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AFTER SIR DAVID WILKIE RA, "The Reading of the Will" and "The Blind Fiddler", engraved by John Burnet, one in oak frame, the other birds eye maple frame; two (2)

After DAVID WILKIE, Engraved by A. Rambach and Stewart; an engraving:titled "Blind Man`s Buff" and "The Penny Wedding", foxed

Rare nineteenth century French boullework table blind with side-winding handle action and gilt and ebonised wooden base, 59cm wide (probably used to protect the contents of a display table from sunlight)Further images and condition reports are available at www.reemandansie.com

Eighteenth century longcase clock with eight day movement, twelve inch square brass dial with ornate cast spandrels, silvered chapter ring and subsidiary second dial and date aperture, signed Wasbro.h and Thomas, Bristol, in an oak case with blind fret frieze, full length door and stepped plinth, 223cm overall heightFurther images and condition reports are available at www.reemandansie.com

A George III oak thirty hour longcase clock, the 11 inch square brass dial signed `Steventon, Drayton,` with inner ring of Roman numerals and outer ring of Arabic numerals, centre date aperture within cherub moulded corner spandrels. The hood with ogee moulded cornice above a blind carved fret over square hood door with three quarter turned front corner hood pilasters over a long trunk door with shaped brass key escutcheon on a box base and cut out shaped bracket feet 196.5cm high NOTE: Brian Loomes lists Steventon, Drayton circa 1770 in Watchmakers and Clockmakers of the World, Volume 2 For details of the condition of this lot please contact the auctioneer.

A 19th century Burmese hardwood urn stand, the flower shaped top with rouge marble insert within a blind carved floral border over a pierced floral frieze on four leaf carved shaped supports united by a concave square open stretcher, 45cm diameter, 90cm high For details of the condition of this lot please contact the auctioneer.

AN ORIENTAL IVORY GROUND RUNNER with stylised floral designs to the centre within a banded border, 135" long x 36" wide, together with a hanging blind (2)

A 19TH CENTURY SIDEBOARD the raised mirrored back with central astragal glazed door surrounded by recesses and on cluster column supports, the base with three blind fretwork decorated drawers over further recesses and two carved panelled doors all on turned feet 60" wide by 80 1/2" high

AN EARLY 20TH CENTURY MAPLE & CO OAK BOOKCASE the pediment with blind fretwork decoration over twin astragal glazed doors opening to reveal three adjustable shelves within, standing on shaped feet 48" wide

A REGENCY MAHOGANY AND LINE INLAID DROP LEAF OCCASIONAL TABLE WITH PAIR OF DRAWERS AND OPPOSING BLIND DRAWERS ON SQUARE TAPERED LEGS AND BRASS CASTERS

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "A Point to Point", with central study of horses over a fence with vignettes, bearing inscriptions, coloured limited edition print No`d 125/275, bears Snaffles bit blind stamp bottom right (ILLUSTRATED)

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "Andsome is-wot andsome does", chromolithograph, with monochrome cartouche inscribed, bears snaffle bit blind stamp and signed in pencil in margin, the frame inscribed "Osses & Obstacles" (ILLUSTRATED)

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "The Varmint little lady-on a wiry little `oss", colour print with monochrome cartouche, bears snaffle bit blind stamp, signed in pencil (ILLUSTRATED)

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "Foxcatchers ... for the love of it, for the ride out and the ride home", colour print, bears monochrome cartouche, with snaffles bit blind stamp, signed in pencil (ILLUSTRATED)

A LATE GEORGIAN MAHOGANY CHEST-ON-CHEST, the upper section having moulded and dentil pediment, blind fret banded frieze, over two short and three long drawers, each with possibly later boxwood stringing, the base section with three further drawers be low, raised on ogee bracket feet, 1.91m x 1.18m

A George III figured mahogany longcase clock with eight day movement striking on a bell, the silvered chapter ring with Roman numerals and inscribed `Foden, Congleton` framing a matt gilt centre with date aperture, cornered with pierced gilt scroll spandrels, the hood with broken arch pediment above a blind fretwork frieze, glazed door and fluted columns, the trunk with fluted corner columns flanking a door with shaped top, on a panelled base and ogee bracket feet, height approx 210.5cm, together with a pendulum and two weights (faults).

