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JOHN CHAMBERLAYNE: MAGNAE BRITANNIAE NOTITIA OR THE PRESENT STATE OF GREAT BRITAIN..., London for B & S Tooke, Daniel Midwinter, Jacob Tomson, E Valentine and T Wotton, 1723, engraved port frontis, old blind stamped calf, morocco gilt label, book plate of W Rolleston Saunders, from the collection of the late Ron Fiske of Morningthorpe Manor

WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF LINCOLNSHIRE..., 1856, 2nd edition, original blind stamped calf worn, backstrip with losses + MANNEX & CO: HISTORY TOPOGRAPHY AND DIRECTORY OF MID-LANCASHIRE WITH AN ESSAY ON GEOLOGY, Preston, 1854, contemporary half calf worn + WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF LINCOLNSHIRE..., 1889, 4th edition, folding map, title page loose and chipped, original cloth gilt, inner joints split + KELLY'S DIRECTORY OF THE NORTH AND EAST RIDINGS OF YORKSHIRE, 1929, 2 folding maps, folding plan, original cloth worn and soiled + MARSHALL'S ROYAL AND OFFICIAL DIRECTORY OF WINDSOR AND DISTRICT, 1907, original printed wraps (5)

REV ALEXANDER DYCE (ED): KEMP'S NINE DAIES WONDER PERFORMED IN A DAUNCE FROM LONDON TO NORWICH, London 1840, original blind stamped cloth + ALBERT WAY (ED): PROMPTORIUM PARBULORUM CIVE CLERICORUM, LEXICON ANGLO-LATINUM PRINCEPS..., 1843, 1853, 2 volumes, original blind stamped cloth + EDWARD MAUND THOMPSON (ED): LETTERS OF HUMPHREY PRIDEAUX SOMETIME DEAN OF NORWICH TO JOHN ELLIS..., 1875, original blind stamped cloth + REV AUGUSTUS JESSOPP (ED): VISITATIONS OF THE DIOCESE OF NORWICH AD 1492-1532, 1888, autograph letter from editor to Lord Walsingham tipped in on front free end papers, original blind stamped cloth + H W SAUNDERS (ED): THE OFFICIAL PAPERS OF SIR NATHANIEL BACON OF STIFFKEY, NORFOLK..., 1915, signed and inscribed on front free end papers, original blind stamped cloth + F J FISHER (ED): THE STATE OF ENGLAND ANNO DOM 1600 BY THOMAS WILSON, 1936, original blind stamped cloth + CAMDEN MISCELLANY VOL XXI, 1958, original blind stamped cloth + WILLIAM L SACHSE (ED): THE DIURNAL OF THOMAS RUGG 1659-1661, 1961, original blind stamped cloth + E O BLAKE (ED): LIEBER ELIENSIS, 1962, original blind stamped cloth, all 1st editions, pub Camden Society, from the collection of the late Ron Fiske of Morningthorpe Manor (10)

JUSTIN PERKINS: A RESIDENCE OF EIGHT YEARS IN PERSIA AMONG THE NESTORIAN CHRISTIANS WITH NOTICES OF THE MUHAMMEDANS, Andover, Allen Morril & Wardwell, New York, M W Dodd, Boston, Tappan & Dennet, Crocker & Brewster, New Haven, A H Maltby, Philadelphia, Perkins & Purves, Cincinnati, G L Weed, 1843, 1st edition, 27 litho plates including 23 hand coloured, large folding map (small closed tear at stub), original blind stamped cloth gilt worn and soiled, text block weak in parts, few leaves/plates loose

HENRY GEORGE DAVIS: THE MEMORIALS OF THE HAMLET OF KNIGHTSBRIDGE, ed Charles Davis, London, J Russell Smith, 1859, 1st edition, 8 wood engraved plates and text ills as list, original blind stamped cloth, re-backed, morocco gilt spine label

