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A Regency mahogany serving table in the manner of Gillow, the concave raised panel back above a rectangular top carved with stiff leaves, above three blind frieze drawers and raised on foliate scroll carved legs with claw feet and platform base 130 x 260 x 84cm (51 x 101 x 33in)

George III mahogany open armchair, upholstered back and seat, forelegs decorated with blind fretwork. Condition report: Fabric to upholstery requiring replacement. Condition report: see terms and conditions

Regency rosewood veneered breakfront side cabinet, top section with brass galleried shelf above mirror, central two door cupboard flanked by two smaller wing cupboards, all inlaid with brass and supporting brass grills with silk linings, blind plinth, width 257cm (101"), depth 43cm (17"), height 142cm (56"). Condition report: Replacement mirror back, replacement silk linings to grills, original shelves missing to interior but now with later replacements. Condition report: see terms and conditions

Victorian burr oak sideboard, rectangular quartered veneered top above two central drawers flanked by two cupboards all standing on blind base, width 113cm (84"), depth 66cm (26"), height 99cm (39"). Condition report: Four areas of discolouring to veneer with cracking and lifting, also two dents to the right hand side of the top, plinth with scuff marks. Condition report: see terms and conditions

Edwardian mahogany cheval mirror, classical blind fret broken, swan neck pediment above rectangular glass with moulded frame, all standing on trestle support with three turned stretchers, out swept legs with acanthus moulded decoration, height 164cm (65"), width 63cm (25"). Condition report: Overall condition good, some discolouration to mirror. Condition report: see terms and conditions

An early 19th century mahogany bureau bookcase having a blind fretwork cornice, over twin astragal glazed doors, a fall front and four graduated, long drawers, raised on bracket feet, 85 1/2h, 40 1/2 w, 21 d

A Roman Revival campaign chair shaped cresting top rail, blind fretworked decoration, lion head terminals to arms, x-frame basket seat, lion paw feet

Another silver gilt 'Surprise' Egg by Stuart Devlin 'Three Blind Mice', in textured finish, no. 17/200, in original box.

E M HESTER After HOPPNER & LAWRENCE; a series of three Mezzotints of Lady Peel, Miss Byng and Lady Langham, each signed in pencil by HESTER and with F T Dennis, London, proof blind stamp. Each 6" (15cms) x 4 1/2" (11cms).

A George III mahogany Bureau, the hinged fall revealing a fitted interior with blind fret carved decoration with small drawers, pigeon holes and cupboard, with four long graduated drawers under on bracket feet. 3' 2" (97cms) wide.

AFTER BERYL COOK (BRITISH 1926-2008), Fairy Dell, a signed colour print, published by Alexander Gallery, blind stamp and signed in pencil, approximately 44cm x 41cm, (Artists Rights May Apply To This Lot)

AFTER DAVID SHEPHERD, 'The Hot Springs of Yellowstone', limited edition no 838/1500, blind Solomon & Whitehead stamp, signed and numbered in pencil, 41cm x 58cm approximately, together with a Claire Eva Burton limited edition print, The Start, Cheltenham

ROBERT.O. LENKIEWICZ (1941-2002), self portrait, a Limited Edition colour print, blind stamped, signed and numbered in pencil lower right, 388/450, approximately 41.5cm x 40.5cm, together with an exhibition catalogue for the Halcyon Gallery signed by the artists (2)

A Dutch painted walnut secretaire a abbatant, with blind frieze drawer above the fall enclosing an arrangement of drawers, the base with pair of cupboard doors, 148cm high, 96cm wide, 46cm deep

A mid 19th century mahogany library bookcase of narrow form in two parts, the upper having a pair of astragal glazed doors enclosing adjustable shelves, the base with blind frieze over a pair of cabinet doors enclosing further shelves, 73 cm x 32 cm x 227 cm h Condition Report structure original and sound, dirty, one small glass pane cracked in two places (lower left corner) shelves intact, single key

A Georgian provincial mahogany bureau with blind-fret carved fitted interior above four long drawers

