We found 44913 price guide item(s) matching your search

Huxley (Thomas Henry). On our Knowledge of the Causes of the Phenomena of Organic Nature, 1st edition, London: Robert Hardwicke, 1862, half-title, 2 pp. of advertisements at end, with additional 16 pp. publisher's advertisement list bound in published October 1862, hinges lightly cracked, original blind embossed green cloth, light white dusting to cloth grain of upper board, slightly frayed at head of spine, 8voQTY: (1)NOTE:An uncommon first edition bound from the original blue wrappered pamphlets printed separately after the lectures (which were given in Nov-Dec 1862). The book was reset and reissued with an 1863 title page which is sometimes taken as the first edition.

Hitt (Thomas). Treatise of Fruit-Trees..., 3rd edition, London: Printed for Robinson and Roberts, 1768, 7 engraved plates, directions to binder bound to rear, contemporary previous ownership inscription to title page, library blind stamp to title page and a few other leaves, original sheep boards, new spine with morocco title label and gilt lettering, wear with some loss to boards, corners bumped with loss, 8vo, together with:Abercrombie (John). The Gardener's Pocket Journal, or Daily Assistant in the modern practice of English Gardening..., 6th edition, London: Crosby and Letterman, 1801, engraved frontispiece (repair to head of plate with loss), endpapers renewed, modern paper covers, 12mo,Birket Foster (Myles, illustrator). English Forests and Forest Trees, Historical, Legendary, and Descriptive, London: Ingram, Cooke, and Co. 1853, engraved frontispiece, additional engraved title page, full page engraved illustrations, sewing weakening in places, binder's ticket to rear pastedown, original green blind embossed cloth by Westleys & Co, spine faded, extremities frayed with joints showing in places, 8vo and three other volumes relating to gardening QTY: (6)NOTE:Henrey 850 for the first work.

Bible [English]. The Bible: Translated according to the Ebrew and Greeke, and conferred with the best Translations in divers Languages..., Imprinted at London by Robert Barker, 1614/13, general title and New Testament title within woodcut border (imprint to general title dated 1614 and imprint to New Testament title dated 1613), text in double-column black letter, Apocrypha present, lacking blank before New Testament title and first leaf of 'Certaine questions and answers...' (following NT title), few leaves with early ownership inscriptions including several of William and Thomas Speechly(?), some light worming to lower blank margins with occasional discreet repairs, light cropping to few running titles, bound with at rear Concordance. Two right profitable and fruitful Concordances, or large and ample Table Alphabeticall..., Collected by R. F. H., Imprinted at London by Robert Barker, 1613, early manuscript ownership inscriptions to verso of title and final leaf, dust-soiling throughout volume, some damp-staining mostly to margins, spotting and few other marks, modern blind panelled calf, 4to (21.4 x 15.5 cm)QTY: (1)NOTE:Darlow and Moule 256; Herbert 330; STC 2232.This volume is bound without Speed's Genealogies and map which is sometimes present.

Ferus (Johann). In Sacrosanctum Jesu Christi Domini Nostri Evangelium secundum Joannem, piae et eruditae juxta catholicam doctrinam enarrationes pro concione explicatae..., 3 parts in one, Antwerp: apud Martini Nutij viduam, 1562, printer's woodcut device to each title, some early annotations and marginalia, few light damp-stains, contemporary blind panelled calf with gilt decorative motifs, initials F. S. G. to upper board, rebacked and board edges neatly repaired, 8voQTY: (1)NOTE:Johann Ferus (1495-1554) was a German of the Franciscan order who wrote several commentaries on books of the Bible. Some of his commentaries were thought to favour Protestants; thus, some of his commentaries were prohibited by the Catholic church.

Ray (John). Three Physico-Theological Discourses Concerning The Primitive Chaos, and Creation on the World..., 2nd edition, London: Printed for Sam[uel] Smith, at the Princes Arms in St. Paul's Church-Yard, 1693, erasure and previous owner inscription to title page dated 1852, book stamp of Robert Montgomery and previous ownership inscription to front pastedown, ownership inscription to verso of G8 fore margin, later endpapers, closed tear to lower outer corner of E2, lacking plates, contemporary blind panelled calf with some surface mottling, some loss to spine, head, foot and joints repaired, lower outer corner to upper board repaired, title label replaced, 8vo, together with;Worlidge (John). Systema Horti-cultura: or, the Art of Gardening..., 2nd edition, London: Printed for Tho[mas]. Dring at the Harrow over against the Inner-Temple Gate in Fleetstreet, 1683, previous ownership inscription dated 1705 to preface, ink staining to verso of title page, trimming to upper margin affecting headline, book ticket to Harrison D. Horblit and book ticket for Mr. G. L. Wintle to front pastedown, bookplate of John. T. Beer to front free endpaper, endpapers renewed, 20th-century quarter calf gilt, 8vo andTurner (Robert). Botanologia. The Brittish Physician: or, The Nature and Vertues of English Plants. Exactly describing such Plants as grow Naturally in our Land, with their several Names, Greek, Latine, or English, Natures, Places where they grow, Times when they flourish, and are most proper to be gathered..., London: Printed for Obadiah Blagrave, at the Black Bear and Star in St. Pauls Church-Yard, over against the Little North-Door, 1687, facsimile frontispiece, title page laid on later paper, alphabetical table and table of diseases to rear, some toning and damp staining, a few repaired closed tears, modern endpapers, modern half-calf by Richard Lane, Fakenham, gilt spine with morocco title labels, 8vo QTY: (3)NOTE:Provenance: Robert Montgomery (book stamp), for Ray (John).Harrison D. Horblit (book ticket), Mr. G. L. Wintle (book ticket) and John. T. Beer (bookplate) for Worlidge (John).Wing R409 for the first work, Wing W 3605; Henrey p. 276 for the second and Wing T3329 for the third.

