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Lot 1

A VICTORIAN FIVE PIECE TEA SET of tapering form with anthemion banding, and blind cartouche, the teapot with turned finial on flat lid, scrolled handle and moulded foot, 9 3/4" wide

Lot 1

A TOILET TRAY of oblong form with bead and reel edge, chased with blind cartouche on a reeded ground, 11 1/4" wide, Birmingham 1916, 13ozs 4dwts

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A VICTORIAN TANKARD, the tapering sides chased with foliage surrounding a blind cartouche, loop handle and moulded foot, 4 3/4" high, London 1879, 8ozs 19dwts

Lot 1

A VICTORIAN SILVER SNUFF BOX of oblong form, bright cut with flower heads around a blind cartouche on an engine turned ground, 2 1/4" wide, Birmingham 1885, 1oz 18dwts

Lot 1

A VICTORIAN RUBY GLASS SCENT BOTTLE of panelled form, each end having an engine turned lid with blind cartouche, 5" long

Lot 1

SIR WILLIAM RUSSELL FLINT, The Girl from Orio, reproduction in colours, unsigned, limited edition with blind stamp, plate size 14 3/4" x 22 1/4", white frame

Lot 1

GEORGE BAXTER, The Gems of the Great Exhibitions, No.2, coloured oil print with blind stamp, 4 1/2" x 9", gilt frame and another (2)

Lot 1

ENGLISH SCHOOL, Silhouette Portrait of a Soldier, full length profile to the right, cut paper on card with watercolour background, unsigned, blind stamp for the Hubbard Gallery, 19th century, 11" x 6 1/2", maple frame

Lot 1

After Laurence Stephen Lowry (1887-1976), 'Britain at Play', colour reproduction, signed in pencil and with the blind stamp of the Fine Art Trade Guild, from an edition of 850, 45 x 60cm (17 5/8 x 23 5/8in)

Lot 1

A Ridgeway blue-printed plate, "Blind Boy", woman holding the hand of a blind boy seated upon basket, circa 1820, unmarked, 9.75in.

Lot 1

LUCAN. Pharsalia; translated into English Verse by Nicholas Rowe, engraved frontispiece, folded map, engraved decorations, 19th century blind decorated calf, folio, 1718

Lot 1

An early 20th century mahogany breakfront sideboard, three centre drawers with blind fret decoration, raised back with dentil pediment, 153cm x 117cm high

Lot 1

A Mahogany Longcase Grand-daughter Clock, 58½ ins (149 cms) in height. The 6½ inch (16.5 cm) brass dial having a painted rocking boat in the arch above a silvered chapter ring encompassing an engraved centre of scrolling foliage and mounted with decorative face mask spandrels to the corners. The hood's moulded swan-neck pediment carved with rose blooms to the terminals and having turned finials either side above scrolling blind fret-carving with fluted side columns flanking the dial. The trunk having a band of blind fretwork above a long narrow lipmoulded door with shaped top, flanked by recessed fluted quarter columns above carved brick-work corner detailing, leading down to the moulded base with canted corners and ogee bracket feet.

Lot 1

'Banks of Bristol' reproduction Georgian style crossbanded mahogany and rosewood breakfront sideboard with boxwood string inlay fitted three drawers to the frieze with brass knobs, the cupboards below enclosed by two pairs of blind panel doors flanked by reeded Corinthian columns with brass capitals, 195cm wide

Lot 1

Pair of 19th Century buhl decorated ebonised side cabinets having decorative ormolu mounts, the blind panel doors each with three French porcelain oval floral decorated panels, 81cm wide

Lot 1

BARHAM (REV. RICHARD HARRIS) - THOMAS INGOLDSBY, THE INGOLDSBY LEGENDS, illus. Arthur Rackham, London 1930 a fine copy with gilt edges, full blue Morocco with incised pictorial image, gilt tooling, raised spine bands, by Riviere & Sons, spine faded; W. Pogony - The Rubaiyat of Omar Khayyam, sixteen colour plates, light foxing, full calf with gilt and blind tooling (2)

Lot 1

BY AND AFTER JAMES PRIDDY Kentish landscape, coloured etching, signed in pencil, Warwick Galleries blind stamp, 12.75in. x 15.75in. (32.5 x 40cms)

Lot 1

BY AND AFTER ALICE BARNWELL Cadgwith, Cornwall, coloured etching, signed in pencil, Warwick Galleries blind stamp, 9.75in. x 13.75in. (24.75 x 35cms)

Lot 1

A VICTORIAN CHIPPENDALE STYLE CARVED MAHOGANY FIREPLACE with breakfront, blind fretwork and dentil cornice, acanthus panel, foliate carved scrolled pilasters, the mantle piece 70" wide, overall height 57", internal measurement 41" wide by 39 1/2" high.