A Late 19th Century Circular Blind Carved Mahogany Framed Mirror with Bevelled Glass. 63cm Diameter

Thomas Ogden, Halifax: a George III oak and mahogany banded longcase clock, the brass dial with silver roman chapter ring, outer arabic numerals, matted centre with leaf design, ring turned winding hole and date aperture, subsidiary seconds dial, mask and scroll spandrels, two train movement with anchor escapement, the case with arched broken pediment, brass finials, blind fret frieze, glazed arched door below flanked by columns, arched waist door flanked by quadrants, panel base on plinth support, 228.5cms (98in.) high.See illustration

Laurence Stephen Lowry(1887-1976)"View of a town",signed in pencil,limited edition colour photolithograph, edition of 850, with Fine Art Trade Guild blind stamp, published 1973,43 x 54.4cms; 17 x 21 3/8in.See illustrationArtist's Resale Rights may apply, please refer to our 'Terms & Conditions'.

A George III mahogany chest-on-chest, the flared cornice above three short and three long graduated drawers to upper section, flanked by blind trellis work corners, the base fitted three further graduated drawers all with brass shell pattern scroll handles, raised on bracket feet, 107 x 61 x 190cms (42 x 24 x 75in.) high.

"Snaffles" Charles Johnson Payne(1884-1967)"John Jorrocks Esq. M.F.H.",signed in pencil,hand-coloured lithographs, bearing the Snaffles blind stamp in the margin, published c.1923,37 x 41.5cms; 14 1/2 x 16 1/4in.Artist's Resale Rights may apply, please refer to our 'Terms & Conditions'.

Sir Alfred James Munnings, PRA(1878-1959)''Gypsy Life'',signed in pencil and bearing the Fine Art Trade Guild blind stamp; with original Frost & Reed labels verso,limited edition colour collotype reproduction, published 1953,48.8 x 60.3cms; 19 1/4 x 23 3/4in.Artist's Resale Rights may apply, please refer to our 'Terms & Conditions'.

PROG/ROCK - Smashing collection of 31 x LPs. Artists/titles include The Who - My Generation (Virgin RE), Black Sabbath - Master Of Reality (Nems), Deep Purple - In Rock (boxed RE), The Pretty Things - S/T (Dutch RE), The Band - Moondog Matinee, Pink Floyd - Piper (stereo RE), Pink Fairies, Syd Barrett, Kevin Ayers, Ron Geesin/Roger Waters, Jethro Tull - Aqualung (RE green label), Blind Faith (RE), King Crimson - Poseidon (pink rim), The Yardbirds, The Incredible String Band and The Doors. Condition is generally VG to Ex.

BLUES/R&B - Electric collection of 22 x LPs. Artists/titles include John Mayall (x3) - The Blues Alone (SCL 1243 - Ex+/Ex), Looking Back (SKL 5010 unboxed ffss - Ex copy) and The Turning Point, Memphis Slim, R&B All Stars, Various - 18 King Size R&B Hits, Albert King, B B King, Blind Lemon Jefferson Volume 2 (RL-306), Billie Holiday, Cream/Eric Clapton, Canned Heat - Livin' The Blues (original blue label Liberty), Taste and Blind Faith - S/T (583059 - Ex/VG+). Condition is generally VG to Ex.

CLASSIC/BLUES ROCK - Cracking collection of 12 x essential LPs. Artists/titles are Rolling Stones (x4) - Sticky Fingers (UK original COC 59100 with 'underpants' inner and insert - Ex+/VG+), Get Yer Ya-Ya's Out, Still Life and Live (Teldec), Cream (and related x6) inc. Disraeli Gears (Reaction stereo 594 003 front laminated, Dratleaf/Immediate side 1, Dratleaf/Apple side 2 - Ex/VG+), Wheels Of Fire (Live At The Fillmore 583040 and In The Studio 583022), Blind Faith S/T (UK original 583059) and Goodbye Cream and Taste - On The Boards (US Atco SD 33-322) and S/T (US Atco SD 33-296). Condition is generally VG+ to Ex.

