We found 44918 price guide item(s) matching your search

A 1920`s solid dark oak sideboard, pair of frieze drawers with blind fret detail, above two pairs of panelled cupboards, on bulbous supports, 5ft.

Erich Wolfsfeld (German 1884-1956); Spanish peasant family, Spanish family group (two signed states), the blind guitar player, four etchings, 55x89cm, 56x84cm, and 62x54cm (4)

Erich Wolfsfeld (German 1884-1956); blind guitarist, statue of president Rooseveld in Grosvenor Square, London, boy with cattle and pigs (three states), children with calves, etchings (6)

A Craig Campbell limited edition print of Manchester United v Aston Villa entitled "Going For Gold", 38/500 with Fine Art Guild blind stamp and pencil signature, dated 95, 36.5 x 50cm, framed and glazed

A 19th century figured mahogany veneered tall bookcase, having two astragal glazed panel doors enclosing adjustable shelves, above two blind-panel base doors, raised on shaped bracket feet, width 115cm

Frith (William Powell) The Railway Station a bustling genre scene at Paddington station, engraving by Francis Holl, on laid india paper, 635 x 1220mm., titled lower right, publisher`s blind-stamp, lower right, marginal browning, a dampstain to lower right corner, into the plate, but well outside the image, in substantial antique veneer frame, this bearing brass presentation plaque of Cap. L.V. Popkiss, 1934, Henry Graves and Co., 1866. ***Designed by Isambard Kingdom Brunel and Matthew Digby Wyatt, Paddington Station remains one of London`s most attractive termini, here displaying the delicate wrought-iron tracery of the glazed arches in the original sheds, and the elegant wing-motif spandrels derived from Egyptian tomb paintings that hark back to Brunel`s earlier Clifton suspension bridge and its masonry pylons originally surmounted by sphynxes..

Farrell (Frederick) Vilna Basilica and Tower etching, 225 x 230mm., signed in pencil, below, and with Fine Art Trade Guild blind-stamp, lower left, early 20th century; with a wood engraving of the Kremlin, 105 x 145mm., 19th century(2)

Sutherland (Graham) three headed rock (orange) lithograph printed in colours, 690 x 560mm, blind stamped signature, numbered from the edition of 75, on wove paper, with full margins, in good condition, 1972

A set of three Queen Anne graduated lighthouse casters of cylindrical form, crested with monogram, having reeded girdles, engraved initials to the bases PJT, the detachable covers with bayonet fittings and ring turned finials, one 17cm high, maker`s mark partially worn (A-) possibly Charles Adams, , London, 1706, the pair 13.5cm high marks worn and one with blind piercing, together with a near matching smaller caster of cylindrical form, 10cm high, marks worn, London 1705, total weight of silver 17.23ozs. (4).

A George III gentleman`s mahogany serpentine dressing chest, the top with a moulded edge, the frieze drawer having a fitted interior with open and lidded compartments and central adjustable rachetted mirror, enclosed by a baize inset panel brushing slide, containing three long drawers below, between blind fret carved canted angles, on bracket feet, 113cm (3ft (8 1/2in) wide.

A 19thC rosewood writing box of rectangular form with rounded sides, inlaid with brass stringing and centre shield, engraved with initials, the side fitted with a carrying handle, internally fitted with a velvet slope(damaged) and blind stamped leather compartment with ink well, 35.5cm wide

A Victorian silver trophy cup, embossed floral decoration with blind cartouche, fitted two scroll handles with acanthus leaf thumb pieces, London 1893, 21.5cm (8 1/2in) high, approx 30 troy oz, with ebonised socle

Edward Angelo Goodall RWS (1819-1908). Sailing barges at Venice, watercolour, with blind studio stamp lower right, 28 x 47 cm (11 x 18 1/2 in). Provenance: Heather Newman, Gloucestershire, 1993