* Pressed Algae. Specimens of Algae, or Submersed Plants, Prepared by Eliza A. Jordan, Brooklyn L[ong] I[sland], 1848, pen & ink and watercolour with pressed algae decorations as title page, 28 leaves with mounted algae specimens (4 leaves with 2 specimens), a few with Latin names identified in pencil, pasted to rectos of a contemporary album, ownership pencil signature of Amelia Powys to front pastedown, original blind-embossed roan boards with gilt-decorated spine and title design to upper cover, heavily rubbed with some wear, upper cover detached, 4toQTY: (1)NOTE:Provenance: Lucy Amelia Penny (née Powys), sister of John Cowper Powys, of Mappowder, Dorset.The Brooklyn Museum Library have a similar item, also produced by Eliza A. Jordan in 1848 (call number QK567 Se1). The title page is illustrated on the Wikipedia entry for 'seaweed collecting'.

Thornton (Robert John). The British Flora; or, Genera and Species of British Plants: Arranged after the Reformed Sexual System; and Illustrated by numerous Tables, and Dissections, 5 volumes, London: Printed for the Author by J. Whiting, 1812, 12 engraved class part titles, 344 engraved botanical plates, 53 engraved tables, together with:Thornton (Robert John). Elements of Botany, Part I. Classification [Part II. Terms of Science], 2 volumes, London: Printed for the Author, as Prizes in the Royal Botanical Lottery, by J. Whiting, 1812, 168 engraved botanical plates, 5 engraved tables, all edges gilt, uniform contemporary green straight-grain morocco, gilt decorated spines, gilt double-line and blind roll border to boards, even slight fading to spines, 8vo QTY: (7)

Hertfordshire. Speed (John), Hartford Shire Described. The sittuations of Hartford and the most ancient towne S. Albans with such memorable actions as have happened, 1st edition, published John Sudbury & George Humble, [1611], hand-coloured engraved map, inset town plans of Hertford and Verolanium (St. Albans), large margins, slight creasing, unobtrusive blind stamp to the upper right corner, 385 x 510 mm, English text to versoQTY: (1)

Corry (John and George Perry, editors). The History of Liverpool, from the Earliest Authenticated Period down to the Present Time; illustrated with Views of the Principal Buildings in the Town and its Vicinity..., Liverpool: Printed and sold by William Robinson, 1810, 70 wood engraved plates (including frontispiece), few vignette illustrations, bound without maps (as usual), repaired closed tear to L1, some scattered spotting, contemporary marbled calf, gilt decorated spine with black morocco title label, joints lightly cracked and some wear to extremities, 4to, together with:Corry (John). The History of Lancashire, 2 volumes, London: Geo. B. Whittaker, 1825, 35 engraved plates, repaired closed tear to title page of volume 2, some spotting, contemporary half calf, modern rebacks to both volumes with gilt decorated spines, 4to,Liverpool. A Genuine Collection of all the Papers, Addresses, Songs, Epigrams, and Acrosticks, Printed by all Parties, during the late contest for representatives in the ensuing Parliament, for the Borough of Liverpool, which began on Tuesday March 31, and ended April 6; with some curious Manuscripts. To which is added, an Alphabetical List of the Poll, 2 parts in one, Liverpool: Printed by R. Williamson, 1761, 148, 60 pp., early ownership inscription and later blind stamp to title, some browning, spotting and dust-soiling, disbound 8vo, plus other Liverpool and Lancashire related 19th and early 20th-century publications, including four Gore's trade directories of Liverpool for the years 1825, 1832, 1839 and 1841, plus Picton (J. A.). Memorials of Liverpool, Historical and Topographical including a History of the Dock Estate, 2 volumes, London: Longmans, Green, and Co., 1873; Roby (John). Traditions of Lancashire, 2 volumes, 4th edition, London: George Routledge, 1867; Brown (Samuel John Milton). War on the Waters, Being six facsimile water colour drawings..., with an introduction by Fred T. Jane, Liverpool: Liverpool Daily Post and Mercury Ltd., [1915]; Brown (Samuel John Milton). The Magic of the Mersey, Being six facsimile water colour drawings..., Liverpool: Liverpool Daily Post and Mercury Ltd., [1914]QTY: (approx. 30)

