We found 44913 price guide item(s) matching your search

Charles Johnson Payne `Snaffles` 1884-1967, `Swagger - but a workman`, photographic reproduction, signed in pencil, bears `Snaffles` blind stamp, 26cm x 25cm

James heseldine pencil drawing overlooking the valley inscribed royal academy 1929 with studio auction blind stamp 10" x 8"

A Victorian figured mahogany bookcase, with serpentine half deck, fitted one long drawer above blind cupboard doors, the upper section with a pair of plain glazed doors, 102cm (44in)

A George III mahogany chest on chest, Greek key and blind fret frieze over three short and three graduated long drawers to upper section, over three long graduated drawers below, brass swan neck handles, raised on bracket feet, 114cm (45in) wide, 180cm (71in) high

An Edwardian mahogany pedestal display cabinet, the base fitted a pair of bowed frieze drawers with blind fret decoration, the upper section with pierced broken pediment with two astragal glazed doors below, 79cm (31in) wide

An 18ct gold cased gentleman`s open face pocket watch, white enamel dial with secondary, Roman numerals, the back engine turned with blind cartouche, case, dial and movement bear the number 45210

An Edwardian oval silver snuff box, acanthus leaf engraved overall decoration, with a blind cartouche, gilded interior, concealed pressure latch, Birmingham 1902, 10cm (4in), approx 2 1/2 troy oz

A 19th century maple and lacewood mirrored door chiffonier, raised on a blind plinth, 100cm (39 1/2in) wide

A pair of deep-seated fireside chairs, raised on chinoiserie blind fret, ebonised and parcel gilt frames, gold coloured fabric upholstery, possibly Heal`s

An early Victorian figured rosewood pedestal Wellington chest, with double register bars securing eight narrow drawers, fitted an architectural moulded caddied top, raised on a blind box plinth, 59cm (23in) wide

Gardiner, General Sir Robert KCB Royal Artillery "Considerations on the Military Organisation of the British Army...", London, Byfield, Hawkesworth and Co 1858. library blind stamp on title page, presentation plate inside front cover appears to be signed by General Sir R W Gardiner, full red calf, gilt decorations, backstrip replaced

Bawden, Edward and Mackie, George (ills) Translated by Alexander Gray, "Historical Battles of Denmark", Edinburgh University Press, 1958, each story on different coloured paper, illustrations, a letter from Edward Bawden to a Mr Turnbull, dated 27th January 1958 as from Brick House, Great Bardfield, Braintree, Essex, to do with the illustrations for the books, signed "Yours sincerely Edward Bawden", also a loose woodcut by Edward Bawden, purple cloth, blind stamp Viking to front cover, silver titles to spine, a little faded

A late Victorian mahogany single wardrobe having mirror door, with blind fret and reeded and appliqué decoration W 43"

After David Wilkie, `Villages Politicians` , `The Blind Fiddler`, monochrome prints, gilt gesso frames, (a.f).

A Victorian carved oak serving table with a blind frieze drawer raised on square tapering legs

AFTER DAVID SHEPHERD"Winter Foxes" a limited edition colour print, signed by the artist and numbered 727/1500, bears blind stamp to margin, 23 x 35cm in stained wood glazed frame

AFTER DAVID SHEPHERD"Ice Wilderness" polar bears and cub, a limited edition colour print, signed by the artist, numbered 351/1500, bears blind stamp to margin, 22.5cm x 40cm, in stained wood glazed frame

FOLLOWER OF CEZANNEMountainous Landscape, a sketch with watercolour, bears artists blind proof stamp (lower right), 35cm x 54cm in stained wood glazed frame

Led Zeppelin Terry O'Neill (b.1938) Two gelatin-silver prints, one of Plant and Page sitting on stools whilst performing on stage; the other of a close up of plant holding a microphone, with photographer's blind stamp to reverse both -- 14x20in. (35x41cm.) (2) View on Christie's.com

Led Zeppelin Terry O'Neill (b. 1938) A gelatin-silver print, Led Zeppelin backstage in front of blackboard, Tampa Stadium, June 3rd, 1977, with photographer's blind stamp to reverse, both -- 14x20in. (35x41cm.) View on Christie's.com

Led Zeppelin Terry O'Neill (b. 1938) Two gelatin-silver prints of Jimi Page, the first of the guitarist performing on stage, the second relaxing backstage with cigarette in hand, with photographer's blind stamp to reverse, both -- 14x20in. (35x41cm.) (2) View on Christie's.com