ALTERNATIVE ROCK - Smashing collection of 60 x LPs with twelves included too. Artists/titles include Galaxie 500 - This Is Our Music (ROUGH 156 UK), 10 000 Maniacs - Blind Mans Zoo, Screen Idols - Follow Your Heart, Shriekback - Care, Wall Of Voodoo - Call Of The West, Band Of Susans - Hope Against Hope, Nick Cave & The Bad Seeds, The Shadowland - Kaleidoscope, Dagmar Krause - Supply And Demand, The House Of Love, John Cale inc. Sabotage Live and Vintage Violence,The Young Gods, X - See How We Are, Thee Hypnotics, Bad Brains, Chris Connelly, The Denver Mexicans, We Are Frank Chickens and Hoodoo Gurus. Condition is generally VG to Ex+.

POWER CUTS STOCK - ROCK & POP - Fantastic collection of around 100 x (mainly) LPs, all ex shop stock with many sealed releases. Mainly US pressings, artists/titles will include Grayson Hugh - Blind To Reason, Waxing Poetics, Denis Lopez, Screaming Iguanas Of Love - Wild Wild Wild, The Bottles, COrey Hart inc. Bang, Frankie Goes To Hollywood, Glenn Yarbrough, The Jackson, Simon F, Billy Vera, Boot Fare, Murietta, The Main Attraction, Trance Dance, Peter Allen, A Picture Made and Elisa Fiorillo.

METAL - Mind melting madness with this mega collection of 82 x LPs. Artists/titles include Slaughter - Stick It To Ya, XYZ, Ratt inc. Invasion Of Your Privacy and Dancing Undercover, Winger, Motley Crue - Theatre Of Pain, Motorhead - Ace Of Spades (BRON 531) and Girls Girls Girls, Manowar - The Triumph Of Steel, Mammoth, Judas Priest, Helloween, House Of Lords, CJSS, Blind Illusion, Black Sabbath, AC/DC, Ravage, Anthrax, Waysted, Eviction and White Lion. Condition is generally VG to Ex.

POWER CUTS STOCK - ROCK & POP - Fantastic collection of around 100 x (mainly) LPs, all ex shop stock with many sealed releases. Mainly US pressings, artists/titles will include Scat Opera - About Time, Ian North - Rape Of Orchids, Artie White, Rosser & Davies, Nick Jameson - A Crowd Of One, Michael Huygen - Barcelona 1992, Pretty Green, Edoardo Bennato, Neon Rome, Wishes And Water, Vigil, Blind, Blancmange, A Picture Made, Elisa Fiorillo, The Children and Carolyne Bernier.

A FINE MAHOGANY CHIPPENDALE REVIVAL BREAKFRONT DISPLAY CABINET IN THE CHINOISERIE STYLE, LATE 19TH CENTURY, with pagoda fret and blind fret cresting, above compartmented glazed doors, the base with deep Chinoiserie gadroons, conforming central doors, flanked by cupboard in the form of tiers of dummy drawers and raised on six shaped and stylized scroll feet. 180cm wide, c.222cm high, 41cm deep

LOPE DE VEGA limited edition (1/175) Gregynog Press volume of 'The Star of Seville', dated 1935, printed with red and black inks having a coloured vignette to title and colophone, full dark blue calf binding with gilt designs to covers together with J B Hartzenbusch limited edition (1/175) Gregynog Press volume of 'The Lovers of Teruel', dated 1938, bound in full blind-stamped Morocco leather

A William IV mahogany twin pedestal sideboard, having three blind frieze drawers, the pedestal each with raised panels, w.185cm, d.64cm, h.130cm

A 19th century mahogany and inlaid bowfront sideboard, having a frieze drawer over blind drawer, flanked by twin cupboard doors, the top with rosewood crossbanding, w.150cm, d.54cm, h.89cm