Holinshed (Raphael). The Firste [- Laste] Volume of the Chronicles of England, Scotlande, and Irelande, 2 volumes, first edition, London: for John Hunne & for Lucas Harison, 1577, woodcut titles to each part, with arms to verso, numerous woodcut illustrations and initials, largely printed in double column black letter text, gutter margin of initial title to first volume repaired, erratic pagination, lower outer corner of leaf b7 in Historie of Englande (in first volume) torn with some text loss, leaf 2E3 in Historie of Scotlande (in first volume) torn with two-thirds of leaf missing and with photocopy facsimile tipped-in, cancelled leaves E6-8 in Historie of Irelande (in first volume) and F7 also a cancel (line 1 column 1 'the Belweathers' and watchword 'upon'), title to second volume with reduced margins and lined to verso, erratic pagination in second volume p. 541 headed 'Richarde the Seconde' with following page numbered 142, p. 1733 headed 'Queen Marie', p.1841 with catchword 'buried' (i.e. STC 13568 variant b), later engraving of the tomb of Katherine Parr at Sudely Castle dated 1782 tipped-in between 4F6 and 4F7 (pages 1612 and 1613), double-page woodcut of siege of Edinburgh bound between leaves 4Y6 and 4Y7 (pages 1868 and 1869) with slight close trimming to ruled border, occasional mostly light damp-stains to few leaves in both volumes, few marks and minor dust-soiling to few leaves, first volume with armorial bookplate of the Johnstone family bearing the motto 'Nun quam non paratus', with 19th-century manuscript notes to front endpapers, contemporary calf with blind roll work decoration to boards, bindings covered in old thin vellum with manuscript title and volume numbers to spine of each, lacking clasps, joints cracked and some wear, folio (approx. 29 x 20 cm), contained in modern archival card portfolio style boxesQTY: (2)NOTE:Provenance: The bookplate to the first volume suggests the work belonged to either John Johnston(e) of Galabank, Annan (d.1774) or his son James Johnston(e) MD of Kidderminster (1730-1802).STC 13568b; Pforzheimer 494.First edition of the first volume of Holinshed's great narrative history of the British Isles. The work was conceived as part of a 'deliberate movement to elevate the status of England, English letters, and English language through writing and publishing maps, histories, national epics, and theoretical works on English poetry' (ODNB). It is the single most important chronicle written in English in the 16th century — a secular counterpart to Foxe's Actes and Monuments (1563) — and the principal source for all of Shakespeare's conventional English history plays as well as King Lear, Macbeth and Cymbeline.

Bible (English). The Bible: Translated according to the Edrew and Greeke, and conferred with the best translations in divers languages..., Imprinted at London by Robert Bakker [sic] Printer to the Kings most Excellent Maiestie, 1607, general title and New Testament title within decorative woodcut border, Apocrypha present, black letter text in double column, short closed tear to upper inner corner of general title with discreet tissue repair, verso of New Testament title with ownership inscription 'William Horton his Booke' dated 1696 and with manuscript prayer in his hand, several early annotations and ownership marginalia throughout volume including 'John Grove his book' dated 1737 (verso 2Z7) and 'John Horton his book' dated 1697 (3B3 fore-margin), manuscript verse to verso of final leaf of Apocrypha, lacks leaves 2T4 and 2T5 (replaced with smaller dimension text leaves from another 17th-century edition printed in black letter), lacking leaves 3F4 and 3F5 in Apocrypha, upper outer corner of 3K2 torn with text loss, lower inner corner of 3O1 torn with slight loss, small burnt area to upper blank margin of 2P3, occasional short closed tears, few leaves with short worm trail near gutter, bound with an incomplete Book of Common Prayer at front (lacking title) with manuscript notes and ownership John Norton dated 1696 to verso of final leaf, also bound with a 1607 Concordance and incomplete Book of Psalms at rear (with few worm holes), some dust-soiling, few marks throughout volume, occasional marginal fraying, some cropping of marginal notes as consequence of later text-block trimming, early 19th-century blind decorated calf, upper board detached, lower joint cracked, some wear to head and foot of spine and to extremities, 4to (leaf size 21.7 x 16 cm)QTY: (1)NOTE:Darlow and Moule 223; Herbert 290; STC 2200.There are two varieties of this date, which differ throughout. This example is variant A, with the misprint Bakker in the general title. New Testament title dated 1607; colophon not dated. Gen. i.2: fourme.

