulded broken arched pediment above blind fret carvings, with central ball and spike finial, 84" high (pendulum, two weights)

Mahogany eight day grandmother clock, the 11" square brass dial signed Alex Irving, Canongate on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and ringed winding holes over a calendar aperture, the case with long rounded arched door flanked by quarter fluted columns and the hood with a flat stepped cornice over a geometric blind carved frieze, 72.5" high (pendulum and two weights)

Oak thirty hour longcase clock, the 10" square brass dial signed John Welch, Chessen on an arched plate to the matted centre with single iron hand, the case with long moulded door and the hood surmounted by a stepped caddy top over a blind foliate fret carved frieze, 81.5" high (pendulum and weight)

Scottish oak eight day single weight longcase clock, the 12" circular silvered dial signed Joseph Durward, Edinburgh, the case with long wavy moulded arched door and the hood with blind foliate fret carved spandrels, surmounted by a moulded swan neck pediment and three giltwood flaming urn finials, 87" high (pendulum and weight)

Good Scottish walnut eight day longcase clock, the 13" brass arched dial signed Jas Liddle, Bathgate to the foliate engraved centre with subsidiary seconds and calendar dials, also with strike/silent dial to the arch, the Dutch style case with long wavy beaded door inlaid with boxwood lines and fitted with an ornate gilt metal cast lenticle depicting a lady riding a bull and the hood with wavy moulded arched top over a blind foliate carved fretwork panel, 90" high (pendulum, two weights and key)

Walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Dan Quare, London no. 89 to the matted centre, with subsidiary seconds dial and calendar dial to the arch, the case with long crossbanded rounded arched door and the hood surmounted by a stepped caddy top surmounted by three finials (missing) over blind foliate fretwork carved panels, 100" high (pendulum, door key, no weights or hood finials)

Mahogany eight day longcase clock, the 12" silvered arched dial signed Benjamin Brock, Bristol within a foliate border to the centre, with subsidiary seconds dial and calendar aperture, also with moon phase and high water at Bristol Quay register to the arch, the case with long moulded arched door and the hood surmounted by a rounded stepped cornice over a blind foliate fret carved panel, 90" high (pendulum and two weights)

CRUIKSHANK (G.; illustrator) The Bee and the Wasp, Charles Tilt, 1832, 12mo, 16pp., yellow wrapper bound in, late 19th century half calf; The Peacock "at Home", by a Lady, 21st edition. The Butterfly's Ball, by Mr Roscoe, London: John Harris 1841, small 8vo, 12 hand coloured illustrations, few small finger stains, original blind stamped limp cloth (2)

A Victorian mahogany chiffonier, the superstructure with shaped scrolling acanthus crest, serpentine-shaped shelf, one long blind drawer above shaped shield-shaped doors, plinth base, bun feet (faults)

After Pierre Auguste Renoir 'La Famille' Colour etching - blind stamp for A. Vollard, 25cm x 19cm, frame 68cm x 63cm

A George III style satinwood, burr walnut and inlaid oval side table, by Brights of Nettlebed, with patera inlaid centre, blind fluted frieze and square tapering legs joined by a cross stretcher, 57cm wide, 71cm high

THREE LIMITED EDITION RUSSELL FLINT PRINTS, classical maidens, with blind stamps, each approximately 37cm x 22.5cm (3)

SIR WILLIAM RUSSELL FLINT (1880-1969), river landscape print, signed in pencil lower right with publishing blind stamp lower left, approximate size 52cm x 68cm

DEBBIE GILLINGHAM, Spaniel, signed Limited Edition print, No.189/495 with blind stamp, approximately 20.5cm x 18.5cm

After Cecil Aldin - "The Derby, 1923: The Start and Finish", signed in pencil, limited edition colour photolithographs with numbered Artist's proof blind stamp, published by Richard Wyman & Co., London, 33.5 x 50cms; 13 1/4 x 19 3/4in. (a pair)