Led Zeppelin Terry O'Neill (b.1938) Four gelatin-silver prints, each showing a close up shot of an individual band member performing on stage, with photographer's blind stamp to reverse, all -- 14x20in. (35x41cm.) (4) View on Christie's.com

After Sir David Wilkie (1785 - 1841) - `The Blind Fiddler` and `The Rent Day`, oil on board, both 9.75" x 13.75" (2)

Good 19th century mahogany reverse breakfront library bookcase, with large arched glazed double doors applied with foliate and blind fret ringlet mouldings enclosing adjustable shelves over panelled cupboards enclosing pull-out slides and drawers, 60.5" wide, 95" high

CHARLES JOHNSON PAYNE `SNAFFLES` (British, 1884-1967) "Merry England" and worth a guinea a minute, signed in pencil in the margin lower left and with Snaffle bits blind stamp, coloured lithograph, 17" x 15"

A set of four mahogany-framed dining chairs, in the Chippendale manner, each with a chamfered, hooped back, centred by a waisted, pierced and blind-carved splat, above a leather stuffover serpentine front seat with close nailing to the front legs, on square-tapering supports joined by an H-shaped stretcher, 18th century

A continental walnut-framed open armchair, with stuff-upholstered and close-nailed square back, conforming armrests and seat, fitted with a loose cushion, blind-carved armrests terminals, conforming carved apron and cabriole supports (damages) 19th century

An Edwardian inlaid mahogany wardrobe, with moulded and blind Greek key cornice above a crossbanded frieze in turn above a central full length panelled door inlaid with a basket of flowers and bellflower opening to a series of drawers, trays and shelves, flanked on either side by a full length door with bevelled oval mirror glass. Width 80 ins.

An Edwardian mahogany bijouterie table, the rectangular top glazed and with blind fretwork surround hinging to a plush lined interior and raised on four tapered legs of square section with blind fretwork carving united by a raised centre shelf and terminating in spade feet. Width 27 ins (see illustration).

A 19th century mahogany standing corner cupboard, with moulded blind dentil cornice above a crossbanded frieze with glazed door beneath with wooden astragals being boxwood strung and opening to a series of shelves, the base with panelled cupboard door also boxwood strung flanked by canted angles and raised on bracket feet. Width 31 ins.

An Edwardian desk with spindled gallery, with moulded edge and three frieze drawers with blind fretwork carving in the Chinese Chippendale manner, with gadrooned edge below and raised on fluted and reeded cabriole legs terminating in pad feet. Width 29.5 ins.

A George III oak and mahogany crossbanded longcase clock by Ashton Tidswell, having a caddy top with moulded cornice and blind fretwork frieze in turn above a crossbanded glazed door flanked by simple turned columns and enclosing the silvered brass dial and eight-day movement by Ashton Tidswell with Roman numerals and subsidiary Arabic numerals to the chapter ring and with seconds dial and date aperture, in turn above the long trunk door inlaid with a star burst and with conforming base. Height 86 ins (see illustration).

A fine quality George II style oak display cabinet late-20th century, the flared cornice with foliate and serpentine carving, over blind fret carved seventeen pane astragal glazed doors, enclosing four adjustable shelves, on a foliate and blind fret carved base, foliate scroll carved cabriole supports and ball and claw feet, 52in (132cm) wide x 75in (190cm) high.

A George III mahogany longcase clock with chain driven eight day movement striking on a bell, the engraved square brass dial signed to the roundel `J Williams Preston`, with silvered Roman Numeral chapter ring with outer seconds, calendar aperture and gilt brass spandrels, the case with dentilated and arched moulded pediment over a blind fret carved frieze, on turned supports, the trunk with arched door flanked by fluted pilasters, on a conforming base with canted corners and ogee bracket feet, 86in (218cm) high.

Cecil Charles Windsor Aldin (British, 1870-1935) Penshurts, Kent and another from the Old English Inns series a pair, lithograph in colours, published and printed by Eyre & Spottiswood Ltd., signed in pencil, FATG blind stamps 15.75 x 12.75in (40 x 32.5cm) and 15 x 12.25in (38 x 31cm)

DAVID MORISON, AUCHTERMUCHTY, A LATE 18TH CENTURY MAHOGANY LONGCASE CLOCK, the arched brass dial with seconds and date supporting an 8 day movement, the swan neck hood with blind fret decoration, freestanding pillars above a long door flanked by fluted corner columns, on a stopped base, 84 1/2 ins high.

Eighteenth century thirty hour longcase clock with engraved square brass dial and cast spandrels by James Yardley, Bishops Stortford in oak case with moulded pediment, blind fret frieze, turned pilasters and panelled door, 195cm high

George III mahogany chest on stand with blind fret moulding on later stand

An Edwardian mahogany lady`s writing desk with blind fretwork decoration and glazed door above.