Wallis (James). Wallis's New Pocket Edition of the English Counties or Travellers Companion in which are carefully laid down all the Direct & Cross Roads, Cities, Townes, Villages, Parks, Seats and Rivers with a General Map of England & Wales, published J. Wallis and sold by Davies & Eldridge, Exeter, circa 1814, letterpress title and contents list, forty-two (of 43, lacking Leicestershire) engraved maps with contemporary hand colouring, including 1 double-page (Yorkshire), plus a small map of the Isle of Wight bound at rear, text block broken and cracked with some pages loose, blind-stamped address to the front endpaper, bookplate of Donald Hodson to the front pastedown, contemporary half morocco gilt with contrasting red morocco gilt title label to the upper siding, upper board near-detached, worn, rubbed and frayed, 12mo, together with Cary (John). Cary's Traveller's Companion or, A Delineation of the Turnpike Roads of England and Wales..., printed for G. & J. Cary, 1824, calligraphic title page, advertisement and contents list, 42 engraved maps (lacking Yorkshire) all with contemporary outline colouring, bound with Cary's New Itinerary: or an Accurate Delineation of the Great Roads Both Direct and Cross, throughout England and Wales..., 1812, calligraphic title and dedication, appears to lack the folding engraved map of England & Wales, seven regional engraved maps all with contemporary outline colouring, contemporary limp diced sheep in an 'envelope style' binding, heavily worn and frayed, 8vo, with Pinnock (W. editor). The Guide to Knowledge, volume 1 (only), W. Edwards, 1833, uncoloured lithographic portrait frontispiece of William IV, uncoloured engraved folding hemispheral map of the world, one engraved plate, six steel engraved maps (2 folding) and 43 wood-engraved (white on black) British county, foreign and city plans ( three folding and one double-page), a few maps frayed with slight loss, numerous wood-engraved plates and vignettes throughout, upper hinge cracked and weak, contemporary half morocco gilt, frayed and worn, 4to, plus Hall (Sidney). A Travelling Atlas of the English Counties, Chapman and Hall, circa 1860, title and contents list, 46 (complete as list) double-page lithographic maps with contemporary outline colouring four folding, gutta perch perished, contents shaken and loose, bookplate of Donald Hodson to the front pastedown, contemporary limp green morocco 'envelope style' binding, worn and frayed, with another copy similar, and [Aikin, John]. England Delineated; Or, A Geographical Description of Every County in England and Wales: with a concise account of its most important products, natural and artificial, for the use of young persons, 5th ed., considerably improved, 1803, double-page map of England and Wales and forty outline county maps, rear hinge split, bookplate of Donald Hodson to the front pastedown, contemporary half calf with gilt decorated spine, upper board detached, somewhat rubbed and worn, 8vo, with another ten atlases similar, including examples by or after Owen, Leigh, Pinnock and Gorton, various sizes and conditionQTY: (16)NOTE:Sold as a collection of maps, not subject to return

Dorset. Speed (John), Dorsetshyre with the Shyre-towne Dorchester described, as also the Armes of such noble families as have bene honored with the Titles there of since the Normans Conquest to this present, 1st edition, [1611], hand coloured engraved map, inset town plan of Dorchester, large strapwork cartouche and mileage scale, good margins, central fold strengthened on verso, unobtrusive blind stamp to the upper right corner, 385 x 510 mm, English text on versoQTY: (1)

London. Cary (G. & J.), Cary's Map of the Country Twelve Miles round London, 1829, engraved map with contemporary outline colouring, sectionalised and laid on later linen, slight dust soiling to the margins, 575 x 695 mm, old library stamp to verso, bound in modern cloth gilt boards with ink library stamp to the front pastedown and a library blind stamp to the upper cover, together with Froggett (John Walter). Froggett's Survey of the Country Thirty Miles round London, G. F. Cruchley, circa 1840, engraved map with contemporary outline colouring, sectionalised and laid on linen, slight dust soiling to the margins, tartan endpapers, 1110 x 1360 mm, contained in a contemporary cloth slipcase with publisher's printed label to the upper cover, heavily worn and frayed, with Davies (B. R.). Davies's Map of the Environs of London, 1855, engraved map with contemporary outline colouring, sectionalised and laid on linen, very slight staining, marbled endpapers, 745 x 1070 mm, contained in a contemporary cloth slipcase with publisher's printed label to the upper cover, heavily worn and frayed, plus Cruchley (G. F.). Cruchley's Environs of London Extending Thirty Miles from the Metropolis, 1829, engraved map with contemporary outline colouring, sectionalised and laid on linen, the linen has split along the old folds and the map sheets are now separated, if conjoined, 920 x 920, contained in a contemporary marbled card slipcase with publisher's printed label to the upper cover, heavily worn and frayed, and Mogg (Edward). Mogg's Forty-Five Miles round London, June 1st. 1829, engraved map with contemporary outline colouring, sectionalised and laid on linen, slight staining, occasional splits along linen folds, old ink library stamp to lower margin, 970 x 1160 mm, contained in a contemporary marbled card slipcase, the slipcase is split and heavily worn and frayedQTY: (5)NOTE:J. Howgego. The Printed Maps of London. The first described item, number 359a, is an earlier state than Howgego's first entry of 1837. The second item, number 333, is an indeterminate state between states 3 & 4. The third item falls outside the date span for Howgego. The fourth item number 299, state 5. The fifth item, number 297, indeterminate state between states 2 & 3.