A 19th Century mahogany serpentine fronted chest, fitted with two short and three long graduated drawers, flanked by blind fretwork canted panels, raised on ogee bracket feet, height approx 98cm, width approx 114cm.

An early 20th Century mahogany duet piano stool, each individual adjustable seat upholstered in golden velour, the shaped blind fretwork frieze raised on carved cabriole legs, the underside marked `Patented Sold Manufactured Chas Wadman Bath`, width approx 87cm.

A 19th Century mahogany bureau with overall carved blind fretwork panels, the fall flap above two short and two long drawers, on shaped bracket feet, width approx 64cm.

An Edwardian Chinese Chippendale style mahogany library bookcase cabinet, stamped `Edwards & Roberts`, decorated with overall blind fretwork lattice borders, the dentil moulded pediment above four astragal glazed doors, the base with three frieze drawers above central open shelves, flanked by a pair of astragal glazed cabinets, on bracket feet, height approx 229cm, width approx 200cm, depth approx 47cm.

An early 19th Century gilt framed wall mirror, the inverted breakfront with a moulded and ball shot pediment above a blind lattice panel and bevel edged plate, flanked by cluster columns, approx 104cm x 68cm.

A George III mahogany bachelor`s chest, the moulded top above a brushing slide and four long drawers, flanked by blind fretwork canted corners, raised on ogee bracket feet, height approx 81cm, width approx 91cm.

India and the Punjab Rare 1853 edition of ‘The History of the Sikhs from the Origin of the Nation to the Battles of the Sutlej’ in original blind stamped cloth binding. The complete non-bias history of the Sikhs written by Capt Jospeh Davey Cunningham of the British Indian Army. Cunningham stated that Sikh Generals were in the pay of the British in the Sikh Wars. For this reason the 1849 edition was suppressed by Dalhousie and replaced with this edition. Cunningham was ordered to revise the book and was demoted causing his death soon after. The book is widely seen as the epitome Sikh study and is extremely scarce especially in original binding.

`Snaffles` [Charlie Johnson Payne] (1884-1967) `Le 75` Colour print Signed by the artist lower right With snaffle-bit blind-stamp 43cm x 33cm; also `The Gunner` `Le Poilu` and three other prints by the same, all unsigned, (6).

A print after Lawrence Stephen Lowry, `Peel Park`, signed and blind stamped

A box containing various LP`s (non Beatles), mainly 1960`s and 1970`s, Progressive Rock, etc. including Fleetwood Mac "Mr. Wonderful", Deep Purple "Deep Purple", Black Sabbath "Volume IV", King Crimson "In The Court of the Crimson King", Steppenwolf "Monster", Jeremy Spencer "Jeremy Spencer", Blind Faith "Blind Faith", Black Sabbath "Paranoid", Blodwyn Pig "Ahead Rings Out", Groundhogs "Who Will Save The World ?-The Mighty Groundhogs", Cream "Disraeli Gears", Ten Years After "Undead", Rolling Stones "Get Yer Ya-Ya`s Out !", Pink Floyd "Meddle", King Crimson "In The Wake of Poseidon", Free "Tons of Sobs", Groundhogs "Thank Christ For the Bomb" and "Split", Ten Years After "Cricklewood Green", Slade "Slayed ?", Motorhead "No Remorse" with simulated leather sleeve, and other works by Hawkwind, Jimi Hendrix, Jethro Tull, Roxy Music, Dr. Feelgood, Eagles, John Mayall, Ambrose Slade, Guns `n Roses, Free, Ozzy Osbourne, Deep Purple, Graham Parker & The Rumour, Rainbow, Uriah Heap, The Kinks, Queen, Fleetwood Mac, T-Rex, Stone The Crows, etc. (PART ILLUSTRATED)

AFTER ERIC STURGEON "Rural village scene with thatched cottages, church and figures in the foreground", coloured print, bearing blind stamp, signed in pencil in the margin, and three further prints

After ANTHONY VAN DYCK Pierre Paul Rubens. Black and white etching. Blind stamp. 51 x 35.5cm.

After MONTAGUE DAWSON The Battle of Trafalgar. Colour reproduction print. Signed in pencil by the artist. Blind stamp. Limited edition of 500. 79 x 93cm.

WILLIAM TATTON WINTER Nine views of Salisbury. Coloured etchings. Signed in pencil and blind stamped.

