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Music: Grattan Flood (W.H.) The Story of the Harp, L. 1905. First Edn., Frontis décor. title, illus. plts. etc; also Stoeving (Paul) The Story of the Violin, L. n.d. Frontis plts. & text illus., uniform blind décor crimson mor. v. good. (2)

Sermons: Butler (Joseph) Fifteen Sermons Preached in the Rolls Chapel,  8vo L. 1726. First Edn., cont. attractive blind tooled panel calf, mor. label (worn); Bentley (Richard) Eight Sermons Preach'd at the Hon. Robert Boyle's Lecture in the First Year 1692, 8vo Cambridge 1735. Sixth, vignette title, cont. panel calf, some wear; Emlyn (Rev. Thos.) Sermons on the Following Subjects... (14), 8vo L. 1742. First Edn., lacks front loose blanks, cont. calf, worn. (3)

The Book of Kells - Most Sumptuous EditionFacsimile - Verlag, Luzern, Publishers: The Book of Kells, the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION, published by Authority of the Board of Trinity College, Dublin. Lg. thick 4to, Luzern 1990, LIMITED EDN. (1480), in fine white tawed leather over wooden boards. Contained in a specially created presentation box, the embossed surface with blind & gilt tooled Celtic decoration and silver and brass mounts. Together with a large Commentary Volume, with illus., leather backed cloth, and orig. advertising portfolio. An unique opportunity to acquire a complete facsimile of one of the Worlds greatest Art Treasures. As a lot. (1)

A pair of late 19th Century cast bronzed desk tidies in the Gothic Revival style, of architectural form incorporating blind and open tracery slots for cards and an area for implements, height 30cm, and a smaller similar card rack (3)Condition: generally good overall

A late Victorian/Edwardian cased cast iron blind stamp, by Shaw & Sons, London, of typical form with gilt floral decoration, the die for the Haytor Hotel and dated 1900, with fitted tin carry case, 23cm wide.

Beryl Cook (1926-2008). Angels (Nurses), lithographic print, signed, blind stamp, published by The Alexandra Gallery Publications Ltd, Bristol, 1983, 34cm high, 42.5cm wide.

Edwardian mahogany blind panelled pot cupboard. (B.P. 21% + VAT)

20th Century oak sideboard having two drawers above two blind panelled ogee design doors. (B.P. 21% + VAT)

Exhibition quality working scale model of the Royal Navy 'Flower' class corvette 'HMS Crocus' K49 launched June 1940, built by A & J Inglis Ltd of Glasgow, 1036 tonnes, 2005ft long with a beam of 33ft, single shaft propulsion with two fire tube Scotch boilers and one triple expansion steam engine producing 2750 horsepower. The term corvette was originally a French name for a small sailing war ship and in the Second World War the Royal Navy returned to this concept of a small escort war ship used in shipping protection roles, there were two types of vessels in this class, the later versions being slightly larger and somewhat better armed. With electric motor for radio control. 65cm long approx., on wooden stand and within blind wooden transportation box case. (B.P. 21% + VAT) Rather dusty and grubby but appearing in good condition.Provenance: these models by Robert Gerald Iles (1940-2019), a former British Army Officer who had always been interested in model making but did not have enough spare time whilst serving, resident in Pembrokeshire and joined the Pembrokeshire Model Sailing Yacht club where he won numerous trophies at club and national level. He also started his own business 'The Top Rig' making sails for model yachts, he then started making model ships for his own enjoyment, primarily British war ships and he took his models to modelling exhibitions all around the UK. Particularly well known in Wales.

Early 19th Century oak low press cupboard having fluted cornice over two panelled doors revealing single shelf to the interior, fall front below revealing deep well into the projecting base which has three blind drawers over two long drawers, on fluted bracket feet. (B.P. 21% + VAT) Lacks some parts of the interior but basically sound. Part of cornice missing. Very dry and faded, splits, scratches and wear.Approximate measurements: 143 x 57 x 181 cm.

Victorian Scottish mahogany break front sideboard, having raised back with two blind cupboards having sliding doors, frieze drawers to the projecting ends and blind cupboard, bow fronted center drawer over recessed drawer with green baize surface sliding back to reveal well, on baluster and ring turned tapering legs. 220 x 117cm approx (W x H). (B.P. 21% + VAT) In fair condition commensurate with age, appearing structurally sound. Some stains and marks, particularly on upper surfaces. Scuffs and wear on projecting angles. Brass handles are not original.

