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Victorian mahogany chest of drawers, rectangular top with moulded edge, two short and two long graduating drawers flanked by blind fretwork canted corners, ogee bracket feet, width 115cm, depth 49cm, height 84cm.

A low French walnut Gothic pier table, 19th century with a tooled leather inset over a blind fret frieze and octagonal legs ornately carved with stylised leaves, 88cm wide x 70cm high

A Gothic style side cabinet, with two blind fret carved panelled doors, 86cm wide x 95cm high

A large oak three piece suite, early 20th century, comprising a settee with a panelled back and sides with carved linen folds and a blind fret carved front and two chairs, 180cm long

After Snaffles colour print 'The Timber Merchant' artist printed remarque signed in pencil on mount & snaffles blind stamp 23 X 30cm framed & glazed

An unusual Altar or Hall Centre Table, standing on tapering square legs and having fruit and grain harvest carved details and an ecclesiastic style blind fretwork/carved frieze, 48'' x 24 3/4'' x 38'' high

A set of six Oak framed Dining Chairs having turned and carved front legs, mirrored twist back supports, Rexine upholstered overstuffed seats, the came style backs having Rexine upholstered oval pads with blind fretwork supports.

A George III mahogany bureau bookcase, having a dentil and blind carved cornice over twin astragal glazed doors, the base fitted with four long graduated drawers, width 125.5cm

A mid-Victorian mahogany inverted breakfront and floral crested ledgeback twin pedestal sideboard, having blind frieze drawers, width 189cm

A contemporary cherry wood chest having a blind frieze drawer over two long lower drawers, width 120cm

A contemporary cherry wood single door bedside cupboard, having single blind frieze drawer, width 48cm

Early 19th century mahogany serpentine front chest, moulded top above four long graduated cockbeaded drawers outlined with chequer banding and with oval brass handles, enclosed by blind fret carved canted angles, on ogee bracket feet, W100cm, H93cm, D53cm Condition Report Click here for further images, condition, auction times & delivery costs

Early 20th century mahogany Chippendale style cabinet, carved swan neck pediment above blind fretwork frieze and acanthus carved moulding, two doors enclosing three shelves and a bank of nine drawers with fitted cutlery inserts, below two doors enclosing shelf, scroll carved apron, cabriole legs with ball and claw feet, W126cm, H208cm Condition Report Click here for further images, condition, auction times & delivery costs

George Clark Stanton (British 1832-1894): 'The Blind Beggar' Medieval Tableau, watercolour signed, original title label verso with artist's address '1 Ramsey Lane', 34cm x 65cm Condition Report Click here for further images, condition, auction times & delivery costs

Freek van den Berg (Dutch 1918-2000): Lady with a Lute, watercolour signed also with artist's studio blind stamp 52cm x 69cmProvenance: through the artist's family. Freek belongs to the group of Fauvists and was one of the last Dutch painters who worked in this expressive and colourful manner. He was a member of the "Onafhankelijken" and also an art critic. Several books appeared about his work.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Five 18th-Century Italian books from the library of Francesco Berio, marchese di Salza Comprising Porco, Filippo Storia Dell'Illustrisima Archiconfraternita di Nostra Dama. Messina: Nella. Reg.Officina di D. Michele de'Chiaramonnti, ed Amico, 1741. 8vo, contemporary vellum, spine with contrasting morocco lettering-piece, red and black speckled edges, green silk marker; pp. [8], 131, [1 (Errata); frontis., floriated initial; provenance: Francesco Berio (armorial bookplate upper pastedown) - William, 3rd Viscount Dudley and Ward (armorial bookplate lower pastedown). Minischalci, comte Aloysius Mororum Libri III. Carminum Liber. Veronae: Apud Haeredem Augustini Carattoni Typographum Seminarii, 1769. 8vo, full contemporary vellum, boards with double-blind fillet borders with floral cornerpieces enclosing central blind-blocked lozenge, spine with contrasting morocco lettering piece, red edges, star-patterned endpapers, green silk marker; pp. [6], 186; title with eng. vignette, eng. head- and tail-pieces to three books by Dionigi Valesio after D. Cignaroli, inhabited capitals; provenance: vide supra. Adami, Anton Filippo Prospetto di una Nouva Compilazione Della Storia Fiorentina…Pisa: Per Gio. Paolo Giovannelli, e Compagni, 1758. 8vo, full contemporary vellum, spine with contrasting morocco lettering piece, red and black speckled edges, green silk marker; xxiv, 175, [1]; one folding plate, inhabited initial; provenance: vide supra. Pecorone, Bonifacio Memorie dell' abate D. Bonifacio Pecorone…[Napoli : Nella stamperia nuova di Angelo Vocola a Fontana Medina, 1729]. 8vo, full contemporary vellum, contrasting morocco lettering piece to spine, red and black speckled edges, green silk marker; possibly lacking title, floriated initals, elaborate tail-piece to first part; provenance: vide supra but without bookplate of Ward (though likely from his library). and Dritto della Corona di Napoli sopra Piombino. n.d. but c. 1760 bound with Dritto del re delle Sicilie. 8vo, full vellum, red edges, red star endpapers; provenance: vide supra. Berio was renowned as a man of culture and taste. In 1791, he inherited the title of marchese, along with the famous library and art collection of his father. Francesco added to the library, although his acquisitions for the art collection were of greater significance. In the early 1800s, his literary salons were celebrated, attracting many notable figures including Gabriele Rossetti and Gioacchino Rossino. Berio wrote libretti for several Rossini operas including Otello and Ricciardo and Zoraide. After his death the greater part of the library was sold to William Ward, 3rd Viscount Dudley and Ward.