FRANCIS BLOMEFIELD: THE HISTORY OF THE CITY AND COUNTY OF NORWICH..., Fersfield, 1741, 1st edition, 6 engraved plates, pedigree, subscriber's list as called for, folio, contemporary blind stamped panelled calf worn, re-backed, original leather spine laid down

DOMESDAY BOOK OR THE GREAT SURVEY OF ENGLAND ... FAC-SIMILE OF THE PART RELATING TO NORFOLK, Southampton Ordnance Survey Office, 1862, photo-zincograph facsimile edition, 4to, original blind stamped cloth gilt, recased, from the collection of the late Ron Fiske of Morningthorpe Manor

REV RONALD F MCLEOD: MASSINGHAM PARVA PAST AND PRESENT, London 1882, 1st edition, subscribers list (63 only) relevant autographed letter signed to Colonel Bulwer of Quebec Hall East Dereham, 4to, original blind stamped cloth, from the collection of the late Ron Fiske of Morningthorpe Manor

[CHARLES TOWNSHEND]: THE BARRIER-TREATY VINDICATED, London for A Baldwin 1712 1st edition, half title, old blind stamped calf, re-backed, morocco gilt spine label, from the collection of the late Ron Fiske of Morningthorpe Manor

NORWICH UNION FIRE AND LIFE INSURANCE: PROCEEDINGS OF THE MEETINGS OF MEMBERS OF THE NORWICH UNION FIRE AND LIFE INSURANCE ASSOCIATIONS..., London 1818 1st edition bound in with the REPORT OF THE LONDON COMMITTEE APPOINTED TO INVESTIGATE THE LATE CHARGES MADE AGAINST THE NORWICH UNION FIRE AND LIFE OFFICE..., London 1818 1st edition, contemporary grained blind stamped crimson morocco, spine gilt in compartments, inner dentelles gilt, all edges gilt, book plate of Charles Robert Bignold, Scarce, the Chairman of the Norwich Union Insurance Company's own copy, From the collection of the late Ron Fiske of Morningthorpe Manor

THE NORWICH SPECTATOR, 1862-65, volumes 1-4 (all pub), uniform contemporary blind stamped cloth worn, spines gilt titled, from the collection of the late Ron Fiske of Morningthorpe Manor (4)

KNIGHTS'S COUNTY HANDBOOK AND SUFFOLK ALMANACK FOR THE YEAR OF OUR LORD 1883, original blind stamped cloth gilt + J E TAYLOR: TOURIST GUIDE TO THE COUNTY OF SUFFOLK WITH EXCURSIONS BY RIVER, RAILWAY AND ROAD, London, Edward Stanford, 1892, 2nd edition, engraved folding frontis map, original cloth gilt + WALTER RYE: TOURIST GUIDE TO THE COUNTY OF NORFOLK, London, 1889, 4th edition, lacks map, original cloth gilt + ARTHUR HENRY PATTERSON: THROUGH BROADLAND BY SAIL AND MOTOR, 1930, 1st edition, original cloth + CLAUDE J W MESSENT: 2 titles: THE PARISH CHURCHES OF NORFOLK AND NORWICH, Norwich, 1936, 1st edition, original cloth; THE WEATHERVANES OF NORFOLK AND NORWICH, Norwich, 1937, 1st edition, original cloth, dust-wrapper (losses) + 5 others East Anglian interest (11)

JOHN & EDWARD TAYLOR: HISTORY OF THE OCTAGON CHAPEL, NORWICH, London, Charles Green, 1848 1st edition, double page litho frontis, original blind stamped cloth gilt + WILLIAM JOHN CHARLES MOENS: THE WALLOONS AND THEIR CHURCH AT NORWICH 1565-1832, Lymington, 1888 for The Huguenot Society of London, 1st edition, double page frontis plan, quarto, original cloth gilt + REV J H BLOOM: PULPIT ORATORY IN THE TIME OF JAMES THE FIRST CONSIDERED AND PRINCIPALLY ILLUSTRATED BY ORIGINAL EXAMPLES, London and Norwich 1831, 1st edition, quarto, old cloth, printed paper spine label + CHARLES TURNER: A SERMON PREACHED AT THE CATHEDRAL CHURCH AT NORWICH ON THURSDAY MAY 28TH 1835 BEING HIS MAJESTY'S BIRTH-DAY, Norwich, Matchett, Stevenson & Matchett [1835] 1st edition, quarto, contemporary calf gilt, spine gilt titled, from the collection of the late Ron Fiske of Morningthorpe Manor (4)

