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Sascha Lobe (German b.1967), Abstract Screenprint Blue Composition, blind stamped, measurements 50 x 42 cm (SH), together with a further blue abstract work 50 x 26.5 cm (SH) and an Abstract in red 59 x 42 cm (SH) (3)

David Tindle (b.1932) The Garden, monotype etching, blind stamped on wove paper, signed bottom right, measurements 34 x 44 cm (PL), frame 54 x 63 cm Provenance: private collection southern England

Barbara Hepworth (1903-1975) Sun and Water, from the Aegean Suite, lithograph on wove paper, signed in pencil bottom right, numbered 34/60, blind stamp bottom left, measurements 76 x 54.5 cm (PL), 81 x 58 cm (SH) Provenance: private collection from Southern EnglandCondition report: The print is a work on paper, unframed, with full margins. There are no visible signs of rips or repairs, there is one minor crease in the top left margin (see photograph). The paper otherwise appears well preserved, some discolouration in the bottom margin as photographed and general ageing. Colours are well preserved. Pencil signature bottom right, numbered bottom left, blind stamp bottom left.

Kyffin Williams (Welsh School 1918-2006) Nanmor, lithograph, numbered 148/150 pencil bottom left, Curwen Chilford blindstamp centre bottom, measurements 41 x 58.5 cm (PL), 53.5 x 69.5 cm (SH). Together with David Porteous-Butler (Welsh School b.1945) Portrait of Kyffin Williams, initialled in pencil bottom right, titled Kyffin centre bottom with Curwen Chilford blindstamp below, numbered 17/75 bottom left 37.5 x 29 cm (SH) (2)Condition report: The prints are works on paper, with full margins and deckled edges, both unframed. The print showing Kyffin Williams is a work on paper, the paper appearing of good condition and having no obvious signs of rips, folds or creases and no obvious evidence for deterioration. The colours appear stable and well preserved. It is initialled in pencil bottom right, numbered bottom left and titled bottom centre. It has a blind stamp for the Curwen press. The print titled Nanmor is a work on paper, unframed. The paper is in good condition without evidence for rips, folds or creases and no evidence for deterioration. The colours appear well preserved and stable. It is numbered bottom left in pencil within the plate. full margins are present.

Albert Irvin (1922-2015), Alpha, screenprint with woodblock colours, signed in pencil and dated '94 bottom right, blind stamped on wove paper, numbered 71/300, measurements 16 x 22 cm (PL), 32 x 37 cm (SH)Condition report: The screenprint is a work on paper, with full margins and deckled edges. It is numbered bottom left, titled centre and signed Irvin with date '94 in pencil bottom left. The paper does not have any rips, creases or folds and appears. There is foxing throughout the sheet which does extend into the platemark- primarily concentrated in the edges and not visible within the coloured area of the print (please refer to additional photographs uploaded). The colours are well preserved and appear to be stable.

Robyn Denny (b.1930) Portraits Series B, screenprint. signed pencil and dated '73 bottom right, artist proof IV/X, blind stamp bottom right, measurements 22.3 x 20 cm (i), 79 x 59 cm (SH) Provenance: private collection southern England

Robyn Denny (b.1930), Portraits Series A, screenprint, signed in pencil and dated '73 bottom right, artist proof VIII/X, blind stamp bottom right, measurements 22 x 19.5 cm, 79 x 58 cm (SH) Provenance: private collection southern England

John Bellany (Scottish 1942-2013) Colchester Lil, screenprint, signed pencil bottom right, numbered 19/34, measurements 24 x 17 cm (PL), frame 56 x 48 cm Provenance: from the private collection of an art therapistCondition report: The print is a work on paper, framed under glazing, not examined external to the frame. The print has full margins, a pencil signature below right, numbered 19/34 bottom left and has blind stamps in both bottom corners. The paper is in good condition, no obvious signs of deterioration, creases, tears or folds. The colours are well preserved. The frame has solid joints, some general signs of wear and tear.

Felix Labisse (French 1905-1982) Lucretia, lithograph, EuroArt blind stamp bottom left, numbered 86/750 bottom right, measurements 64.5 x 49 cm (SH), frame 71 x 51 cm

Blek le Rat (French Contemporary) Space Cowboy, screenprint, 2007, signed bottom right, Black Rat Press stamp bottom right, numbered 69/200 bottom left, measurements 74 x 53 cm (SH), frame 81 x 60 cm Provenance: private local collection, purchased from Goldmark GalleryCondition report: The print is a work on paper, framed under glazing, not examined external to the frame. The print has deckled edges, blind stamp is visible and signature in pencil. The paper is in good condition, no obvious evidence for rips, creases or folds and there are no signs of deterioration. The colour is well preserved. The frame has general wear and tear.