A stunning 18th century walnut cased eight day long case clock by John Hauksbee, LondonThe hood with a moulded cornice above two blind fret work panels and two conforming arched fret work side panels, the twelve inch brass break arch dial flanked by three quarter turned columns, the break arch panel centred with a silvered roundel engraved with the maker's name and flanked by two sea serpent appliques above the silvered bezel painted with Roman and Arabic numerals embraced by openwork gilt metal spandrels, each centred with a mask, the dial with a subsidiary second dial and date aperture and an eight day movement striking on a saucer bell, the case with a rectangular moulded door with herring bone and outer crossbanding enclosing a beautifully walnut veneered panel, the lower panel with similar veneer and crossbanding, raised upon a plinth base with two weights, pendulum and clock key, 224cm high. Provenance the Robinson collection. CONDITION REPORT: Lot 597 - Working condition unknown, although we removed the clock from property Appears to have been well maintained, inactive worm and restoration to rear of hood structure, movement clean and well maintained, replaced movement, board and supports, hinges and lock replaced on door, generally good condition although some signs of restoration.

A collection of Roman blinds and curtainsTo include a pair of goblet headed interlined and lined pale beige cotton curtains along with a conforming Roman blind and four floral pattern cotton fabric blinds.

A reproduction hardwood chest on stand, 20th CenturyHaving a twin scrolling leaf openwork swan neck pediment above a blind fretwork frieze and an arrangement of two short and four long cockbeaded drawers each with pierced back plates and swing handles, the lower section with a conforming long drawer and two short drawers , flanked by carved canted corners over a carved openwork apron, raised upon leaf carved cabriole legs with ball and claw feet, 63x160x30cm.

Two pairs of striped terracotta curtainsFull length lined curtains with matching Roman blind, striped in cream beige and terracotta, triple pleat headed.

A pair of inter lined floral pattern full length curtains In shades of blue green and red on a yellow ground along with a bay window set to include dress curtains and a Roman blind in plain fabric.

'Dray Horse', ink and pencil by Edward Duncan (British 1803-1882) titled and initialled 11cm x 14cm and two similar loose studies with blind stamps (3) Condition Report Click here for further images, condition, auction times & delivery costs

Sir Frank Brangwyn RA HRSA RSW RWS PRBA RE HRMS ROI (1867-1956) The Brangwyn Portfolio of lithographs including ''Boy Playing a Violin'', ''Man Playing Harmonium'', ''Blind Begger'', ''Printer'', ''Choir'', ''Man with Nude Torso holds Sledgehammer'', ''The Statue'', ''Study of Women'', ''Study of Carpenters'', ''Entombment'', ''Two Men with Basket of Apples'', ''Men Dancing etc, various sizes (contained in original portfolio)

After Charles Johnson Payne (called Snaffles) (1884-1967) ''Sandown, asking 'em the question'' signed in pencil with the bit blind stamp, a colour reproduction, together with W. Alexander after J Fittler ''The approach of the Emperor of China to his tent in Tartary to receive the British ambassador, coloured engraving together with a black and white reproduction after Stanley Berkeley ''The charge of Scarlett's 300 or heavy brigade at balaclava 31cm by 45cm, 29cm by 44cm and 45cm by 70cm respectively (3)

Charles Johnson Payne called Snaffles, ''The Timber Merchant'', signed in pencil with the bit blind stamp, a colour reproduction, together with a further signed print after the same artist ''The Stone-Faceder'' 23cm by 30cm & 31cm by 27cm respectively (2)

After Herbert Dicksee (1862-1942) An Irish Wolfhound signed in pencil with a Fine Art Trade Guild blind stamp, a black and white etching, 22.5cm by 44.5cm

^ A George III Chippendale style mahogany fold over card table, 3rd quarter 18th century, with hinged lid enclosing a green baized line interior, with blind fret carved frieze and square chamfered legs with block feet (in need of restoration), 91cm wide

^ A George III style mahogany kneehole desk of serpentine shaped form with pull out writing surface, above a long drawer and six small drawers below, all around a cupboard door and blind fret carved stiles, 80cm wide

^ A Chippendale style mahogany serpentine fronted chest, early 20th century, of two sort and over seven graduated drawers, all between blind fret carved stiles, raised on bracket feet, 89cm wide

An Arthur Delaney 'Wicker Arches' Limited Edition Colour Print, forty nine of one hundred and fifty, 37.5 x 47.5cm, blind back stamp and graphite signed to margin.

