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AFTER DAVID SHEPHERD (b.1931) - 'Cool Waters', limited edition photographic reproduction, signed in pencil, published by Solomon and Whitehead, 1987, bears Fine Art Trade Guild blind stamp, framed, 42cm x 75cm

AFTER DAVID SHEPHERD (b.1931) - 'Elephants and Egrets', limited edition photographic reproduction, signed in pencil, numbered 315/1300, published by Solomon and Whitehead, 1987, bears Fine Art Trade Guild blind stamp, framed, 42.5cm x 75cm

AFTER DAVID SHEPHERD (b.1931) - 'The Hot Springs of Yellowstone', limited edition photographic reproduction, signed in pencil, numbered 870/1500, published by Solomon and Whitehead, 1991, bears blind stamp, framed, 35cm x 56cm also an unsigned print after the same hand (2)

Pair Victorian prints of Engravings The Blind Fiddler and the Highland Whiskey and another old print in frame (3)

A 19th century French walnut centre table with a shaped leather inset top over a blind drawer on shaped legs with ormolu mounts - Height 75cm x Width 136cm x Depth 83cm

A framed and glazed Limited Edition print signed in pencil by David Shephard with Arts Guild blind stamp, title Spring Ploughing - 49cm x 99cm Condition report: Good without foxing

A pair of framed and glazed Limited Edition prints signed in pencil - Gordon King - with Arts Guild blind stamps - 31cm x 31cm Condition report: Very good without foxing

Charles Johnson Payne (Snaffles) ''The Finest View in Europe'', signed in pencil with the bit blind stamp, a colour reproduction, together with a further signed Cecil Aldin print of hounds on the scent, 26cm by 56cm & 32.5cm by 68cm respectively (2) CONDITION REPORT:

After Josephus Laurentius Dyckmans (1811-1888) ''The Blind Beggar'', 1853, oil on canvas, 50cm by 47cm The National Gallery London, and The Museum Voor Schone Kunsten, Antwerp hold original versions of this work. CONDITION REPORT:

Latin America, Mexico, ca. mid-19th century CE. A finely painted large framed retablo on heavy gauge tin depicting San Francisco de Paula, the Italian saint who founded the Order of Minims or Hermits of Saint Francis in 1436 and infamously preached sermons about charity and humility to his pious followers. San Francisco de Paula is credited with miraculous cures, resurrecting the deceased, protection against fires, comfort for the maimed, the blind, and otherwise disabled, and preventing plagues. In Mexican paintings like this example, San Francisco de Paula is depicted as a friar with the word Caritas or Caridad, oftentimes surrounded by flames, in his vecinity. He received his name following a visit with his parents to the shrine of Saint Francis of Assissi. At a young age of fifteen, San Francisco de Paula became a hermit and elected to reside in a cave near Reggio. The artist depicted Saint Francisco de Paula in his dark brown habit, with his head surrounded by a glowing white halo suggestive of his miraculous powers. His visage features naturalistic facial features - ruddy cheeks, virtually palpable soft skin, and heart-shaped lips - and boasts an emotive expression of compassion. He holds a rosary in his right hand and a shepherd's staff with a curved end is cradled in his left hand - poised to perform his next miracle. Size: retablo itself measures 14" L x 10" W (35.6 cm x 25.4 cm); framed, 16" x 12.25" (40.6 x 31.1 cm)Retablos, known as ‘laminas’ in Mexico, are small oil paintings, usually on heavy-gauge tin, depicting Jesus, the Virgin Mary, the Holy Family, the Holy Trinity, and a canon of patron saints, created with an engaging blend of folk-art and Baroque-inspired style deeply rooted in Spanish history. This unique tradition was introduced to Mexico by the Spaniards upon their arrival in the New World and was ultimately embraced by the indigenous population. The literal translation of the word retablo is "behind the altar," and the creation of this art form was motivated by a desire to worship a holy person or divine coterie in one's household and possess imagery that would ensure health, fertility, good fortune, and a rich harvest. Provenance: Ex-Historia-Antiques, James Caswell, Santa Monica, CA. Condition: Intact with minor surface wear and paint losses as shown. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111748

David Shepherd OBE (British, Born 1931) 'Cool waters' Signed David Shepherd and numbered 528 from a limited edition of 850 in pencil lower right, with blind stamp lower left, 37.5 x 58.5cm and another 'Masai' signed David Shepherd and numbered in pencil number 63 from a limited edition of 850 (2) one contained within a Solomon and Whitehead folder (2).