An early 19th Century mahogany ship's table having twin narrow flaps, the top attached to a rocking, gimbal style cupboard, each side of the cupboard having a single door with blind panel alongside. Top 44 x 44 ins unopened

Dan Brown, Glasgow, A Scottish mahogany cased longcase clock, the hood with flat top, dentil moulded cornice, blind-fret quadrants and arched glazed door, flanked by twist-turned columns, the trunk with dentil moulding and gilt-metal acanthus mount, incurved upper corners to the rectangular door, flanked by twist-turned quadrant columns, raised on a plain plinth, the 8-day movement with brass dial and circular disc to the arch inscribed Dan Brown, Glasgow, flanked by gilt metal dolphins, gilt metal rococo spandrels, silvered chapter ring and centre, engraved with foliate scrollwork, incorporating subsidiary seconds and calendar dials, late 18th/early 19th Century, 203cm high

A Houghton "Empress" Mahogany and Brass Folding Field Camera, with Ensign Symmetrical F-8 lens, roller-blind shutter and plateholder, in a canvas case.

A pratware dish of oval form "The Blind Fiddler", a black and white transfer printed meat dish, Crown Devon fielding jug, Limoges style saucer and green glazed dish.

A DEANS MICKEY MOUSE, (deaf and blind), 30 cm

A LONGCASE CLOCK, the 25.5 cm arched square brass dial signed J W BENSON, London, German make, the silvered chaptering with Arabic numerals, and acanthus leaf engraved centre with subsidiary seconds dial, the arch with S T MICHAEL/WHITTINGTON/WESTMINSTER CHIMES, and with STRIKE/SILENT to 3 and 9, fitted an eight day movement striking on nine gongs, in a mahogany case with blind fret carved decoration, the trunk door and sides with glazed panel, on ogee bracket feet, 211 cm high See illustration

HELEN BRADLEY "ON A LOVELY SUMMER`S DAY, MOTHER THE AUNTS, MISS CARTER AND MISS TAYLOR WENT FOR A WALK IN THE ENCHANTED GARDEN", coloured print signed in pencil with blind stamp published by Miss Carter publications, 17"x21"

HELEN BRADLEY "ON A BEAUTIFUL WINTER`S DAY, MOTHER SAID SHE WOULD LIKE TO OUR FAVOURITE PICNIC PLACE IN THE SNOW", coloured print, signed in pencil with blind stamp, 12"x15½"

George III style mahogany serpentine small chest of drawers, the crossbanded top over a pull-out slide and four graduated drawers flanked by blind fret canted corners and upon bracket feet, 30" wide

Two Indian silver coloured cigarette cases, with ornate blind filigree work.

E V LUCAS: THE OPEN ROAD, ill Claude A Shepperson, 1914, 16 tipped in col`d plts, 4to, orig blind stpd cl

HENRY MAYHEW AND GEORGE CRUIKSHANK: 1851 OR THE ADVENTURES OF MR AND MRS SANDBOYS AND FAMILY WHO CAME UP TO LONDON TO ENJOY THEMSELVES AND TO THE SEE THE GREAT EXHIBITION, L, D Bogue, [1851], 1st edn, 9 etched plts, mainly fdg, orig blind stpd cl worn, some leaves loose

WILLIAM HAZLITT: MEN AND MANNERS SKETCHES AND ESSAY, L, Office of the Illustrated London Library, 1852, hf ttl, orig blind stpd cl

EDWARD HYDE FIRST EARL OF CLARENDON: THE HISTORY OF THE REBELLION AND CIVIL WARS IN ENGLAND ....., Oxford 1702-04, 1st edn, 3 vols, engrd port frontises, engrd vig ttls, fo, old blind stpd cf, rebkd (3)

EDWARD JUKES: ON INDIGESTION AND COSTIVENESS WITH HINTS TO BOTH SEXES ....., L 1832, 3rd edn, lacks rear EP, orig cl, ptd paper label worn + JAMES MANBY GULLY: THE WATER CURE IN CHRONIC DISEASE, circa 1848, 13th edn, orig blind stpd cl (2)