White (Lieutenant George Francis). Views in India, chiefly among the Himalaya Mountains. Edited by Emma Roberts, 1st edition, London & Paris: Fisher, Son, and Co., 1838, engraved frontispiece, additional engraved vignette title, 36 full-page engraved views, each with tissue-guard, pale water stain to title and final engraved plate, penultimate plate with short closed tear to blank fore-margin, occasional light water stains to plates towards rear of volume, owners bookplate of Thomas Brushfield, M. A. to front pastedown, and contemporary gilt inscription in brown ink to front blank 'S, E. Prideaux. May 4th 1840, for my dear daughter S. T. Douglass', all edges gilt, blind-decorated green cloth, rubbed and some wear, with tear to head of spine, some discolouration, 4toQTY: (1)NOTE:Yakushi W65.Some of the plates are from watercolours by J. M. W. Turner after White's original sketches.

Hobbes (Thomas). Leviathan, or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill, 1st edition, 1st issue, London: Printed [by Thomas Warren and Richard Cotes] for Andrew Crooke, at the Green Dragon in St. Pauls Church-yard, 1651, 1-248, 247-256, 261-396 pp., additional pictorial engraved title by Abraham Bosse, with manuscript signature to lower blank margin 'W. Best' [?] dated 1713, letterpress title with woodcut ornament with head motif (indicating the first issue), folding letterpress table, errata list struck through in early ink to verso of A3, several leaves at front of volume (mainly between leaves B1-E2) with occasional early marginal notes, occasional ink markings and underlining, short closed tear to lower blank margins of I1, 2S2, upper blank margin of 2T1 tiny rust hole to 2D4 affecting one letter of text, repaired closed tear to lower edge of 3B3 (without loss), further manuscript notes (probably by the same annotator) to rear flyleaf, light toning or browning to outer margins of a few leaves, late 19th-century blind-ruled calf, decorative ligatures in blind and red morocco title label to spine, spine and extremities slightly rubbed, covers lightly faded, folio in 4s (leaf size 27.7 x 18 cm) QTY: (1)NOTE:Macdonald & Hargreaves 42; Pforzheimer 491; PMM 138; Wing H2246.The remarkable additional engraved title by Abraham Bosse, designed in collaboration with the author) in this copy is an excellent and strong impression. The face depicted on the figure of Leviathan (whose body represents the 'body politic') at the top of the title is almost certainly that of Hobbes himself.Thomas Hobbes (1588-1679) was born in Malmesbury, Wiltshire. His most important work of political philosophy Leviathan espouses the idea of a 'social contract' which is freely entered into between an absolute ruler and their subjects. It was his main work upon which his contemporary reputation was founded and aroused a storm of opposition. Its contents haunted political, religious, and philosophical writers for several decades, so necessary did they find it to refute Hobbes' ideas. The Roman Catholic Church placed the work on the Index of Prohibited Books for its idea that the sovereign should also act as head of the state's religion. Leviathan is the product of those troubled times leading up to and during the English Civil War. 'The State, it seemed to Hobbes, might be regarded as a great artificial monster made up of individual men, with an existence which could be traced from its generation through human reason under pressure of human needs to its destruction through civil strife proceeding from human passions. The individual (except to save his own life) should always submit to the State, because any government is better than the anarchy of the natural state' (PMM). Leviathan was written while Hobbes was resident in Paris and also tutor to the Prince of Wales. After the Restoration, he was protected by Charles II, who always retained affection for him.

A Victorian mahogany bow front night chest, the top lifting above a pair of flame veneered drawers and two blind cock beaded drawers, turned legs, c.1850 (altered); an oak wall mirror (2)

An Irish mahogany Serpentine Serving Table raised on chamfered squared and blind fret carved supports, 4ft W

† LAURENCE STEPHEN LOWRY RBA RA (1887-1976); signed limited edition print 'Street Scene', signed in pencil to the margin lower right, bearing 'Fine Art Trade Guild' blind stamp lower left (AAL), numbered 10/850, 29 x 23cm, framed and glazed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgvery minor colour loss otherwise excellent condition

A Victorian 19th century gilt and ebonised blind fretwork over mantel mirror. Of rectangular form with a hand painted floral picture to mirrored glass panel. Blind fretwork to frame on ebonised wood. Measures approx. 42cm x 73cm.

A Victorian 19th century pitch pine carved fireplace surround / mantel. Having break front with blind fret work decoration. With floral cameo decoration, further swagger bank pattern. With repeating geometric pattern around border. Measures approx. 148x152x21cm

Two framed prints after Steven Townsend (b.1955); one signed artist's proof print, cheetah and cubs, 54.5cm x 40cm, modern frame, 86cm x 72cm, together with a signed limited edition print, cheetah, 600/675, 37cm x 47.5cm, modern frame, 68cm x 79.5cm, both bearing Northern Editions blind stamps.