An Early 20th Century oak draw leaf dining table with a blind fretwork frieze raised on two lobed and carved pineapple supports and a set of four oak dining chairs.

George III oak longcased clock signed Thomas Birchall, Nantwich, the square brass dial with a re-silvered chapter ring and field, subsidiary seconds and date aperture, on an eight day movement in a a blind fret hood with plain columns, on a quarter column trunk on set out plinth, height 220cm (pendulum, two weights, winding key). Condition report: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.   Dial has been re-plated or replaced; hole in hood; replaced feet, case renovated or reconstructed.

A pair of George III mahogany capitals, carved with leaves with a Greek key moulding above blind fret panels, 29cm high, 30.5cm wide. (2)

An early George III mahogany chest on chest, the detachable cornice with a Greek key moulding above pendants and a blind fret frieze, with two short and three long drawers flanked by blind fret canted angles and three long drawers, on bracket feet, 197cm high, 109.9cm wide, 56.5cm deep.

Dallas (George) Systems of Stiles As now Practicable within the Kingdom of Scotland ..., 1697, Edinburgh, folio, contemp. calf gilt and blind, with large tulip ornaments in blind to covers, spine richly ornamented (expert old repair to foot of spine, one or two short tears in the text); De Lolme (J.L.) The Constitution of England, 1788, portrait, calf (worn) (2)

Carleton (Thomas Compton) Philosophia Universa 1649, Antwerp, folio, printed half-title, fine engraved pictorial title-page (engraved by Wenceslaus Hollar after a design by Diepenbecke), 2 ff. ded'n, 1f Pref. (only, i.e. lacking 2 ff), 7 ff. index (i.e. lacking first leaf), pp. 621 (pp. 410/11 misnumbered), pp. 43(1) (n.n.) index; 2 ff. ''Axiomatum/Errata'', contemp. full vellum over wooden boards, covers with wide roll tooled borders in blind, clasps (one clasp gone, pages missing, e.g. 2 ff. between the Preface and contents)

Dickens (Charles) The Works, n.d., Gresham Press, 20 vols, quarter brown morocco, gilt and blind (20)

Visconti (Giambattista) et alia Il Museo Pio Clementino …, 1782-1807, Roma, 7 vols large folio, each vol. with half-title, portrait frontis and engraved titled page, and 379 plates in all (incl. folding plan, ''bis'' plates etc); together with vol. 1 of Il Museo Chiarmonti, 1808, engr. frontis and title, 45 plates, uniformly bound with the above in full contemp.calf, gilt and blind (some light marginal spotting, several covers off, spines rubbed) (8)

A Sheraton revival mahogany floor standing corner cupboard, stepped cornice, Greek key blind fret worked frieze, astragal glazed door to top, panelled door to base, satinwood banding throughout.

WEDGWOOD GREEN JASPERWARE LIMITED BLIND MAN'S BUFF VASE, APPROXIMATELY 31cm HIGH

An early 20th century mahogany bookcase cabinet, with broken secular fretwork cornice, over a serpentine front, blind fretwork base with square tapering legs, united by a shelf stretcher, 180cm

After Gordon King, "'Candlelight', limited edition colour print, pencil signed and titled, with blind stamp, No 473/850, 45 x 33cm and 'Shadows', limited edition colour print, pencil signed and titled with blind stamp, No. 473/850, 45 x 33cm, (2).

Edwardian mahogany window table, oval top with a moulded edge, blind fretwork to the frieze and square tapering legs, reduced, width 72cm, depth 45cm, height 56cm.

A pair of walnut bedside pedestals, each with a rectangular top and canted corners, with blind fretwork, three drawers, shaped apron, bracket feet, width 62cm, depth 41, height 64cm.