Luther, Martin Der ander Teil der Buecher. Wittemberg: Georgen Rhawen Erben, 1551. Folio, contemporary blind-stamped pigskin over wooden boards, metal clasps (lacking one), spine with remnants of paper label lettered in ink; leaves: [6], 576; title printed in red and black with woodcut vignette of Crucifixion, one woodcut of Daniel's Dream to text, floriated initials, decorative tail-pieces, black letter; provenance: M. Georgy Niemeijen ?Politani 1578.. Boards rubbed, bumped etc with some loss, pages varying with some marking etc and some toning, some fading contemporary MSS markings and notes to margin, generally very good.

Finden, William Illustrations to the Life and Works of Lord Byron. John Murray, 1833-4. 8vo (3 vols). Red pebble-grain cloth, boards with blind borders, spines lettered in gilt, a.e.g.; 3 additional eng. titles, 122 plates (lacking Gibraltar in vol I, otherwise as called for). First collected edition with text by W. Brockenden. A blending of literature and travel in a similar vein to Finden's Illustrations of the Bible.. Bindings with some edge wear, some variable foxing and offsetting, mainly to back of plates, but a very good set.

Catherine of Wickham [Catherine Gladstone Stewart] Two unpublished manuscript fairy tales. The Fairy Tale of the Ugly King, 1863, pp. 225 and Princess Liliola, 1865, pp. 403. 8vo, similarly bound in panelled calf, blind roll-tooled board edges, red edges, marbled endpapers. From the nineteenth-century school of such tales, replete with fey knights, glittering Courts and a very clean faux-medieval chivalry. The Ugly King bears a dedication to 'My dear sister'. A brief pencil note at the front of the volumes records that the author died of cholera in Italy in 1869. The names of characters certainly bear a Continental style ('Fidelio' and 'King Benvenuto I') though this may simply be the Victorian style of setting strange tales in semi-fictionalised European settings.. Bindings scuffed and bumped but tight, internally generally clean.

Vergil, Polydore Urbinatis de rerum inventoribus libri octo bound with Urbinatis Dialogorum. Basel: Mich. Isingriniu[m], 1550. 8vo, handsomely bound in full contemporary calf, boards elaborately decorated with broad blind fillet borders with fleur-dy-lis cornerpieces enclosing foliate roll-tooled borders with roundels bearing heads all around a central vignette of a man with a lion with smaller spear carriers above and below the vignette, spine with five raised bands, compartments decorated with floral roll-tool of the previous border, bevelled board-edges, metal corner-pieces, two clasps, older MSS used for endpapers; pp. [48], 524, [2 (blank)], [6], 205, [1 (blank)]; floriated and inhabited initials; provenance: Cuthbert 1790 (owner's ink inscription and occasional neat MSS marginalia) -- Stones (armorial bookplate to ffep). In Latin.. Binding a little worn but still handsome, clean internally, an attractive copy.