THE YARMOUTH GUIDE, Yarmouth, F Skill 1839, original cloth gilt + A GUIDE TO GREAT YARMOUTH, Yarmouth, Charles Barber & L Simpkin Marshall [1846], 1st edition, original cloth backed printed boards soiled + THE GUIDE TO GREAT YARMOUTH ..., Great Yarmouth, L A Meall, [1854], 6th edition, rebound (not recent) cloth + WILLIAM FINCH-CRISP: CHRONOLOGICAL RETROSPECT OF THE HISTORY OF YARMOUTH ..., Great Yarmouth circa 1877, original blind stamped cloth gilt, from the collection of the late Ron Fiske of Morningthorpe Manor (4)

ARTHUR HENRY PATTERSON: 8 titles: NATURE IN EASTERN NORFOLK, illustrated Frank Southgate, 1905, 1st edition, 12 coloured plates + black and white map as called for, original cloth gilt; MAN AND NATURE ON TIDAL WATERS, 5 illustrations on 4 full page plates + 26 illustrations in text as called for, original cloth gilt; NOTES OF AN EAST COAST NATURALIST, illustrated Frank Southgate, 1904, 1st edition, 12 coloured plates as called for, original cloth gilt; WILD LIFE ON A NORFOLK ESTUARY, 1907, 1st edition, 40 illustrations as called for (of which several full page plates and full page maps), original cloth gilt; WILD-FOWLERS AND POACHERS, 50 YEARS ON THE EAST COAST, 1929, 1st edition, 12 illustrations on 8 full page plates + map front end papers and illustrations in text as called for, original cloth gilt; IN NORFOLK BIRD HAUNTS IN AD1755, Holt, Rounce & Wortley, 1930, 1st edition, 18 illustrations as called for, original cloth; FROM HAYLOFT TO TEMPLE, THE STORY OF PRIMITIVE METHODISM IN YARMOUTH, London, Robert Bryant, 1903, 1st edition, numerous in text illustrations as called for, original blind stamped cloth gilt; A NORFOLK NATURALIST, OBSERVATIONS ON BIRDS, MAMMALS AND FISHES, 1930, 1st edition, frontis + 35 illustrations as called for, original cloth gilt + STANLEY A MANNING: BROADLAND NATURALIST, THE LIFE OF ARTHUR H PATTERSON, (ALS "JOHN KNOWLITTLE"), Norwich, 1948, 1st edition, original cloth gilt (9)

BROWN (John) Brown's Self-Interpreting Family Bible - Containing Old and New Testaments, Published by Adam and Co c. 1865, 1st Edition, black leather, decorated in blind and gilt, with 'Thy Word is a Lamp unto my Feet and a Light unto my Path' on front cover, decorated brass frame to boards, two brass clasps in good working order, spine has five raised bands, rubbing and scuffing to binding, AEG but dulled, brown endpapers

WHITE (Mrs E.G) Patriarchs and Prophets, Published by the International Tract Society, London, 1893, hardcover with gilt and blind decoration, AEG, together with Mant's Sermons, vols 1-3, 1815, and a collection of titles relating to religion and faith (qty)

After David Shepherd, three studies of steam trains, Guildford Steam Shed No, 1, 2 and 3, limited edition colour prints, blind stamped, numbered and signed in pencil, largest 32cm by 36cm, together with a monochrome print after David Shepherd depicting a page of sketches and note, Guildford Shed - June and July 1967 the last weeks, 41cm by 28cm

Sir William Russell Flint (British. 1880-1968) Limited Edition Framed Print Corisande' Framed And Glazed, Numbered 769/850 To Lower Right Margin. Publishes Blind Stamp To Lower Left Margin. Image Size 11x19 Inches. Overall 21x27 Inches.

