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AFTER J M W TURNER, ENGRAVED BY JOHN COTHER WEBB ?The Shipwreck? coloured mezzotint, published Museum Galleries, London 1925, with embossed blind stamp lower left and engravers signature lower right 13 x 18ins

*MICHAEL LYNE, (1912-1989, BRITISH) Horseracing artists coloured proof with publishers blind stamp, signed lower right 24 x 36ins

AFTER LAURENCE STEPHEN LOWRY, RA, (1887-1976, BRITISH) ?A Riverbank? coloured print with publishers blind stamp (Henry Donne), numbered 236/850 lower right 16 x 20½ins

*LAURENCE STEPHEN LOWRY, RA, (1887-1976, BRITISH) ?Station Approach? coloured artists proof with publishers blind stamp, signed lower right 17 x 20ins Provenance: Halcyon Gallery, London/Birmingham ? see label verso

*LAURENCE STEPHEN LOWRY, RA, (1887-1976, BRITISH) ?Britain at Play? coloured artists proof with publishers blind stamp, signed lower right 19 x 24ins Provenance: Halcyon Gallery, London/Birmingham ? see label verso

*PERCY DELF SMITH, RDI, (1882-1948, BRITISH) ?The 15 inch Howitzer? drypoint etching, signed lower right and further inscribed and numbered No 14 ? Etching of 15? Howitzer, 30 proofs of which this is No 14 8 x 10ins unframed After volunteering for War Service and being twice rejected on medical grounds he was at last accepted for War Service in France with Royal Marine Artillery and arrived at the River Somme at the end of October 1916. His attempts at sketching this Gun (known popularly as Granny) were met with opposition and he was reported to his superiors as such sketches were suspicious and considered to be tantamount to a spying activity. Successive Appeals at last reached General Aston, himself interested in etching, and P S was able to continue, with everyone else turning a blind eye. His sketch became the basis for etchings of the Gun

AFTER ARCHIBALD THORBURN - four bird prints, published W.F. Embleton, each signed in pencil to margin CONDITION REPORTS All with yellowing and browning to paper, some scuffs and slight creases, all have some staining and also some browning particularly around the edges, each has a blind stamp lower left (three of them to the margin and one bottom left on the print itself), all signed in pencil lower left margin, overall all also with some fading. Sizes approx. 29 x 40 cm.

REPS A set of eight mounted colour lithographs depicting details of Diego... REPS A set of eight mounted colour lithographs depicting details of Diego Rivera`s murals, all signed by the artist on white mount (overall size 47.5 x 35.5cm). Blind stamped Roman numerals on upper right corner indicating plate numbers. Lot comprises one lithograph of the mural in the National Palace in Mexico City (plate number XIX), four lithographs of the murals painted in the Chapel of Agricultural School in Chapingo (plate numbers VII, VIII, IX and X) and three lithographs of the mural depicted at the Ministry of Education in Mexico City (plates I, III and VI). Signatures slightly faded, minor yellowing to mounts. These reproductions of Rivera`s murals are part of a series of 19 lithographs printed in Berlin by the Ganymede Press which were made for an exhibition held in New York at the Museum of Modern Art in 1933. Few sets of these prints are currently known.

Church Slavonic.- - Prayer book, decorated manuscript on paper, partly blue, in Church Slavonic, 286 ff, including some blanks, c. 13-18 lines, written in black and red in several hands, 7 decorated page headings, some tears and repairs, browned and stained, heavily in places, several ff. illegible, contemporary calf over wooden boards, ruled in blind, worn, joint cracked, remains of 1 clasp, c. 95 x 70 mm., [Russia , late 18th century]. A typical Russian Orthodox compilation of services, prayers, hymns, , and evidently well-used.

Fleetwood (Willliam) - An Essay upon Miracles, In two discourses, contemporary speckled calf, each board with a central panel with a broad surround of contrasting plain sheep, decorated and ruled in blind, attractively re-backed to match with heavy raised bands, the original spine label preserved, Printed for Charles Harper , 1701.

Acts of Parliament. - Anno Regni Annae Reginae, Magnae Britanniae, Franciae, & Hiberniae the eighth day of July, Anno Dom. 1708, mostly in black-letter with decorated initials, numerous title pages and a folding table of the assize of bread, library stamp on reverse of title, rather browned throughout, contemporary manuscript notes of Henry Holland dated 1754 on endpapers and some titles, full modern blind-ruled calf gilt with raised bands and spine label, folio, Charles Bill, and the Executrix of Thomas Newcomb, and others , 1709-11.