THE MAGICIAN`S OWN BOOK, NY 1857, orig blind stpd pict cl gt

WILLIAM CAVE: SCRIPTORUM ECCLESIASTICORUM HISTORIA LITERARIA ......, L 1698, fo, old blind stpd cf recased

THE HOLY BIBLE --------, Oxford, M Baskett, 1762, added engrd ttl, bound in at front, THE BOOK OF COMMON PRAYER, Oxford, M Baskett, 1764, bound in at end, A BRIEF CONCORDANCE, L, C & R Ware, 1762, and THE WHOLE BOOK OF PSALMS, L, H Woodfall, 1756, 4to, blind stpd mod cf, not in Herbert

THE BOOK OF COMMON PRAYER, L 1706, 4to, old blind stpd cf, recased

IZZAC WALTON AND CHARLES COTTON: THE COMPLEAT ANGLER, 1766, 2nd edn, a fine green Goat skin binding by Thomas Gosden, circa 1820, the covers with gilt borders and blocked in blind with portraits of Walton to top board and Cotton to the bottom board, enclosed by rods, reeds and fish etc, with masks and a vignette at the foot of each block, spine with fine bands tooled in gilt, all edges gilt

THIRTY PLATES ILLUSTRATIVE OF NATURAL HISTORY, S P C K, 1845, 4 Vols, each with 30 col`d plts, orig blind stamped cl, gt, obl, 4to, (4)

JOSEPH HOLDSWORTH: ON THE EXTENSION OF THE ENGLISH COALFIELDS, BENEATH THE SECONDARY FORMATIONS OF THE MIDLAND COUNTIES, 1866, 1st edn, orig blind stamped cl gt

THOMAS W COWAN: THE BEE KEEPER`S RECORD, 1910-1914, 5 vols, orig blind stamped cl gt, worn, + THE BRITISH BEE JOURNAL AND BEE KEEPERS ADVISER, 1911-1914, vol 39-42, orig blind stamped cl gt, worn + CHARLES NASH ABBOTT: THE BRITISH BEE JOURNAL AND BEE KEEPERS ADVISER, 1875-1877, vols 3-4 bound in one, orig hf cf gt, v worn + REV HERBERT R PEEL: THE BRITISH BEE JOURNAL AND BEE KEEPERS ADVISE, 1884, vol 12, orig hf cf gt, worn, (11)

JOHN KEYS: A TREATISE ON THE BREEDING AND MANAGEMENT OF BEES, 1814, orig cl worn + EDWARD BEVAN: THE HONEY BEE, ITS NATURAL HISTORY, PHYSIOLOGY AND MANAGEMENT, 1838, 1st edn, orig blind stamped cl, worn, bottom bd detchd, top hinge split, losses to spine + HENRY TAYLOR: THE BEE KEEPERS MANUAL, 1860, 6th edn, orig blind stamped cl gt + THOMAS WILLIAM COWAN: THE BRITISH BEE KEEPERS GUIDE BOOK, 17th edn, orig pict cardboard wraps, v worn, (4)

J E TAYLOR: THE SAGACITY AND MORALITY OF PLANTS, [1904], new edn, orig blind stamped cl gt + CHARLES DARWIN: THE EXPRESSION OF THE EMOTIONS IN MAN AND ANIMALS, 1904, orig blind stamped cl gt, v worn + R C PUNNETT: MENDELISM, 1912, 4th edn, orig cl + J B S HALDANE: THE CAUSES OF EVOLUTION, 1932, orig cl gt, worn + CHARLES DARWIN: THE ORIGIN OF THE SPECIES AND THE DESCENT OF MAN, [circa 1949], orig cl gt, d/w, v worn, ex lib, (5)

