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Pine two stage farmhouse, cabinet backed, kitchen dresser, the moulded cornice above two glazed doors with ogee design, ceramic handles, projecting base and two drawers with two blind panelled cupboards on turned columns. 122x49x197cm approx. (B.P. 21% + VAT)

Late 19th/early 20th Century pitch pine, two door, blind panelled gentleman's wardrobe on platform base. (B.P. 21% + VAT)130 x 59 x 207cm approx.

Early 20th Century oak, Jacobean style, two stage, rack backed dresser, the moulded cornice above carved frieze, central blind panelled cupboard with a moulded projecting base, an arrangement of four drawers on shell and cabriole legs and pad feet.(B.P. 21% + VAT)

Early 20th century oak single door blind paneled smoker's cabinet, the interior revealing clay and other pipes.(B.P. 21% + VAT)

Various artists; four Israeli limited edition prints depicting elements of Jewish faith, each 33 x 23 cm, one with blind stamp. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Salvador Dali (Spanish, 1904-1989), Butterfly and Bullfighter, lithograph on paper, signed in pencil lower right, E.A. (artist proof) in pencil lower left, blind stamp, H.70.5cm W.51.5cm, full sheet H.76cm W.54cm

An early 20th century mahogany reproduction display cabinet with 'D' front, blind fret frieze and single door, on cabriole legs

* William Lee Hankey [1869-1952]- Marie Helen,:- etching signed in pencil and artist's blind stamp in the margin sight size 27.5 x 21.5cm.

An oak wardrobe in Gothic revival taste, early 20th century,: with moulded cornice above twin doors, each relief carved with panels of armorials and blind Gothic tracery, above linenfold panels, the sides with conforming carved panels; on straight legs, 179cm high, 97cm wide, 49cm deep

A George III carved mahogany dining chair: the back with shaped arched top rail with gadrooned and foliate ornament, central pierced interlaced splat headed with an open trefoil, having slip in seat upholstered in floral foliate gros-point needlework and with blind fret seat rail on moulded square chamfered legs, united by stretchers; another George III carved mahogany dining chair with stuff over needlework tapestry seat and a 19th Century mahogany ladderback elbow chair (3).* Notes Provenance. Leighon House, Manaton, Devon.

A George III mahogany bureau:, and associated 19th Century bookcase of small size, the upper part with a cavetto cornice and blind fret geometric frieze, having adjustable shelves enclosed by a glazed panel door, the lower part having a sloping hinged fall enclosing a fitted interior with small drawers and pigeon holes, containing four long graduated drawers below, on bracket feet, 70cm (2ft 3 1/2in) wide, 210cm (6ft 10 1/2in) high.

Jazz / Blues LPs, eleven albums of mainly Jazz and Blues with artists comprising J D Short & Big Joe Williams, Wynonie Harris & Roy Brown, B B King, Dillinger, Bud Powell, Blind Lemon Jefferson and Zoot Sims with some compilations - various years and conditions

Ian McNabb / Icicle Works CDs, twenty-two CD albums and eight CD Singles / EPs by Ian McNabb and Icicle Works including Kruggerands (Signed), Eclectic Warrior (signed), Little Episodes, The Gentleman Adventurer, Head Like A Rock, Small Price of A Bicycle, Icicle Works BBC Live In Concert, Permanent Damage, Merseybeast, Don't Put Your Spell On Me, Great Dreams of Heaven, Blind and more - mainly Excellent condition

A mid-century retro teak wood cube cabinet desk. The cube body with blind fronted double doors opening to reveal a fully appointed interior set within. 75cm x 110cm x 60cm

CHINESE BLIND STITCHED EMBOSSED PANELS, a pair, and three others. (5)

Perkins Brailler David Abraham Howe school for the blind vintage typewriter

After 'Snaffles' (Charles Johnson Payne) (British, 1884-1967), 'The finest view in Europe'', colour print with vignette, signed in pencil on the mount with Snaffles bit blind stamp, image size 24cm x 52cm, overall 42cm x 67cm, framed.

After 'Snaffles' (Charles Johnson Payne) (British, 1884-1967), 'The worst view in Europe'', colour print with vignette, signed in pencil on the mount with Snaffles bit blind stamp, image size 22cm x 49cm, overall 40cm x 65cm, framed.