Mahogany bookcase, in the Georgian style, swan neck and fretwork pediment, blind fretwork frieze, glazed doors enclosing adjustable shelves, cupboard below, bracket feet, width 90cm, depth 40cm, height 208cm.

A George III mahogany corner washstand of conventional from outlined throughout with boxwood stringing the top with quarter shelf above circular provisions the lower tier fitted short drawer flanked by a pair of blind drawers, shaped stretcher, splayed legs, 116cm high, 58cm wide (faults and restorations)

Sudden Impact, A Time To Kill, Before & After and Blind Date Movie Posters.

Charles Johnson Payne "Snaffles" (British 1884-1967), signed and stamped print 'A Sight to Take Home and Dream About', with Snaffles bit blind stamp. Published by Messrs Fores, (51 x 29cm).

A Beautiful Early 20th Century Mahogany Fold Over Card Table with Blind Fretwork Detail, Circa 1920.

A Georgian mahogany chest of three long and three short drawers set beneath a dentil frieze with blind fret canted corners raised on a later open framework

A good quality Edwardian mahogany side cupboard or dresser, the base fitted with a central column of four drawers flanked by two cupboards, the raised back enclosed by three further astragal glazed panelled doors beneath a blind fret frieze, with chequered string inlaid detail, 135cm wide

Helen Bradley 1900-1979 Artist Pencil Signed and Limited Edition Pair of Polychrome Colour Prints. Titled 'Ah Dear Emily' and 'And Just Look Said Mother'. Fine and Guild Blind Stamps to both prints. Signed in pencil to lower right margin of each print. Both mounted and framed behind glass. 12.25 by 10.25 inches.

E.R Sturgeon 1920-1999 Artist Signed In Pencil Limited & Numbered Edition Colour Print, 'Cottage On Riverbank' Circa 1950's. Number 630-850, Blind a fine art guild stamp. Mounted & Framed Behind Glass. 15x27'' Excellent, no fading

A PART 17TH CENTURY OAK BACK STOOL, having fret and blind carved crest, plank seat, on turned and plain supports with turned front stretcher

Cecil Charles Windsor Aldin (British,1870-1935), a coloured lithograph from the Old English Inns series, printed by Eyre and Spottiswood Ltd, signed in pencil lower left margin, with FATG, blind stamp, 40 by 32cm.

David Shepherd, 'The Lunch Break', signed in pencil and numbered 330/850, blind stamped, colour print, I.50.5 x 73cm.

Montague Dawson, 'The Rising Wind', signed in pencil, blind stamped, colour print, I.91 x 61cm.

AFTER DAVID WILKIE "Blind Man's Buff", black and white engraving by Abraham Raimbach, with artist's blind studio stamp lower left, together with various other lack and white engravings

AFTER SIR WILLIAM RUSSELL FLINT "Sensitive Plants", limited edition colour print 516/753 with artists blind stamp to lower left

An Edwardian mahogany display cabinet with dentil and blind fretwork cornice, the glazed and barred front panel flanked by doors to the sides

An Edwardian mahogany writing table. Fret and blind fret carved in the Chinese taste. The soup structure with four drawers and mirror plate over a serpantine shelf. The frieze drawer flanked on either side by two drawers. Raised on cluster column legs. 43' wide

Conrad (Joseph) - Suspense, a little foxing, original blind stamped cloth, gilt, dust-jacket, torn with loss to spine, 1925; The Arrow of Gold: A Story Between Two Notes, original green cloth, gilt, bumped, 1919, first English editions ; and 10 others by the same, most first editions, 8vo (12)

Joyce (James) - A Portrait of the Artist as a Young Man, first English edition, issue on English sheets , [one of 1000 copies], age-toning to terminal ff. and margins throughout, neat ownership inscription on front free endpaper dated 1944, original cloth lettered & blocked in blind, very slight lean and dulling to spine but overall a very good copy, [Slocum & Cahoon 13], 8vo, The Egoist Ltd. , [1918].