Early 19th Century oak two stage press cupboard having moulded cornice, the interior with two fitted shelves, blind panelled cupboards above two short and two long drawers with ivory escutcheons and turned handles on bracket feet. (B.P. 21% + VAT)Cornice on right hand side missing. bit dry and faded. Losses and splits but usable condition.

Heavily carved and stained hanging blind panelled corner cupboard. (B.P. 21% + VAT)Stains and wear but overall ok, needs a clean.

An Elizabeth Taylor photo taken by Frank Worth: Warner Bros., 1956. Silver gelatin photograph taken in 1955, from a limited edition set of 6, with photographer's estate blind stamp in margin recto, printed later. Director George Stevens' epic film based on Edna Ferber's novel of the same name cemented Elizabeth Taylor's legendary status. Taylor, who enjoyed pushing the envelope when it came to her performances, resonated with her character, a cultivated girl who marries into a chauvinistic ranching family and brings feminism to Texas. Accompanied by a certificate of authenticity from the photographer's estate.

A Grace Kelly photo taken by Frank Worth: Silver gelatin photograph, with photographer's estate blind stamp in margin recto, printed later.

A Frank Sinatra photo taken by Frank Worth: Silver gelatin photograph, taken June 20th 1965 on Hollywood Boulevard, with photographer's estate blind stamp in margin recto, printed later.

A Marilyn Monroe photo taken by Frank Worth: Silver gelatin photograph, of a Classic Portrait from Set of "How to Marry a Millionaire" 1953, with photographer's estate blind stamp in margin recto, printed later; with Certificate of Authenticity.

A Marilyn Monroe photo taken by Frank Worth: Silver gelatin photograph, of Marilyn Monroe Posing in Swim Suit, ca.1949, with photographer's estate blind stamp in margin recto, printed later; with Certificate of Authenticity.

A Georgian mahogany and satinwood crossbanded night table with brushing slide and blind frieze drawer to base. H.81 W.55 D.39cm

A Georgian mahogany bijouterie table, with blind fret work decoration, on square tapering legs, 62cm wide, 42cm deep, 72cm highCondition report: Small crack to front glass panelLoss of veneer to back left corner of topGeneral wear, chips and dinks to edges

FOLIO SOCIETY BOOKS, fifteen titles from the Publisher comprising The Blind Watchmaker by Richard Dawkins, Queen Victoria: Our Life In The Highlands, Short Stories by Ernest Hemingway, What Are The Seven Wonders Of The World? By Peter D'Epiro & Mary Desmond Pinkowish, Pliny: A Self Portrait in Letters translated by Betty Radice, The Golden Fleece by Robert Graves, The Innkeeper's Diary by John Fothergill, In Trouble Again by Redmond O'Hanlon, Anne of Green Gables by L.M. Montgomery, More Pick of Punch selected by Amanda Jane Doran, Travels with a Donkey in the Cevennes by Robert Louis Stevenson, Typee by Herman Melville, The Raj: An Eye-Witness History, edited by Roger Hudson, Easy And Not-So-Easy Pieces by Richard P Feynman and The Plague by Albert Camus, all titles have slipcovers, a small number of slip covers are not original

A vintage transport bus train or tram destination blind for Lakeland interest

A vintage transport bus train or tram destination blind for Lakeland interest and Dalton Condition report - age related wear, canvas backed , see photo for destinations

A vintage bus destination blind for Ulverston and surrounding areas.

Herbert Sedcole (b.1864), after Maud Earl 'I hear a voice', engraving published 1898 by Harry. C. Dickins London and W. Scott. Thurber Chicago, depicting the Champion St Bernard Fraudley Stephanie, pencil signed to margin by Artist and Engraver, Printsellers Association blind stamp 58cm x 72cm (print only)

Helen Bradley (1900-1979) 'Our Christmas Ducks' print in colours pencil signed in the margin and with FATG blind stamp 40 x 50cm

Helen Bradley (1900-1979) The Park on May Day print in colours pencil signed in the margin and with FATG blind stamp 45 x 60cm; together with two prints after Sir William Russell Flint, each signed in pencil (3)

Victorian oak etagere, open shelf raised on scrolled and floral fretwork, over single drawer with blind fretwork embellishment and cushion moulded frieze, raised on octagonal turned supports leading to brass cup castors, W51cm, H114cm, D38cm - Condition Report