After Samuel John Lamorna Birch (1869-1955), River landscape at sunset, print in colours, blind stamped and signed in pencil, 45cm by 53cm, framed, together with a quantity of decorative prints, including Sheila Horton 'Pen-Gwannydd' signed etching, and Louise Elisabeth Vigee Le Brun, antique etching, framed (7)

H MacBeth-Raeburn - monochrome engraving, signed in pencil and with blind stamp, 57x40cm

A Victorian Aesthetic Movement figured walnut and ebonised card table, the fold-over top with swivel action, opening to reveal baize lined playing surface, the whole with blind carving, w.92cm, d.45cm, h.72cmCondition report: The top with several scratches and dot indentations, clearly visible when caught in the light.Areas of bubbling to veneers at corners, and large scratch to front right corner.Rough areas to ebonised band on top, possibly would previously have been inlaid.Baize is split and frayed along the join, stained and needs replacing.Split to one hinge.Further bubbles to veneer around edges.The usual knocks and scuffs to legs and feet.

ARTHUR GEORGE FOTHERGILL  –  a colour print, 'A Bit of Old Yorkshire', with blind stamp and annotated in pencil 'Jack' Carr of Ruswarp, Whitby, Yks - a proof' and signed 'George Fothergill' lower right. Bird's-eye maple parcel-gilt glazed frame. (Print size 57cm x 48cm)

Four unframed sporting prints:Michael Lyne - beagling (62 x 55.5 cm) (signed in pencil)Michael Lyne - hunting (57 x 71 cm) (signed in pencil and with blind stamp)Lionel Edwards  - 'North Cotswold Hunt' (31 x 40.5 cm) 'Desert Orchid' by Louise Wood - limited edition (275 of 500) signed in pencil (59.5 x 71.5 cm)

A pair of pencil-pleated lined and interlined curtains, beige ground with bird, butterfly and foliage decoration, approx 160 cm wide x 210 cm drop, to/w matching Roman blind, approx 55 cm wide (2)

After Charles Johnson Payne ''Snaffles'' (1884-1967)"The Huntsman, the' oss loves the' ound but I loves both"Signed in pencil with the Bit blind stamp, a colour reproduction, 21.5cm by 27cmArtist's Resale Rights/Droit de Suite may apply to this lot

A George III-Style Wing-Back Armchair, early 20th century, recovered in salmon-pink geometric fabric, with overstuffed arms and squab cushion between carved arm supports, the blind fret carved seat rail on chamfered forelegs, 73cm by 70cm by 116cm

A Mahogany Quarter Chiming Longcase Clock, swan neck pediment, trunk with blind fretwork canted corners, inside trunk door with an applied plaque inscribed "Percy Webster clockmaker 45 Londoun Road St John's Wood and at 37 GT Portland St", base with applied presentation plaque, brass dial with silvered chapter ring, dial centre with an arched silvered plaque inscribed Thomas Humber, London, seconds dial, arched with moonphase aperture, triple weight driven movement with an anchor escapement and chiming on a nest of eight bells and striking the hours on a gong, case and dial are late 18th century and the movement is late 19th century, 234cm highCondition report: Case is faded in parts, hood with fretwork missing in parts, case with small scratches, dents and small cracks in parts, trunk door with a later escutchon and a small piece of later veneer added, inside trunk door with plaque inscribed "Percy Webster clockmaker 45 Londoun Road St John's Wood and at 37 GT Portland St", applied presentation plaque to the base "PRESENTED BY THE MEMBERS OF THE STAFF OF/ MESSRS. SAMUEL MONTAGU & CO./ TO/ LOUIS SAMUEL MONTAGU ESQ./ ON THE OCCASION OF HIS MARRIAGE TO MISS GLADYS GOLDSMID, 9TH FEB 1898", dial with scratches and staining marks, later hands, case and dial are late 18th century and the movement is late 19th century.