CHARLES DARWIN: THE ORIGIN OF SPECIES BY MEANS OF NATURAL SELECTION OR THE PRESERVATION OF FAVOURED RACES IN THE STRUGGLE FOR LIFE, L, John Murray, 1888, 6th edn, 35th thou, 32pp catalogue adverts at end dated November 1886, orig blind stpd, cl gt

CHARLES L FREESTON: THE HIGH ROADS OF THE ALPS, 1911, 2nd edn, orig pict cl gt + FRANK FOX: SWITZERLAND, 1915, orig blind stmpd cl gt, top edge gt, (2)

WILLIAM GRAY FEARNSIDE AND THOMAS HARRAL: THE HISTORY OF LONDON, Ill by Views in London an Westminster, circa 1849, orig blind stmp cl gt, worn, all edges gt, ex lib, 4to

REV HOBART CAUNTER: THE ORIENTAL ANNUAL OR SCENES IN INDIA, 1834, 25 engrd plts, orig blind stpd pict cl gt, edges slightly worn, aeg

WILLIAM ANDREWS AND ELSIE M LANG: OLD ENGLISH TOWNS, 1925, orig two-tone cloth gt, d/w worn, + J CUMING-WALTERS: ROMANTIC CHESHIRE, 1930, 1st edn, orig cl gt, + IRIS WEDGWOOD: NORTHUMBERLAND AND DURHAM, 1932, 1st edn, orig blind stamp, two-tone cl gt, d/w (3)

THE NATIONAL GAZETTEER OF GREAT BRITAIN AND IRELAND, [1868], 12 divs, orig blind stpd cl gt, spine slightly faded (12)

WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF NORFOLK, 1864, 3rd edn, orig blind stpd full cf, rebkd, orig backstrip re-attached

WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF NORFOLK, 1845, 2nd edn, orig blind stpd full cf slightly worn, rebkd, mod cf

A COPY OF THE POLL FOR THE KNIGHTS OF THE SHIRE FOR THE COUNTY OF NORFOLK, 1734, orig blind stpd reverse cf gt, rebkd, orig backstrip re-attached, worn and soiled

REV J H BLOOM: NOTICES HISTORICAL AND ANTIQUARIAN OF THE CASTLE AND PRIORY AT CASTLEACRE, IN THE COUNTY OF NORFOLK, 1843, orig blind stpd cl gt, rebkd, orig backstrip re-attached + W G CLARKE: IN BRECKLAND WILDS, 1926, orig cl bkd bds gt + COLIN STEPHENSON: WALSINGHAM WAY, 1970, 1st edn, orig cl gt, d/w + SUSANNA WADE MARTINS: A HISTORY OF NORFOLK, 1984, 1st edn, ttl pge sigd by author, orig cl, d/w + TED EALES: COUNTRYMAN`S MEMOIRS, 1986, 1st edn, orig laminated pict bds + A N W STIRLING: COKE OF NORFOLK AND HIS FRIENDS, 1912, orig cl, slightly worn + KELLY`S DIRECTORY OF NORFOLK, 1937, with map, (repaired), orig cl gt, v worn, top bd detchd, spine loose + six further assorted booklets, Norfolk interest (13)

Colin Self (b.1941) unique car the rare silkscreen printed in orange and black 1968 signed titled and dated in white ink the edition was 15 on wove paper with the Addenbrooks Hospital blind-stamp the full sheet printed to the edges in good condition sheet 678 x 1058mm. ***The present work is a reversed silkscreen version of Car in the Power and the Beauty series.. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.

A gilt framed and glazed Limited Edition (463/850) colour L S Lowry Print `Going To Work` 1959 with limited edition blind stamp, 17" x 23"

Oldham (J. Basil) English Blind-Stamped Bindings, 1952, folio, ltd. edition, dust wrapper (torn); Middleton (Bernard C.), A History of English Craft Bookbinding Technique, 1963, dust wrapper; Bartram (Alan), Five Hundred Years of Book Design, 2001, dust wrapper; with a quantity of books on book binding and typography and a small quantity of related slides (qty)

A late Victorian mahogany display cabinet/cupboard, the up turned top with stepped cornice over blind fret panel and a pair of astragal doors, the lower with a pair of drawers and cupboards, all chased with blind fret decoration and raised on ogee bracket feet, 111 cm wide.