A box of plated dome nuts, wing and blind nuts and a box of carburettor linkage ends.

A Victorian mahogany barley twist Scottish chest of drawers. Raised on bun feet with a bank of drawers having knob handles with blind fronted drawer above. Finished with barleytwist columns to sides

A cased collection of 78 RPM records to include, The Paramount All Stars Hometown Skiffle part 1 and part 2 on Tempo label, Big Bill Broonzy John Henry and Blues in 1890 on Vogue label, Big Bill Broonzy Feelin' Low Down and Black Brown and White on Vogue, Kid Ory's Creole Jazz Band Dippermouth Blues and Savoy Blues on Tempo, Humphrey Lyttleton and His Band Steppin' on the Blues and The Onions on Parlophone, Josh White Take a Gal Like You and Wanderings on London label, Jelly Roll Morton's Red Hot Peppers Connon Ball Blues and Steamboat Stomp HMV, Josh White The Blind Man Stood on the Road and Cried and St. James Infirmary on Jazz Parade, George Lewis Bugle Boy March and Ole Miss on Tempo, Meade Lux Lewis Rising Tide Blues and Tell Your Story on Vogue label, George Lewis Sheik of Araby and Willie the Weeper on Tempo, George Lewis Just a Closer Walk With Thee and Just Little While to Stay Here on Vogue, Blind Blake Hey Hey Daddy Blues and Brownskin Mama Blues on Tempo, Louis Armstrong Yes! I'm in the Barrel and Gut Bucket Blues on Columbia, Big Bill Broonzy The Moppin' Blues and House Rent Stomp on Vogue, Champion Jack Dupree Fisherman's Blues and County Jail Special on Jazz Parade, Muddy Waters Hello Little Girl and Long Distance Call on Vogue, Humphrey Lyttelton Red For Piccadilly and Kate Street Rag on Parlophone, Bunk Johnson Tishomingo Blues and Alexander's Rag Time Band on Brunswick, Eddie Condon and his Chicagoans There'll be Some Changes Made and Someday, Sweetheart on Brunswick, Sister Rosetta Tharpe I Looked Down the Line and God Don't Like It on Brunswick, Pete Johnson and his Boogie Woogie Boys Lovin' Mama Blues and Cafe Society Rag on Parlophone, Art Hodes' Blue Note jazzman Shine and Memphis Blues on Vogue, Acker Bilk's Paramount Jazz Band My Old Kentucky Home and Gravier St. Blues on Esquire label, Josh White The Lass With the Delicate and Barbara Allen on London label, Acker Bilk's Paramount Jazz Band Over in Gloryland and Gettysberg Stomp on Esquire. 