Passport (No. 45637) to visit the Continent Single folded printed sheet of blue paper, watermarked 'Whatman', with MSS ink additions, authorising Andrew Cockcroft to travel on the Continent, issued March 1857 by George, Earl of Clarendon, Secretary of State for Foreign Affairs (with his facsimile signature and coat of arms printed at foot), Royal arms at head of document, signed by Cockcroft, with blind duty stamp 'FIVE SHILLINGS' at lower left corner, both sides with diplomatic stamps, laid down at upper left corner in leather wallet, gilt inscribed with Cockcroft's name and that of W.J. Adams, Passport Agent, with blank notebook, first four pages showing further stamps and last three pencil notes (presumably by Cockcroft), with inserted pencil. It has not been possible to definitively identify Andrew Cockcroft but from the notes he appears to have been a traveller for the textile industry. The notes mention mills, production levels and one Mr Franks' displeasure with some discharged silk which evidently had 'too many ?shocks in the middle'. He may well have lived or worked in Manchester as although the first consular stamps for France and Germany were from London, there is a French stamp for 1871 from Manchester. William James Adams, the agent, is most famous for his role as Bradshaw's agent in London, in which role he played a large part in promoting the famous Guide. Apart from his publishing career, he was also a famously efficient passport agent, renowned for the speed with which he acquired the necessary visas. He was the first agent listed in Baedecker's Egypt (not an alphabetical list…) which may suggest the power of his reputation. It appears passports became standardised documents in 1855 so this is from the early years of their issue.. Scuffing to wallet, document creased from use and wallet, but intact and legible, a very good example.

Stoeffler, Johannes Elucidatio Fabricae ususque Astrolabii. Lutetiae: Guillaume Cavellat, 1553. 8vo, full calf, sometime rebacked, blind panelling to lower board enclosing crowned CR monogram with small skull all crossed out; leaves: [8], 48, 57-172 (lacking 49-56 and final un-numbered leaf); 1 folding letterpress table (of 3), numerous illus to text, letterpress tables. A highly significant text in early astronomy, Stoeffler's book studied the manufacture and use of the astrolabe through a series of worked examples. His style of presentation was influential, with many of the following 16th century books on mathematical instruments using a similar style. This monogram and skull suggests the binding was executed in memorial of Charles I, as similar bindings can be seen in the UL's special collection (e.g. CCE.8.20).. w.a.f.

The old flower seller signed print with blind stamp

The old balloon seller print with blind stamp

Donald M Shearer 'Lonely Bay' colour print, graphite signed to mount, blind back stamp 48 x 61.5cm.

WILLIAM RUSSELL FLINT Frost & Reed coloured print - seated female with baskets in colourful dress, entitled 'Criselda', signed lower right with blind stamp lower left, framed and glazed, 48 x 56cms

WILLIAM RUSSELL FLINT Frost & Reed coloured print - semi-clad female seated on the sand with woodland in background, signed in pencil lower right, blind stamp lower left, 46 x 61cms

WANG YIDONG (Chinese, born 1955); limited edition signed print, 'The Bride', signed in pencil lower right in Chinese characters and pinyin, numbered 73/75, bearing blind stamp lower left and Heffel Auctions label verso, 106 x 65cm, framed in perspex.Provenance: from a private collection. 

20th century Chinese cocktail cabinet lidded top and fall front enclosing a bottle rack two sets of cupboards to sides, blind blind cabinet with two drawers, carved with figures and structures thoughout

Photograph Interest: two early 20th Century black and white photographic portraits of a European family in Japan, wife and daughter in landau with driver; father and son on horseback, blind stamped by studio (Yokohama Japan)

Engineering / Railway Interest. Victorian album of photographic images of steam engine parts and locomotives, most of the photographs accompanied by ink annotation to margins, one of the images with blind-stamp for 'The Hunslet Engine Company, Leeds'. Inscription to first leaf, 'This book was given to me by P. B. Head Engineer on his death bed - at Cinder Hill in the end of June 1870 - and its contents were collected by him during the few years that he worked in England'

