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Laurence Stephen Lowry (1887-1976) limited edition signed print (31785/500) 'St Mary's, Beswick', signed in pencil bottom right. Henry Donn Gallery blind stamp. 47x57

Laurence Stephen Lowry (1887-1976) limited edition signed print (245/500) "The Lonely House", signed lower right in pencil. (FATG) Fine Art blind stamp, 39cm x 58cm Published by Magnus prints ref No MP 01

A camouflage rucksack; a holdall; and a blind

Keith Henderson RSW, RWS (British 1883-1982) - Study of a Yellow Billed Hornbill, watercolour on paper, signed and with label verso with London address details, 56 x 37cm, together with with a sgined coloured print by the same artist of bullfinches amongst apple blossom, signed and with Fine Art Trade Guild blind embossed stamp bottom left and further label verso - Artists Proof Keith Henderson, 37 x 48.5cm approx, both framed (2)

An Edwardian Chippendale revival wall shelf/bracket with pierced and blind fret detail, and enclosing a rectangular bevelled edge mirror plate 33 cm wide x 70 cm high

A Georgian mahogany chest on chest of six long and two short drawers with central brushing slide, the upper section with dental mouldings and canted corners with blind fret detail 120cm wide x 58cm deep x 179cm high

Tom Dodson, pair of limited edition prints, Super Bar, 447/850 and Black Pea Soup 521/850, each signed n pencil with gallery blind stamp, 39 x 30 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

1- BLAKE, W: Pencil Drawings. Nonesuch Press, 1927. Limited edition, #47/1550. Original cloth, rubbed; 2- Keynes, G: William Blake's Water Colour Designs for The Poems of Thomas Grey. Methuen/Trianon, Paris, 1972, dust jacket, 4to; 3- Trusler, J: the works of William Hogarth, 2 vols. For J Goodwin, 1827, new edn. Revised and corrected. 4to. Cont. full leather with blind stamp and gilt decoration, aeg. Nice set. (4)

CHILDREN: ANDREW LANG: 1- The Yellow Fairy book. 1894, 1st. edn. Original gilt pictorial covers & aeg; little faded; light damp stain to bottom margin of first 40 pages; 2- The Red True Story book. 1895, 1st. edn. Original gilt pictorial covers & aeg; Small light stain to upper cover; 3- The Grey Fairy book. 1900, 1st. edn. Original gilt pictorial covers & aeg; Ex-reference Library, with bookplate, blind stamp & number to verso of title page; 4- The Brown Fairy book. 1904, 1st. edn. Original gilt pictorial covers & aeg; G+; 5- The True Story book. 1893, 1st. edn. Original gilt pictorial covers & aeg; G+; 6- The Animal story book. 1896, 1st. edn. Original gilt pictorial covers & aeg; rubbed; 7- The Book of the Princes & Princesses. 1908, 1st. edn. Original gilt pictorial covers & aeg; VG+. (7)

Don Balke (North Carolina, B. 1933) "Elf Owl Perched in Saguaro" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover of the U.S. 33c Elf Owl Perched in Saguaro stamp issued April 6, 1999. One of the world's smallest owls, the Elf Owl is five to six inches high and weighs less than two ounces. Denizen of deserts, and woodlands and canyons of the American Southwest, this tiny bird is identified by its large yellow eyes, short tail, and streaked and spotted grayish-brown plumage. Being nocturnal, the Elf Owl is most often seen at dawn or dusk. Because of its small size, it isn't equipped to hunt large rabbits or rodents, and thus feeds primarily on moths, beetles, grasshoppers and small reptiles. Scorpions are also an important food source. Not called a "wise owl" for nothing, before eating a scorpion, this diminutive bird first removes the poisonous stinger. When feeding on flying insects, it simply snatches them in midair with its clawed feet. One of the most abundant birds in the desert Southwest, the Elf Owl roosts and nests in abandoned woodpecker holes in trees or saguaro cacti, where it is protected from the oppressive desert heat. Like other owl species, the Elf Owl does not build a genuine nest, but lays an average of 3 to 5 white eggs on the floor of the cavity or tree hole. When the eggs hatch, the young emerge blind and covered with whitish down. Both parents share in rearing the young. The male brings food to the female until the hatchlings are half grown, then feeds them directly. Image Size: 12 x 10.5 in. Overall Size: 13 x 12 in. Unframed. (B16360)