A collection of 78 RPM records to include, King Oliver's Creole Jazz Band Dipper Mouth Blues and Canal Street Blues on Brunswick label, Johnny Dodds Washboard Band Weary City Stomp and Bucktown Stomp on HMV, Bix Beiderbecke Royal Garden Blues and Jazz Me Blues on Parlophone, King Oliver's Creole Jazz Band Mabel's Dream and Riverside Blues on Brunswick, Louis Armstrong Wild Man Blues and Melancholy Blues on Parlophone, Jelly Roll Morton and His Red Hot Peppers Black Bottom Stomp and Grandpa's Spells on HMV, Blind Blake C. C. Pill Blues and Southern Rag on Tempo, jelly Roll Morton and His Red Hot Peppers Jelly Roll Blues and Doctor Jazz Stomp on HMV, King Oliver's Savanna Syncopators Someday Sweetheart and Wa-Wa-Wa on Vocalion label, Bunk Johnson Franklin Street Blues and Snag It on HMV, Meade Lux Lewis Honky Tonk Train Blues and Whistlin Blues on HMV, Pete Johnson Basement Boogie and Death Ray Boogie on Brunswick, Sugar Chile Robinson Bouncing Ball Boogie and Numbers Boogie on Capitol label, Huddie Ledbetter Becky Deem, She Was a Gamblin' Gal and Pig Meat Papa on Tempo, Montana Taylor Indiana Avenue Stomp and Rome Nelson Head Rag Hop on Vocalion, Red Nelson Streamline Train and Crying Mother Blues on Brunswick, Jelly Roll Morton Mister Joe and Winin' Boy Blues on Vogue, Mahalia Jackson Since the First Started Burning in my Soul and In my Home Over There on Vogue, Albert Ammons Boogie Woogie Stomp and Boogie Woogie Blues on Vogue, Earl Hines Trio Fine and Dandy and Boogie Woogie on the St. Louis Blues on Esquire, Jimmy yancey State street Special and Tell 'em About Me on HMV, Bessie Smith Do Your Duty and I'm Down in the Dumps on Parlophone, James P. Johnson Pallet on the Floor and Harlem Strut on Jazz Collector label, Jabbo Williams Pratt City Blues and Jab Blues on Jazz Collector, Lu Watters Yerba Buena Jazz Band Antiqua Blues and Canal St. Blues on west Coast label, Sister Rosetta Tharpe Cain't Grave Hold my Body Down an Ain't no Room in Church For Liars on Brunswick, Bessie Smith Nobody Knows You When You'er Down and Out and Back-Water Blues on Parlophone.

After Moise Kisling, Polish/ French (1891-1953) Three (3) color lithographs "Gypsy Woman" 26" x 21", frame measures 28-1/4" x 23-1/4"; "Woman In Blouse" 25-1/2" x 19", Arches paper; "Still Life Of Flowers" , 25-1/2" x 21-1/4". All pieces signed in pencil Jean Kisling and embossed blind stamp and HC/25. Condition: Toning, creases. Estimate: $100.00 - $200.00 Domestic Shipping: $165.00

A 1930's oak display cabinet with 2 doors, beaded and blind fret decoration

A George III 'red walnut' kneehole desk, with re entrant corners, seven drawers, a blind drawer and central cupboard, brass handles, on bracket feet 77 x 76 x 50cm (30 x 30 x 20in)

An Edwardian mahogany bijouterie table, with hinged top, blind fretwork carved corners and foliate carved cabriole legs. Width 67 cm.

Chippendale Revival mahogany bookcase, circa 1900-10, having a blind fretwork frieze over four astragal glazed doors opening to adjustable shelves, all raised on shell carved short cabriole legs with claw and ball feet, width 189cm, height 131cm, depth of the shelves 22cm, overall depth 31cm

Chippendale Revival mahogany serpentine chest of drawers, the top with moulded edge, over four graduating drawers with brass swan neck handles, within blind fretwork canted corners, raised on corner bracket feet, width 107cm, depth 58cm, height 107cm

Edwardian mahogany mirror back sideboard, in the Chippendale Revival style, having a trellis swan neck pediment with blind fretwork apron, over a bevelled glass mirror, and supported on reeded and turned columns, the base fitted with a central long drawer with brass tear shaped handles, over an open space and flanked by moulded panel cupboard doors, one opening to a cellarette, all raised on acanthus carved cabriole legs with pad feet, width 167cm, height 221cm, depth 56cm

Victorian mahogany davenport, the top with a lift up stationery box, slope front with later rexine slope, satinwood faced interior with single drawer and pigeonholes, four drawers to one side with turned wooden knobs, opposing similar blind drawers, turned columns with acanthus carved brackets, over squat bun feet, width 53cm, height 84cm

Two Margaret Chapman signed prints, signed in pencil lower right and bearing Fine Art Trade Guild blind stamp to lower left, 48 x 61 cm & 32 x 24.5 cm.