A George III mahogany chest on chest, the moulded cornice above a blind fret carved frieze and two short and three long graduated drawers, flanked by canted blind fret corners, the lower section with three long graduated drawers flanked by conforming canted corners, raised on ogee bracket feet, 118cm wide, 201cm high, 56cm deep

CRONAU, Rudolf. Geschichte der Solinger Klingenindustrie. Stuttgart: Commissionsverlag von Gebrüder Kröner, 1885. Folio (365 x 275mm). Additional tinted pictorial title, title printed in red and black, plates. Original calf decorated in gilt and blind, gilt edges (part of spine lacking, another section detaching, extremities rubbed). This book lot is zero rated for VAT.

[NOLAN, Louis Edward (1818-1854)]. The Training of Cavalry Remount Horses. A New System. London: Parker, Furnivall & Parker, 1852. 8vo. Half title, wood-engraved frontispiece, title with vignette [counted as a plate] and 18 plates by Henry Alken (some mainly marginal staining and spotting to title and most plates). Original cloth lettered in gilt and decorated in blind (corners bumped). The author is best known for his controversial role in launching the ill-fated Charge of the Light Brigade during the Battle of Balaclava. He was also its first casualty. With 9 other miscellaneous books including The Exercise of the Foot; with the Evolutions, According to the Words of Command (London, 1690) and An Historical and Descriptive Account of the Royal Hospital, and the Royal Military Asylum, at Chelsea (London, 1805). (10) This book lot is zero rated for VAT.

SPITZER, Frederic (?1815-90), and others. La Collection Spitzer. Catalogue des Objets d` Art et de Haute Curiosite Antiques, du Moyen Age & de la Renaissance Composant l` importante et précieuse Collection Spitzer. Paris: Maison Quantin, Librairie Centrale, 1890-92 [1893]. 7 volumes including Sale Catalogue, folio (495 x 345mm) [Catalogue 387 x 284mm]. Half titles, titles printed in red and black, 341 photogravure plates, many tinted or coloured, wood-engraved illustrations (occasional light spotting or staining). Finely-bound in uniform early 20th-century dark blue crushed morocco gilt by Birdsall & Son of Northampton, covers with gilt ruled, tooled and blind borders, spines gilt in compartments, dentelles, gilt edges (a few scuff marks, mainly to joints, corners lightly bumped). NUMBER 32 OF 600 COPIES "SUR PAPIER VELIN." Volume VI of this monumental work is devoted to arms and armour. This book lot is zero rated for VAT.

18/19th Century oil on canvas, The Blind Beggar, unsigned, 20" x 26", framed.

Good quality late seventeenth century eight day longcase clock by Jonas Barber, Ratclif Cross, London with gilt and silvered square dial with cherub head spandrels, subsidiary seconds and date aperture, ringed winding holes, ornate pierced hands in original inlaid walnut veneered case with blind fret cornice, spiral twist pilasters, door with oval lenticle glass on platform base, 200cm high

A Fine 17th Century Italian Walnut Chest of Drawers of small proportions. The top having rounded corners above a dentil moulded frieze. The three long graduated drawers enriched with blind fret-work foliage framed by chip-carved divides. Standing 32½ ins (81 cms) in height on later bracket feet 32 ins (81 cms) in height x 18½ ins (47 cms).

A 17th Century Oak Wall Cupboard. The moulded top above two fielded panel doors carved with blind fretwork foliage centred by beveled protuberants. The arched centre panel enriched with a fanned flower head issuing fruit & foliage and divided by large split turned reel & baluster spindles. 19¼ ins (49 cms) in height, 54 ins (138 cms) in width, 10½ ins (27 cms) in height.