An Irish Mahogany Chinese Chippendale side table. Circa 1760. Incorporating formal Chinese motif blind fretwork frieze decoration.Supported on legs of square section.

1988 BMW 635 CSi Highline Transmission: automaticMileage:69000Successor to the race proven E9 3.0CS/CSi, the BMW 6-Series was introduced in August 1976, it utilised a modified version of the 5-Series saloon platform equipped with all-round independent suspension and powerful disc brakes. A natural rival to the 928 and XJS, the four-seater 6-Series proved more capacious than the Porsche and sportier than the Jaguar. Immediately recognisable thanks to its distinctive 'shark nose' frontal styling and thin pillared glasshouse it boasts real road presence. Second only to the BMW Motorsport tuned M6 version, the 635CSi's 3430cc unit developed some 216bhp and 232lbft of torque propelling it from 0-60mph in 8.4 seconds and on to 135mph.This example of one of the 80’s most iconic sports cars is presented in lovely deep Royal Blue coachwork with contrasting sumptuous Highline specification grey leather trim. Boasting remarkably low mileage for a car that is so accustomed to gobbling up the miles, this example is offered in fabulous order with, at the time of viewing, the vendor stating that all electrical buttons are working correctly. Owned by BMW enthusiasts, the history file provides comprehensive evidence of continued maintenance and expenditure including new brake discs and pads in 2019 and, after which, the underside of the car was cleaned and checked and Dinitrol undersealing was applied to preserve the car for the future. Also present in the history file is every MoT test certificate from 1991 and the original book pack which details the supplying dealer, L.J.K Garages in Ilford, Essex who registered the car in June 1988. A copy of the original build sheet shows that this example was heavily specified with extras including limited-slip differential, sports seats, heated mirrors, electric sunroof, air conditioning, M-Tech steering wheel and rear window blind to mention a few. L.J.K, the supplying dealer serviced the car ten times from new and since then a comprehensive record of services from specialists coupled to enthusiast owner’s maintenance has been recorded. Offered with an MoT test certificate until January 2022 and with the original set of TRX alloys and tyres, this is an example of a great appreciating classic in very good condition with viewing highly recommended.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.

Original vintage propaganda poster for the charity drive on The Blind Day / De Blindas Dag 1945 in Sweden. Design features a young girl sitting in shadow knitting a red scarf with bold black lettering below. Good condition, creasing, tears, staining. Country of issue: Sweden, designer: Solbrock Moller, size (cm): 100x70, year of printing: 1945

Early 19th century oak and mahogany banded longcase clock, the sloped arch and dentil pediment with central finial above blind fret work frieze, square brass dial with silvered Roman and Arabic chapter ring signed �Barker, Wigan�, ornate gilt metal spandrels, subsidiary seconds dial and calendar aperture, dial size - 32.5cm x 32.5cm, shaped arch trunk door flanked by fluted quarter columns, eight day movement striking on bellDimensions: Height: 227cm 

George III oak and mahogany banded longcase clock, the hood with projecting cornice over blind fret work frieze and plain column pilasters, brass dial and Roman chapter ring with subsidiary seconds and calendar dial, decorated with ornate mask cast spandrels, the case with canted corners and plain quarter columns, trunk door with shaped top and moulded edge, on shaped skirtDimensions: Height: 218cm 

Large George III oak corner cupboard, projecting cornice over two stepped arch doors with fielded panels and blind fret work spandrels, flanked by fluted uprights, cupboard below enclosed by two fielded panel doors, the painted interior fitted with shaped shelves Dimensions: Height: 228cm  Length/Width: 140cm 

A Georgian Irish (?) oak Chest-on-Stand, the moulded cornice above a blind drawer, two short and three long drawers, over a base with a further long drawer, raised on leaf-capped cabriole legs, old restorations, 42in (106.5cm) wide x 71in (180.5cm) high x 23in (58.5cm) deep.