A 19th century oil painting on canvas, "Blind Man's Buff". 26 cm x 29 cm, framed (see illustration).

R&B/DOO WOP/R&R 45s - US PRESSINGS. Superb collection of 44 x wicked 45s; though many reissues, there are some original and scarce copies too. Artists/titles/cat. numbers include Guitar Crusher - I Can't Help It (King 45-5813), Johnny Adams (Ric 976), Willie Mabon (Chess 1548), The Kings (Jax 45-314), Smiley Lewis - Shame, Shame, Shame (Imperial 70s RE X5418), King Coleman - Loo-Key Doo-Key (Dade 1807), Little Terry (Savoy 'Free Sample), The Gospelaires, The Cues, Big Jay Mcneely (Federal 45-12151), Boyd Bennett, The Five Blind Boys, Rosco Gordon (Sun 801), The Prisonaires, Clyde McPhatter, Bunker Hill, Jackie Wilson, Diamonds, Clifton Chenier and Little Junior Parker. Many titles grade between VG+ and Ex+.

BLUES/DELTA/CHICAGO/MISSISSIPPI - LPs. Musically rich selection of around 35 LPs. Artists/titles include Jimmy Reed, Blind Gary Davis, American Folk Blues Festival 1963, Blind Willie McTell, Brownie McGhee, Sonny Terry, John Lee Hooker, Big Bill Broonzy, Bill Broonzy, Son House, Memphis Slim, Blues For Your Pocket, John Estes, Furry Lewis, Will Shade, Little Walter, Otis Rush, Muddy Waters, Mississippi John Hurt, Mike Raven, The Story Of The Blues (Vol. 1 -2) and T-Bone Walker. Condition is generally VG to Ex.

TOM DODSON (1910 - 1991) ARTIST SIGNED COLOUR PRINT 'Boy at kitchen sink' Blind stamped and signed in pencil 13 3/4" x 10" (35 x 25.5cm)

HELEN BRADLEY ARTIST SIGNED COLOUR PRINT Punch and Judy, Blackpool Beach Signed and with blind stamp 17 ½? x 23 ½? (44.4cm x 59.7cm)

HELEN BRADLEY ARTIST SIGNED COLOUR PRINT Blackpool South Shore (Waterloo Road) Train Station Signed and with blind stamp 14 ½? x 22? (36.8cm x 56cm)

HELEN BRADLEY ARTIST SIGNED COLOUR PRINT Big Bertha Signed and with blind stamp 17 ½? x 23 ½? (44.4cm x 59.7cm)

HELEN BRADLEY ARTIST SIGNED COLOUR PRINT The Park on May Day Signed and with blind stamp 17 ½? x 23 ½? (44.4cm x 59.7cm)

HELEN BRADLEY ARTIST SIGNED COLOUR PRINT The Fair at Daisy Nook Signed and with blind stamp 20? x 30? (50.8cm x 76.2cm)

ARTHUR DELANEY THREE ARTIST SIGNED COLOUR PRINTS Ardwick Empire, Manchester, with blind stamp 14” x 18” (35.6cm x 45.7cm) Saint Peter’s Square, Manchester, (x2), limited editions, (494 & 746/ 850) 13” x 17 ½” (33cm x 44.4cm), (3)

A table grand gramophone, HMV Model 9 (TDBM), with cast-iron horn, HMV Exhibition soundbox and mahogany case with blind-fret frieze and 1910 Nipper transfer - 1914 (motor runs, in good condition)

Edwardian mahogany open bookcase with a moulded top and blind fretwork frieze above adjustable shelves, raised on square tapering supports

George III mahogany bookcase, the moulded dentil cornice above two astragal glazed doors, the base with a single long drawer, raised on blind fretted square supports (minus shelves)