Lot 1

A QUEEN ANNE WALNUT LONGCASE CLOCK having an 11 1/2" square brass dial, with embossed spandrels and silvered chapter ring, second hand and date aperture, engraved decoration, signed John Free Oxon, the case with blind fretwork cornice, panel door with herringbone crossbanding and plain base with moulded edge, 87" high overall. John Free Oxford 1676-1726, apprentice to John Knibb from 1696-1705.

Lot 1

A George III style mahogany standing corner cabinet, 19th Century, the concave frieze with dentil and blind fretwork ornament, glazed astragal door enclosing three shaped shelf tiers and glazed base cupboard door with single shelf tier, on bracket feet, height 201cm x width 91cm.

Lot 1

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the brass 14 1/4in dial with automaton moonphase and with inscription James Butler Fecit Bolton, the silvered chapter ring with Roman numerals and Arabic five-minute divisions about a subsidiary seconds dial and date aperture, the case with flame mahogany panels, blind fret canted corners, reeded pilasters and a shaped door, the hood with broken pediment and two eagle and ball finials, 240cm high

Lot 1

Alfred Cohen, 1920-2001. the dancing couple, gouache on cloth, unframed, 117x64cm.; 46x25.25in. (4), The present work was commissioned from the artist to be used as a window blind. To be sold together with 3 similar works by the same hand, all unframed.

Lot 1

Circle of Joseph Stannard (1797-1830) "Blind Mans Buff", Figures Outside an Inn with a Stone Bridge Spanning a River in the Foreground, possibly on the River Yare] Oil on canvas,, 46cm by 61cm (18in by 24in)

Lot 1

A Lady's Kingwood and Brass Reinforced Travelling Writing Slope, circa 1850], rectangular, the sloping lid centred by a brass cartouche inscribed "Miss Hounsfield", revealing blind tooled velvet writing slope, lidded pen and ink compartments to the rear, flush side handles, 36cm wide

Lot 1

A Mahogany Display Cabinet], en suite to the previous lot, the raised ledge back over moulded top and a blind-fretted frieze, over three astragal-glazed doors enclosing glass shelves, between fretted stiles, on block feet, numbered "L 60466", 126cm by 153cm by 44cm

Lot 1

A Mahogany Plant Stand], the square moulded top over a blind-fretted frieze, on square chamfered and blind-fretted legs with block feet, joined by a pierced X stretcher, stamped several times "GILLOWS" and numbered "L 63071", 90cm by 40cm by 40cm

Lot 1

A Victorian Mahogany Chippendale Revival Desk], the superstructure with a fretted and finialled back rail over a large niche with fret-pierced spandrels flanked by small blind-fretted cupboards with niches under and flanked by cluster columns, the leather-lined top over seven blind-fretted drawers about the kneehole, on cluster-columns legs, the centre drawer is stamped "EDWARDS & ROBERTS", 121cm by 109cm by 70cm

Lot 1

An Ivory Okimono of a Dog with Two Puppies, Meiji period], the parent wearing a ruff as its litter play beneath its paws, unsigned, 6.3cm long; [An Ivory Okimono Netsuke of an Ornamental Helmet Maker, Meiji period], seated with a large Samurai battle helmet, 2.8cm; and [A Marine Ivory and Nut Group of Three Blind Men under an Umbrella] (restorations/additions) (3)

Lot 1

Sir William Russell Flint, RA A RECLINING NUDE, Reproduction printed in colours, published in 1963 by Frost and Reed Ltd., signed in pencil, blind stamp to corner, 35 x 61cm

Lot 1

An early 20th Century mahogany library table, the moulded top over three frieze drawers and three opposing drawers on blind fret carved legs

Lot 1

A cased one string fiddle, with mahogany and pine soundbox having beech neck, applied with blind fretwork carving to terminal, in baize lined case with bow..

Lot 1

An octagonal oriental carved hardwood table, the tray top with blind fretwork scrolled decoration inlaid with mother of pearl, the sides with pierced arched window style apertures framed by Islamic panels with further mother of pearl inlay bordered by diamond blind fretwork borders, with pierced fretwork carving to feet. (13in x 18.5in).

Lot 1

An oak bureau bookcase, the top with astragal glazed doors enclosing adjustable shelves having moulded caddy cornice, the desk with fallfront applied with blind fretwork carving in beaded panel, having fitted interior of pigeonholes and central drawer, above two long drawers flanked by fluted stiles, raised on barleytwist legs joined by rectangular stretchers. (36in x 17.25in x 77in).