CERI RICHARDS CBE mixed media - abstract, entitled 'Study for Relief Construction', monogram studio blind-stamp bottom left, 21 x 27cms Provenance: private collection Powys, typed verso '...on the verso you can read: Ceri Richards 1931, written by the widow' and referring to an illustration of the drawing in La Nuova Foglio (Roberto Sanesi) and dating the work to 1932 Presentation & Condition: no apparent problems, later framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

A Blind Faith UK first pressing, cover and vinyl appear excellent.

An 18th century 30-hour oak longcase clock; ogee-style cornice above a blind fret carved frieze and 11-inch brass dial with ornate pierced gilded spandrels headed with masks, the silver chapter ring with Roman numerals and surrounding an engraved and mottled centre with two gilded cherubic figures upon birds of prey in relief, a lower date aperture and an axehead-shaped plate below the 12 o'clock position detailing the maker 'Samuel Whalley, Manchester', the dial flanked by two columns above a shaped trunk door with a lower central circular glass aperture, raised on short bracket-style feet, with single weight (some restoration required) (210cm high)

NO RESERVE Sculpture.- Vidler (Anthony) & others. Antony Gormley: Blind Light, 2007 § Hahnloser-Ingold (M.) Pandämonium - Jean Tinguely, Bern, 1988 § Spies (Werner) Picasso: The Sculptures. Catalogue Raisonné..., Stuttgart, 2000 § Lampert (C.) & others. Rodin, 2006 § Rosenthal (Mark) Joseph Beuys: Actions, Vitrines, Environments, Houston, 2004 § Haskell (B.) Elie Nadelman: Sculptor of Modern Life, New York, 2003 § Hubbard (Sue) Sculpture at Goodwood: A Vision for Twenty-First Century British Sculpture, 2002, illustrations, many colour, the first two original cloth with dust-jackets, the rest original wrappers; and c.15 others on modern sculpture, 4to (c.20)

NO RESERVE Prints & Engravings.- Bonaparte (Lucien) Choix de Gravures a l'Eau Forte, d'apres les Peintures...de la Galerie..., 142 etched plates, some light foxing, contemporary mottled straight-grained morocco with borders in gilt and blind, spine gilt, g.e., rubbed, spine a little faded, Bulmer & Co., 1812 § Curtis (Charles B.) Velazquez and Murillo. A Descriptive and Historical Catalogue..., number 62 of 100 large paper copies with plates in 3 states, etched plates, some by Lalauze, contemporary red morocco, gilt, by H.Wood, t.e.g., others uncut, New York & London, 1883, all a little rubbed at edges, 4to (2)

Tomkins (P. W.) The Birth and Triumph of Cupid, in Her Majesty's Collection, from papers cut by Lady Dashwood, engraved title, 24 engraved plates only (of 26), previous owner's ink signature to blank, discreet blind-stamp to front free endpaper, scattered faint spotting, broken upper hinge, original decorative cloth, gilt, spine covering beginning to split, bumping to corners, oblong 4to, 1795.

Aldine.- Cicero (Marcus Tullius) Epistolae familiares diligentius, edited by Paulus Manutius, 2 parts in 1, 2 initial blanks, woodcut printer's device to titles and final ff., that of first part otherwise blank, initial spaces with guide-letters, early ink underlining and occasional marginalia, minor marginal worming to a few ff., occasional spotting and light staining, contemporary blind-stamped calf, upper cover stamped in gilt 'EPI. FA.', lower cover stamped in gilt 'T.F.', spine in compartments, upper cover neatly detached, lacking ties, head of spine and corners little worn, rubbed, lower edge of lower cover chipped, gilt gauffered edges, [Ahmanson-Murphy 286; Renouard 120:6; Adams C1946; EDIT 16 CNCE 12246], 8vo, Venice, [Paulus Manutius], July, 1540.