Steven Townsend (b.1955), 'First Light', 265/600, signed limited edition print of a collie dog, 56.5cm x 41.5cm, bearing Northern Editions blind stamp, framed and glazed, 81cm x 67.5cm.

Reproduction walnut two door blind panelled cocktail cabinet, with brass lock and mounts, the projecting base with an arrangement of three drawers standing on carved cabriole legs. 76x43x153cm approx. (B.P. 21% + VAT)

An Elizabethan style oak draw leaf table, with blind fret frieze and bulbous cup and cover carved legs, 78cm high, 99cm wide.183cm extended, 99cm deep.

A Victorian mahogany cupboard display cabinet, the pediment above a blind fretwork frieze, over a glazed door enclosing two shelves, above a bow fronted cupboard, raised on channeled square legs on splayed feet, 185cm high, 64cm wide, 36cm deep.

Gordon King (British, B.1939). Lady with a Parasol, Lady with a Fan, pair of limited edition prints 791/850, signed, JLA blind stamp, 31cm x 31cm. (2)

Francis A Boxall (British, 20thC). Solitaire, limited edition print 398/850, signed, DLJ blind stamp, 50cm x 42cm.

Circa 1490-1510 A.D.. Central panel decorated with a heart pierced by two arrows and inscription: 'qui de bon [COER] eyme', and verso openwork carving of blind interlaces and inscription: 'de bon [COER] donne', translating to 'He who loves from the heart, gives with a good heart'; probably given as a love token. Cf. PAS ref. SWYOR-11207 for a gold ring inscribed 'de bon ?'; Christie's. 19 November 2009, no.85, for a French 15th century boxwood comb inscribed 'de bon ? le done' (I give it from a good heart); see the British Museum, accession no.B,10.1-23, for an example of a heart rebus. 58 grams, 15 cm (5 7/8 in.). Private collection, USA.Private collection, Suffolk.Accompanied by a copy of an illustrated catalogue document.Exhibited at Harwich Museum, Harwich, Essex, UK, 3rd February-9th March 2024; accompanied by a copy of a photograph of the artefact on display.Medieval specialist Dr Malcolm Jones writes: 'The same formula and use of the rebus heart-device can be found engraved on contemporary jewellery, e.g. on a 14th/15thC English gold ring recently on the French antique jewellery market which is inscribed in Black Letter script, ie. uous eme bien [I love you very much - de bon ? - from a good heart]. The familiar heart-symbol ? -- which nowadays we ‘read’ as love [I ? New York] -- makes its first appearance as a rebus in this late medieval era, engraved on rings, where it is to be read as the noun, coer/cuer, etc. One of its earliest appearances is on a bronze ring of 13th or 14thC date in the British Museum inscribed in Lombardic capitals: A VILA MON ? [Here is my heart GARDI LI MO[Y] keep it for me]. [No Reserve]

AN UNUSUAL GEORGE III MAHOGANY ESTATE HOUSEKEEPER'S CUPBOARD LAST QUARTER 18TH CENTURY The upper doors and central lower doors opening to shelved interiors, the lower left and right doors opening to an arrangement of six drawers 225cm high, 292cm wide, 62cm deep Condition Report: The depth is approximately 63cm deep to the deepest outset central point. There are additional interior shots available on our website and additional condition report photographs through a link on the condition report email.Overall there are some scratches, marks, chips, cracks, abrasions, small losses and restorations, small evidence of old worm consistent with age and use.Unusually the top doors are each oversized doubled panels, they are useable with a small amount of drop.The small running repairs, for example such as small patches, replaced blind fret and dentils, mean that it is ready for use. The small restorations have been sensitively undertaken so they are not immediately apparent and the finish retains the dry untouched country house appearance.There are keys, some of which operate the various locks.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

David Gentleman RDI, British b.1930-Sham Castle, Somerset;lithograph in colours on wove, signed in pencil and numbered 82/100, published by the Curwen Press with their blind stamp, sheet: 51 x 63.5 cm, (unframed) (ARR)

Banksy,British b.1974-Palestine Poster, 2018;lithographic poster in colours on wove,bearing The Walled Off Hotel blind stamp,stamped 'Walled off Hotel' on the reverse,sheet 59.4 x 42 cm,(unframed)(ARR)Note: together with a receipt from the Walled Off Hotel.