1965 Leicester City Transport DESTINATION BLIND from Abbey Park Road garage, dated August 1965. A lengthy, linen blind, complete and in very good, ex-use condition. [1]

1960s/70s bus/coach DESTINATION BLIND, possibly Trent Motor Traction, with Notts & Derby area destinations as well as many long-distance ones across the UK. A complete, linen blind in very good, ex-use condition. [1]

London Country DESTINATION BLIND for an SMS or MB (also fits RF) at Crawley (CY) garage dated 6/76. A lengthy, complete, linen blind, King & Flack-manufactured, in very good, ex-use condition. [1]

London Country DESTINATION BLIND for an SMS (also fits RF) at Dartford (DT) garage dated 3/78. A complete, linen blind, King & Flack-manufactured, in very good, ex-use condition. [1]

1960s/70s Coventry Corporation DESTINATION BLIND from Sandy Lane and Harnall Lane depöts. A complete, linen blind in very good, ex-use condition. [1]

1960s Midland General Omnibus Co DESTINATION BLIND. A complete, linen blind in very good, ex-use condition. [1]

London Transport Routemaster DESTINATION BLIND from Hounslow (AV) garage dated 19.5.66 and coded 'LL' for the side and rear boxes. Also bears renovation dates of 5.66, 8.67 and 2.68. Aldenham-manufactured, mostly in very good, ex-use condition other than at the end panel where the leader panel is also missing. [1]

London Transport Routemaster DESTINATION BLIND from Hounslow (AV) garage dated 7.2.73 and coded 'NN' for the ultimate boxes, front and rear. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

c1960s/70s Darlington Corporation DESTINATION BLIND. A lengthy, complete blind in very good, ex-use condition. [1]

c1970s Southdown Motor Services DESTINATION BLIND, coded PU/81 (Portsmouth area). Includes blue displays for limited-stop services. A lengthy blind in very good, ex-use condition. [1]

Crosville Motor Services DESTINATION BLIND dated March 1980. A lengthy, complete blind in very good, ex-use condition. [1]

London Transport Routemaster DESTINATION BLIND from Dalston (D) garage dated 16.1.68 and coded 'LL' for the side or rear box. Includes displays for London's famous No 9 and No 11 routes. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport RT DESTINATION BLIND from Merton (AL) garage dated 25.2.69 and coded 'S' for the side or rear box. A lengthy, complete blind, Aldenham-manufactured and in very good, ex-use condition. [1]

London Transport DESTINATION BLIND for a DM Fleetline from Highgate (now Holloway) (HT) garage dated 3.4.75 and coded 'YY' for the side destination box. A lengthy, complete blind, Aldenham-manufactured, in excellent, ex-use condition. [1]

London Transport DESTINATION BLIND for a Routemaster or Metrobus at Palmers Green (AD) garage dated 2.5.85 and coded 'NN' for the ultimate box. A complete blind, Aldenham-manufactured, generally in very good, ex-use condition. [1]

London Transport RT DESTINATION BLIND from Edgware (EW) garage dated 10.3.69 and coded 'E' for the front ultimate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport RT DESTINATION BLIND from Edgware (EW) garage dated 25.6.68 and coded 'V' for the rear ultimate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

1960s/70s Eastern National Omnibus Co DESTINATION BLIND. A lengthy blind which includes the company's London destinations. A linen blind, the first panel is mainly missing but appears otherwise intact. Some wear but generally in good, ex-use condition. [1]

London Transport RT DESTINATION BLIND from Harrow Weald (HD) garage dated 17.11.70 and coded 'V' for the rear ultimate box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Transport RTL/RTW DESTINATION BLIND from Bow (BW) garage dated 16.3.65 (REN 5.66) and coded 'V' for the rear ultimate box. A lengthy, complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

1950s Hasting Tramways TROLLEYBUS DESTINATION BLIND. The panels are a mixture of Maidstone & District style and pre-M&D type. A complete blind in very good, ex-use condition. [1[

London Transport DESTINATION BLIND for a DMS Fleetline from Shepherds Bush (S) garage dated 23.12.82 and coded 'YY' for the side destination box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

London Country (London Transport-manufactured) DESTINATION BLIND for an RML Routemaster at Harlow (HA) garage dated 9.11.71 and coded 'LL' for the side or rear box. A complete blind, Aldenham-manufactured, in very good, ex-use condition. [1]