NO RESERVE Plantin printing.- Laertio (Diogene) Vitæ Philosophorum, first edition, previous owner's ink signature to title and front free endpaper, occasional faded ink underlining and marginal notes throughout, leaves from another work used as pastedowns, short tear through text (A8), first few leaves becoming loose, contemporary calf, rebacked, central blind-stamps to boards, a little rubbed, small 8vo, [Leiden], Ex Officina Plantiniana, apud Franciscum Raphemlengium, 1596.

Sarpi (Paolo) Historia del Concilio Tridentino, second edition, additional engraved title, ex-library with very faint blind-stamp to title, occasional small marginal loss (paper defects), small hole affecting text, neatly repaired (T1), small marginal tear neatly repaired (4N1), marginal worming, previous owner's ink and pencil signatures, small red wax ?seal mark to front pastedown, near contemporary speckled calf, small worming to lower board, slight bumping to corners and extremities, 4to, [?Geneva], 1629.

Bindings.- [Argens (Jean Baptiste Boyer, Marquis d')] Memoires Historiques, et Secrets concernant les Amours des rois de France, first edition, ex-library with occasional discreet blind-stamp, marginal worming, small marginal loss (A2), small marginal tear (C6), later calf-backed boards,Paris, 1739 § Velleius Paterculus (Caius) Animadversionibus Justi Lipsi, title vignette, ink-stencil to title, tender edges and small loss to first few leaves, worming affecting odd letter, contemporary limp vellum, a little rubbed and worn, [Antwerp], Officina Plantiniana, apud Ioannem Moretum, 1600 § [Toussaint (François Vincent)] Les Moeurs, engraved frontispiece, title vignette, small tear (repaired), occasional pencil annotations, previous owner's ink signatures, contemporary calf, rebacked, a little rubbed, chez Thomas Wilcox, 1751; and 9 others, v.s. (12)

NO RESERVE Dante Alighieri. La Divina Commedia, 3 vol., near-contemporary dark blue straight-grain morocco with borders in gilt and blind, g.e., Milan, Mussi, 1809 § French Anas (The), 3 vol. in 1, engraved vignette titles, ink inscriptions at head, attractive contemporary red straight-grain morocco with Greek key border in gilt, spine gilt, t.e.g., others uncut, 1805, a little rubbed and scuffed; and 2 others, continental, 12mo (6)

NO RESERVE America, New Hampshire.- Page (John, army officer and politician, 1787-1865) Commission signed appointing Jonathan P Taylor an ensign in the Fifth Company of the Seventh Regiment of Militia in New Hampshire, D.s. "John Page", printed document with manuscript insertions, blind paper seal, a few small tears, slightly yellowed, 240 x 340mm., Rockingham, 13th August 1840.*** John Page, served during the War of 1812 as lieutenant in a local militia company; a member of the New Hampshire House of Representatives from 1818 to 1820; served as Register of Deeds for Grafton County in 1827 and 1829-35; United States Senator; Governor of New Hampshire.

Harris (James) Three Treatises. The First Concerning Art. The Second Concerning Music, Painting, and Poetry. The Third Happiness, first edition, scattered faint spotting, modern calf-backed boards, 1744 § A Chronological Series of Engravers from the Invention of the Art to the beginning of the Present Century, half-title, 3 engraved folding plates, ex-library with blind-stamps and faded ink-stamp to title verso, occasional faint spotting, previous owner's ink inscription, contemporary calf, rebacked, slight bumping to corners, Cambridge, 1770 § The Record of the International Exhibition 1862, folding double-page lithographed frontispiece, decorative title, 24 plates, some double-sided, 7 folding or double-page, illustrations, spotting, occasional off-setting, previous owner's name label to blank, later half-morocco, a little rubbed, Glasgow, William Mackenzie, [1862]; and others similar, 8vo & 4to (6)

