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Lot 184

A George III mahogany gentleman's dressing chest, the top with moulded edge above four long graduated and cockbeaded drawers with brass brass drop handles, the upper drawer fitted with lidded compartments and pen tray around a central ratcheted slope, between blind fret carved canted angles, on ogee bracket feet, 102cm wide, 94cm high, 56cm deep

Lot 248

* A pair of Chippendale Revival mahogany pier tables, the rectangular tops above beaded friezes, on blind fret applied chamfered square section legs headed by angle frets and ending in block feet (2), 89cm wide, 74cm high, 46cm deep

Lot 2105

An Edwardian mahogany display cabinet-on-stand with blind fretwork decoration, the breakarch pediment above a pair of astragal glazed doors, the serpentine base fitted with two drawers, on square tapering legs, width approx 76cm.

Lot 35

After Sir David WilkieThe Blind Fiddler; Village PoliticiansA pair, both on ivoryEach 8.75 x 12cm (2) ++Good condition

Lot 749

Brounker Watts, London, an early 18th century green lacquer oak longcase clock, the rectangular hood with three ball and spire finials and blind frets below the cornice, the trunk with raised chinoiserie decoration and lenticle, raised upon a restored plinth, the 12 N inch brass dial signed below the centre 'Brounkr Watts / London', with engraved silvered day and deity figure dial to the arch, gilt boys and crown spandrels, seconds dial and date aperture, all within a feather banded border, the 5 pillar movement with outside countwheel strike (the seatboard replaced), 259cm high

Lot 752

A 19th century mahogany console table in the 'Chippendale' manner, with marble top and blind fret carved decoration 75 x 153 x 71cm (29 x 60 x 27.5in)

Lot 794

A pair of 'Chippendale' revival pier tables, circa 1920, with blind fret carved decoration, 76 x 89 x 46cm (30 x 34.5 x 18in)

Lot 908

A William IV rosewood pedestal work table, circa 1840, the top with blind fret 'Gothic' arch decoration, the base with scroll feet, 76 x 63.5 x 42cm (29.5 x 25 x 16.5in)

Lot 455

A Moorcroft pomegranate pattern two handled trumpet vase, with typical two blind decoration against a mottled blue green ground, signed and impressed marks, 6ins

Lot 812

A George III mahogany chest on chest, with blind fret frieze, two short and three long drawers over three graduated long drawers, on bracket feet, 6ft 2ins x 3ft 8ins

Lot 527

Six various cards blind stamped Elliot (6)

Lot 531

Nine various cards by Alfred Silvester, all blind stamped including 'Rustic Music' and 'National Sports' (9)

Lot 846

After Edward Wesson (1910-1983) - view of the Thames with St Paul's Cathedral beyond, signed in pencil, blind stamp, colour reproduction print, 14" x 20.25"

Lot 969

Chinese Chippendale style mahogany wall mirror/shelf, the rectangular bevelled plate within a pierced blind and fretwork frame, 13" high, 33" wide

Lot 664

A box of artificial flowers in various materials including a pearlised spray, several early Lord Haig poppies and leaves. In original box labelled "From John Groom's Crippleage and Flower Girls Mission, Sekforde Street, Clerkenwell, EC1" and "Industrial Training Homes for afflicted, blind and crippled girls". Early 20th century.

Lot 2227

A George V mahogany hanging corner cabinet, the blind fretwork frieze and canted corners above a glazed door.

Lot 504

A late Victorian figured mahogany side-by-side cupboard bookcase, fitted three frieze drawers with gilt brass handles, the central open bookcase section with two cupboards either side, their doors with raised and moulded panels, raised on blind plinth, 201cm (79in)

Lot 509

A George III crossbanded and inlaid mahogany demi-lune sideboard of pedestal form, fitted one long frieze drawer above a pair of shaped cupboard doors with inlaid quatrefoil details, raised on a blind plinth foot, 117cm (46in) wide

Lot 97

A 19TH CENTURY WELSH OAK GLAZED CABINET, having single door with blind panels below, under a moulded cornice. 33" Wide x 11" Deep x 40" High.

Lot 98

EARLY 20TH CENTURY MAHOGANY DISPLAY CABINET, having moulded cornice over centre breakfront door with arched glazing bars, three panelled blind cupboards to the base on square tapering legs. C1920. 48" Wide x 16.5" Deep x 77" High.

Lot 117

A VICTORIAN MAHOGANY DOUBLE CORNER CUPBOARD, having moulded cornice above single glazed door with arched glazing bar, revealing three fitted shelves to the interior, on a projecting base with two arched blind panel doors having bone shield shaped escutcheons and standing on bracket feet with a shaped apron. C1885. 37" Wide x 20" Deep x 88" High.

Lot 120

A 19TH CENTURY WELSH OAK TWO STAGE CORNER CUPBOARD, having moulded cornice over two doors now with diamond leaded glazing, revealing two fitted shelves to the interior, the projecting base with two burr wood blind panel doors, standing on bracket feet. C1880. 18.5" Wide x 20" Deep x 84" High.