Laurence Stephen Lowry RA (1887-1976), View of a Town, colour print, signed in pencil LS Lowry, Fine Art Trade Guild blind stamp, 46cm x 56cm approx, framed Artist Resale Rights may apply

Laurence Stephen Lowry RA (1887-1976), Industrial Scene, 1953, colour print, Venture Prints Limited 1974, signed in pencil L S Lowry, blind stamp to margin, 38cm x 27cm, framedArtist Resale Rights may apply

*AR LAWRENCE STEPHEN LOWRY (1887-1976) BritishLevel Crossing, Burton-on-TrentLimited edition printSigned, Fine Art Trade Guild blind stamp and three letter code for edition number 84, old label to verso for John Gerrard, Wirral57 x 41 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.

A Good Quality Late Victorian Mahogany Display Cabinet on Square legs with Shaped Stretcher Shelf, Arched Centre Section with Carved Pierced Pediment Flanked by Pair of Side Cabinets with Blind Carved Panels.

Capodimonte group, 'The Blind Man', and another colourway of the group; together with a Capodimonte figure of a cobbler, (3).

Mahogany dwarf bookcase, rectangular top with rounded corners and moulded edge, blind fretwork frieze, astragal glazed doors enclosing two adjustable shelves, bracket feet, width 122cm, depth 36cm, height 115cm.

An Edwardian mahogany duet stool, with blind fret detail, and a music stand

Limited edition print, 42/600, with blind stamp, signed H Grimshaw

London 1859 Duke Waring & Co engraved heading Wire Workers Sieve Bird Cage & Blind Makers

A Nod is as Good as a Wink to a Blind Horse, 1971 Warner Bros. K56006, Green lable with large poster. Excellent sleeve and vinly in protective polythene sleeve.

Late Victorian sideboard, upper section with central bevel edged mirror flanked by four turned supports , lower section with two drawers over a blind cabinet,m height 189cm, width 134cm, depth 48cm

Lawrence Stephen Lowry, limited edition print 850/611, 'St Luke's Church' blind stamp bottom left, signed in pencil bottom right L S Lowry, 47cm x 64cm

After Sir William Russell Flint gilt framed print of a reclining nude, artist blind proof stamp and monogram in pencil.

ERICH RAEDER(1876 - 1960) Commander and Chief of the German Navy (1933 - 1943) who was largely responsible for its expansion. Retired over growing differences with Hitler. Partly-printed D.S. "Raeder", 1p. folio, Feb. 3, 1939, a promotion document awarded to Hans Sponholz. The document bears a blind-embossed national eagle seal, signed by Raeder at bottom center in black ink. Folds, else very good.

THIRD REICH APPOINTMENT CERTIFICATESGood group of three certificates appointing officials of the Third Reich to various posts, includes: Printed D.S., 1p. folio, Konigsberg, Jan. 28, 1941, appointing Kurt Walter to the post of government superintendent, signed at the bottom by the Chief Financial Officer for Konigsberg, acting for the Reichsminister of Finance, adding a blind-embossed seal. Folds and file holes at left margin, else very good. WITH: Printed D.S., 1p. folio, Augsburg, July 25, 1942, appointing Alois Geisel to the office of Postal Inspector, signed at the bottom by the Postal Director General for the Reichs Postal Minister, adding a blind-embossed seal. Folds, else very good. WITH: Printed D.S., 1p. folio, Kattowitz, April 1, 1943, appointing Alfred Witt Police Inspector, signed at the bottom by Police Superintendant Metz, for the Reichsminister of the Interior, adding a purple ink seal. Folds, else very good. Three pieces.