Bindings.- [Jenyns (Soame)] Disquisitions on Several Subjects, ex-library with blind-stamp to title, short tear to blind-stamp, 1782, bound with, Turner (Baptist) Candid Suggestions in Eight Letters to Soame Jenyns, Esq; on the respective Subjects of his Disquisitions ..., 1782, together 2 vol. bound as 1, scattered spotting, modern calf-backed boards, § [Jennings (Henry Constantine)] Summary and Free Reflections, in which the Great Outline Only, and Principal Features, of several Interesting Subjects are Impartially Traced, together 11 parts with separate pagination, modern calf-backed boards, a little rubbed, [Taunton], 1798 § Hazlitt (William) The Spirit of the Age, second edition, ex-library with accession number to title verso, pencil note to one leaf, scattered spotting, contemporary calf, rebacked, 'Parliament Library Victoria' in gilt to upper cover, 1825; and others similar, 8vo & 4to (6)

Gisborne (Thomas) An Inquiry into the Duties of Men in the Higher and Middles Classes of Society in Great Britain, 2 vol., half-titles, ex-library with discreet blind-stamps, occasional spotting, ink-stamp to front pastedown (vol. 2), contemporary half-calf, rebacked, bumping to corners, 1795 § Madox (Thomas) Baronia Anglica. An History of Land-Honors and Baronies, and of Tenure in Capite, engraved vignette title, illustrations and historiated initials, marginal damp-staining, modern marbled boards, for Francis Gosling, 1741 § Wallace (George) The Nature and Descent of Ancient Peerages, connected with the State of Scotland ..., second edition, presentation copy to the Lord High Chancellor from the author, previous owner's ink signature, scattered faint spotting, ex-library with faint blind-stamp and accession number to title verso, modern half-calf, Edinburgh, 1785; and another similar, v.s. (5)

Napoleonic wars.- Hardy (Robert) An Address to the Loyal Volunteer Corps of Great Britain, price scored out on title, ex-library with faint blind-stamp and accession number to title verso, occasional faint spotting, contemporary straight-grain morocco, gilt, joints a little rubbed, 8vo, Chichester, by J. Seagrave; and sold by F.&C. Rivington, 1799.*** Scarce. Only 6 on ESTC, all in the UK.

Lycophron. Cassandra, translated & edited by Viscount Royston, presentation copy from the translator to the Rt. Hon. Lady Lucas inscribed on front free endpaper, folding letterpress table, light spotting, engraved bookplate of Thomas Philip Earl de Grey of Wrest Park, contemporary calf with borders in gilt and blind, Cambridge, [privately] printed by R.Watts, 1806 § Secundus (Joannes) Kisses: a Poetical Translation of the Basia..., third edition, printed in red and black, engraved frontispiece by Bartolozzi and plate, advertisement leaf at end, contemporary calf, gilt border, red roan label, J.Bew, 1778 § Somervile (William) The Chase, wood-engraved vignettes by Thomas Bewick, light staining, contemporary tree calf, printed by W.Bulmer & Co., 1802 § Goldsmith (O.) & Thomas Parnell. Poems, half-title, wood-engraved plates and vignettes by Thomas Bewick, contemporary calf, border in gilt & blind, rebacked, Bulmer, 1804 § Heron (Robert, translator) Arabian Tales..., 4 vol., modern morocco, rebacked, Edinburgh, 1792 § Trollope (Anthony) The Last Chronicle of Barset, 2 vol., first edition in book form, wood-engraved plates by George H.Thomas, contemporary half roan, 1867, all rubbed, some joints split, the first a little stained and with worn spine; and c.40 others, literature, v.s. (c.50)