Lot 123

A VICTORIAN WELSH OAK DOUBLE CORNER CUPBOARD, having moulded cornice over two moulded glazed doors revealing two fitted shelves to the interior, the base with two rectangular blind panel doors standing on turned feet. C1890. 44" Wide x 20" Deep x 80" High.

Lot 135

A 19TH CENTURY WELSH OAK AND MAHOGANY "SCOTCH" TYPE CHEST OF DRAWERS, having moulded top above tiny short freize drawer, blind box drawer flanked by short cockbeaded drawers, three graduated cockbeaded drawers below flanked by twist turned columns and standing on replacement baluster feet with a shaped apron. Rosewood turned knobs with mother of pearl escutcheons. C1875. 52" Wide x 21.5" Deep x 50" High.

Lot 69

An ornate silver mounted easel back dressing table mirror, embossed acanthus scroll with blind cartouche, faded velvet back, fitted bevel plate, Birmingham 1902, 46cm (18in) high

Lot 248

After Charles Johnson Payne, "Snaffles","Andsome is - Wot Andsome Does", coloured print, pencil signed, blind stamp, 25cms x 30cms, (10" x 12").

Lot 364

A late 18th Century oak and mahogany "North Country" longcase clock by Richardson of Weverham, the 13ins polished brass square dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to dial centre to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and blind fret frieze, and turned and fluted columns to hood, the shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, conforming plinth, on ogee bracket feet, 90ins high.

Lot 255

GEORGE VI DISTINGUISHED FLYING CROSS awarded to 'P/O James McCubbin, No.9 Squadron, R.A.F.', with fitted case, Postagram Congratulations dated 12th September 1943 and signed by 'A.T.Harris, Air Chief Marshal', his Pilot's Flying Log Book (September 1941-May 1947), personal uniform portrait and crew photographs (including his Lancaster "Cutty Sark"), United States Army Southeast Air Corps Training Center and Blind Flight certificates (March 1942), Membership Card and badge for The Goldfish Club (escaping death by use of his Emergency Dinghy on October 28th 1942), RAF Officer's cap insignia, USAF Officer's silver wings, Ministry of Civil Aviation Pilot's Certificate and Licence, Examination and School certificates, and photocopy information

Lot 1

Late C18th Oak Hanging Corner Cabinet with serpentine shaped shelves, fielded panelled blind door under small cornice

Lot 608

WALTER HENRY SWEET (1889-1943). Etching, Clovelly fish market, Devon, signed in pencil, Fine Art Trade Guild blind stamp, 25cm x 17cm, framed. NB. A watercolour of an almost identical scene is also recorded by the artist.

Lot 885

An Edwardian mahogany fold over card table of rectangular form, the blind fret work frieze with carved detail above acanthus carved knees, all raised to slender cabriole legs with scroll work lion’s paw feet, 92cm square when opened. ILLUSTRATED

Lot 775

"Over the Forth" by David Shepherd, a coloured print, limited edition No.345 of 850, with publishers blind stamp, 21" x 30 3/4", gilt frame

Lot 411

A early 19th Century oak longcase clock with blind fret frieze to the cornice, fitted a square brain dial with eight-day movement by Prew, Tewkesbury

Lot 155

RONALD WILLIAM FORDHAM SEARLE (British, b. 1920) 'Pastoral', 49/99, signed in pencil and dated 1975 lower right and titled and numbered in pencil lower left, colour lithograph on wove paper, with Michel Casse, Paris blind stamp, 19 1/2" x 25" (see illustration)

Lot 300

AFTER FRANK ALGERNON STEWART (British,1877-1945) The Hunt crossing a country stream, signed in pencil lower right and with Fine Art Trade Guild blind stamp lower left, published by Vicars Brothers Ltd in 1933, 8" x 24" (see illustration)

Lot 455

An early 19th Century made up mahogany side table, the rectangular top over shaped frieze, raised on square supports with all over Chinese, Chippendale blind fretwork decoration, 91 cm wide

Lot 465

A reproduction mahogany hanging corner cupboard with dentil cornice over blind fret panel, the single astragal door enclosing a pair of shaped shelves, 43 cm wide, together with a Victorian walnut rush seated chair, raised on splayed feet.

Lot 113

Mahogany serpentine linen press, early 20th century, with blind fretwork carving, panelled doors enclosing four slides, over two short and two long graduated drawers on bracket feet, 814822

Lot 265

Sir William Russell Flint. Two ladies in an interior, blind stamp. Signed in pencil. 43 x 58cm.