Laurence Stephen Lowry RBA RA, British 1887-1976, Two Brothers;lithograph in colours on paper, signed in pencil, with the Guild blind stamps, image: 60 x 34 cm, after an original painting dated 1960, (framed) (ARR)

David Hockney OM CH RA, British b.1937- Ann Combing Her Hair, 1979; lithograph in black on John Koller handmade paper,  signed, dated and numbered 48/75 in pencil,  published by Gemini G.E.L., Los Angeles, with their blind stamp,  sheet: 59.3 x 79.1 cm,  (framed) (ARR) 

Damien Hirst,British b.1965- The Souls II - Loganberry Pink/Oriental Gold/Blind Impression, 2010; 2 colour foil block on 300gsm Arches 88 archival paper, signed and numbered 12/15 in pencil, published by Paul Stolper and Other Criteria, sheet: 72 x 51 cm, (unframed)(ARR)

Various Artists, (Gold Peg; Anthony Burrill; Dora Dewsbery), All I Want is Revenge; Half Empty or Half Full, It's Just a Glass of Water; Radio Will Wear Out Another Perfectly Good Song; Walls Were Made To Shelter You From The Inside World; Fuck cupcakes; (i) screenprint in colours on wove, signed and numbered 30/60 in pencil, printed by Pictures On Wall, with their blind stamp, sheet: 60.4 x 46.1 cm, (ii) screenprint on wove, signed and numbered 24/50 in pencil, printed by Pictures On Wall, with their blind stamp, sheet: 50.8 x 38.1 cm, (iii) screenprint on wove, signed and numbered 24/50 in pencil, printed by Pictures On Wall, with their blind stamp, sheet: 50.8 x 38.1 cm, (iv) screenprint on wove, signed and numbered 24/50 in pencil, printed by Pictures On Wall, with their blind stamp, sheet: 50.8 x 38.1 cm, (v) screenprint in colours on wove, signed and numbered 6/20 in pencil, printed by Pictures On Wall, with their blind stamp, sheet:43.2 x 30.1 cm, (unframed)(5)Note: Pictures on Walls (POW) published and printed Bansky's early prints. 

Salvador Dalí, Spanish 1904-1989, Envy, Purgatory Canton 15, 1951-1964; wood engraving in colour on Rives wove, signed in pencil and numbered g.a 24/25, published by Les editions d'art des Heures Claires, Paris with the blind stamp of the editor,  only 25 examples have the annotated 'g.a', sheet: 33 x 26 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the works of Salvador Dali, page 200. Together with a certificate from Park West Gallery.Provenance: Park West Gallery, Michigan, USA / UK Private collection 

Laurence Stephen Lowry RBA RA, British 1887-1976,Harbour;lithograph in colours on wove, signed in pencil, with Guild blind stamps, published by Venture prints of Bristol in 1972, after the painting of 1957, image: 40.5 x 55.3 cm, (framed) (ARR)

After Dr Seuss (Theodor Seuss Geisel),American 1904-1991,Green Eggs and Ham, 2002; lithograph in colours on Somerset Paper, signed and inscribed in the plate, numbered 910/2500 in ink, with a Dr Seuss Enterprises blind stamp, printed by Anazao Studio, Chandler, Arizona, image: 35.5 x 27.7 cm, (framed)

Damien Hirst,British b.1965- The Souls II - Oriental Gold/Silver Gloss/Blind Impression, 2010; 2 colour foil block on 300gsm Arches 88 archival paper, signed and numbered 12/15 in pencil, published by Paul Stolper and Other Criteriasheet: 72 x 51 cm, (unframed)(ARR)

David Shrigley OBE, British b.1968- I Feel Really Bad About This; screenprint in colours on wove,  numbered 47, published by Pictures on Walls, with their blind stamp, sheet: 70 x 50 cm, (framed) (ARR)  

Damien Hirst,British b. 1965-The Currency, 3779, 'Last Night I Walked Inside', 2016;acrylic on handmade paper, signed, dated and titled in pencil to the reverse,produced by HENI,with artist's hologram and blind stamp,contained within its original box,sheet: 21.6 x 29.9 cm, (unframed)(ARR)

Allen Jones RA, British b.1937- The Illusionist, 2000;lithograph in colours on Somerset wove,inscribed B.A.T. in pencil,unsigned print aside from the edition of 100, published by Sky Editions, London, with their blind stamp,sheet: 56 x 76cm,(unframed)(ARR)

Robin Tanner, British 1904-1988, Hedge Flowers, 1989; Weeds, 1989; Full Moon, 1977;(i)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 23 x 16.5cm,  (ii)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 15.5 x 12.5cm, (iii)etching on wove, this lot is signed in pencil.image: 24.5 x 19cm, (all unframed)(ARR)(3)

Laurence Stephen Lowry RBA RA, British 1887-1976,The Family;lithograph in colours on paper, signed in pen, with the Guild blind stamps, image: 26.3 x 21.2 cm, after an original painting dated 1965, (framed) (ARR) 

