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A Victorian Mahogany Wall Mirror/Shelves, late 19th century, with central circular bevelled glass plate flanked by blind fret and fret carved panels, the base with curved shelves with inverted finials, 160cm by 52cm

An Edwardian Carved Mahogany Bijouterie Table, early 20th century, the glazed hinged lid above blind fret carved corners, on acanthus carved cabriole legs, 64cm by 65cm by 75cm

Follower of Miles Birket Foster RWS (1825-1899) The Blind Pedlar Oil on board, 23.5cm by 33.5cm

Nineteenth century oak two-stage dresser, the cabinet back having three central open shelves, flanked by glazed cupboards above base with single drawer & dog kennel flanked by two blind panelled cupboards, raised on style-type feet, 151 x 41.5 x 190cms Condition: stains & marks to surfaces, some dings & dents to edges, some of hooks - possibly not original, splits to wood in dog kennel area, otherwise appears okay.

Late seventeenth / early eighteenth century burr walnut secretaire cabinet on chest, the blind panelled front revealing fitted interior with an arrangement of pigeon holes, drawers & central cupboard, the inside of the lid having a leather tooled adjustable writing slope, raised above base with two short & two long drawers, all raised on bun-type feet, 110 x 50.5 x 155cms Condition: front panel of cupboard has splits in an almost H design, dry in places with splits & chippings to rims, top right part of cornice is loose, veneer bubbling & losses throughout, interior drawer configuration again has splits, adjustable writing slope surface is tired & dry with ratched mechanism behind partially broken (there is a key available).

COLLECTION OF MONOCHROME ABSTRACTS (10), SOME MOUNTED, STEPHEN WILLIAMS BLIND GALLERY STAMP AND SOME SIGNED

AFTER WILLIAM RUSSELL FLINT, 'VARIATIONS ON A THEME', EARLY FRAMED PRINT FROST AND REED LIMITED, APPROX. 60 X 45cm, BLIND GALLERY STAMP AND SIGNED TO MOUNT

AFTER WILLIAM RUSSELL FLINT, 'MARKET HALL CORDEZ,, EARLY FRAMED PRINT, SIGNED TO MOUNT, BLIND GALLERY STAMP, APPROX. 58 X 43 cm

AFTER WILLIAM RUSSELL FLINT, 'HOLIDAY AFTER RAMADAN', EARLY FRAMED PRINT, FROST & REED LIMITED, SIGNED TO MOUNT AND BLIND GALLERY STAMP

LAURENCE STEPHEN LOWRIE RBA RA (BRITISH 1867-1976) SALFORD STREET SCENE' OFFSET LITHOGRAPH SIGNED L.S.LOWRY LOWER RIGHT IN PEN, BLIND STAMP, APPROX. 40 X 30 cm *ARR APPLIES*

LAURENCE STEPHEN LOWRIE RBA RA (BRITISH 1867-1976) 'THE HARBOUR' OFFSET LITHOGRAPH SIGNED L.S.LOWRY LOWER RIGHT IN PEN, BLIND STAMP, APPROX. 55 X 40 cm *ARR APPLIES*

LAURENCE STEPHEN LOWRIE RBA RA (BRITISH 1867-1976) 'FEVER VAN' OFFSET LITHOGRAPH SIGNED L.S.LOWRY LOWER RIGHT IN PEN, BLIND STAMP, APPROX. 52 X 42 cm *ARR APPLIES*

AFTER CECIL ALDIN (1870-1935) Penshurst, coloured print, signed by the artist lower left, pub. Eyre and Spottiswood, London, Fine Art Trade Guild blind stamp, 45 x 36cm.