Potter (Beatrix) - The Tale of Mr. Tod, presentation blind-stamp to title, frontispiece detached, light scattered spotting to endpapers, spine a little worn at head, spine ends and corners a little bumped, 1912; The Tale of Pigling Bland, light foxing to endpapers, light rubbing to extremities, an excellent copy, 1913, first editions, frontispeices and illustrations, original boards with pictorial onlays, spines a little darkened, 16mo (2)

Ross (Chas. H.) - The Book of Cats, illustrated, original blind stamped green cloth gilt, Griffith and Farran, 1898 § Peake (Mervyn) Letters From a Lost Uncle, dust-jacket, damaged, original cloth, First Edition, Second Issue, 1948, plus other children's vol., v.s. (qty)

Speckter (Otto) - Das Märchen vom gestiefelten Kater, in den Bearbeitungen von Straparola, Basile, Perrault und Ludwig Tieck, first edition , additional lithographed title with text in red within elaborate border of cats, 12 etched plates, pink tissue guards, some foxing as usual, light water-staining to lower margin of a few leaves, contemporart blind-stamped green cloth, glazed paper label on spine, a little rubbed and faded, shaken, 4to, Leipzig, F.A.Brockhaus, 1843. One of the finest German illustrated books of the 19th century , a collection of versions of the Puss in Boots story from Italian, French and German with magnificent plates by Otto Speckter.

George IV - Ticket to the Coronation of George IV, printed in colours ( King of the United Kingdom of Great Britain and Ireland, and King of Hanover, 1762-1830) Ticket to the Coronation of George IV, printed in colours, blind stamped, 225 x 262mm., 1821.

Parr (Martin) - Flowers, limited edition, signed by the author , colour plates, original blind-stamped cloth, dust-soiled, Sweden , 1999 § Parr (Martin) The Phone Book 1998-2002, limited edition, numbered and signed by the author to Martine and Henri on rear end paper, colour plates, original pictorial wrappers, slightly rubbed , 2002; and 9 others, modern photography, v.s. (11)

Cookery.- - Galloway & Emma Firkins. Recipe books, 2 vol Galloway ( Mrs J.) & Emma Firkins. Recipe books, 2 vol., manuscripts, in a variety of hands, 67pp. excluding blanks, 1f. loose, slightly browned, 1 vol. original blind-stamped limp leather covers, other vol. original marbled limp covers, 8vo, 1831 & 1852 (2).

Nelson (John) - The History, Topography, and Antiquities of the Parish of St. Mary Islington, folding engraved map, 12 plates , extra-illustrated with a folding map and c.65 portraits and plates, 1 loose, some spotting and offsetting, contemporary half morocco, rubbed, t.e.g., 4to, 1811 § Lewis (Samuel) The History and Topography of the Parish of Saint Mary, Islington, additional engraved title, folding map, text-illustrations, some spotting, contemporary half calf, 4to , 1842 § Foster (B.) Ye History of ye Priory and Gate of St. John, engraved frontispiece and title, text-illustrations, library bookplate, stamp and number on title verso, modern cloth, blind-stamped, small 4to, Pickering , 1851 § Coull (Thomas) The History & Traditions of Islington, advertisments at beginning and end, original printed wrappers, vignette on front cover, name at head, worn and marked, spinemostly defective, 8vo , 1864 § Miller (Thomas) Picturesque Sketches of London, Past and Present, frontispiece, additional title, plates, text-illustrations, original cloth, blind-stamped and gilt, 8vo, n.d . § Norman (Philip) Cromwell House, Highgate, frontispiece, plates, library bookplate, stamps on verso of title and plates, half morocco, rubbed, original wrappers bound-in, 8vo, 1917 (6).

[Fitton (Elizabeth)] - Conversations on Botany, hand coloured plates, contemporary half calf, Longman, Rees, Orme, Brown, and Green, 1831 § Huxley (T.H.) On Our Knowledge of the Causes of the Phenomena of Organic Nature, original blind stamped green cloth, Robert Hardwicke, 1863, plus a quantity of natural history vol., v.s. (qty)