[Wollaston (William)] - The Religion of Nature Delineated, second edition, woodcut vignette titles, 2 woodcut head-pieces, a floral tailpiece, 2 initials, old repair, signature of Thomas Hayward of Braintree on the pastedown, with his ms. notes on the flyleaf, contemporary blind-panelled calf, rebacked and recornered, 4to, Palmer for Bernard Lintott, J.Osborn and J.Innys , 1724.

Nares (George S.) - The Naval Cadet`s Guide, or, seaman s companion, first edition , advertisement, engraved frontispiece, 138 numbered illustrations on 28 lithographed plates (several folding, 2 partly coloured) and 2 extending plates of rigging, presentation copy , inscribed on the flyleaf Cmd.S.Henderson, R.N., from the author , scattered light foxing, original blind-stamped blue cloth, gilt, a little rubbed, 8vo, Portsea , 1860.

Clare (John) - The Village Minstrel, and other poems, 2 vol. in 1, first edition , half-titles, engraved frontispieces (portrait in vol.1), 4pp. publishers` catalogue at end of vol.2, frontispieces foxed and offset on titles, some other spotting, old ink inscription on front free endpaper, original red cloth, stamped in blind, spine gilt and titled ""Poetic Souvenir"", g.e., a little rubbed and lightly stained, spine ends neatly repaired, 8vo, 1821.

Cooper (Thomas) - The Purgatory of Suicides. A Prison-Rhyme, first edition , half-title, lightly browned with occasional spotting, original blind-stamped cloth, rubbed and lightly stained, split to lower joint, 8vo, 1847. Cooper (1805-92) was a Chartist imprisoned for sedition in Stafford Gaol where he wrote this poem, which is over 900 stanzas long. ""Though few read it from beginning to end, its poetic ambition impressed not only the readers of the Chartist press but also Carlyle, Disraeli, and Kingsley. The Purgatory was a vindication of Cooper`s radical beliefs ."" Oxford DNB.

[Evans (Marian)], ""George Eliot"". - The Legend of Jubal and other poems, lacks half-title, with erratum slip, lightly foxed at beginning and end affecting title and final leaf, contemporary half morocco, Edinburgh & London, 1874 § Massey (Gerald) Craigcrook Castle, advertisement leaf and 32pp. publisher`s catalogue at end, contemporary ink signature at head of title, original blind-stamped cloth, spine gilt, a few stains, spine faded, 1856 § Rossetti (Christina) New Poems, edited by W.M.Rossetti, half-title, portrait, advertisement leaf at end, inscriptions and notes in manuscript on front endpapers and half-title, original cloth, gilt, 1896 § Rogers (Samuel) Poems, half-title, engraved vignettes after Turner, contemporary calf, gilt, g.e., 1834, first editions , all a little rubbed ; and 16 others, poetry and drama, 8vo (20)

Gill (Eric) - The Engravings..., limited facsimile edition, illustrations, a few colour, a few folding, original blind-stamped cloth, slip-case, 4to, Wellingborough, Christopher Skelton, 1983.

Wells (H.G.) - The Island of Doctor Moreau, lacking front free endpaper, first issue cloth with pubisher`s monogram blind-stamped to lower cover, spine browned, spine ends and corners a little bumped, light soiling, 1896; The Wonderful Visit, lacking front free endpaper, browning to prelims, second issue cloth with angel in gilt to upper cover, spine faded, spine ends and corners a little bumped, 1895; The Wheels of Change, bookplate, spine slightly faded, 1896, first editions, original cloth, plates and illustrations ; and 3 others, Wells, 8vo (6)