SCHOOL OF SOUTH KENSINGTON (XX). Charcoal portrait of a Gentleman, monogrammed lower left and CSK blind stamp, gilt framed and glazed, 43 x 33 cm

A 19TH CENTURY STUDY OF A BLIND MAN WALKING ON CASTLE RAMPARTS, inscribed 'Tommy Walker' lower left, indistinctly signed 'Painted by Pugh London' lower right, see indistinct inscription verso, watercolour, framed and glazed, 27 x 18 cm

SCHOOL OF SOUTH KENSINGTON (XX). Still life study, watercolour, bearing CSK blind stamp lower left, gilt framed and glazed, 36 x 49 cm

A 1940's oak dresser, blind fretworked frieze and two shelves to top, two drawers over two door cupboard to base, stile feet.

Cecil Aldin - New Inn Gloucester from the Old Inns Series, lithograph, signed in pencil & with blind stamp, 38.5cm x 33cm

A late Victorian mahogany pedestal writing desk with central frieze drawer flanked by eight blind drawers and cupboard doors on bracket feet 27 3/8" x 47 3/8" x 19 3/4"

A set of six Chippendale design mahogany dining chairs, 19th century, the pad backs and stuffover seats in green fabric on square section supports, with blind fret detail, 89cm high (6)

Follower of John Hamilton MortimerTHE BLIND HARPIST Oil on canvas28.5 x 23cm

A Gothic oak plant table,late 19th century, the octagonal top opening to reveal a well, over a blind fret cut frieze, on four turned and carved supports and downswept legs,51cm diameter77cm high

A Gothic oak wall mount,with pierced, carved and blind fret decoration, now applied with a carved figure of Christ Crucified,109cm high, together witha pair of carved oak wall brackets (3)

A French Gothic oak cabinet,mid-19th century, the top section with two blind fret carved panelled doors and ornate cast metal hinges, enclosing an adjustable shelf over two drawers, the base with two drawers and doors on a plinth base,114cmm wide52cm deep215cm high

Edwardian mahogany inlaid dumbwaiter with blind panelled doors, standing on square tapering legs and casters. (B.P. 24% incl. VAT)

Modern pine two door blind panelled wardrobe. (B.P. 24% incl. VAT)

Glasgow - A rare Scottish provincial blind casterJames Glen, marked IG, Glasgow town mark, IG, S, the body of baluster form with original engraved initial, raised on a short stem and spreading foot, the pull off cover with spiralled gadrooning with intertwined engraved banding and urn finialHeight: 15.5cm, weight: 7.05ozNotes:Of a typical form this caster is unusual in its form as a 'blind' caster. Taking its name from the un-pierced nature of the domed cover these casters are rarely found in Scottish silver. This is not surprising considering that casters were not necessarily commissioned in sets of three or more, and more usually found surviving in pairs (although could obviously have been split). Although more perhaps exist but not recorded within group listings or had originally not been fully catalogued with enough details to determine blind or otherwise, it is interesting to note that 'The Compendium of Scottish Silver' lists only five examples between 1706 and 1770.

CDs - CLASSIC ROCK. High quality collection of 114 x choice CD albums. Artists/titles include David Bowie inc. The Man Who Sold The World, Heroes, Space Oddity, Aladdin Sane, At The Beeb, Scary Monsters, Christiane F., Let's Dance and Hunky Dory, Led Zeppelin inc. S/T (7567-82632-2), II, III, In Through The Out DOor, Presence, Houses Of The Holy, Remasters, Mothership, Early/Later Days, BBC Sessions and How The West Was Now, The Who inc. Tommy, Odds & Sods, Who's Next, Who Are You, The Kids Are Alright, Who's Last, The Who COllection and Live At Leeds, Cream, Eric Clapton (solo), Blind Faith, Fleetwood Mac, Chicken Shack, Blodwyn Pig, John Lennon, The Beatles, Joe Cocker, The Rolling Stones inc. Satanic Majesties, Big Hits..., Forty Licks, Blue & Lonesome and Still Life, Ten Years After and Van Morrison. Condition is generally Ex to Ex+.