Execution chap-book.- Cooke (Percival) The Confession of Percival Cooke and James Tomlinson, who were executed ... on a drop newly erected in front of Derby Gaol, woodcut of coffin to final leaf, small ink inscription to title, a little creased, folio leaf folded, Nottingham, C. Sutton, [1812] § The Repentance and Happy Death, of the Celebrated Earl of Rochester, small blind-stamp to title, folio leaf folded, Sutton and Son, Nottingham, 1814 § Rhyming Dick and the Strolling Player: being a true Account of the Life and Death of Richard Nancollas, the Alehouse Poet, woodcut illustration to title, pp.5-6 trimmed at foot affecting last line of text, Nottingham, C. Sutton, n.d., 8vo (3)

Bindings.- Roscoe (Thomas) Wanderings and Excursions in North Wales, additional steel-engraved title and plates, folding map with outline hand-colouring, some foxing, contemporary blind stamped morocco, gilt, joints a little rubbed, c.1836 § Stevenson (Robert Louis) Familiar Studies of Men and Books, endpapers and half-title browned, contemporary half morocco, spine gilt with art deco design, minor scuffing, 1909; and 3 others, handsome bindings, 8vo (5)

Hazlitt (William) The Romancist and Novelist's Library: The Best Works of the Best Authors, vol. 2 & 3 only (of 4), occasional light spotting or finger-soiling, contemporary blind stamped cloth, gilt, faded and rubbed, extremities frayed, tall 8vo, J. Clements, 1839-1840.*** Rare, with an early printing of Shelley's early prose work, 'St. Irvyne; or, The Rosicrucian', and other scarce titles.

Baden-Powell (Lt.-Gen. Robert) Indian Memories, 1915 § Fanshawe (H.C.) Delhi Past and Present, 1902 § Yeats-Brown (F.) Bengal Lancer, 1930 § Cunningham (Lt.-Col. D.D.) Plagues and Pleasures of Life in Bengal, 1907 § Lawrence (Sir Walter Roper) The India We Served, 1928 § Moon (Sir Penderel) The British Conquest and Dominion of India, 1989 § Dalrymple (William) White Mughals: Love and Betrayal in Eighteenth-Century India, 2002, first editions, plates and illustrations, some foxing, original cloth or boards, the first pictorial, the second blind-stamped, slightly rubbed, the last two with dust-jackets; and c.30 others on India, mostly the British in India, 8vo & 4to (c.35)

Wolff (Rev. Joseph) Narrative of a Mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly, third edition, signed presentation copy from the author to the Countess of Charleville inscribed on front free endpaper, mounted lithographed portrait (marginal foxing and water-staining), 16pp. publishers' catalogue at end, with large illustration of the surrender of Khiva from the' Illustrated London News' 1873 loosely inserted, also another newspaper cutting regarding Khiva, original blind-stamped cloth, rubbed and stained, spine faded and worn at ends, for the author, 1846 § Burnaby (Fred) A Ride to Khiva: Travels and Adventures in Central Asia, fourth edition, 3 folding colour maps, 2 mounted on linen, some soiling, stain to title, contemporary half calf, Signet Library copy with gilt arms, rubbed, rebacked, 1876; On Horseback through Asia Minor, 2 vol., third edition, mounted oval Woodburytype portrait, 3 folding maps, one torn, contemporary calf, rubbed, rebacked, 1877 § O'Donovan (Edmond) Merv: A Story of Adventures and Captivity, engraved portrait, 4pp. advertisements at end, original cloth, slightly marked, 1883; and 11 others on Central Asia, mostly Great Game, 8vo (16)

Sporting.- Markham (Col. Frederick) Shooting in the Himalayas. A Journal of Sporting Adventures and Travel in Chinese Tartary, Ladac, Thibet, Cashmere, &c., first edition, additional wood-engraved pictorial title, 8 tinted lithographed plates, wood-engraved illustrations, lacking folding map, original pictorial blind-stamped green cloth, gilt, a little rubbed, rebacked preserving original gilt spine (faded), corners repaired, [Abbey, Travel 503; Czech, Asian, p.134], 8vo, 1854. *** "An excellent and early work on sport in the Himalayas." Czech.