Loudon-An Encyclopædia of Cottage... new edition 8pp. publisher`s catalogue at beginning half-title wood-engraved illustrations a little foxed original cloth blind-stamped with villa on both boards slightly rubbed 8vo 1842.

Combe.First [-Second] Tour of Doctor Syntax 2 vol. ninth edition vol..1 third edition vol.2 hand-coloured aquatint frontispieces and 52 plates additional engraved title in vol.1 with hand-coloured vignette some light soiling and browning vol.1 broken original blind-stamped cloth spines pictorial gilt vol.1 slightly stained and with faded spine tall 8vo 1855 [-n.d.]. (5)

[The Peruvian Nitrate Company] Vistas de Iquique y c.186 photographic images mostly of the mining facilities in Chile and production of nitrates life etc. original gilt- and blind-stamped roan joints cracked rubbed at extremities 4to [?Chile] [c.1895]

Bible English. [The Holy Bible] 2 parts in 1 woodcut title to NT and following leaf with woodcut map toverso both torn lacking general title woodcut illustrations 2B4 defective incomplete Common Prayer at beginning and Book of Psalms at end some ink inscriptions and notes including early ones of John Turpin and Mary Pettinger contemporary blind-stamped calf worn covers and several leaves detached Robert Barker 1608; and 4 others v.s.; sold not subject to return

Cervantes Saavedra Miguel de El ingenioso hidalgo vol.1 only (of 4) engraved frontispiece 6 plates folding map decorations initials and culs-de-lampe later calf decorated in gilt and blind rebacked g.e. a little rubbing 4to Madrid Joaquin Ibarra 1780. ***One of the finest typographical works of the eighteenth century..

Domesday Book Cheshire Lancashire 2 parts in 1 17 pp. photo-zincograph facsimile in red and black bookplate of John Egerton Falconer Southampton Ordnance Survey 1861 § Beamont (William) A Literal Extension and Translation of the Portion of Domesday Book relating to Cheshire and Lancashire title marked little spotting spine damaged Chester 1863 contemporary blind-stamped cloth gilt rubbed folio(2)

Ishiguro-An Artist of the Floating World second state 1986 § Adiga (Aravind) The White Tiger 2008 § Ghosh (Amitav) Sea of Poppies 2008 § Desai (Kiran) The Inheritance of Loss 2006 § Toltz (Steve) A Fraction of the Whole 2008 § Keneally (Thomas) The Playmaker 1987 § Murakami (Haruki) Blind-Willow Sleeping Woman limited edition signed by the author 2006 all first or first English editions all signed original boards the last with slip-case the rest dust-jackets; and c.50 others modern world fiction 8vo(c.55)

Pierre (D.B.C.) Vernon God Little 2003 § Auster (Paul) Oracle Night 2004 § Weisberger (Lauren) the devil wears prada New York 2003 § Atwood (Margaret) The Blind Assasin 2000 § Maupin (Armistead) Significant Others 1988 § Vidal (Gore) A Thirsty Evil 1958 all first or first English editions the first two signed on titles original boards dust-jackets the last a little rubbed; and c.85 others modern fiction a few children`s and illustrated some signed 8vo & 4to(c.90)

Pauquet (Hippolyte & Polidor) Modes et Costume half-title hand-coloured engraved title and 71 plates only (of 96) a little finger soiling and light foxing contemporary half morocco spine gilt rubbed [Colas 2293] Paris [1864] § Cibrario (Luigi) Descrizione Storica Degli Ordini Religiosi vol. 1 only (of 2) half-title 54 hand-coloured lithograped plates text foxed contemporary half morocco spine gilt and blind tooled rubbed Torino 1845 4to & tall 8vo

A GEORGE III MAHOGANY LONGCASE CLOCK, the enamelled dial signed “Jerom Murch, Honiton” with subsidiary seconds dial and date aperture, the flat top hood with blind fretwork panel, the tall trunk door with inlaid central fan motif and chequered stringing, 79½” high

A late 19th century Chippendale revival full height mahogany display cabinet with pierced and blind fret decoration, the upper section with swan neck pediment and 2 glazed doors, the bow front base with bijouterie drawer and double door cupboard, on square splay legs, height 76", width 30"