Wiener Werkstätte, Erna Kopriva, JardiniereErna KoprivaWiener WerkstätteJardiniere, Henkelschale Mod. 274. Keramik. 13,5 x 32 x 16 cm. Am Boden bezeichnet: WIENER WERKSTÄTTE/ 274/ EK (Blindstempel).Literatur: Expressive Keramik der Wiener Werkstätte 1917-1930. Katalog Ausstellung Bayerische Vereinsbank, München 1992, S. 97, Abb. 70. Vgl. WW-Archiv, MAK Wien, Fotoarchiv WWF 110-28-6 [https://sammlung.mak.at/sammlung_online?id=archive-110040811]. Wiener Werkstätte, Erna Kopriva, JardiniereErna KoprivaWiener WerkstätteJardiniere, handle bowl Model 274. Ceramic. 13,5 x 32 x 16 cm. Marked on the bottom: WIENER WERKSTÄTTE / 274 / EK (blind stamp).Literature: Expressive Keramik der Wiener Werkstätte 1917-1930. Katalog Ausstellung Bayerische Vereinsbank, München 1992, S. 97, Abb. 70. Vgl. WW-Archiv, MAK Wien, Fotoarchiv WWF 110-28-6 [https://sammlung.mak.at/sammlung_online?id=archive-110040811].

Görge Hohlt, large OtterGörge Hohlt1995Großer Fischotter. 1995. Steinzeug. Mehrtonig olivgrün braune Glasur. H. 58,5 cm. Am unteren Rand innen bezeichnet: GH 1995 (geritzt) und Werkstattmarke mit Katze (Blindstempel). Görge Hohlt, large OtterGörge Hohlt1995Big otter. 1995. stoneware. Multi-tone olive-green brown glaze. H. 58.5 cm. Inscribed on the inside of the lower edge: GH 1995 (scratched) and workshop mark with cat (blind stamp).

Villeroy & Boch Mettlach Umbrella standVilleroy & Boch, Mettlachabout 1905Großer Schirmständer. Um 1905. Keramik. Steingut, linear geschwungenes Reliefbanddekor in Grün mit Gold auf cremefarbenem Grund. 60 x 41 x 18 cm. Am Boden bezeichnet: Firmenmarke (grüner Stempel), 3046, 21, 05 (Blindstempel). Villeroy & Boch Mettlach Umbrella standVilleroy & Boch, Mettlachabout 1905Large umbrella stand. Around 1905. Ceramic. Earthenware, linearly curved relief ribbon decoration in green with gold on a cream-colored background. 60 x 41 x 18 cm. Marked on the bottom: company mark (green stamp), 3046, 21, 05 (blind stamp).

Günther Uecker*, 1975, Manuelle Strukturen, LithographGünther Uecker*, (*1930)1975Manuelle Strukturen I-X. 1975. Nagel-Lithographie auf BFK Rives. 90 x 64 cm. Hier ein H.C. Exemplar. Ursprünglich aus dem Mappenwerk mit 10 Lithographien. Auflage von 90 Exemplaren. Mittig mit Bleistift beschriftet, nummeriert, signiert und datiert: H.C./ I-X / Uecker 75. Unten links Blindstempel: Erker-Presse, St. Gallen. Ungerahmt.Literatur: Dorothea und Martin van der Koelen, Günther Uecker - Opus Lieber - Verzeichnis der Bibliophilen Bücher und Werke, 1960-2005. Chorus-Verlag, Mainz (2007), WVZ Nr. L 7504, Abb. S. 150. Günther Uecker*, 1975, Manuelle Strukturen, LithographGünther Uecker*, (*1930)1975Manual structures I-X. 1975. Nail lithograph on BFK Rives. 90 x 64 cm. Here a H.C. Copy. Originally from the portfolio with 10 lithographs. Edition of 90 copies. Inscribed, numbered, signed and dated in pencil in the center: H.C./ I-X / Uecker 75. Blind stamp lower left: Erker-Presse, St. Gallen. Unframed.Literature: Dorothea und Martin van der Koelen, Günther Uecker - Opus Lieber - Verzeichnis der Bibliophilen Bücher und Werke, 1960-2005. Chorus-Verlag, Mainz (2007), WVZ Nr. L 7504, Abb. S. 150.