Lot 1

A late eighteenth century walnut cased longcase clock, with moulded cornice above carved blind fretwork frieze, with square door having turned columns enclosing a movement by Wilson of Stamford, the silvered square associated dial with Roman chapters and date aperture, the trunk with cushion moulded panelled door having circular glass bob lenticle aperture, raised on moulded plinth base with square panel - some alterations. (84.75in).

Lot 1

An Edwardian mahogany cheval mirror, the frame with bevelled plate carved with acanthus scrolling and bobbin moulded rim, supported on channelled columns with brass urn finials, having ball and claw feet with further acanthus carving to knees, joined by blind fretwork stretcher. (71.25in).

Lot 1

A George III oak corner cabinet, with moulded swan neck pediment above a blind fretwork carved frieze, the arched fielded panel door having 'H' hinges flanked by canted reeded sides, above a moulded plinth. (47.25in x 27.25in).

Lot 1

A late Victorian mahogany Chippendale style piano stool, with rectangular upholstered seat above a box with blind fretwork carved sides, supported on acanthus carved legs with ball and claw feet. (22in x 17in x 20.5in).

Lot 1

Mahogany longcase clock ,the swan neck pediment with ball finial and blind fretwork foliate detail over arched brass dial by John Hamilton of Glasgow with silvered chapter ring, subsidiary seconds dial and date aperture and with gilt metal spandrels flanked by fluted columns over an arched trunk door with quarter pilasters on a base section fitted with bracket feet

Lot 1

Edwardian mahogany breakfront Georgian style sideboard ,the shaped top rail with relief carved and blind fretwork detail over a split level top surface above two central top drawers flanked each side by a drawer and cupboard door, all raised on carved squat cabriole supports, 83in (210.8cm) wide

Lot 1

A mahogany bookcase, the moulded dentil cornice above a blind fret frieze and glazed doors, the bookcase base with glazed doors, on bracket feet.

Lot 1

A late 17th/early 18th century oak coffer, the planked top above a blind fret frieze and panelled base, on stiles, 137 cms wide.

Lot 1

A George III mahogany linen press, the upper section with dentil cornice and blind fret frieze above a pair of panelled doors enclosing slides, the lower section with moulded rectangular top above three long graduated drawers, standing on bracket feet, 124cm wide

Lot 1

CAMPAN Memoirs of the Private Life of Marie Antoinette 1824 2 vols brown calf spine, 6 panels, 4 blind decorations, marbled boards, and 3 other vols. 5 vols.

Lot 1

BRYANT W.C. (ed). Picturesque America 2 vols. nd. brown morocco, blind tooled, raised bands, illustrated, covers scuffed. 2 vols

Lot 1

French gilt brass large carriage clock circa 1880 the case with metal sides, twist corner columns and blind fret friezes, circular silvered dial with exposed balance, the glazed top showing a silvered thermometer and compass, single train movement, height 18cms (no key)

Lot 1

Reproduction Chippendale style mahogany bedroom suite, of wardrobe and pair of chests of drawers with slides and four long drawers, each with blind fret canted corners over ogee bracket feet.

Lot 1

George III silver hot milk jug, London 1774 maker: Jas Young and Orlando Jackson, the inverted baluster body engraved with a floral blind cartouche, with moulded spout and domed cover, flame finial, and leather covered handle on spreading foot.

Lot 1

A GOTHIC REVIVAL OAK BRACKET CLOCK, mid 19th Century, ogee case with blind tracery, crocket finials, (one missing) and linked colonettes, similarly decorated brassdial with silvered chapter and Roman numerals, metal side sound grilles, height 56cm.

Lot 1

Muriel Elise Crooke (founder member of the Guide Dogs for the Blind Association) - Faust of Carreg, oil portrait of a German Shepherd dog, signed, 13 1/2 x 17"

Lot 1

An Early 20th Century Mahogany Bureau, the blind fret carved fall front above two long drawers, on cabriole legs with pad feet, 61 cm