NO RESERVE India.- Heber (Reginald) Narrative of a Journey Through the Upper Provinces of India, 3 vol., second edition, 28 wood-engraved plates, light foxing, engraved bookplate of Francis Pym, endpapers foxed, contemporary blind-stamped calf, rubbed and scuffed, spines faded, 1828; and 2 others, 8vo (5)

Britain.- Badger (E. W.) A Lecture on the History and Antiquities of Bradenham, Buckinghamshire, bookplate to pastedown, original printed wrappers, edges frayed, library sticker to upper cover, Newport, W. Iles, 1922 § Cansick (Frederick Teague) A Collection of Curious and Interesting Epitaphs...of Saint Pancras, Middlesex, 2 vol., plates, frontispiece detached, some spotting, contemporary blind-stamped boards, 1869; and 2 others, British topography, 8vo & 4to (5)*** The first is unrecorded on Library Hub.

NO RESERVE Cambridge.- Dyer (G.) History of the University and Colleges of Cambridge, 2 vol. in 1, engraved additional vignette title and plates, marginal water-staining to frontispiece and additional title, contemporary tree calf, rebacked preserving old gilt spine, roan label chipped, 1814 § Le Keux (J.) & Thomas Wright. Memorials of Cambridge, 2 vol., engraved additional vignette titles and plates by Le Keux, illustrations, original blind-stamped cloth, spines gilt and faded, 1847 § [Wright (J.M.F.)] Alma Mater; or, Seven Years at the University of Cambridge. By a Trinity Man, 2 vol., first edition, half-titles, 6pp. musical notation, original cloth-backed boards, paper labels, joints split, spine of vol.1 torn, 1827 § Hailstone (Edward) The History and Antiquities of the Parish of Bottisham and the Priory of Anglesey in Cambridgeshire, photographic frontispiece, folding genealogical tables, contemporary half roan, spine faded, Cambridge, 1873, rubbed; and a guide to Cambridge, 8vo et infra (7)

NO RESERVE Ireland.- Hall (Mr. & Mrs. S. C.) A Week in Killarney, pictorial title, engraved plates and 2 maps, one folding, illustrations, some spotting, one or two plates loose, original decorated cloth, gilt, spine faded, spine ends a little worn, 1850 § Ritchie (Leitch) Ireland Picturesque and Romantic, 2 vol., engraved additional vignette titles and plates, light foxing, original blind-stamped green velvet, g.e., 1837-38, rubbed, small 4to & 8vo (3)

Horses.- Markham (Gervase) Markhams Maister-Peece. Contayning all Knowledge belonging to the Smith, Farrier, or Horse-Leech, 2 parts in 1 vol., additional engraved title, short tears, 1 repaired, lacking engraved frontispiece and folding plate, full-page wood-engraved illustrations (one trimmed affecting image), diagrams in text, previous owner's ink inscriptions in various hands scattered throughout, ex-library with occasional ink- and blind-stamps, short tear and printing error affecting text (M1), small marginal hole (P5), large tears to centre of text (T7 & 2C7), short tear with crude repair (2Q1), new endpapers, contemporary calf, rebacked, lacking ties, a little rubbed, 4to, by Nicholas and John Okes, 1636.

NO RESERVE Clowes (Frank) Treatise on Practical Chemistry and Qualitative Analysis, translated into Chinese by J. B. Neal, presentation copy from author, woodcut illustrations, preface in English, short tears to first few leaves, printed in red and black throughout, cropped close to outer margins, just touching characters in places, small loss to endpapers, neatly restored, ex-library with occasional ink-stamps, lightly browned, modern cloth-backed boards, blind-stamp to upper cover, 8vo, [c.1896].