WILLIAM TATTON WINTER Seven landscape coloured etchings. Mostly signed and with blind stamps.

19th Century School: young girl with a blind beggar in front of a stone doorway, watercolour, unsigned, 20" x 18", framed and glazed

A 19th century figured mahogany longcase clock, the hood with blind swan neck pediment, gilt lacquer work to the frieze and double reeded side columns, similar single columns and three quarter door to the trunk, canted corners and ogee bracket feet, painted arched dial with moonphase to arch, Liverpool

A George III figured mahogany longcase clock in ornate Chippendale style case, the hood with blind fret frieze, swan neck pediment, 3 ball and spire finials and 2 rococo ormolu acanthus paterae, ormolu mounted and reeded Corinthian side columns, the trunk with blind fret frieze, triple cluster pillars, beaded full length double arch door, the base with canted and beaded corners and bracket feet, arched brass dial with raised chapter ring and moonphase to the arch, 8 day striking movement by John Livesey De Bolton, height 96" (hood door a.f.)

A George III mahogany Lancashire mule chest with an arrangement of blind drawer fronts over 2 runs of drawers, cluster side columns, carried on ogee bracket feet, shaped ledge back, width 72"

A Chippendale style serpentine front mahogany chest of 4 long graduating drawers with ornate brass drop handles, blind fret canted corners and ogee bracket feet

A late Victorian mahogany Chippendale style bijouterie table cabinet with bevelled glass panels and pierced and blind fret decoration, 23.5"

A set of 6 carved mahogany salon chairs with blind fret decoration, turned legs and castors, the seats and back in gold fabric

A pair of Edwardian stained mahogany table lamps in the George III style, early 20th century, each with a broad, spreading drip pan with fluted edge beneath the electrical fitment, the tapering fluted shafts with waisted socles, on square section sides with broadening lobes running to the canted corners, the sides with blind fretwork, 39cm high excluding electrical fitments

A carved oak buffet, late 16th / early 17th century, rectangular top above a blind fret carved frieze, on fluted cup and cover supports, above a shelf and further cup and cover and turned supports and an undertier on square section feet, 121cm high, 132.5cm wide, 42cm deep

Lars Bo, Danish 1924-1999- Birds and Boats; etchings, two, etchings with aquatint printed in colours, both bearing publisher`s blind stamp, both signed, one numbered EAXIV/XXX and the other 9/100, 39.5x29.5 and 34.5x44cm: Japanese School, 20th century- Calendar 1968 (incomplete); serigraph in colours, printed `KS, Tokyo`, 38x28cm., (sheet) (8 in folder): together with two black and white photos of France, 34x27cm., ea., (unframed) (12) (a lot) (may be subject to Droit de Suite)

Sidney Ernest Wilson, British 1869-1963- "Sir Walter Scott", after Sir Henry Raeburn RA, publ June 1st 1935 by Vicars Brothers Ltd, London; mezzotint printed in colours, signed in pencil, bears publisher`s blind stamp, 47x37.9cm: Charles Turner ARA, British 1773-1857- "Sir Walter Scott", after Sir Henry Raeburn RA; mezzotint, engravers` proof, 48.5x39.5cm: Charles Turner ARA, British 1773-1857- "The Rt. Hon Lady Louisa Manners in a Peasant`s Dress", after John Hoppner RA; mezzotint, 51x37cm., (unframed) (3) (may be subject to Droit de Suite)

Edmund Wardle, early 20th century- `Miss Croker` after Sir Thomas Lawrence RA; mezzotint printed in colours, bears publisher`s blind stamp, signed, 26x21.5cm: After Charles Le Brun, French 1619-1690- `Relationship of the Human Figure with that of the Bear`, plate 29A/29B, `Relationship of the Human figure with that of the Camel` Plate 17A/17B, `Relationship of the Human figure with that of the Hog` Plate 22A/22B - from Physiognomic Heads; engravings, 20th/21st Edtions, blindstamp `Musee de Louvre, Chalographie`, in matching parcel-gilt frames, 50x31.5cm., ea., (4) (a lot) (may be subject to Droit de Suite)

Late 20th/early 21st century- An oriental vase, publ by Ironbridge Gallery; offset lithograph printed in colours, numbered and bears publisher`s blind stamp, 40x27cm: together with a further five of similar subjects all mounted and in matching glazed frames, (6)

An early George III mahogany chest on chest, with a dental moulded and blind fret carved frieze, above two short and three long graduated drawer, flanked by reeded canted corners, the brushing slide above a further three drawers, raised on bracket feet, 185 x 109 x 52 cm.