Parables from Nature, inscribed by the author ( Mrs . Alfred) Parables from Nature, inscribed by the author, engraved plates and illustrations by Holman Hunt, Harrison Weir, John Tenniel and many others, some marginal water-staining and light foxing, publisher`s presentation binding of full red morocco, elaborately stamped in gilt and blind, g.e., joints cracked but firm, overall an attractive copy, 1865; and another, vol. 1 of Familiar Garden Flowers, 8vo (7)

printer ).- Book of Common Prayer ?, one of 500 copies printer ).- Book of Common Prayer (The)? , one of 500 copies, printed in red and black, with compliments slip of John Pierpont Morgan loosely inserted and note of receipt and another concerning the binding, light spotting and soiling to endpapers but text clean, original oxblood pigskin, ruled and stamped in blind, t.e.g., others uncut, rather rubbed, spine faded, split to upper joint, folio, Boston, printed by D.B.Updike of the Merrymount Press, 1928 [1930]. Updike`s magnum opus and one of the most beautifully-designed American books of the twentieth century. It was printed for the Joint Commission on the Revision and Enrichment of the Book of Common Prayer and financed by the banker J.P.Morgan. Updike was well-suited to printing the work being a staunch Episcopalian and familiar with the text; it took two years to produce.

Evans (Charles), Publisher. - The Grand Panorama of London, panoramic view of the north bank of the Thames, showing from The New Houses of Parliament to Deptford Dockyard, wood-engraving, with extensive hand-colouring, c.150 x 5500 mm., folding concertina style into original gilt- and blind-embossed cloth boards, rubbed, 8vo., [cf. Abbey Life 564], Charles Evans, 1849 The present wood-engraving, bearing a later date of 1849, as opposed to Abbey`s circa 1845, has an extended section of the panorama continuing on from the Glasgow Steam Wharf and the London Docks, to Deptford Dockyard via Shadwell, Limehouse and Greenwich; the total length being just over 18 feet, rather than the earlier 1845 engraving`s 12 feet.

Maria (Graham) - Journal of a Residence in India, first edition , hand-coloured frontispiece and 15 plates (2 folding), plates a little oxidized, some light offsetting and foxing, bookplate and label to upper pastedown, contemporary quarter calf, spine blind-stamped and gilt, rebacked preserving original backstrip, later endpapers inserted, extremities rubbed, 4to, Edinburgh, 1812.

Marryat (Frank S.) - Borneo and the Indian Archipelago, first edition , half-title, chromolithographed frontispiece and additional pictorial title, 19 tinted lithographed plates of costumes and views only (of 20, lacking plate of Chinese Joss House at Ningpo), wood-engraved illustrations, marginal spotting, some plates loose, original red blind-stamped cloth, rebacked preserving original spine, rubbed and spotted, [Abbey Travel 549], 4to, 1848. Including Brunei, Hong Kong, Korea, Japan and the Philippines.

[Valle (Giambattista della)] - Vallo libro continente appertenentie ad Capitanii, retenere et fortificare una Citta con bastioni, con novi artificii de fuoco aggionti, title within historiated woodcut border, woodcut device on verso of colophon,18 woodcut illustrations, 24 typographical layouts some with woodcut illustrations of cannon, title with later paper repair to upper fore-corner with loss to border, 21 ff. with repairs to margin or gutter hear head where water-stained occasionally impinging slightly upon text, last 3ff. water-stained at lower fore-corner, old blind-tooled calf, worn at spine ends with some superficial insect damage to covers, [not in Adams], 8vo, Venice, for Piero de Ravani , 1528.

Giraldus (Lilius Gregorius) - Historiae poetarum tam Graecorum quam Latinorum dialogi decem, part 1 only, of 2, Dialogus I-V, device on title, final blank f. present, woodcut initials, several words and passages scored through, some marking and spotting, several ownership inscriptions on title, contemporary blind-stamped calf, covers with ruled border and central panel containing an allegorical figure and a Latin quotation from Psalm 70 enclosed by another quotation from Psalm 90, rubbed, rebacked, corners worn, hinge cracked, fragments of a medieval manuscript on vellum, in Latin, decorated in red and blue, used as paste-down, modern free endpapers, 8vo, Basle, [Michael Isingrinus], 1545.

Demosthenes & Aeschines. - Principium Graeciae Oratorum Opera, second Wolfe edition, Greek & Latin, engraved publisher`s device on the title and final leaf, portrait of Hieronymus Wolf with a coat of arms and diagram, engraved portrait vignette, head- and tail-pieces and initials, minor spotting, contmeporary blind-stamped vellum, [Brunet II 588], Frankfurt, Claud Marnius & Haeredes Johannus Aubrius , 1604.

Philostratus. - [Opera], Greek & Latin, title printed in red & black, some minor browing and spotting, contemporary blind-stamped vellum, folio, Leipzig, Thomam Fritsch , 1709. Olearius s edition of the Philostrati, with previously unpublished notes by Richard Bentley.