Lot 1

Young (Charles Frederic T.). The Economy of Steam Power on Common Roads, in relation to Agriculturists, Railway Companies, Mine and Coal Owners, Quarry Proprietors, Contractors, etc., with its History and Practice in Great Britain. and its Progress in the United States, by Alex L. Holley and J. K. Fisher, Atchley & Co., [1860], one fldg. line-engr. plt., full-page and smaller wood-engr. illusts. of various steam-powered vehicles, indelible stamp on title-page and two following leaves, slight soiling, orig. brown cloth, blocked in gilt and blind, discoloured, slightly rubbed, 8vo, together with Rankine (William John Macquorn), A Manual of the Steam Engine and other Prime Movers, 3rd ed., revised, 1866, wood engs. and diags. to text, some minor scattered spotting, recent calf, gilt dec. spine, plus Williams (Frederick S.), Our Iron Roads: Their History, Construction, and Administration, 8th ed., 1886, wood engs., some minor scattered spotting, orig. blind-stamped cloth gilt, rubbed and a little worn on spine, and one other, all 8vo (4)

Lot 1

Carter (Thomas). Medals of the British Army, and How They Were Won, 3 vols. in 1 (The Crimean Campaign/Egypt, Peninsula, Waterloo, and South Africa/India, China, etc.), 1861, eighteen chromos. (complete), a.e.g., orig. blind stamped cloth gilt, a little rubbed, 8vo, together with Lawrence-Archer (Major J.H.), The British Army: Its Regimental Records, Badges, Devices, etc., 1888, illusts. to text, p. 249/250 torn across, without loss, 4 pp. ads. at rear, old newscuttings pasted to f.e.p.s, t.e.g., orig. cloth gilt, heavily rubbed and a little worn, thick 8vo (500 copies printed), plus Creagh (Sir O'Moore and Humphris, E.M.), The Victoria Cross, 1856-1920. A Complete Record of the Recipients., 1985, num. small ports. to text, orig. cloth in d.j., 4to, and others related (10)

Lot 1

A STAFFORDSHIRE OVAL PATCHBOX the cover decorated with 'Blind Mans Buff'

Lot 1

A George III mahogany linen press/wardrobe with dentil cornice and blind fret frieze, fitted for hanging and enclosed by a pair of panel doors with false drawer fronts to the lower parts, the box base with drawer fronts fitted two hinged covers, the whole raised on bracket feet and in two parts, 165cm (65") wide

Lot 1

Sir William Russell Flint ANNE MARIE BY THE LOIRE signed in pencil with Fine Art Trade Guild blind stamp reproduction in colours from the total edition of 800, 44.5cm x 61cm (17"x 23")

Lot 1

Bossoli (Carlo). The War in Italy with a Descriptive Narrative by the Author of 'The Times' Letters from the Allied Camp, 1859, forty tinted litho. plts. incl. addn. litho. title, two single-page uncol. maps, a.e.g, contents loose (gutta-percha perished), and a few leaves sl. frayed at edges, orig. blind-stamped and gilt dec. cloth, rubbed and minor wear to extrems, 4to. Abbey, Travel, 177. (1)

Lot 1

Drummond (The Hon. W.H.). The Large Game and Natural History of South and South-East Africa, 1st ed, Edinburgh, 1875, chromo. frontis, tinted and b & w plts, illusts. to text, orig. cloth gilt, recased, together with Chapman (Abel), On Safari. Big-Game Hunting in British East Africa, with Studies in Bird-Life, 1st ed, 1908, photogravure frontis, b & w illusts. from photos, sketch maps and illusts. to text, 16pp. pubs. ads. at rear, orig. cloth gilt, recased, plus Glave (E.J.), Six Years of Adventure in Congo-Land, with an Introduction by H.M. Stanley, 1st ed, 1893, port. frontis, wood engs, orig. pict. cloth, rubbed and a little marked, and Livingstone (David), Missionary Travels and Researches in South Africa; including a Sketch of Sixteen Years' Residence in the Interior of Africa, 1st ed, 2nd issue, 1857, uncol. folding wood eng. frontis, wood engs. to text, two folding maps contained in rear pocket, orig. blind-stamped cloth gilt, rubbed and a little worn at extrems, with others related, all 8vo. (19)

Lot 1

Rome. Raccolta Delle Principali Vedute di Roma, A. Moschetti, n.d, c. 1848, eng. map of Rome with vignette views and fifty-nine eng. views, occ. scattered spotting and damp staining to upper outer corners, a.e.g, contemp. gilt & blind dec. morocco, boards detached and lacks spine, boards rubbed & scuffed, oblong folio. (1)

Lot 1

Fearnside (William Gray and Harral, Thomas, ed.). The History of London: Illustrated by Views in London & Westminster, Engraved by John Woods, [1838], thirty steel engs. inc. addn. eng. title, correct as list, some minor scattered spotting and few plates lightly damp stained, sewing a little weak, a.e.g, orig. blind stamped cloth gilt, slightly rubbed & marked, 8vo. (1)

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