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An original watercolour Great War fund-raising poster for St. Dunstan's (now Blind Veteran's UK), Help St. Dunstans Come to the Entertainment at the Aeolian Hall for the Benefit of Blinded Soldiers, bodycolour, framed under glass, 72 x 50 cm

AFTER REVD HENRY JOHN VERNON Pbl. Day & Son. 'The Royal Steam Yacht Victoria & Albert'. 19th Century hand coloured lithograph dated November 5th 1855, blind stamp. 19.25' x 25.25'.

Edwardian mahogany rectangular centre table in Chippendale style, the moulded top over a dentil and blind cut key frieze and shaped apron, the slender square tapering leg with leaf carved shoulders and united by an under tier, width 36'

A 19th century mahogany and line inlaid secretaire bookcase, the astragal glazed doors enclosing three adjustable shelves over a fitted satinwood veneered secretaire drawer above two blind cupboard doors enclosing three linen trays, on bracket feet, h. 242 cm, w. 116 cm, d. 46 cm CONDITION REPORT: One pane of glass broken. Splitting to the base sides. Four later knobs in secretaire and later baize insert. Small amount of veneer missing. General wear and tear.

After George Baxter (1804-1867), 'The Day Before Marriage', coloured reproduction, bearing the blind stamp, 36.5 x 27 cm, together with two others after George Baxter CONDITION REPORT: The latter two without stamps, all framed and glazed

Portfolio of various watercolours, prints and works on paper to include a Robin Tanner etching with blind stamp seal, Giles Grinagain nautical coloured print and others

Bingley (Rev. W.) North Wales; including its Scenery, Antiquities, Customs, and some Sketches of Natural History, 2 vols. 8vo L. 1804. First Edn., one hf. title, 2 engd. frontis, lg. hd. cold. fold. map, 12pp. of engd. music, errata end of Vol. II; de Chateaubriand (F.A.) Travels in Greece, Palestine, Egypt and Barbary, 1806 and 1807. Trans by F. Shoberl. 2 vols. L. 1811. All uniform cont. blind tooled diced calf, mor. labels. Good. (4)

Fine Dublin PrintingDublin Printing: [Wolleaston (Wm.)] The Religion of Nature Delineated, 4to D. (George Grierson) 1726. in cont. blind tooled sprinkled calf, mor. label, raised bands. V. good copy. (1)

Baines (Ed.) History of the Wars of the French Revolution, 2 vols. 4to L. 1817. 2 engd port. frontis 2 add. engd. titles, illus., by fold. & other maps (some cold in outline), plans, charts & portraits, cont. full calf, blind tooled borders, raised bands. Good. (2)

Music: A bound Volume of 19th Century Sheet Music, both English and Irish, for Theatre Royal, Drury Lane, etc., Dublin & London Printings, in a blind tooled, reverse leather binding, and mor. label "Freemason's Harmonic Club," worn. (1)

The Book of KellsFacsimile - Verlag, Luzern, Publishers: The Book of Kells, The Most precious illuminated manuscript of the early middle ages, now reproduced, The First and Only complete Fine Art Facsimile Edition, published by Authority of the Board of Trinity College, Dublin, lg. thick 4to, Luzern 1990, Ltd. Edn. 714 (1480) in fine tanned leather over wooden boards, in specially created presentation box, the embossed surface with blind and gilt tooled Celtic decoration and silver and brass mounts; together with the commentary vol., with illus., leather bodied cloth. a wonderful opportunity to acquire a complete facsimile of one of the world's greatest art treasurers. (2)

Peard (W.) A Year of Liberty or Salmon Angling in Ireland from February 1 to November 1, 8vo L. (Horace Cox) 1867., First Edn., errata slip, blind tooled cloth, gilt lettering. (1)

Early Bindings: Barbosae (Aug.) ... De Oficio et Potestate Episcopi, Tripartita Descriptio, 2 vols. folio Lond. 1641. In 3 Parts Engd. port. frontis, red & bl. title, a.e.g., fine full cont. mor. multiple gilt fillets, profusely tooled gilt spines; Freheri (D. Paulus) Theatrum Virorum Eruditione Clarorum, lg. thick folio Nuremberg 1688. Add. engd. title, title in red & bl., engd. port. & other engd. ports., orig. blind stamp vellum. Good. (3)

A George III mahogany longcase clock, late 18th century, the arched hood with broken scroll swan neck pediment centred by a reeded flame and urn finial above blind foliate carve frieze and arched glazed door enclosing a 13 inch brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, foliate engraved centre, cherub spandrels with disc in the arch marked Tempus Fugit, eight day movement striking on a gong the hood with fluted pilasters above a foliate moulding and full length trunk door with shaped door flanked by fluted quarter pilasters over a base board and canted fluted corners on shaped bracket feet, 205cm high.