A late George III oak and grained hanging corner cupboard, with a moulded cornice and blind fret carved frieze above an arched glazed door, flanked by fluted pilasters, 110 x 84 x 43 cm.

An Imposing Walnut cased Longcase Clock, the eight hour movement by ``Jos Jackeman, London Bridge``, having arched Brass 12`` wide face with silvered chapter ring with Roman numerals and Arabic minutes, inset second hand below the twelve position and square date window above the six position. The arch with domed silver representation of the Sun and having cast Brass spandrels depicting cherubs supporting a crown surrounded by a Maltese Cross, those to the arch depicting mirrored Dolphins and scrolling foliage. The splendid Walnut case having light and darkwood stringing and an arched door, the hood flanked by tapering turned pillars with brass capitals terminating with a platform top above a blind fretwork frieze depicting trailing foliage. The Brass plate movement having turned posts with annular knops and striking the hours on a bell. The hood having recessed side panels replicating the shape of the door of the main case. 91`` tall and 20`` wide approx. Good running order

A 19TH CENTURY MAHOGANY WARDROBE, the cornice with blind fretwork decoration over two panelled doors and one long drawer, all standing on ogee shaped bracket feet, 59" wide x 79 1/2" high

TWO CORONA CHILDRENS PART TEASETS, Joey the Clown and Three Blind Mice, to include teapots, teacups, saucers etc

A collection of Royal Worcester Bone China "The Blind Earl" pattern tea and dinner wares, etc to include a footed tazza, lidded sucrier, two goblets, cups and saucers, dishes, pomander, and jug

A mahogany wash stand, the raised back with a central mirror above a red marble top and two panel doors, each with japanned decoration on blind fret carved legs, 105cm wide

Sir William Russell Flint, `The Springboard`, signed in pencil, colour reproduction, Fine Art Trade Guild blind stamp, image 26cm x 43cm

A set of 6 continental plates decorated in the "Blind Earl" style with flowers and leaves

An octagonal wall mirror in stained oak blind fret carved frame and another rectangular wall mirror, the moulded and shaped frame with gilded detail

A substantial late Victorian dresser, the shaped raised back with various mirror panels, shaped display shelves and scrolled brackets etc and the sunk centre lower part with mirrored back and bowed front above an open alcove with shelves and a pair of single blind fret carved drawers above astragal glazed doors with velvet lined interior, raised on slender foliate serpentine legs with a shaped under tier (138cms wide)

A Russian gilt and white metal dagger, late 19th century, the double sided centrally chanelled blade inscribed, the handle embellished with white metal bosses and gilt metal foliate work, the scabbard decorated on one side with engraved and inlaid stylised foliage, within edge border, the other side decorated with inlaid with gilt metal stylised foliage, the scabbard terminating with white metal dot decoration and scroll blind pierced sphere, length 52 cm.

A Regency rosewood side cabinet, the plain top with applied brass beaded edge above a frieze set with gilt brass oak leaf and acorn motif flanked by two lyre motifs over a brass strung and lattice worked fabric panelled door opening to reveal a green velvet lined interior with two shelves, flanked by brass blind fretwork "chain link" panels raised on turned cup and cover supports, 86.7 cm wide x 85 cm high (ILLUSTRATED)

AN EDWARDIAN OAK DISPLAY CABINET enclosed by two leaded panel doors with carved frieze and bun supports, together with an Edwardian walnut open bookcase fitted with two adjustable shelves above cupboards with stylised blind fret carved decoration

A 19TH CENTURY CARVED WALNUT BRACKET with blind fret acanthus decoration and shaped form, together with a small 19th Century carved oak mask of a fantastic creature

C...V...Russell, `Le Marchand de Ceramique`, A Fish Market, A River with Figures and Boats, each monogrammed, one signed and dated November 1941 verso, one dated 1948, watercolour and bodycolour, 31cm x 23cm, 25cm x 21cm, 31cm x 25cm, framed, two glazed, one with blind stamp `GRUMBACHER, N.Y. All PURE LINEN`