Sextus Empiricus. - Opere Graece et Latine, Greek & Latin, half-title, title printed in red & black, contemporary blind-stamped vellum, folio, Leipzig, sumtu Joh. Friderici Gleditschii , 1718.

Korolenko (Vladimir Galaktionovich) - Slepoi Musiikant [Blind Musician], ""redacted edition from the magazine `Russian Thought`"", half-title, some toning and marking, hinges reinforced, contemporary cloth, rebacked in later morocco, 8vo, Moscow , 1888.

A George III Jamaican satinwood, rosewood, mahogany and specimen wood writing table, the rectangular top with hinged adjustable ratchet, figured mahogany reading stand, the sides with veneered panels, the front fitted one blind and one long drawer flanked by two pairs of short drawers, on octagonal inlaid column and three finely figured outswept legs with pointed pad feet, brass castors, top 78 cm wide, 50 cm deep, 81 cm high, Circa 1820 (old restorations) Possibly by Ralph Turnbull, Kingston, Jamaica

A Continental ebonised display cabinet on stand applied throughout with spiral turned ivory circular roundels, the cornice with reel moulded border above blind fret carved frieze and rope twist border, enclosed by a pair of glazed doors with applied moulding bars flanked by blind fret pillars, the base conforming, 228 cm high, 115 cm wide max, 19th Century (faults)

* Wilhelmina BARNS-GRAHAM (1912-2004) Limited edition silkscreen print ‘Water Dance Porthmeor III’ Bears blind stamp GRAAL press Circa 2003 Unsigned; numbered 3/70 22.75" x 30" (57.8cm x 76.2cm) Note: Prints published in 2003 before the death of the artist in early 2004, were numbered but unsigned

* Eleanor HUGHES (1882-1959) Newlyn/New Zealand School Watercolour ‘Trevelloe’-cottage near Lamorna Bears blind studio sale stamp 9.75" x 13.5" (24.8cm x 34.3cm)

* Leslie Moffat WARD (1888-1978) Conte drawing Seated male nude With blind stamp E.S.K. (‘Examined South Kensington Art School’) Signed with monogramme & dated 1909 10" x 7.5" (25.4cm x 19cm)

* Leslie Moffat WARD. (1888-1978) Conte Drawing Reclining male nude-inset study of a hand With blind stamp E.S.K. (‘Examined South Kensington Art School’) Signed with monogramme & dated 1909 7.5" x 10" (19cm x 25.4cm)

William WALCOT (1874-1943) Limited edition coloured print Interior of ‘St Peter’s Rome’ A Remarque Proof (100 only) Circa 1930 Signed in pencil and with a symbol drawn in the margin Blind stamp of Fine Art Trade Guild 17.25" x 21.75"(43.8cm x 60.3cm)

* Robert O. LENKIEWICZ (1941-2002) Early ink drawing Study of an artist Bears blind studio sale stamp 9.5" x 11" (24cm x 28cm) Provenance: Studio Sale April 2008 (Bearnes)

* Robert O. LENKIEWICZ (1941-2002) Early pencil drawing Seated figure of a man in overcoat Bears blind studio stamp 13" x 9.5" (33cm x 24.1cm) Provenance: Studio Sale April 2008 (Bearnes)

* Robert O. LENKIEWICZ (1941-2002) Early ink drawing Half portrait of a bearded man in glasses Bears blind studio sale stamp 10" x 9.5" (25.4cm x 24cm) Provenance: Studio Sale April 2008 (Bearnes)

* Robert O. LENKIEWICZ (1941-2002) Early ink drawing Figure seated in an armchair with leg over the arm Bears blind studio sale stamp 9.5" x 13" (24cm x 33cm) Provenance: Studio sale April 2008 Bearnes

A George III mahogany bureau, fitted interior with blind fret carved decoration, enclosed by a fall, above four long graduated drawers, brass swan neck handles, on square bracket feet, circa 1770 108cm high x 98cm wide

A Swiss pen work and marquetry inlaid carved walnut side table, 19th century, the top with central ebony inlaid and pen work panel to an line of banding and further pen work border decoration, the base fitted a blind drawer, profusely carved with shell and trailing foliate branches, on swept legs, 79cm high x 95cm wide x 63cm deep Repair to carved leaf moulding to the area framing the shell centre of the drawer Fading and slight lifting on border inlay

PAUL WOLFGANG WEBSTER; four limited edition photographic prints, each limited to ten, featuring New York city scenes, including the World Trade Centre, blind stamped with date 1984, mounted, framed and glazed (4).