Various Artists,  (Al Murphy, British 20th/21st Century; Mode 2, British b.1967-; Daniel Sparkes (aka Müdwig), British b.1980-; Barnaby Ward) Watership down, 2006; That’s All Folks, 2008; Pluto's Licking, 2008; Untitled (Girl and Turtles);  (i) screenprint on wove, signed and numbered 93/100 in pencil, printed by Pictures on Walls, with their blind stamp, sheet: 70 x 50.1 cm,  (ii) screenprint on wove, numbered 144/250 in pencil, printed by Pictures on Walls, with their blind stamp, sheet: 69.1 x 49.1 cm,  (iii) giclée in colours on wove, signed and numbered 39/50 in pencil, printed by Pictures on Walls, with their blind stamp, sheet: 50 x 69.8 cm,  (iv) giclée in colours on wove, signed and numbered 7/50 in pencil, printed by Pictures on Walls, with their blind stamp, sheet: 50 x 69.8 cm,  (v) screenprint on wove, numbered 18/100 in pencil, printed by Pictures on Walls, with their blind stamp, sheet: 56.7 x 56 cm,  (unframed) (5)Note: Pictures on Walls (POW) published and printed Bansky's early prints. 

Salvador Dalí, Spanish 1904-1989,Meeting of the Two Groups of Lechers, Purgatory Canton 26, 1951-1964; wood engraving in colour on Rives wove, signed in pencil and numbered g.a 24/25, published by Les editions d'art des Heures Claires, Paris with the blind stamp of the editor,  only 25 examples have the annotated 'g.a', sheet: 33 x 26 cm,  (framed) (ARR)Note: Albert Field, the Official Catalog of the Works of Salvador Dali, page 200. Together with a certificate from Park West GalleryProvenance: Park West Gallery, Michigan, USA / UK Private collection 

Banksy, British b.1974-Wall Sculpture, Angels, 2018;cast resin sculpture with West Bank Separation wall fragment base,  numbered '400096 B5' in black ink to resin base,  overall: 12 cm high,  (ARR)Note: this lot is accompanied by the original receipt from The Walled Off Hotel, with their blind stamp and ink stamp.

David Hockney OM CH RA,British b. 1937- Artcurial Exhibition Poster, 1973;offset lithographic poster in colours on wove;signed in pencil,published by Mourlot, Paris, with their blind stamp,sheet: 76.5 x 53.5 cm, (framed)(ARR)

Laurence Stephen Lowry RBA RA, British 1887-1976,The Level Crossing;lithograph in colours on paper, signed in pen, with the Guild blind stamps, image: 41 x 57 cm, after an original painting dated 1961, (framed) (ARR)

Ronald Searle CBE RDI, British 1920-2011, Rat Race, 1978; lithograph in colours on wovesigned, titled and numbered 89/99 in pencil, with blind stamps from Michel Casse Litho, Paris and Edition RS, Paris, sheet: 50.1 x 64.7 cm, (framed)(ARR)

After Jackson Pollock, American 1912-1956,Beyond the Edge, the Studio Set 1;four archival pigment prints on Hahnemühle paper with hand torn edges, hand numbered in pencil 15/125,  each bear the blind stamp of the Jackson Pollock studio, each sheet: 46 x 61 cm, (unframed)Provenance: Iconic Moments in association with the Jackson Pollock studio.

Jamie Hewlett,British b.1968-The Hick, 2003; screenprint on wove,signed in the plate,numbered 618/750 in pencil, published by Pictures on Walls, with their blind stamp, image: 33.3 x 98.7 cm, (framed)(ARR)

J.R, French b.1983-Women Are Heroes: Favela Morro de Providencia, 2009;photo lithograph in colours on wove with Idem Paris blind stamp, numbered in pencil 146/180 and stamped and signed and dated in pencil by the artist with his monogram, sheet: 71 x 103.5 cm, (unframed) (ARR)  

A collection of various progressive rock and folk albums: The Incredible String Band (2), Blind Faith, Pete Brown & Piblokto, Quintessence, Paladin, Stray (7), Lord Sutch And Heavy Friends, Sam Apple Pie, Led Zeppelin (5), Pink Fairies, Edgar Broughton Band (2), ELP (2), Van Der Graaf Generator (3), Moody Blues & related (3), Focus (2) and Steeleye Span, (34).

A mahogany and brass half-plate bellows camera "The Popular", B.T. Bayley, 8 Union Street, Stonehouse, with brass lens and roller-blind shutter (a/f).

A Victorian oak stretcher table, with drawers and opposing blind drawers, 73cm h; 75 x 122cm Top with some black stains and marks, centre of top inlaid with lozenge, possibly at later date

An Edwardian Chippendale revival side cabinet, the lower section with two long frieze drawers with blind fret detail raised on tapered supports and spade feet, the upper recessed and enclosed by a pair of astragal glazed panelled doors, 172cm high x 78cm wide x 47cm deep

An Edwardian mahogany serpentine chest of four drawers and brush slide in the Georgian style, with blind fret corners on bracket supports, 75cm wide

A Georgian oak longcase clock, the trunk crossbanded in walnut and with reeded column supports, the hood with arched outline, blind fret detail and enclosing a broken arch brass dial and an eight day striking movement by W Fothergill of Knaresborough, with weights and winder