A 20th Century Cream and Green Painted Double Pedestal Desk, the moulded top above a blind fret carved frieze and drawers above a Greek Key pattern kneehole flanked by six drawers and canted pilaster supports, on bracket feet, 136cm by 63cm by 77cm

Flammarion (Camille) Astronomie Populaire, chromolithographed frontispiece, numerous illustrations, folding map of constellations, scattered spotting, some foxing, one gathering loose, upper hinge cracked, original morocco-backed blind-stamped cloth, lightly rubbed, corners and spine-ends chipped, Paris, 1881 § Figuier (Louis) Vies Des Savants Illustres...Savants De L'Antiquité, engraved frontispiece and 36 portraits, book-label to pastedown, hinges cracked, but holding, contemporary morocco-backed cloth, lightly rubbed, Paris, 1877, e.g.; and 10 others, French, including 3 further volumes of Figuier's 'Vies Des Savants Illustres', v.s. (12)

Sombre Binding.- Book of Common Prayer (The)..., by Charles Bill..., 1704 bound with Bill's New Testament of 1707 and Brady & Tate's New Version of Psalms with supplement, 1701-08, together 4 works in 1 vol., some browning, first title with contemporary ink signature "Kath: Dormer" at head, with ink inscription of William Ralphs Junior of 1783 and his book-label plus another later inscription, contemporary black morocco sombre binding, elaborately tooled in blind with cottage roof design against a hatched background containing nine squares of narrow rules, flowers & leafy tendrils, with ornamental silver clasps, corner-pieces and centre-piece engraved with initials (tarnished), g.e., a little rubbed, 8vo⁂ Handsome example of a sombre binding but unusually with the addition of silver metalwork.

NO RESERVE Trials.- Tryal of William Sacheverell Esq (The); and Several other Gentlemen for a Riot Committed at Nottingham on the Election of a Mayor of that Town, 2 tears to title, old tape repairs, damp-stain to edge, soiling to title and final leaf, ex-library with discreet blind-stamp to title, scattered faint spotting, modern cloth, title in neat manuscript to upper cover, ex-library stamp to upper cover, folio, by John Darby, 1720.⁂ William Sacheverell was a politician who sat in the House of Commons between 1670 and 1691. He argued for the exclusion of the Catholic James, Duke of York from the line of succession.

NO RESERVE Chapbook.- Franklin (Benjamin) The Way to Wealth, woodcut portrait to title, lightly browned, fraying to edges not affecting text, small loss to gutter of final ff., affecting odd letter, faint marginal water-stain, ex-library with blind-stamp to title, disbound, 12mo, Nottingham, C. Sutton, [c.1800].

Chapbooks.- Triumph of Tom Thumb (The), or the Reviewers on their Marrow-Bones ... , scattered faint spotting, lightly creased edges, faint soiling to upper cover, disbound, Nottingham, R. Sutton, 1837 § [Nancollas (Richard)] Rhyming Dick and the Strolling Player, woodcut illustration to title, loss to pp.3-4 affecting text, chipping to edges, ex-library with blind-stamp to title, Nottingham, C. Sutton, [?1810] § The Repentance and Happy Death of the Celebrated Earl of Rochester, woodcut illustration to title, slight chipped and soiled edges, small blind-stamp to title, Nottingham, Sutton and Son, 1814; and another defective chapbook, 8vo & 12mo (4)

NO RESERVE Brisbane (Albert) Social Destiny of Man: Or, Association and Reorganisation of Industry, first edition, 2 engraved plates, library stamp to pastedown, adhesive remains, also to front free endpaper, occasional light soiling, library cloth, blind-stamped, rubbed and discoloured, spine-ends chipped with some loss, 1840 § Douglas (Thomas, Earl of Selkirk) Observations on the Present State of the Highlands of Scotland, with a View of the Causes and Probable Consequences of Emigration, first edition, half-title, ink ownership inscription to title, some light spotting and foxing, contemporary boards, lightly soiled, manuscript 'Lord Selkirk' to spine, ends chipped, joints starting, 1805; and 27 others, 19th century, social history and economics, v.s. (29)

NO RESERVE Economics.- Anscombe (G. E. M., translator) Philosophical Investigations, first English edition, English and German text, ink inscription to pastedown, contemporary cloth, lightly rubbed, corners bumped, rebacked, preserving original back-strip, 1953 § Howard (Ronald A.) Dynamic Programming and Markov Processes, book-label to pastedown, original cloth, blind-stamped with MIT crest, dust-jacket, some finger-soiling, spine faded, small chips to head and foot, 1960; and c.100 others, most economics related, v.s. (c.100)