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, by James Allan of Kilmarnock, with two train eight day movement, the brass dial with Roman and Arabic numerals, subsidiary seconds and calendar dials, the blind fretted hood with broken swan neck pediment and moulded dentil Cornish above two spiral columns, above a pillared trunk and block base, on bracket feet, 220cm high

Pair of L. Dupont engraved colour prints of Birkett Foster rural scenes. Together with a Cecil ALDIN print of a town scene with figures and horses, signed lower left in pencil, with Art Union blind stamp, 19" x 16"

George Cunningham 'Town Hall Square' Ltd Edition Colour Print, of 250, 30 x 41.5cm, graphite signed, blind backstamp.

Peter Coulthard, 'Hope Valley, Derbyshire', Ltd Colour Print, of 350, 35 x 59.5cm, pencil signed, blind backstamp. Print of Sheffield Road, Dronfield.

George Cunningham 'The Moorland' Ltd Edition Colour Print, of 250, 30 x 41.5cm, graphite signed, blind backstamp.

George Cunningham 'Coles Corner' Ltd Edition Colour Print, of 250, 30 x 41.5cm, graphite signed, blind backstamp.

George Cunningham 'Bank Holiday' Ltd Edition Colour Print, of 250, 30 x 41.5cm, graphite signed, blind backstamp.

3x blaue asymetr. Vase "VEB Ilm-Kristall" Handschliff, Etikett, H-ca. 21 cm, tw. blind?

Armorica, Coriosolites Ogmios and V Boar Stater. Circa, 58 - 52 BC. Silver, 6.42 grams. 19.97 mm. Obverse: Head of Ogmios right with thick corded hair. Reverse: Blind bird-headed horse right, v-shaped boar below. Racquet driver above. Ref: N. Rybot. War Coins of the Sun Gods, plate V. fig, 33. ABC 70.

Armorica, Coriosolites Ogmios and V Boar Stater. Circa, 58 - 52 BC. Silver, 6.19 grams. 22.35 mm. Obverse: Head of Ogmios right with thick corded hair. Reverse: Blind bird-headed horse right, v-shaped boar below. Racquet driver above. Ref: N. Rybot. War Coins of the Sun Gods, plate V. fig, 33. ABC 70.

A WALNUT AND CROSSBANDED LONGCASE CLOCK,  BY JOHN SHAW, HOLBORNE the later case with cornice, blind fretwork frieze and fluted columns to the hood, the trunk with hinged door and further mouldings above the box base; the silvered chapter ring with Roman hours, Arabic minutes and engraved John Shaw Holborne, around a matted centre with subsidiary seconds dial and calendar aperture, on a square brass dial with applied spandrels each cast as two cherubs bearing a crown; with eight day twin barrel movement and strike on bell; With pendulum, two weights and winder, height: 140cm, width: 60cm. Note: John Shaw of Holborn(e), apprenticed in 1672 and a member of the Clockmakers’ Company in 1682, of which he was Master 1712 – 1715

A LATE GEORGE II OR GEORGE III MAHOGANY BACHELORS CHEST OF DRAWERS, circa 1760, the rectangular top with ogee moulded front and side edges, above a brushing slide with later inset baize writing surface, above two short and three graduated long drawers, all with cockbeading and brass swing handles, flanked by canted blind fretwork angles, above ogee moulded bracket feet, height: 80cm, width: 96cm, depth: 52cm

A GEORGE III MAHOGANY CHEST ON CHEST, circa 1775, with dentilled cornice above a blind fretwork frieze, the three short and three graduated long drawers of the upper section flanked by canted front angles with further blind fretwork; above a base section with brushing slide above three further drawers, all with brass swing handles; on bracket feet, height: 197cm, width: 128, depth: 62cm

A MAHOGANY SERPENTINE FRONT CHEST OF DRAWERS, IN GEORGE III STYLE, early 20th century, the top with projecting front corners and moulded edging, above a brushing slide and three graduated drawers flanked by blind fretwork canted angles, on bracket feet, height: 83cm, width: 72cm, depth: 57cm

Edwardian mahogany display cabinet, with blind fret frieze above the central cupboard, flanked by glazed doors, width 137cm, depth 37cm, height 126cm.