HENRY MATTHEWS, AN EDWARDIAN SILVER MOUNTED PHOTOGRAPH FRAME, embossed floral mount with blind cartouche to the crest, original back with hinged stand, Birmingham 1902, 21cm x 14.5cm (to display an image 13.5cm x 9.5cm)

Sir William Russell Flint, 'Provencal Caprice', signed in pencil and blind stamped, colour print, I.43 x 56.5cm.

S L Crawford, 'The Mighty Ribot', signed, numbered and blind stamped, colour print, I.49 x 60.5cm. 

John Piper, 'LLangloffan', signed in pencil and blind stamped, colour print, I.39 x 57cm, (faded).

An unusual circa 1900 mahogany bureau bookcase, with blind fret decoration, 75.5cm wide.  

AFTER FRANK ALGERNON STEWART V.W.H. In the Vale below Lushill, colour print, signed in pencil with Fine Art Trade Guild blind stamp, published 1936, Vicars Bros., London (plate 20 x 60cm), and five others similar (6)

Victorian mahogany chiffonier, shaped back-board with molded and carved decoration, serpentine shelf with bracket supports mounted on base with single drawer frieze, two cupboard doors with arched panels concealing cellarette with brass bail handle, blind base.width 122cm (48in), depth 50cm (20in), height 142cm (56in)Qty: 1Condition report: Overall condition good, small number of surface scratches to top, left-hand door with old repair to molding holding in arched panel.

A BLIND EARL LEAF PATTERN DISH possibly Worcester, 7.5 ins wide.

A WALNUT AND MARQUETRY LONGCASE CLOCK, late 17th century, by Jon. Bushman, London, the case with crossbanded long door inlaid with bird and flowers in panels, with an oval brass lenticle above a square base, the hood with turned columns and blind fret-carved frieze below a stepped pediment, the brass dial with pierced mask spandrels, and centre silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture with two train eight day movement, 213cm high. Britten in "Old Clocks & Watches and Their Makers" records Bushman 1660-1720

A GEORGE III MAHOGANY ARCHITECT'S CABINET, CIRCA 1770, the hinged rectangular top above a blind fret carved frieze, the inverted breakfront below fitted with three central drawers, flanked by two cupboard doors enclosing shelves, raised on a  plinth base, width: 132cm x height: 92cm x depth: 62cm

A GEORGE III MAHOGANY WINE TABLE, CIRCA 1765, the circular dish top on a blind fret and gadroon carved column ending on an acanthus carved tripod base with conforming pointed, pad feet, diameter 26cm.  height 52cm.

Attributed to Jacopo Vignali (Prato Vecchio 1592-1664 Florence)Christ healing the Blind oil on canvas 100.4 x 80.8cm (39 1/2 x 31 13/16in).Footnotes:ProvenanceKing Louis Phillippe of the French (according to a label on the reverse)Sale, Christie's, London, 31 March 1989, lot 48For further information on this lot please visit Bonhams.com

William Russel Flint 1880 - 1969 Artist Signed Ltd Edition Coloured Lithograph ' Reclining Female Nude ' Published In 1963 by Frost and Reed of Bristol and London, with Blind Proof Stamp. Mounted and Framed Behind Non - Reflective Glass. Print Size Only 13.75 x 24 Inches - 34.40 x 60 cms. Size with Frame 25.25 x 35.25 Inches - 63 x 88 cms.

Michael Lyne 1912 - 1989 Artist Signed Pencil Colour Print In a Ltd Edition - Titled ' The Grand National - Canal Turn ' 1965. Published by Frost and Reed, Bristol In 1967 - Artists Blind Proof Stamp, Artist Signed In Pencil Lower Right Margin, Excellent Colours, No Fading. Mounted and Framed Behind Non Reflective Glass. Size - Image Only 22 x 25.5 Inches - 55 x 63.75 cms, Size with Frame 30.5 x 34.75 Inches - 76.5 x 88 cms.