Stapleton (A.) The Nottingham Graveyard Guide, Historical, Descriptive, Geneaological ..., ex-library with usual labels and occasional ink-stamps, original cloth, library label to upper cover, loss to spine head, chipping and small loss to spine foot, rubbed, Nottingham, 1911 § Walker (G. A.) Gatherings from Grave Yards; particularly those of London, additional engraved title, small marginal loss to p.31, abrasion mark to front endpapers where label removed, ex-library with discreet blind-stamp, cracked hinges, original cloth, blind-stamp to upper cover, fraying and small loss to spine extremities, a little rubbed, 1839; and 4 pamphlets on the same, also by Walker, 8vo (6)

NO RESERVE Austen (Jane) [Novels], 6 vol. in 5, colour frontispieces by C.E.Brock, contemporary half red calf, spines gilt, t.e.g., a few spots to boards, Robert Riviere & Son, [c.1920] § Thackeray (W.M.) The Virginians, 2 vol., first edition, first issue with "actresses" in line 33 p.207 and chapters 47 & 48 misnumbered as 48 & 49, engraved frontispieces, additional titles and plates, illustrations, contemporary green calf, gilt, t.e.g., 1858-59 § [Burney (Fanny)] Diary and Letters of Madam d'Arblay, 7 vol., engraved portraits (some with foxing and/or marginal staining), folding facsimiles, contemporary half roan, vol.7 with wear to upper cover, 1843-46 § [Raspe (R.E.)] The Surprising Travels and Adventures of Baron Munchausen, 2 vol. in 1, engraved portrait and plates, original blind-stamped cloth, spine worn at head, [c.1840], all rubbed, most spines a little faded; and c.50 others, literature, some bound, 8vo (c.65)

NO RESERVE Antiquaries Journal (The), 46 vol., a broken run, lacking 1943 and 1959, plates, one or two folding, illustrations, ex-library with usual labels and stamps, contemporary morocco-backed boards or cloth, 1962 & 1966 in original parts with original paper wrappers, housed in slipcases, library labels to spine foot, blind-stamp to upper covers, a little rubbed, 4to, Oxford, 1921-69; sold as a periodical not subject to return

Bibliography & Biography.- Kennedy (James) Dictionary of Anonymous and Pseudonymous English Literature, 9 vol., ex-library with usual stamps and labels, original cloth, gilt, shelfmark to spine foot, blind-stamp to upper covers, a little rubbed, bumping and chipping to corners and extremities, vol. 9 only with dust-jacket, slight chipping to edges, Edinburgh, 1926 § Besterman (Theodore) A World Bibliography of Bibliographies, 5 vol., ex-library with usual stamps and labels, contemporary cloth, lightly faded spines, slight bumping to corners and extremities, Lausanne, 1965-66 § Stephen (Sir Leslie) & Sir Sidney Lee, editors. The Dictionary of National Biography, 22 vol., ex-library with usual stamps and labels, original cloth, slight bumping to corners and extremities, dust-jackets, small paper labels to spines, creasing and slight chipping to corners and extremities, 1968; and others similar, 8vo & 4to (70)

Photography.- Modern Photography, 12 vol., full-page illustrations, advertisements, occasional marginal finger-soiling, original wrappers bound in, ex-library with usual labels, all but the last contemporary morocco-backed boards, gilt, rubbed, blind-stamp to upper covers, the last in contemporary cloth, a little rubbed, 4to, The Studio, 1931-42⁂ A complete run, this includes photography by Cecil Beaton, Man Ray, Ann Biermann, Piet Zwart, E. Hoppé, Ansel Adams, and others.