Wright (Rev. G.N. & Allom, Thomas). France Illustrated Exhibiting its Landscape Scenery, Antiquities, Military and Ecclesiastical Architecture &c., vols. 2 & 3 bound as one (only), pub. Fisher, Son & Co., eng. frontis & addn. eng. title to each vol., fifty eng. plts., occ. scattered spotting throughout, a.e.g., contemp. dec. cloth gilt, 4to, together with, Hugo (A.), France Pittoresque ou Description Pittoresque, Topographique et Statistique des Departements et Colonies de la France, vol. 2 (only), Paris, 1835, title page with near contemp. owners ink stamp, numerous eng. plts. and maps, some with crude later hand colouring, contemp. blind embossed sheep, gilt dec. spine, rubbed, frayed and worn, 4to, with, Winkles (B.), French Cathedrals, pub. Charles Tilt, 1837, addn. eng. title, forty-nine eng. plts. (correct as list), occ. scattered spotting throughout, hinges and joints weak, contemp. cloth gilt, spine faded, rubbed, bumped and worn, 4to, with, Wordsworth (Christopher), Greece: Pictorial, Descriptive and Historical, pub. WIlliam S. Orr and Co., 1839, eng. frontis. & addn. eng. title, two b & w eng. map, twenty-four eng. plts. (correct as list), numerous wood engs, to text, hinges and joints weak, contemp. cloth gilt, worn, stained and frayed, 4to, with one other similar (5)

Cox (Thomas). Magna Britannia et Hibernia, Antiqua & Nova or, a New Survey of Great Britain....., vols. 1 & 2 only, 1720, title page and dedication, twenty-six uncoloured folding engraved maps, some with closed tears and occ. spotting and soiling, twenty triangular mileage tables, two folding b & w eng. plts., some worming and finger soiling to margins throughout, some manuscript marginalia, hinges and joints weak, contemp. blind panelled sheep, rubbed, frayed and worn, 4to. Sold as a collection of maps, not subject to return. (2)

Jones (& Co (publishers)). Jones” Views of the Seats, Mansions, Castles &c. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland, and other Picturesque Scenery accompanied with Historical Descriptions of the Mansions....., 1829, calligraphic title with topographical eng. view, 242 eng. views on 121 sheets, scattered spotting and minor dampstaining to first few leaves, occ. near comtemp. marginalia, contemp. half morocco gilt, rubbed at extrems., 4to, together with, Jones’s Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland and Ireland, Second Series Comprising the Western Counties, pub. Jones & Co., 1829, calligraphic title and addn. half title, both with topographical eng. view, 150 eng. views on seventy-five sheets, occ. spotting and toning throughout, a.e.g., contemp. blind embossed morocco with gilt dec. spine, upper board and front end papers detached, rubbed and worn, 4to (2)

Shepherd (Thomas H.). London and its Environs in the Nineteenth Century, Illustrated by a Series of Views from Original Drawings, pub. Jones & Co., 1829, calligraphic title page with eng. topographical vignette, 184 (only) uncoloured eng. topographical views on india, occ. spotting throughout, a.e.g., hinges strengthened, contemp. blind embossed calf, joints weak, rear board near detached, rubbed and worn, 4to, together with, Mead (Joseph pub.), London Interiors: A Grand National Exhibition of the Religous, Regal and Civil Solemnities, Public Amusements, Scientific Meetings and Commercial Scenes of the British Capital, vol. II only, [1841], twenty-six engraved views, occ. spotting throughout, a.e.g., contemp. half morocco, gilt dec. spine, rubbed and worn, 8vo, with, Gaspey (William), Tallis’s Illustrated London; in Commemoration of The Great Exhibition of all Nations in 1851, title page with eng. topographical vignette, eighty-nine eng. views, some spotting throughout, upper hinge broken, contemp. half morocco gilt, rubbed, frayed and worn, 8vo, together with another copy, but vol. II, several leaves of text missing, 116 uncoloured eng. topographical views, contemp. crushed morocco gilt, rubbed, worn and frayed, 8vo. Sold as a collection of plates, not subject to return. (4)

Gubernatis (Angelo de). Zoological Mythology or the Legends of Animals, 2 vols., New York, 1872, orig. green cloth gilt, frayed to head and foot of spines, library classification number to spine of each vol., together with Tylor (Edward B.), Primitive Culture, Researches into the development of Mythology, Philosophy, Religion, Language, Art, and Custom, 2 vols., 4th ed., 1903, orig. blue cloth gilt, rubbed and some fraying to head and foot of spines and outer corners, plus Hardwick (Charles), Traditions, Superstitions, and Folk-Lore (Chiefly Lancashire and the North of England), Manchester, 1872, b & w frontis., orig. blind-stamped cloth gilt, a little rubbed and minor wear to extremities, and Hulme (F. Edward), Proverb Lore, 1902, orig. maroon cloth gilt, rubbed, plus other folklore interest, various, mostly late 19th and early 20th c. publications, mainly 8vo (3 shelves)