Reproduction mahogany silver table with a galleried top above a long drawer raised on blind fretted supports

Reproduction mahogany serving table with a blind fretted and gadroon frieze raised on square blind fretted and chamfered supports

Early 20th Century mahogany open bookcase with a blind fretted frieze

A late Victorian sterling silver hinged bangle, of flat section oval form. Applied gold-faced blind fret to the top half with two colour leaves to a hand engraved ground, with rows of outer beads, London 1884. 56 x 46mm internal diameter, 37.96g

An 18ct gold key wound open-faced pocket watch, with a 48mm case. A white dial with black Roman numerals, subsidiary seconds dial and gold spade hands. Engine turned, fine barley case sides and back, with a blind cartouche, with a garter border. The movement signed 'W Steward, 200 Strand, London, no. 8240'. Hallmarked 18ct gold, London, 1869. Replacement bow . 99.79g

A Swiss gold, side wind, diamond and enamel hunter fob watch, 35mm diameter, of scallop form. A blue guilloché enamel oval plaque to the front cover, with a spray set with rose cut diamonds, with a matching plaque to the back cover with a blind cartouche. A textured case with blue enamel stars, losses , a white dial with black Roman numerals, gold Louis hands and a subsidiary seconds dial. Cuvette signed 'Perret and Fils, Geneve'. Case no. 173266. Marked K14, former Austro-Hungarian Empire. Marked for 1872-1902 for Vienna. 34.63g

A Swiss gold side wind hunter pocket watch, 50mm diameter, with an hand engraved front cover with a blind cartouche and hand engraved back cover. A white enamel dial with black Roman numerals, gold Louis-style hands with a subsidiary seconds dial. German and Swiss assay marks for 0.585 standard. Case no.99592. Suspended on a curb link albert with a swivel clip to one end and bolt ring to the other, rolled gold bowI. T-bar marked 18ct, chain tested as approximately 18ct gold. Watch 91.37g, albert 41.82g

Albert Irvin (British 1922 - 2015) 'Simone II' screenprint, pencil signed, titled, numbered 234/275 and dated 1992 Advanced Graphis blind stamp 28.5 x 41.5cm (unframed)

An Edwardian mahogany 'Chinese Chippendale' side table with blind fret carved frieze and pierced supports. 73 x 106 x 53cm

After Thomas Heaphy, two early 19th century watercolours of scenes from Shakespeare, to include Merchant of Venice Act 2 Scene 2,'Shylock's clown and his old blind father'; and Hamlet Act 5 Scene 1, 'Clowns/Gravediggers', both in giltwood frames, each 19 x 15.5cm

Kent - Excursions in the County of Kent, 8vo, blind stamped morocco gilt, with 50 engravings and 2 folding maps of Kent and Canterbury, each with small tears, maps and plates spotted and darkened throughout, London 1822; Cooke, George Alexander - Topographical and Statistical Description of the County of Kent, 12mo, with folding map, calf joints split, spine cracked and with loss, London [c.1800] and Miller, William - Jottings of Kent, being a Series of Historical, Ecclesiastical, Topographical and Statistical Sketches, 3rd edition, illustrated paper covered boards, Thomas Hall, Gravesend 1871 together with Rambles in Kent, 8vo, embossed boards, illustrated with 62 engravings on wood and 6 elegant steel plates, J. Mead, London [c.1845]

Comines, Philippe de Seigneur d'Argenton - The Historie ..., folio, contemporary blind panelled calf, engraved titled, John Bill, London 1614

Tacitus, Cornelius Publius - Gli annali di Cornelio Tacito cavalier romano de'fatti, translated by Giorgio Dati, quarto, blind stamped vellum, Bernardo Giuntie Fratelli, Venice 1582

Framed limited edition Lowry print 248/1500 with blind stamp

Framed & glazed Abstract Watercolour Landscape with Gallery blind stamp, marked "Solitude" and signed "Alice Harfield 2000", image approx 69.5 x 53cm