NO RESERVE Scotland.- [Pennant (Thomas)] A Tour in Scotland, and Voyage to the Hebrides, together 3 vol., fifth edition, 1790; A Tour in Wales, 2 vol., 1784, engraved vignette titles, map and plates, some folding, some light foxing, bookplate of John Maude, uniform contemporary diced russia, gilt, joints worn, one or two covers detached § Nimmo (Rev. William) History of Stirlingshire, 2 vol., second edition, folding hand-coloured engraved map, engraved plates, folding tables, contemporary diced calf, worn, some covers detached, Stirling, 1817 § Dalyell (J.G.) The Darker Superstitions of Scotland, contemporary blind-stamped calf, 1834 § Stuart (Robert) Caledonia Romana: a Descriptive Account of the Roman Antiquities of Scotland, second edition, lithographed plates and plans, some folding, original cloth, gilt, Edinburgh, 1852 § Stewart (Walter) Inchmahome and the Lake of Menteith, illustrations, original cloth, gilt, spine faded, privately printed, 1933 § Macdonald (G.) & Alexander Park. The Roman Forts on the Bar Hill Dumbartonshire, illustrations, later half blue morocco, by Maclehose of Glasgow, spine gilt with Roman helmet motifs, t.e.g., Glasgow, 1906, most a little rubbed; and 14 others on Scotland including vol.1-3 of Wainwright's Scottish Mountain Drawings, 8vo & 4to (25)

Drury (Charles) Recent and Important National Discoveries: Exhibiting a System of Preparing Corn, Straw, Turnips ... for the better, cheaper, and more expeditious Feeding of Horses, Beasts, Sheep and Pigs, subscriber's copy, list of subscriber's, occasional marginal dust-soiling, ex-library with labels and occasional ink-stamps, previous owner's ink inscription, original printed boards, rebacked and recornered, library blind-stamps to boards, faint stain to upper cover where ?label removed, a little rubbed, 4to, 1812.⁂ Rare. Only 2 only Library Hub at the University of Glasgow and National Trust libraries.

NO RESERVE Ramus (Petrus) Petri Rami Veromandui rhetoricæ distinctiones in Quintilianum, title with woodcut printer's device, woodcut head-piece and decorative initials, occasional early ink underlining, title misbound at start of preceding work, marginal water-staining, Paris, Mathieu David, 1550 bound with a defective 16th century theological work, together 2 works in 1 vol., ornately blind-stamped contemporary calf over wooden boards, spine in compartments, 1 (of 2) metal clasps, upper joint splitting, but holding firm, spine ends and corners worn, rubbed; and 4 others, Continental, including Crenius on plagiarism, and a defective copy of Straparola's fairy tales, v.s. (5)

NO RESERVE Emblemata.- Trades.- Dilherr (Johann Michael) Augen- und Herzens-Lust, das ist, Emblematische Fürstellung der sonn- und festtäglichen Evangelien, letterpress title in red and black, engraved additional pictorial title, portrait of the author and numerous emblematic illustrations, lacking some preliminary ff., preliminaries frayed and loose, Nuremberg, Johann Andreas Endter, 1661 bound with a defective copy of the author's Heilig-Epistolischer Bericht, Licht, Geleit und Freud, 1663, together 2 works in 1 vol., staining, some spotting, lightly browned, contemporary blind-stamped vellum over wooden boards, remains of metal clasps, worn and soiled, but holding firm, folio, sold not subject to return.⁂ Both works include a number of illustrations of trades.

20th-century mahogany miniature longcase clock, three train 8-day movement striking on eight gongs, brass arched dial, canopy with blind fretwork, quartered column trunk with Liverpool "Brick" base, ogee feet.width 25cm (10"), depth 20cm (8"), height 154cm (60")Condition report: The clock is in good overall condition with some signs of wear commensurate with age. The clock has started but has not been tested over a long period of time, we offer no guarantee that the clock will keep time accurately and consistently.

Victorian oak and mahogany North Wales floor standing display cabinet on blind base, ogee cornice with cross-banded mahogany frieze, single glazed door with arched glazing bar, two fixed shelves, lower section with two doors each with arched panels, bracket feet, fretwork decoration.width 96cm (38"), height 110cm (83")Condition report: Lacking patination, moulding to waistline present but requiring gluing, water damage to bracket feet, original backboards, interior with blue paper lining of later date.