A carved and joined oak livery cupboard dated 1710, the stepped ogive cornice above a foliate carved frieze centred by a shield, carved with the letters 'MW' and '1710' above a central foliate carved upright, flanked by two fielded panel cupboard doors, carved with tulips and flowers, enclosing a hanging space with later rack and pegs above a blind panelled frieze and two cushion moulded drawers and raised on later bun feet, plain panelled sides, 149 cm wide (cornice), 54 cm deep, 186 cm high

A George III oak longcase clock, the ogive moulding above a blind fret carved cornice and glazed square door flanked by turned gilt capped three quarter pilasters enclosing and 11.5'' square brass dial with silver chapter ring and Roman numerals, cherub spandrels and date aperture, the dial inscribed Richd Evans, Oswestry, eight day movement striking on a bell above an ogive moulding and rectangular bevelled trunk door further moulding and plain base board and plinth base, 200cm high.

A George III oak cottage longcase clock, late 18th century, the square hood with ogive cornice and blind fret carved frieze above a glazed door flanked by turned pilasters and enclosing an 12 inch engraved brass dial inscribed Hinksman Broseley with silvered chapter ring Roman numerals and Arabic seconds ring, subsidiary seconds dial and date dial and foliate engraved to the centre, foliate cast spandrels, 30 hour movement striking on a bell above an ogive moulding and long trunk door with shaped top over a further plain panel and on bracket feet, 205cm high.

Beeching, Ashburnham: an oak thirty hour longcase clock, the 11in. square painted roman dial with anchor escapement and count strike mechanism, the case with blind fret frieze above glazed door, thin waist door centred by inlaid star motif, 113cms (84in.) high, with pendulum and weight.

JASON & THE ARGONAUTS (1963) - Ray Harryhausen Hand-Drawn Concept of Phineus (Patrick Troughton) and the Harpies A hand-drawn concept sketch showing Phineas (Patrick Troughton) and the Harpies from the Don Chaffey fantasy-adventure Jason and the Argonauts. It shows Phineas, the old blind man, fleeing a ruined temple while being attacked from the sky by the mythical winged creatures. It is executed in pencil on paper vellum and remains in very good condition. Dimensions: 34 cm x 51cm x (13 ½" x 20")The final key art version of this image features on page 160 of Ray Harryhausen An Animated Life by Ray Harryhausen and Tony Dalton, published by Aurum. Please note this lot is sold without copyright, reproduction rights, licensing agreements or any other type of legal releases. VAT Status - Margin TRIANGLE

1. WYLD, James (publisher): The Post Office Plan of London. Nd, c.1800; 27 sections, linen backed and hand-coloured with the original blind stamped cloth cased boards; G+;2. DRING, Thomas: A Catalogue of the Lords, Knights and Gentlemen That Have Compounded Their Estates. Chester, R Adams, 1733, reprint of the 1655 edn.; pp128 and index; contemporary full leather; worn (2)

Laurence Stephen Lowry,A street scene,signed, with EKF blind stamp,colourprint,25cm x 20cm.PLEASE NOTE: Artist's Resale Right is applicable on this lot if the threshold value is reached

A joined oak press cupboard, basically mid-18th century, adapted as a wardrobe, with moulded cornice, two fielded panelled doors to the upper section with a central blind panel at the base, with three dummy drawers over three drawers, stile ends, width 170cm, depth 54cm, height 187cm.