HITLER YOUTH FILM STRIP ON "HEREDITARILY-DISEASED OFFSPRING"Rare, horrific propaganda film strip aimed at German youth: "HEREDITARILY DISEASED OFFSPRING", a strip of photos of diseased, physically handicapped and mentally retarded Germans exhibited long with quotes by Hitler and text explaining the need for racial planning to avoid the enormous cost of caring for these unfortunates. This is truly a cruel presentation as the blind, deaf, and "Idiots!" are portrayed as being a "burden" which would henceforth be eliminated by the 1934 Law for the Prevention of Hereditarily Diseased Offspring. The film strip is contained within the original cardboard container with Hitler Youth emblem and label: "Erbkranker Nachwuchs". The slides and container are are in fine condition. The law decreed the compulsory sterilization?of any citizen who in the opinion of a "Genetic Health Court" suffered from a list of alleged genetic disorders - many of which were not, in fact, genetic. A few years later, these same people would begin to be euthanized…

"GOTT MIT UNS" BUCKLEChromed steel German army belt buckle reading "Gott Mit Uns" in relief, made in 1940 by "NOELLE[?]" as indicated on the blind embossment on the leather tab. A few tiny oxidized spots.

A Scottish George II Blind Silver Sugar Caster, engraved detachable lid, Date letter D - Edinburgh. 224g 16.5cm high

Lancaster 1900 Instantograph Camera mahogany body with brass fittings and Lancaster brass lens; with additional Perken, Son & Rayment 9x12cm Optimus lens, Roller Blind shutter and four plateholders; Kodak vest pocket camera and a few other items

A mixed selection to include newspaper, canvas map of Hastings, Winchelsea and Rye, glasses, blind etc

AFTER LIONEL EDWARDS "Belvoir 1929" Hunt following at the jump, colour print, signed in pencil lower left, together with an artists blind studio stamp CONDITION REPORTS There is fading and discolouration throughout. The crack in the glass does not appear to have effected the picture underneath. There are some scratch marks within the picture but this appears to be within the print itself. Glass could do with a clean, frame has general wear and tear . Picture has general wear and tear conducive with age and use - see images for further details

AFTER CECIL ALDEN "Hunt and Hounds over fields", colour print signed pencil lower left with artists blind studio stamp lower left

AFTER SNAFFLES (CHARLES JOHNSON-PAYNE) "The Finest View in Europe" and "The Worst View in Europe", tinted chromolithographs, each signed in pencil and with the Snaffles bit blind stamp

AFTER MICHAEL LYNE "Beagles after Hare", colour print, signed in pencil lower right, artists blind studio stamp lower left, together with T IVESTER LLOYD "The Excellence which is so much deserved", colour print, signed in pencil lower right, artists blind studio stamp lower left, together with one AFTER T IVESTER LLOYD, two further hunting print, a pair of riding breeches, a shooting stick and "Fox Hunting" by The Duke of Beaufort, one volume

AFTER LAWRENCE JOSSET "Young boy with catch", colour print, artist blind studio stamp lower left

AFTER LIONEL EDWARDS "The North Warwickshire", a study of huntsmen and hounds in a landscape, colour print, signed bottom left, titled bottom right, dated 1924 within the print, bears studio blind stamp mark bottom left, published Eyre & Spottiswoode, together with AFTER LIONEL EDWARDS "The Warwickshire", a study of huntsmen and hounds with fallen figure lower left, colour print, unsigned CONDITION REPORTS Image has some areas of foxing throughout both on the image and mount, as well as other dirt. Appears to be some slight scratching, especially to the right hand wooded side, areas of discolouration, frame has general wear and there are two holes where the eyelets have been put through. General wear. The North of Warwick shire displays various foxing, dirty brown marks all over especially visible to the sky and the white border. Mount severely foxed and yellowed. Frame various chips etc, general signs of wear and tear. The Warwickshire appears to be faded and yellowed, limited signs of foxing, frame displays various scratches, chips, scuffs etc. General signs of wear and tear

AFTER A J MUNNNGS "Eleven o'clock", limited edition, colour print 77/750 together with AFTER MICHAEL LYNE "The Huntsman", limited edition 219/399, signed in pencil lower right, together with AFTER A J MUNNINGS "Huntsman on horse", colour print, signed in pencil lower right, artists blind studio stamp lower left