George III mahogany glazed bookcase on cupboard, top section with moulded cavetto white wood string and cross-banding, double ten pane astragal glazed doors covering three adjustable shelves, lower section with deep drawer and two blind cupboards decorated with cock beading and figured mahogany veneers, lion mask handles, bracket feet.wide 116cm (46"), depth 53cm (21"), height 218cm (86")Condition report: The upper section at some stage wired for lighting (now removed), interior backboards now lined with velvet fabric, all glass in good order, lower section corner right-hand side veneer damaged, please note this is not a secretaire, therefore drawer does not contain a writing compartment, original brass lion mask and ring handles, astragal to double lower doors, detach. Depth of shelves 24.5cm.

Edwardian mahogany Adam design demi-lune side cabinet, the 'D' shaped top with gradooned molding, blind fretwork frieze, three panel front with central cupboard, square section molded leg with block foot.width 120cm (47"), depth 45cm (18"), height 94cm (37")Condition report: Small blemishes to top, interior with fixed shelf, shelf with ring marks.

Collection of seven gilt framed engravings to include 'Blind Mans Buff', 'Beauty, Prudence & Folly' after Angelica Kauffman, an oval engraving after Richard Westall depicting a maiden in a wood, a large circular engraving 'Ruris ejusdem pars altera' after Nicolas Poussin and three other engravings. Largest 56cm x 56cm (22in x 22in)

Signed in pencil in the margin, with the Snaffles bit blind stamp, colour print.45cm x 42cm (17.75in x 16.5in)

A Chinese Chippendale style painted and distressed open bookcase with blind fretwork chinoiserie. 140cm long x 36cm deep x 109cm high. Provenance: The contents of a Chelsea Mansion furnished by Nicky Haslam and Collette van den Thillart. Further information on the Dawsons website article hereCondition report: Does not sit proud, wobbles slightly, however structurally sound and no apparent damage to base.Minor split wear to top, minor wear to fretwork decor.Various marks on paintwork etc as per photos .

A contemporary eau de nil velvet covered cove kneehole desk fitted with six pedestal drawers and a deep cupboard drawer on a marbled blind plinth. 165cm wide x 85cm deep x 76cm high. Provenance: The contents of a Chelsea Mansion furnished by Nicky Haslam and Collette van den Thillart. Further information on the Dawsons website article hereCondition report: Signs of use to desk top, heat rings and some light scratches throughout. No apparent tears, velvet brackets could do with re-gluing. All draws mostly clean, no apparent defects. Structurally sound.

An Edwardian mahogany display cabinet on stand with blind frett carved decoration, 192 x 77 x 44cm

A 19th century oak chest of drawers with blind frett carved decoration, comprising of two short over three long drawers raised on ogee bracket feet 85 x 116 x 54.5cm (A/F)

A 19th century Chippendale design mahogany library bookcase on stand, outswept cornice with dentil capital above a pair of glazed doors enclosing two adjustable shelves, the projecting base with rectangular top above a blind fretwork frieze, tapered square legs, spade feet, 181.5cm high, 106.5cm wide, 50.5cm deep

A Chippendale Revival mahogany bijouterie table, hinged canted rectangular top carved with a border of blind tracery, cabriole legs, canted square undertier, scroll feet, 75.5cm high, 46cm wide, 40.5cm deep, c.1910

A Chippendale Revival mahogany display cabinet, broken-arch pediment above a pair of astragal glazed doors, the projecting serpentine base with two long drawers, carved with blind fretwork, shaped undertier, tapered square legs, spade feet, 180cm high, 76cm wide, 46cm deep, stamped T. Edmands, T. Willson, 68 Great Queen Street, London, c.1890

A Chippendale Revival mahogany serpentine chest, slightly oversailing top with moulded edge above a slide and four long graduated cockbeaded drawers, flanked by blind fretwork canted angles, skirted base, bracket feet, 91cm high, 100.5cm wide, 54.5cm deep, early 20th century

A French Belle Époque ormolu mounted kingwood desk, in the manner of François Linke, three-quarter gallery with acanthus finials above a curved Carlton House type arrangement with three small drawers flanked by two blind, conforming, inset tooled leather writing surface, above a frieze drawer, cabriole legs, 96cm high, 137cm wide, 57cm deep, c.1890

A George III mahogany crossbanded oak Lancashire chest, hinged cover above three short blind, one long and three short drawers, brass swan neck handles, reeded fore-angles, shaped apron, bracket feet, 98cm high, 145.5cm wide, 57.5cm deep, c.1790