Ettore Sottsass A. Sarri Anthologie Quartett Teapot LapislazuliEttore SottsassAlessio Sarri, Sesto Fiorentino für Anthologie Quartett1988Teekanne Lapislazuli aus der Serie Indian Memories. 1988. Keramik, matt mintgrün glasiert. Am Boden bezeichnet: E.SOTTSASS und Firmenmarke A. Sarri, datiert 1988 (schwarz) und Firmenmarke (Blindstempel), nummeriert No. 087. Ettore Sottsass A. Sarri Anthologie Quartett Teapot LapislazuliEttore SottsassAlessio Sarri, Sesto Fiorentino für Anthologie Quartett1988Lapislazuli teapot from the Indian Memories series. 1988. Ceramic, glazed matt mint green. Inscribed on the bottom: E. SOTTSASS and company brand A. Sarri, dated 1988 (black) and company brand (blind stamp), numbered No. 087.

Imi Knoebel (Geb. 1940 Dessau. Ansässig in Düsseldorf)"Rot, Gelb, Weiss, Blau 5". OriginaltitelFarbserigraphie/Fabriano Bütten, 1995. Sign., dat. (19)95 u. nummeriert 29/40. Blindstempel des Druckers Edition Domberger, Stuttgart. Herausgegeben von der Achenbach Art Edition, Düsseldorf. Darstellung ca. 100,5 cm x 100,5 cm. Blatt 124 cm x 124 cm. Eine Läsur im rechten unteren roten Farbfeld, minim. Einriss im Blattrand, Ecken teilw. ger. knickfaltig. Serigraph (screenprint) in colours on Fabriano paper, 1995. Signed, dated (19)95 and numbered 29/40. Blind stamp of the printer. One minor flaw to the lower right area, one minor tear, some minor creases to the corners.

Imi Knoebel (Geb. 1940 Dessau. Ansässig in Düsseldorf)"Rot, Gelb, Weiss, Blau 6". OriginaltitelFarbserigraphie/Fabriano Bütten, 1995. Sign., dat. (19)95 u. nummeriert 21/40. Blindstempel des Druckers Edition Domberger, Stuttgart. Herausgegeben von der Achenbach Art Edition, Düsseldorf. Darstellung ca. 100,5 cm x 100,5 cm. Blatt 124 cm x 124 cm. Minim. Einriss im Blattrand, Ecken teilw. ger. knickfaltig. Serigraph (screenprint) in colours on Fabriano paper, 1995. Signed, dated (19)95 and numbered 21/40. Blind stamp of the printer. One minor tear, some minor creases to the corners.

Imi Knoebel (Geb. 1940 Dessau. Ansässig in Düsseldorf)"Rot, Gelb, Weiss, Blau 4". OriginaltitelFarbserigraphie/Fabriano Bütten, 1995. Sign., dat. (19)95 u. nummeriert 34/40. Blindstempel des Druckers Edition Domberger, Stuttgart. Herausgegeben von der Achenbach Art Edition, Düsseldorf. Darstellung ca. 100,5 cm x 100,5 cm. Blatt 124 cm x 124 cm. Minim. Einriss im Blattrand, Ecken teilw. ger. knickfaltig. Serigraph (screenprint) in colours on Fabriano paper, 1995. Signed, dated (19)95 and numbered 34/40. Blind stamp of the printer. One minor tear, some minor creases to the corners.

Helen Bradley (1900-1979) - A beautiful winter's day, Fine Art Trade Guild lithograph, signed in pencil to the margin, and with blind stamp, 28x38cm; and two others by the artist, both being pencil signed (3)

A Middle Eastern blind carved hardwood coffer, with hinged top

A late 19th century continental oak hunting cupboard, the upper section having panelled doors with profuse blind carvings, and on fluted column supports, the base fitted with two frieze drawers over panelled doors, all within fluted pilasters, w.140cm, d.53cm, h.260cm

Rena set of six framed and glazed bird prints published by The Tryon Gallery blind stamps and signed in pencil.

A framed and glazed print titled Des With Love R indistinct signature and blind stamp 50 x 35 cm.

2 x Prog Rock LPs. Caravan - Blind Dog At St. Dunstans ( BTM 1007 ). Rick Wakeman - Journey To The Centre Of The Earth ( AMLH 63621 ).

Prefab 77, Waiting Kills, limited edition print, blind stamp, signed and numbered 10/200, 70 x 50 cm, David Bray, Nest, limited edition print, signed and numbered 29/40, 60 x 45 cm, Girl with hooks, print, 60 x 90 cm, Prefab 77, Skin girl, 3 colour limited edition print, blind stamp, signed and numbered 32/300, 41 x 29, Oak Oak, Little girl with fruit tree, limited edition print, signed and numbered 39/65 and a Dirty Hands print of a skull.