Good quality Chippendale-style mahogany open elbow chair with drop-in seat and blind fret decoration

George III mahogany chest on chest with blind fret carved frieze, the upper section having two short over three long drawers between reeded canted angles, the base with brushing slide and three long graduated drawers on bracket feet, 103cm wide x 51cm deep x 170cm high

A GEORGE III MAHOGANY AND SATINWOOD INLAID BUREAU BOOKCASE, the upper section with blind fretwork carved frieze over a pair of astragal glazed doors, the base with blind fretwork carved and satinwood inlaid slope over four cockbeaded, satinwood banded and ebony strung graduated drawers, fitted with cast brass handles, raised on ogee bracket feet. 209cm by 116cm by 56cm

An elegant Chippendale revival mahogany tall display cabinet, early 20th Century, the serpentine fronted upper section glazed to front and side panels, within shaped edges and blind fret canted corners, above the cupboard base and open undertier, raised on four square tapered supports terminating on spade feet, width approx 81cm, height approx 183cm.

COMMEMORATIVE MEDALS, BRITISH HISTORICAL MEDALS, The Great Exhibition of 1851, Amazing Set of Six Specimen White Metal Medals, by J Davis of Birmingham, almost certainly connected with the Great Exhibition of 1851, each 44mm, comprising:- 1842: Sir Marc Isambard Kingdom Brunel, Completion of the Thames Tunnel, bust left / the tunnel (BHM 2080) 1844: The Wellington Statue at the New Royal Exchange, façade / statue (BHM 2196; JT 146p; Eimer, Wellington 124) 1847: Opening of the New Houses of Parliament, river façade / interior (BHM 2294; JT 179c) 1840s: St Paul’s Cathedral, façade / 22 line legend (BHM 2372, not listed in WM; JT 39) 1840s: Westminster Abbey, façade / 21 line legend (BHM -; cf 2373; cf JT 8a) 1851: Prince Albert and the Crystal Palace, bust right / façade of Palace (Allen HP-B160) Contained in a velvet-lined maroon leather presentation case, corners decorated in blind. Medals mint state or virtually so. (6)

CREDENZA, mid Victorian serpentine shaped rosewood with a marble top over three cupboard doors with blind fretwork decoration on a plinth base, 197cm W x 98cm H x 60cm D. (with faults)

A George III Chinese Chippendale Style Mahogany Armchair with fretted trellis work to the sides. The upholstered camel back and serpentine front seat now covered in a chinoiserie fabric woven with white prunus blossom on an eau-de-nil ground, and standing on square legs enriched with intricate blind fretwork, connected by an H-form stretcher.

A George III Mahogany Chest on Chest. The upper chest having a dentil moulded top above a decorative blind fret carved frieze band, two short over three long cock-beaded drawers flanked by fluting to the canted corners. The base chest housing three further long drawers raised on bracket feet. The drawers retaining their original gilt brass swing handles. 75 ins (190 cms) high, 42 ins (107 cms) wide, 20½ ins (52 cms) deep.

An 18th Century American Mahogany 'Cock-pin' Armchair. The trellis work back bars contained in a square frame with re-entrant corners; the arms with similar trellis work leading down to a green damask seat, standing on square canted legs enriched with blind fret carved decoration and having curved open brackets to the corners, 37 ins (94 cms) high, 16 ins (66 cms) wide, 19 ins (48 cms) deep.

A Fine George III Chippendale Style Mahogany Chest on Chest. The upper section having a dentil moulded cornice ornamented with a band of blind fret-carving above three short upper drawers and three long drawers flanked by canted sides enhanced with stop-fluting. The lower chest housing three further drawers; all edged in cock-beading and fitted with cast Rococo style swing handles and escutcheons. 73½ ins (187 cms) high, 42 ins (107 cms) wide, 20 ins (51 cms) deep.

A GEO.III.MAHOGANY FOLD OVER TEA TABLE WITH BLIND FRIEZE DRAWER CENTRED WITH CARVED SHELL STANDING ON SQUARE FLUTED LEGS.

A VICTORIAN PAPIER MACHE OCCASIONAL TABLE , THE TOP DECORATED WITH PAINTING ENTITLED THE BLIND PIPER.

Ebel 18K white gold lady's bracelet watch, blind black dial, diameter 22mm,mechanical movement (working), on an integral textured bracelet, gross weight 48.6g. *See clocks and watches proviso.

An Adam style painted satinwood dining armchair and matching chair with painted medallions of Diana after Angelica Kauffmann within foliate carved backs, striped seats and on square blind fret carved legs (2)

A mahogany square occasional table the blind fret gallery above a pull out shelf and pierced sides on triple cluster legs joined by a stretcher, 66cm high and a pedestal table, 83cm high (2)

Manchester United 6 Signed 4X6 Index Card Daley Blind, Michael Carrick, Matteo Darmian, Ander Herrera, Juan Mata & Peter Schmeichel Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.