An Arthur Delaney Coloured Print 'The Park Gates', 32.5 x 49.5cn, published by Aspinall Publications, 1974 graphite signed and blind back stamp to border (foxing, unframed).

London 1859 Duke Waring & Co engraved heading Wire Workers Sieve Bird Cage & Blind Makers

A GEORGE III CHIPPENDALE STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS, with a moulded top over four graduated drawers, blind fret work to the corners, raised on ogee bracket feet. 3ft x 3ft 5ins.

20th century school, abstracted coastal scene with buildings, limited edition colour print 168/973, indistinctly signed, numbered and dated 1978 in pencil, blind stamped, 29.5cm by 49cm, together with a 20th century European school, harbour scene, limited edition colour print 187/973, indistinctly signed, numbered and dated 1978, blind stamped, 28cm by 48cm

Tatton Winter RBA, two colour etchings, view of a church tower and cottages across a lake, published 1821 by The Museum Galleries, London, blind stamped and signed in pencil, 25cm by 35cm, and figures gathered outside a church, published 1926 by The Museum Galleries, London, blind stamped and signed in pencil, 35cm by 25cm

A George IV rosewood chiffonier, the raised panelled back with three-quarter gallery top raised on scroll brackets, over a plain top with blind frieze drawer and pair of cupboard doors beneath with pleated silk, flanked by gilt metal mounted columns, on a shallow plinth with outset corners and gadrooned toupie feet, 26½ x 15in. (67.5 x 38cm.), 45in. (114.25cm.) high.

Autograph - Victoria (1819-1901) Queen of the United Kingdom Great Britain & Ireland 1837-1901, a bold ink signature ('Victoria R I', as Queen) on a piece clipped from the head of an official document, bearing a blind embossed paper seal.

A good George III Chippendale style part-glazed corner cupboard, with canted corners, the moulded dentil cornice over a blind fret frieze and thirteen pane astragal glazed doors enclosing a green painted interior with three shaped shelves, the base with single mahogany lined drawer with original swan's neck handles over a pair of fielded panelled doors enclosing a single shelf, on a plinth base, 79in. (201cm.) high, 40½in. (103cm.) wide.

AN OAK THIRTY HOUR LONGCASE CLOCK, BY WILLIAM BIRD, SEAGRAVE, C1770 the engraved brass dial with date sector and inscribed Willm Bird SEAGRAVE, with rococo spandrels, the flat topped hood with blind fret carved cornice, the trunk enclosed by a ogee arched door, 194cm h, with pendulum and lead weight ++The movement and dial original to the case, much old worm damage to backboard and seat board, dial loose on the movement, the movement with dirt, vertical shrinkage crack in base. The case of pleasing old deep colour and patina

AN F & R PRATT & CO OVAL COMPORT DECORATED WITH THE BLIND FIDDLER AFTER SIR DAVID WILKIE, 34CM OVER HANDLES, PRINTED MARK, CIRCA 1860

Seven prints to include after Mick Cowston; a limited edition print of Labrador gun dogs, no432/850, signed to lower-centre, print of children playing blind man's bluff, a farmyard scene etc.

BLIND-STAMPED PIGSKIN, 16th century binding: Symbolorum Imperatoriorum, Nicholas Reusner, Frankfurt, 1588, the first edition, in dated blind-stamped pigskin over wooden boards with holes for clasps. Figures in central panels - upper cover wielding a sword; surmounted by initials 'C.R.' miniscule text below and dated '1588', the year of publication. Lower cover with blind-stamped figure wielding axe (Est. plus 18% premium inc. VAT) (Illustrated)

A MAHOGANY LONGCASE CLOCK by Samuel Hirst, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched brass dial with silver centre chased with foliate scrolls, Roman and Arabic numerals and two secondary dials, signature roundel to the arch, the later case with blind fret panels, arched key moulded cornice on fluted Corinthian columns surmounted with urn finials, canted trunk with arched door, panelled base and ogee bracket feet, 102 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)