THE ROLLING STONES - ORIGINAL 60s LPs. Cracking selection of 5 x early UK 'unboxed' pressing LPs presented in top condition. Titles are S/T (LK 4605 2A/3A no Mona sleeve or record - Ex/Ex), No. 2 (LK 4661 2A/1A - superb Ex+ record/Ex no blind man), Out Of Our Heads (mono LK 4733 11B/11A - Ex+ lovely record/Ex), Beggars Banquet (SKL 4955 2K/1K - Ex/Ex) and Let It Bleed (LK 5025 1A/1A - Ex+ top record/Ex no poster).

THE ROLLING STONES - ORIGINAL 60s LPs. Cracking selection of 3 x early UK 'unboxed' pressing LPs presented in very neat condition. TItles are No. 2 (LK 4661 1A/2A - lovely glossy Ex/VG+ light discolouration to 'blind man' sleeve), After-Math (LK 4786 1B/5A - VG+/VG+) and Satanic Majesties (mono TXL 103 1P/P1 - VG+/VG+ lenticular no swirl inner).

BEATLES/ROLLING STONES - ORIGINAL TITLE LPs. High tempo selection of 7 x original title LPs. Titles are The Rolling Stones (x3) - Out Of Our Heads (LK 4733 8B/9A), No. 2 (LK 4661 2A/2A blind man), Satanic Majesties (box, no lenticular) and The Beatles - PPM (UK mono 4th), With The Beatles (PMC 1206 4N/4N Dominion), White Album (US number A1955847 with poster and photos) and Help! (PMC 1255 -2/-2 original). Condition is generally VG to Ex.

THE ROLLING STONES - UK LPs. Cool selection of 3 x original/early UK pressing LPs. Titles are No. 2 (1st UK 'blind man' mono LK 4661 unboxed 1A/1A - VG+ side 1 some light scuff marks, Ex+ side 2/VG+ neat sleeve with original mono inner), Sticky Fingers (UK COC 59100 A4/B3 - Ex+ top condition record, complete with inner and insert/Ex nice sleeve with a little wear on the reverse) and S/T (LK 4605 mono unboxed 2A/4A - VG+ a few light surface marks/VG+ some light wear to the front laminate and some moderate discolouration on the reverse).

THE ROLLING STONES - ORIGINAL TITLE LPs. Excellent collection of 7 x LPs including original UK and overseas pressings. Titles are Big Hits (High Tide And Green Grass) (UK 'Sample Record' stickered side 1 and stamped 'SAMPLE...' both sides - Ex+ great condition record/Ex+ superlative sleeve too), After-Math (LK 4786 unboxed mono 1B/3A - solid VG/VG+), Let It Bleed (US blue label stereo NPS-4, matrix XZAL-9363-2/9364-2 with etchings 11-11-69 AUDIO 11-13-69 on both sides - nice Ex record/Ex+ superb sleeve which has been protected by a replacement shrink, this could obviously be removed without causing any damage), Now! (Japanese 1976 LAX 1004 - Ex+/Ex+), Our Of Our Heads (Japanese RE LAX 1005, Ex+ copy), No. 2 (mono UK unboxed 'blind man' LK 4661 2A/1A - VG+/VG+) and Sticky Fingers (COC 59100 UK A4/B4 - Ex+/strict VG, has been carefully repaired on the front).

BRITISH (ARTISTS) - BLUES-ROCK LPs. Finely tuned selection of 7 x neatly presented classic albums. Titles are Cream - Disraeli Gears (original 1967 Reaction stereo laminated both sides 594003 - VG a scratch at the end of A1 into the start of A2/Ex+ superb clean sleeve), Traffic - Mr. Fantasy (1st UK mono orange/black bullseye ILP 961 - glossy VG+/VG+) and On The Road (UK original - Ex/Ex+), The Greatest Show On Earth - The Going's Easy (scarce South African original SHVLJD 783 - VG+ copy), Ten Years After - Watt (orig UK SML 1078 - top Ex/Ex+ no poster) and Ssssh. (UK orig SML 1052 - VG scratch on B2/Ex+ top sleeve) and Blind Faith - S/T (US original Atco SD 33-304 - a neat VG+ copy).