A mahogany chest on chest, with blind fret carved decoration, 102 cm wide, and a matching dressing chest, with mirror back (2)

#A George III oak hanging corner cupboard with blind fret decorated freize

>A mahogany blind fret carved oversized dressing stool, with squab cushion, raised on square chamfered legs

JOHN CRANK "Great tits", study of a pair of Great Tits, watercolour, signed lower right, together with JOHN CRANK "Common Bee Eater", study of Bee Eater upon branch, watercolour, signed lower right and AFTER NIGEL HEMMING "Now and then", limited edition colour print No'd. 107/600, bears artist's blind studio stamp lower left, signed in pencil lower right

A pair of Royal Worcester pagoda pepperettes and a Royal Worcester The Blind Earl dish after the original

A Staffordshire pastille burner, lustre jug and a pearlware figure 'Blind Justice' (A.F)

A pair of George III style mahogany dining chairs in the Chippendale manner, circa 1910, carved ribbon backs, on blind fret square chamfered legs (2) Evidence of old restoration, but to the colour only, rather than any timber repairs. faded and tired upholstery

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Peel Park", signed in pencil lower right, with Fine Art Trade Guild blind stamp lower left and letter to number stamp indicating 454 in a limited edition of 850, 41 x 79cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No tears. No foxing. No creases. Well presented. Very slight staining to margin.

AFTER DAVID SHEPHERD; a signed limited edition coloured print, "Winter Foxes", signed in pencil to lower right, bearing Solomon & Whitehead blind stamp to lower left, limited edition 411/1500, 27 x 38.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Industrial Scene", signed in pencil lower right, with Fine Art Trade Guild blind stamp lower left and letter to number stamp indicating 770 in a limited edition of 850, 37 x 26cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No tears. No creases. Well presented. Framed. Not museum glass.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited coloured print "Station Approach", signed in pencil lower right, bearing Fine Art Trade Guild blind stamp and letters to number indicating 704/850, 43 x 52cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No Tears. No foxing. No creases. Well presented.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "The Meeting Point", signed in pencil to lower right, and bearing Fine Art Trade Guild blind stamp and letter to number stamp indicating 598/850, 49 x 71cm, framed and glazed. (D) CONDITION REPORT: Cannot be taken out of frame so we cannot tell if the print has been stuck down. No foxing. Not faded. Signed in pencil. FATG and letter to number stamp as stated in description.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukColours remain good. No tears or creases. Signed in pencil. Overall good condition.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition black and white print "Great Ancoats Street", signed in pencil lower right, blind stamped (possibly "HR") and numbered 741/850 lower left, 28.5 x 38cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No Tears. No foxing. No creases. Well presented.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "His Family", signed in pencil lower right, with Fine Art Trade Guild blind stamp and letters to number indicating 37/850, 54.5 x 72cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No creases. No foxing. No tears. Presented well.

AFTER SIR WILLIAM RUSSELL FLINT (1880-1969); a limited edition coloured print "Model and Critic" with Michael Stewart Fine Art blind stamp lower left and numbered 214/850 lower right, 39 x 57cm, framed and glazed.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Three Men and a Cat", signed in biro lower right with Fine Art Trade Guild blind stamp and letters to number indicating 483/850, 27 x 17cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Signed in pen. Good colour. No tears or creases. No foxing. Overall good.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Meeting Point", signed in pencil lower right, bearing Fine Art Trade Guild blind stamp and letters to number indicating 001/850, 49 x 72cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.Colour is good. No tears. No foxing. No creases. Presented well. Signature is slightly smudged.

A French chestnut and burr walnut armoire mid 19th Century, with blind frieze drawer to plinth base 221cm high, 130cm wide, 53cm deep

A North Indian painted cupboard with twin blind doors, width 92cm, height 118cm.

Laurence Stephen Lowry (1887-1976): "The Pond", artist signed print with Guild blind stamp, 17" x 22½", framed and glazed

A reproduction mahogany display cabinet,blind fretwork to frieze, two astragal glazed doors enclosing shelving, plinth base. 183cm high x 96cm wide x 45cm deep.

Salvador Dali - Dream caused by the flight of a bee around a pomegranate, lithograph in colours, blind stamp signature and D, 103 x 73cm approx