Lot 127

JAN MICHAEL PIENKOWSKI (b 1936) ‘Deaf Dumb and Blind’ watercolour, monogrammed 24 x 52cm

Lot 827

An elegant 19th century mahogany Cheval mirror of Regency design, having a Greek key and blind fret moulded cornice above the fluted swivel plate, flanked on either side by quarter cluster column uprights, raised on downswept fluted legs terminating on spayed feet, height 165cm (Illustrated)

Lot 368

MAUNDRELL, HENRY "A Journey from Aleppo to Jerusalem at Easter AD 1697", Oxford, printed at the Theatre, 1740, 6th edition, folding plates, blind library stamps on title page and half title, contemporary calf binding, gilt tooling and blind stamp decoration, some loss of backstrip

Lot 372

OCKLEY, SIMON "The Conquests of Syria, Persia and Egypt, by the Saracens...", London, 1708, library plate inside front cover, barcode front free end paper, contemporary full leather binding, blind stamped, raised bands, boards detached, sellotape repairs

Lot 177

An oak long case clock case, the break arch hood with blind fretwork frieze above turned columns, the trunk with mahogany quarter columns and shell carved strung door on a crossbanded base raised on inward scrolling bracket feet, 92 1/4" high.

Lot 194

A Georgian oak long case clock case, the pagoda top hood with blind fretwork frieze and fluted pilasters above a moulded door and double skirt base, 81" high.

Lot 302

Late 19th Century inlaid figured walnut cased upright disc playing musical box 'The Imperial', the case having an ebonised stepped cornice with a fretwork frieze below, the single comb mechanism enclosed by a pair of blind panel doors, standing on bun feet, 48cm wide together with twenty-one 11.75" discs

Lot 3

1920s period painted pine door having an upper stained and leaded glass panel with two blind panels below together with matching side lights/panels and top lights, door 204cm x 86cm, overall dimensions 272cm x 160cm

Lot 48

Victorian marquetry inlaid figured walnut side cabinet, the blind panel door having ebonised banding and central foliate decoration, cast brass mounts and standing on a plinth base, 81cm wide

Lot 138

Lowry, Laurence, Stephen (1887-1976)-Signed limited edition coloured print-Meeting Point, signed in pencil and with blind stamp, 48cm x 71cm

Lot 101

A George III oak eight day longcase clock, the 11 inch square brass dial with silver chapter ring signed 'Edward Patrick at Parshore', with centred subsidiary seconds dial and date aperture, the chapter ring with Roman and Arabic numerals, within cherub moulded pierced corner spandrels, the restored four pillar movement with anchor escapement striking on a single bell, the hood with quartrefoil blind fret frieze over a square glazed door between turned front corner hood pilasters (pilasters possibly later), over a narrow ogee moulded crossbanded long trunk door, between short quarter fluted front corner trunk pilasters on a plain box base with later skirting plinth, 206cm high

Lot 130

An early 20th century mahogany Chippendale revival floor standing cabinet bookcase, the cornice with Greek key and blind fret moulding over two astragal glazed doors revealing four adjustable shelves on front corner short cabriole legs with ball and claw foot, 114cm wide, 176.5cm high, 32cm deep

Lot 239

A TOILET TRAY, William Aitken, Birmingham 1917, of lobed oval form, with gimped and moulded rim and blind cartouche on an engine turned ground, 12" wide, 10ozs 11dwts

Lot 242

A JEWEL BOX, maker's mark H & A, Birmingham 1915, of shaped oval form, the engine turned hinged lid centred by a blind roundel, raised on slender cabriole legs and pad feet, 4" wide

Lot 243

A SCENT BOTTLE, London 1921, the hinged lid with blind cartouche on reeded ground, on flower and diamond cut bottle, 4 1/2" high, and a similar plain lid scent bottle (2)

Lot 284

A VICTORIAN MUG, John Round, Sheffield 1895, of tapering form with foliate and beaded loop handle, the sides embossed with a large leaf and flowers around a blind oval cartouche, 3 1/4" high, 3ozs 10dwts

Lot 582

SIR WILLIAM RUSSELL FLINT P.R.S.A. R.A. (1880-1969), Carisande, reproduction in colours, limited edition 677/850, with blind stamp for Michael Stewart Fine Art, 12 1/4" x 19 1/2", framed

Lot 586

GEOFFREY WOOLSEY BIRKS (1929-1993), The Cobblers Shop and The Blacksmith, a pair, reproductions in colour, signed in pencil with blind stamp, limited editions 198/375, and 357/375, 11 1/4" x 11 1/4", framed

Lot 588

GEOFFREY WOOLSEY BIRKS (1929-1993), Snobby Kids, reproduction in colours, signed in pencil with blind stamp, limited edition 107/375, with painted figure remarque, 9 3/4" x 19 3/4", framed, and another Industrial Street Scene on a Rainy Day, signed in pencil with blind stamp, limited edition 273/375, 7" x 10", framed (2)

Lot 817

A VICTORIAN WALKING STICK, the hardwood grip carved as a mastiff's head with glass eyes and articulated mouth, leather strap, ebonised shaft with gilt metal collar embossed with a blind shield on scrolling foliate ground, and brass tip, 37" wide

Lot 862

AN OAK EIGHT DAY LONGCASE CLOCK, signed Humphrey Hadley, Birmingham, the four pillar movement with anchor escapement and rack striking on a bell, 12" arched brass dial with silvered chapter ring and matted centre chased with a crown and foliage, calendar aperture and secondary dials, the arch with penny moonphase, the case with stepped flat top, dentil moulded cornice and blind fret frieze on turned columns, canted trunk with arched door, on panel base, 82 1/2" high

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