An Edwardian mahogany music cabinet with blind fret detail, 110cm tall x 54cm x 35cm

A Large XIX Century Engraving, Gathering in the Church Yard, 42.5 x 87.5cm framed. 'Children Nutting', 'The Blind Fiddler', three others (6)

A Mahogany Bachelors Chest, with brush slide over four serpentine fronted graduated drawers, blind fret canted corners, on squat cabriole legs, 63cm wide.

[TRAVEL] Wills, Alfred. Wanderings Among the High Alps, first edition, Bentley, London, 1856, original blind-stamped green cloth, four tissue-guarded sepia lithographic plate illustrations (including frontispiece), octavo. Condition Report : Covers detached; spine rubbed and slightly faded, with nicked ends; endpapers, title page, plates and guards foxed. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

[CLASSIC LITERATURE] Dickens, Charles. Master Humphrey's Clock, first edition in book form, three volumes, Chapman & Hall, London, 1840 / 1841 / 1841, Volumes I & II in original blind-stamped brown cloth gilt, Volume III in near contemporary plain brown cloth, frontispieces and text illustrations by George Cattermole and Hablot K. Browne, large octavo. Condition Report : Vols 1 & 2: Spine ends nicked and torn, with small losses; Vol. 3: Spine with small loss at head; frontispiece creased; All volume covers with worn corners. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

[CLASSIC LITERATURE] Carroll, Lewis [Dodgson, Charles Lutwidge]. Alice's Adventures in Wonderland, thirtieth thousand, Macmillan, London, 1872, original crimson cloth gilt, all edges gilt, forty-two illustrations by John Tenniel (including tissue-guarded frontispiece, as called for), octavo. Condition Report : Covers slightly soiled; torn and frayed at spine ends and along lower joint; lower hinge broken; upper hinge weak; blind-stamped address to front free endpaper; ink ownership inscriptions to front free endpaper verso; ink mark to upper margin of p.49 and inner margin of p.113. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

After Richard Westall RA (British 1765-1836): 'A Boy' and 'A Girl of Canarvon', pair mezzotints by George P James signed and titled in pencil with Fine Art Trade Guild blindstamp pub. 1919, 35cm x 27cm; After George Morland (British 1763-1804): 'Blind Man's Buff', colour mezzotint by Clifford R JameClick here to view further images, condition reports, sale times & delivery costs for this lot.

Bible, English.- Bible (The), that is the holy Scriptures conteined in the Olde and new Testament, 3 parts in 1 (without Apocrypha), double column, additional title with elaborate woodcut border (soiled and laid down), also used for title of NT, letterpress title with woodcut vignette, woodcut ornaments, maps and illustrations in text, with blank Qq8 at end of OT, [?STC 2179], Imprinted at London by the Deputies of Christopher Barker [?Amsterdam, J.Stam], 1599 [?1639] bound with Booke of Psalmes (The): collected into English by Thomas Sternhold, Iohn Hopkins and others..., with woodcut ornament at foot of title but no imprint, musical notation in text, [?STC 2499.7], n.d., together 2 works in 1 vol., some browning and staining, particularly towards end, a few tears and repairs, mostly marginal, modern antique-style calf ruled in blind, a little rubbed, spine faded, 4to; sold not subject to return

Baskerville.- Virgilius Maro (Publius) Bucolica, Georgica et Aeneis, first Baskerville edition, list of subscribers, lacking initial blank, stained, 19th century blind-stamped calf, rebacked, preserving original backstrip in compartments, joints chipped, corners worn, rubbed, [Gaskell 1], John Baskerville, 1757; and a Foulis press Cornelius Nepos, 1777, 4to & 8vo (2)

NO RESERVE Burn (Richard) The Justice of the Peace, and Parish Officer, 5 vol., occasional light spotting, contemporary calf with "City of Canterbury" blind stamped to covers, gilt, worn, some spines splitting but holding firm, 1820; and 17 others, mixed editions of the same, uniformly bound, 8vo (22)

Cookery.- American Indian Meal and Hominy Receipt Book (The): being a collection of American Receipts adapted to the English tastes, ex-library with remnant of label and discreet blind-stamps to title and upper cover, edges a little frayed and chipped, original blue printed wrappers, slight creasing to corners, 12mo, Nottingham, by John Stavely, 1847.⁂ Scarce, with only 3 on Library Hub at BL, University of Oxford & University of Cambridge.

Upton (Florence K.) The Golliwogg's Bicycle Club, original cloth-backed boards, rather scuffed and marked, corners worn, still internally clean, 1903 § de Monvel (M.) Jeanne D'Arc, original blind stamped cloth, very lightly marked, else an excellent copy, 1896; and 16 others, mostly children's and illustrated with chromolithograph illustrations, v.s. (18)