MILES (WILLIAM), The Horse's Foot And How To Keep It Sound..., engraved plates throughout, contemporary ink ownership signature on front paste arm, uniform foxing to first few pages, original publishers cloth, stamped in blind and gilt, 4to, 1846.

BUNYAN (JOHN). The Pilgrim's Progress, prize binding from Downing College Cambridge, tooled in blind and gilt with college crest to top board, slight rubbing, 4to, 1884.

After Charles Johnson Payne (Snaffles) : Ubique Means, reproduction in colours, signed in pencil, with the artists blind stamp, 40 cm x 38 cm, framed. CONDITION REPORT: Unexamined out of frame, foxing and staining.

After Charles Johnson Payne (Snaffles) : The finest view in Asia, reproduction in colours, signed in pencil, with artists blind stamp, with remarques, 44 cm x 71 cm, framed. CONDITION REPORT: Unexamined out of frame, staining and foxing, some fading,

After Charles Johnson Payne (Snaffles) : West of Gib and north across the bay, reproduction in colours, signed in pencil, with artists blind stamp, 47 cm x 66 cm, framed. CONDITION REPORT: Unexamined out of the frame, stained and foxed.

A large Roman blind

A VERY GOOD LATE 18TH CENTURY CHINESE REDWOOD ARTIST’S TABLE, with crossbanded top, unusual carved and pierced frieze, pierced and blind fret carved ends, 6ft 6in long x 3ft 7in wide.

A VICTORIAN GOLD PLATED FOB SEAL, FOLIATE SHAPE, PURPLE GLASS BLIND MATRIX

A WELSH OAK PRESS CUPBOARD the upper part with cavetto cornice and enclosed by a pair of ogee arch panelled doors, the lower part with an arrangement of drawers beneath blind drawers, the sides panelled, 177cm h; 52 x 126cm++The interior of the cupboard now with two recent fitted block board shelves but in substantially original condition, the drawer runners defective, the brass handles replaced

Italian School, early 18th centuryTOBIAS AND THE BLIND TOBITRed chalk21 x 24cm, unframed; andW Evans of Wales`IN THE TOWER`Watercolour16.5 x 13.5cmProvenance: Christies, 19 March 1872 (2)CONDITION REPORT:

Italian School, early 18th centuryTOBIAS AND THE BLIND TOBITRed chalk21 x 24cm, unframed; andW Evans of Wales`IN THE TOWER`Watercolour16.5 x 13.5cmProvenance: Christies, 19 March 1872 (2)CONDITION REPORT:

A George V figured mahogany triple hanging wardrobe, with fitted linen section having slides and drawers, with a moulded cornice and blind fret frieze and carving to the front, on bracket feet, 214cm high, 98cm wide.

Ginger Baker (1939-) English Drummer from the band Cream & Blind Faith, two African wood carvings collected during his visit to Africa with his first wife Elizabeth Provenance: Remained with Baker`s wife until a recent Bonhams Auction in London. Sold with image of Baker and his family with similar carvings in background.

A 19th Century Mahogany Urn Stand with blind fret border and sliding candle holder, in need of restoration. 24 1/2in tall.

Ginger Baker (1939-) English Drummer from the band Cream & Blind Faith, two African wood carvings collected during his visit to Africa with his first wife Elizabeth Provenance: Remained with Baker`s wife until a recent Bonhams Auction in London. Sold with image of Baker and his family with similar carvings in background.

Londonderry (Marchioness of) A Journal of A Three Months' Tour in Portugal, Spain, Africa, etc sm. 8vo [L.] 1843 First Edn. port. frontis & 3 litho plts. list of subs cont. diced calf, gilt fillet and blind tooled borders, tooled gilt spine, with Carton motif, mor. label, & Carton B.P. Good. (1)

Stephens (Wm.) Dolaeus, Upon the Cure of the Gout by Milk-Diet, to which is prefixed, An Essay upon Diet, 8vo L. 1732, First English Edn., (VII), [I], VII, 182pp plus advert. & errata leaves at end., contemp full calf, with tooled blind panel, joints cracked. Scarce. (1) * Ex Collection R.C.P.