Oak and mahogany crossbanded eight day longcase clock, the 12" brass arched dial signed James Gould, London on a convex boss to the arch, over a silver chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy pointed arched door and the hood surmounted by a stepped cornice with Greek key and foliate fretwork blind panels, 84" high (pendulum and two weights)

Good walnut eight day longcase clock, the 12" square brass dial signed Sam Stevens, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the movement with outside countwheel, the case with long beaded moulded edged door fitted with a lenticle and the hood surmounted by a flat stepped cornice over a blind fretwork carved panel, 82" high (pendulum and two weights)

Two seated figures on green stripes signed and dated in pencil 'Chadwick 72' (lower left); inscribed in pencil 'archive III/V - V/V' lithograph, Erker Presse, St Gallen, with blind stamp 56 x 76cm, unframed

A Victorian, Edwards and Roberts 'Chinese Chippendale' style mahogany kneehole desk, with leather inset top, brushing slides, and blind fret chinoiserie decoration fitted with six short and one long frieze drawer, raised on open cluster column supports with block feet. Bearing the Edwards & Roberts stamp to the top of the frieze drawer. 122cm wide x 66cm deep x 79cm to the top x 61cm knee clearance height Condition report: Cracks to the top under the leather but not through the banding. The leather top is badly worn.

A Chinese Chippendale style carved mahogany, rectangular stool with blind fret chinoiserie decoration and pierced stretchers and drop in seat. Raised on architectural feet, 46 cm wide.

Laurence Stephen Lowry R.B.A. R.A. (British, 1887-1976), Peel Park, signed l.r., colour print published by Venture Prints Ltd Bristol, Fine Art Trade Guild blind-stamp l.l.,41cm x 78cm, framed & glazed, frame bearing J. Pratt & Sons (Derby) label verso stating limited edition of 850Note: Artist Resale Rights applyC R: No apparent signs of damage or repair with colours bright; provenance provided by photos of reverse

A George III mahogany linen press, circa 1800, dentil cornice, blind fret chinoiserie frieze, twin panelled doors opening to drawers, two short over two long drawers below, bracket feet, height 186cm, width 126cm

A Regency mahogany drop leaf side table, single drawer and blind drawer to frieze with satinwood stringing, brass lion mask knop handles, tapered square support, shaped base, four sabre legs with brass capped paw feet, approx 65.5cm wide x 74.5cm high

A George III mahogany and upholstered side chair, circa 1770, the back and seat above blind fretwork legs united by pierced stretchers, 96cm highCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some chips and losses, old splits and cracks, some repairs to elements such as the rails, Overall the frame appears solid and table, however there is some slight movement to the back. Dreweatts cannot guarantee the condition or the originality of the frame beneath the upholsteryThe upholstery is later, overall this has some signs of wear, the front corners are more crudely stitched also with a nail through in this area. Please refer to additional images for visual reference to condition Condition Report Disclaimer

Y A William IV rosewood library table, circa 1835, the rectangular top above two blind frieze drawers, above facetted bulbous supports and platforms with lion paw feet, 74cm high, 153cm wide, 68cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use, there are scuffs and indentations to the top also an area where the polish has been stripped away to the underlying timber. Some chips and losses, old splits and cracks, There are old marks and stains to the interior of the drawersOverall this table is stablePlease refer to additional images for visual reference to condition  Condition Report Disclaimer

DURCHBRUCHTELLER / plate, Porzellan, Manufaktur Meißen, unterglasurblaue Schwertermarke, Marke seit 1934 (zweifach geschliffen) sowie Blind- und Malermarken. Geschweifte und durchbrochene Flechtwerkfahne, gegliedert durch drei rocaillegerahmte Kartuschen. Polychrome Blütenstaffage, Dekor "Rote Rose"; Goldrand. D. 18,5 cm.

TELLER / DURCHBRUCHTELLER / plate, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Geschweifte Form mit durchbrochener Flechtwerkfahne, gegliedert durch drei rocaillegerahmte Kartuschen. Polychrome Blütenstaffage (Blumenmalerei 2 bunt) mit Tulpe sowie Streublüten in den Reserven; Goldrand. D. 15,5 cm.

SCHALE / KONFEKTSCHALE / bowl, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarke, Marke seit 1934 (1. Wahl) sowie Blind- und Malermarken. Polychrome Blütenstaffage und Goldrand. H. 3,5 x L. 18,5 x B. 14,3 cm.