BEATLES/STONES/HOLLIES - LPs. Fab selection of 4 x LPs in highly presentable condition. Titles are The Beatles - Help! (UK mono original PMC 1255 -2/-2 - Ex a few light surface marks on side 2/top Ex sleeve), The Rolling Stones - S/T (mono LK 4605 unboxed 1A/4A - glossy Ex a couple of light surface marks, not often seen this clean/top Ex sleeve, a very fine example with a little ringwear on the front, the flipback design is in superb order) and No. 2 (mono UK original unboxed LK 4661 2A/2A 'blind man' text - Ex a couple of rather light and minor surface marks/Ex lovely sleeve too with only very minor wear) and The Holies - Sing Dylan (PCS 7078 - Ex+/Ex).

ROLLING STONES/THE BEATLES - LPs. Smashing collection of 12 x (largely 60s UK pressing) studio LPs. Stones titles are Beggars Banquet (orig stereo unboxed SKL 4955 2K/1K - solid VG/VG+), Satanic Majesties (boxed stereo 4K/4K - VG+/Ex+ lenticular w/psych inner), S/T (2 x UK mono LK 4605, both 2A/3A, 1 copy is VG+/VG+ the other VG/VG), No 2 (2 x UK unboxed mono LK 4661, both blind man, 1st is 1A/2A - G+/VG the other 2A/2A, a VG copy), Out Of Our Heads (unboxed mono LK 4733 9B/1A - VG/VG+), After-Math (LK 4786 unboxed 4A/6A - VG/VG+). Beatles LPs are Beatles For Sale (mono 4N/3N, clean VG+ copy), Rubber Soul (mono -4/-4 - VG copy), Revolver (stereo -2/-2 - G+/VG+) and White Album (French stereo RE - G+ to VG records/Ex).

PROG/PSYCH/BLUES- ROCK LPs. Superb selection of 9 x original title LPs presented in superb condition. Titles are Wishbone Ash (x2) - Pilgrimage (1st UK purple/orange dog bone label MDKS 8004 - Ex a light scuff marking on side 1/Ex very clean sleeve with a small sticker on the front top left) and S/T (1st UK pink/red dog bone labels MKPS 2014 - Ex+ or archive/Ex+ slight foxing), The Grateful Dead - Live/Dead (UK original orange Warner labels WS 1830 - both records superb Ex+/Ex a little edgewear), Frank Zappa - Chunga's Revenge (red sleeve RSLP 2030 - Ex+ or archive/Ex) and Hot Rats (K 44078 - Ex+ or archive/Ex+), Blind Faith - S/T (583059 UK Polydor original - Ex+/Ex), Goodbye Cream (583053 - Ex+/Ex), Free - Live! (ILPS 9160 pink rim - Ex+/Ex) and Beck, Bogert & Appice(S EPC 65455 - Ex/Ex).

Army & Navy Colonial Stores Ltd. London, mahogany and brass folding plate field camera with original tripod, brass bound lens, several dark slides and plates in leather case, plus a mahogany Patent Thornton & Pickard roller blind shutter with instantaneous and time exposure settings

Two Derby 'spectacle' basket stands, c.1758, one with 'blind' moulded border, the other pierced, each painted in 'Cotton-stem painter' style with loose bouquets of flowers and floral sprays, d. 18.5cmProvenance: The Dennis G. Rice Collection of fine early Derby Porcelain (1750-1770)As well as being an avid collector of early Derby porcelain, Dr. Dennis G. Rice was an academic and wrote one of the key reference works on the subject - 'Derby Porcelain, The Golden Years 1750-1770' published in 1983. A number of the pieces illustrated in the book will be offered for sale.

Vintage oak dentist's cabinet incorporating two mirrored cupboards, an array of drawers including three dummy drawer fall-front, lower fielded panel blind cabinet, on original castors, height 189cm, width 92cm, depth 38cm

A Derby oval basket, c.1760, with 'blind' basket weave moulded exterior, the interior painted with insects and cherries, patch marks, l. 21.5cm, old restorationProvenance: The Dennis G. Rice Collection of fine early Derby Porcelain (1750-1770)As well as being an avid collector of early Derby porcelain, Dr. Dennis G. Rice was an academic and wrote one of the key reference works on the subject - 'Derby Porcelain, The Golden Years 1750-1770' published in 1983. A number of the pieces illustrated in the book will be offered for sale.

SERVING TABLE, late Victorian mahogany with carved detail and three blind fret frieze drawers, 75cm x 103cm H x 212cm.