Bible [English]. An Illustration of the Holy Bible, Containing the Sacred Texts of the Old Testament, and the New; together with the Apocrypha..., Birmingham: printed by Boden & Adams, 1769, general title with slight loss to fore-edge margin (title repaired and lined to both sides with archival tissue), New Testament title printed in red & black and with imprint ÒBirmingham: printed at the Verulam Press, by N. Boden and T. Appleby, 1770Ó, few eng. plts., endpapers renewed, 20th c. brown morocco with orig. blind panelled calf board leather relaid and orig. red morocco title label to spine, folio (leaf size approx. 42 x 26cm) Herbert 1204 and Darlow & Moule 892. (1)

Bible [English]. The Holy Bible, Containing the Old Testament, and the New..., Appointed to be read in Churches, London: printed for the Company of Stationers, 1648, General title and New Testament titles present, both with woodcut border with heart-shaped centre, woodcut dec. initials, leaf 2M4 with repaired close-tear & leaf 2M5 torn with loss mostly to printed marginal notes, margins of New Testament title frayed, bound with the Genealogies by John Speed, with double-page woodcut map, ink marks to woodcut illust. of Adam & Eve and also to few leaves of genelaogies, bound with an incomplete Book of Psalms at rear and incomplete Common Prayer at front, close-trimmed throughout volume with some loss to printed marginal notes and at foot, some browning, dust soiling and dampstaining throughout, contemp. blind panelled calf, upper board detached and some wear, 4to. Herbert 604. (1)

Bible [English]. The Bible that is, The Holy Scriptures contained in the Old & New Testament, Imprinted at London by Robert Barker, [1612], eng. general title (close-trimmed) and letterpress New Testament title present, New Testament title dated 1611 and colophon dated 1612, full-page woodcut illust. of Adam & Eve in the Garden of Eden, woodcut illusts. to text, with ÒsheÓ reading in Ruth III, 15, bound with the Genealogies by John Speed, with woodcut illust. of Adam & Eve, woodcut genealogies (with few paper repairs mostly to margins) and double-page map (with short closed-tear to central fold at foot), bound with an incomplete Book of Common Prayer at front and incomplete Book of Psalms at rear (both with old paper repairs), some light dust-soiling and occ. dampstaining throughout, old family genealogies to endpapers, 18th c. blind panelled reversed calf, joints slightly cracked and minor wear to extrems., folio. Geneva-Tomson-Junius version, see Herbert 312, with ÒsheÓ reading in Ruth III, 15. (1)

Mornay (Philippe de). Mysterium Iniquitatis sev, Historia Papatus. Quibus Gradibus ad id Fastigii Enisus sit, quamque acriter omni tempore et ubique a piis contra intercessum. Asseruntur etiam jura Imperatorum, Regum, et Principum Christianorum adversus Bellarminum & Baronium Cardinales, Salmurii: Thomam Portaeum, 1611, eng. illust. to title (two small holes to one line of title repaired to verso), eng. port., some browning and spotting, inner hinges cracked, contemp. reddish brown vellum with blind embossed armorial to centre of each board surrounded by blind rollwork decoration, old calf reback, joints cracked and some wear, folio (1)

Muncker (Thomas). Mythographi Latini. C. Jul. Hyginus, Fab. Planciades Fulgentius, Lactantius Placidus, Albricus Philosophus; Thomas Munckerus omnes ex libris MSS. partim, partim conjecturis verisimilibus emendavit..., 2 vols. in one, Amsterdam: Joannis a Someren, 1681, eng. port. plt., numerous eng. illusts. to text, single worm hole to fore-edge margins of few leaves at rear of volume, ink ownership stamp of F. Madan to title and front free endpaper, armorial bookplate of Edward E. Nicholson, Worcester College, Oxford to front pastedown, a.e.g., 19th c. straight grain maroon morocco, blind decoration to spine and boards, joints slightly rubbed, 8vo, together with [Gale, Thomas], Opuscula Mythologica Physica et Ethica, Graece et Latine, Seriem eorum sistit pagina Praefationem proxime sequens, Amsterdam: Henricum Wetstenium, 1688, addn. eng. title, letterpress title printed in red & black and with ownership signature”H.D. Forbes”, worm hole & trail to fore-edge margin of leaves 2L7 & 2L8, 18th c. calf, gilt dec. spine lacking title label, joints cracked at head & foot, 8vo (2)