3 KONFEKTSCHALEN / bowls, Porzellan, Manufaktur Meissen, unterglasurblaue Schwertermarken, Marken seit 1934 (1. Wahl) sowie Blind- und Malermarken. Eine Muschelschale mit Volutenhandhabe und Reliefierung auf der äußeren Wandung (H. 3 x L. 10 x B. 9 cm); zwei flach gemuldete Schalen mit geschweiftem Rand auf Standring (H. 2,1 cm; D. 8 cm). Alle Schalen dekoriert mit polychromem Streublütendekor und Goldrand.

Lang, Andrew & Leonora Blanche Alleyne Lang A complete collection of Lang's 'Fairy Books' 38 books, all 8vo, published by Longman's Green & Co. in original cloth, comprising: The Blue Fairy Book, 1895, 7th edition; The Red Fairy Book, 1890, 1st edition; The Blue Poetry Book, 1891, first edition; The Green Fairy Book, 1892, first edition; The True Story Book, 1893, first edition; The True Story Book, 1893, first edition; another copy, ninth impression; The Yellow Fairy Book, 1894, first edition; another copy, second edition; My Own Fairy Book, 1928, twelfth impression; The Red True Story Book, 1895, first edition; another copy, new impression; The Animal Story Book, 1896, first edition; another copy, new impression; The Pink Fairy Book, 1897, first edition; The Arabian Nights Entertainments, 1898, first edition; The Red Book of Animal Stories, 1899, first edition; The Grey Fairy Book, 1900, first edition; The Violet Fairy Book, 1902, new impression; The Book of Romance, 1902, first edition; another copy, first edition, another copy, new impression; The Crimson Fairy Book, 1903, first edition; The Brown Fairy Book, 1919, new impression; The Red Romance Book, 1905, first edition; another copy, later edition; The Orange Fairy Book, 1906, first edition; The Olive Fairy Book, 1925, new impression; The Book of Princes and Princesses, 1908, first edition; another copy, first edition; The Red Book of Heroes, 1909, first edition; another copy, first edition; The Lilac Fairy Book, 1910; The All Sorts of Stories Book, 1911, first edition; The Book of Saints and Heroes, 1912, larger 8vo with gilt flag motif to upper cover; The Book of Saints and Heroes, 1912, smaller 8vo with blind flag motif to upper cover; The Strange Story Book, 1913, first edition; Butcher, S.H. & Andrew Lang The Odyssey of Homer. London: Macmillan and Co., limited, 1900. 8vo, original cloth, ownership inscription to title-pageFootnote: Provenance: The Late Dr Helen E C Cargill Thompson

Miscellaneous books, a quantity, including Musgrave, Sir Richard Memoirs of the Different Rebellions if Ireland. Dublin: J. Archer, 1802. Third edition, 2 volumes, 8vo, 9 maps and plans (of 10, lacking map X), contemporary half calf, rubbed; Selincourt, Beryl de Venice. London: Chatto & Windus, 1907, 4to, number 27 of 310 copies, plates, blue half morocco gilt; Ireland, John Hogarth Illustrated. 1806-04, 3 volumes, 8vo, 'third edition, corrected', additional engraved titles, engraved plates, contemporary calf, occasional light spotting, rubbed; Lamb, Charles The Works. London: C & J. Ollier, 1818. First collected edition, 2 volumes, 8vo, modern cloth-backed boards; Cervantes Saavedra. M. de Don Quixote of La Mancha. 1892. 4 volumes, 8vo, plates, brown half morocco gilt, t.e.g.; Hare, Augustus Days near Rome. 1875, 2 volumes, green half morocco; Hare, A. Walks in Rome. 1871, 2 volumes, maroon half morocco; Dickens, Charles Pictures from Italy. 1846. First edition, original blind-stamped blue cloth, binding slightly marked, upper corner slightly bent; Houdart de la Motte, Antoine Fables Nouvelles. Paris: G. Dupuis, 1719. 4to, frontispiece, title-page vignette and 100 vignettes, contemporary calf, a few leaves with light dampstain in upper margin, 'Alex Mackenzie' at head of title, rebacked retaining original spine; and a quantity of miscellaneous books (quantity)

AFTER "SNAFFLES" CHARLES JOHNSON PAYNE (1884-1967) "Pass Friend", coloured print, signed in pencil lower left and bears blind bit stamp lower right, inscribed "Acknowledgements to Punch", image size 23.5 cm x 36 cm