Commines (Philip de) - The Memoirs...Containing the History of Lewis XI, & Charles VIII, KIngs of France, engraved frontispiece, trimmed at foot, 4 pp. advertisments at end, some staining and spotting, contemporary mottled calf, runned, front hinge damaged, J. Starkey , 1674 § Strada (Famianus) Histoire de la Guerre de Flandre, translated by P. Du Ryer, 3 vol., mixed edition, titles in red and black with vignettes, engraved additional title, 4 portraits, 10 folding plates, name & name stamp on first vol. end-papers & title, bookplates, contemporrary speckled calf, spines gilt, not uniform, Antwerp, B. Foppens (vol I , Brussels, J t'Serstevens (vol. II & III), 1705, 1712 § Samson (P.) Histoire de Guillaume III, Roi d'Angleterre, 3 vol ., titles in red and black with vignettes, 2 folding maps, 1 folding plan, 1 folding plate, 15 portraits, contemporary mottled calf, spines gilt, rubbed, heads of spines worn, The Hague, E. Foulque , 1703-04 § Julien (Stanislaus, translator ) Meng Tseu vel Mencius, part 1 only, of 4, some spotting, contemporary green straight-grain morocco, gilt and decorated in blind, spine little faded, g.e., Paris, 1824 , 8vo (8)

Ash (James) - The Art of Double-Counting on the Lathe, plates, original blind stamped cloth gilt, L. Booth, 1857, plus a second copy, Holtzapffel & Co., 1881 § Bazley (Thomas Sebastian) Notes on the Epicycloidal Cutting Frame of Messrs. Holtzapffel & Co., original cloth, slight rubbing, Trubner and Co., 1872, 8vo (3)

Patrick (Symon) - A Book for Beginners, or, a Help to Young Communicants, third edition, engraved additional title, lacks final f (? blank), margins of first and last few ff. frayed, some small marginal tears, names on recto of additional title and verso of last f., staining and marking, contemporary calf, rubbed, rebacked, [not in Wing], 12mo, for John Norton , 1681 § Janeway (James) A Token for Children, 2 parts in 1, little browning, contemporary blind-stamped calf, worn, joints cracked, T. Field, 1785 § T[ong] (W[illiam]) An Account of the Life and Death of Mr. Matthew Henry, first edition , browned and marked, notes on 3 blank ff. at start, contemporary half calf, rubbed, spine defective at foot , 1716 § Pocket-book, empty but for c.50 pp. manuscript diary, with brief entries for 1851-58 in home-made note-book loosely inserted, eighteenth-century red morocco, richly gilt, silver clasp, later pencil inserted, rubbed, c.105 x 65 mm., n.d ., and another (5)

[Long (Thomas)] - Vox Cleri: or, the Sense of the Clergy, Concerning the Making of Alterations in the Established Liturgy, R. Taylor, 1690, bound with [Payne (William)] An Answer to Vox Cleri, Etc., Brabazon Aylmer, 1690, later half morocco, § Pittiloch (Robert) Oppression Under the Colour of the Law, or, My Lord Hercarse His New Praticks, Wigan Library book plate and blind stamp, contemporary boards, worn, Edinburgh, 1827, plus 3 other vol., 8vo (5)

Parrish (M.L.) - Victorian Lady Novelists George Eliot, Mrs Gaskell, The Bronte Sisters, limited edition 79/150, foxed, errata notice tipped in. original blind stamped cloth gilt, Constable, 1933 § Dickens (Charles) The Battle of Life A Love Story, Illustrated, original cloth gilt, rubbed and dulled, Bradbury & Evans, 1946, plus a quantity of related vol., v.s. (qty)

Bindings.- Austen (Jane) - The Novels, 5 vol., brown half calf, gilt, 1926 § Moore (Thomas) Lalla Rookh, contemporary green straight-grain morocco, stamped in gilt and blind, by John Jones of Liverpool (with ticket), full green morocco doublures, a little rubbed but an attractive provincial bookbinding, 1818; and a quantity of others, mostly leather bound, including a set of 48 volumes of Scott, 8vo (85)

James McNeill Whistler, original lithograph "La Robe Rouge," signed in the plate with butterfly, Levy no. 96, published in The Studio with studio blind stamp, 9" x 6", mounted.

Thomas W. Benton (American 1830-2007), Abstract, a pair from the "Dune" and "Wave" series, screen print, signed in pencil and numbered edition 31/100 and 80/100 with blind gallery stamp, 64x64cm in glazed aluminium frames