AFTER CECIL ALDIN "Ightham Moat House", colour print bearing blind studio stamp and signed in pencil lower left, bears label verso, together with "The Catherine Wheel" and "The Anchor", both signed lower right and bearing studio stamp

AFTER CLAIRE EVA BURTON "Over the sticks", limited edition colour print No'd. 778/850, with blind studio stamp lower left, signed in pencil lower right

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "Gunners", chromolithograph, signed lower left and bears artist's blind studio stamp CONDITION REPORTS Some discolouration and fading to the outside of the prints, some minor creases. General wear and tear commensurate with age and use, see pictures for detail

A PAIR OF GEORGE MORELAND LITHOGRAPHIC PRINTS IN WALNUT VENEER FRAMES, "Children Playing Soldiers" and "Blind Man's Buff"

India.- Frith (Francis).- Album of 38 albumen prints, showing views in Madras, Bombay, Agra, Delhi, Bangalore and elsewhere, many with Frith Series blind-stamps, laid down, some light fading and creasing, most captioned in pencil below, spotting and soiling, largest c.230 x 290mm., smallest 160 x 210mm., original morocco, spine detached, rubbed and worn, folio, c.1880.

Ottomans.- Abdullah Frères. A very good group of c.160 cartes de visites, each c.80 x 55mm., Constantinople, printed verso details of Abdullah Frères studio, many with contemporary ms. labels in red and black ink, all mounted within contemporary blind-stamped morocco album, 4to, [c.1860 and later].⁂ Include portraits of prominent figures, trades, military figures, and views of Constantinople.

Elzevier.- Savile (Henry) In Taciti Histor. Agricolae Vitamet Commentarius de militia romana, translated from the English by Isaac Gruter, engraved pictorial title and a folding plan of a Roman camp, water-stained, attractive 19th century red blind-tooled and gilt straight-grained morocco, covers with inner borders of blind-stamped floral and folaige tools, within triple gilt filet borders, flat spine in compartments, with gilt floral motifs, little rubbed and marked, g.e., 12mo (binding 135 x 77m.), Amsterdam, Louis Elzevier, 1659. ⁂ Henry Savile (1549 - 1622), bible translator, Warden of Merton College, sponsor of the Savilian chairs of Astronomy and Geometry at Oxford. Provenance: William Jesse Freer; I.S. Hall (bookplates). References: Willems 1091.

Elzevier.- Sallustius Crispus (Caius) C. Sallustus Crispus, cum veterum hidtoricum fragmentis, engraved pictorial title, woodcut head- and tail-pieces and decorative initials, some staining and spotting, 19th century red blind-stamped and gilt morocco, little rubbed, g.e., 12mo (binding 128 x 74mm.), Leiden, Bonaventure & Abraham Elzevier, 1634.⁂ There are four editions of this date. This is the second reprint. References: Willems 412.

Elzevier.- Terentius Afer (Publius) Comœdiae sex, engraved pictorial title, small woodcut portrait of Terence, a few ff. printed in red and black, woodcut head- and tail-pieces and decorative initials, light water-staining to lower corners, occasional spotting, contemporary English black blind-stamped panelled morocco, covers with acorn and foliage tools, within double filet borders, spine in compartments and with circle and cross tools, rubbed, 12mo, Leiden, Bonaventure & Abraham Elzevier, 1635; and a larger copy of the same edition in contemporary vellum, 12mo (2)⁂ First Elzevier edition (see Willems for issue points), which Willems praises as follows: 'la plus belle et la plus estimée est incontestablement la première, qui est un chef-d'œuvre typographique'. References: Willems 433.

Emblemata.- Cats (Jacob) Houwelyck. Dat is De gansche gelegentheyt des Echten staets, first edition, 6 parts plus Appendix in 1, 2 engraved titles and 37 large illustrations in text after designs by Adrianen Pietersz van de Venne, contemporary blind-stamped Dutch vellum, rebacked, a little soiled, [De Jonge van Ellemeet, Museum Catsianum 113. Hollstein, Dutch and Flemish, XXXV, p. 79-90, no. 170-191. Franken, Adriaen van de Venne, p. 106, no. IV], Middleburgh, Jan Pieters vande Venne, 1625.⁂ First edition of Father Cats' illustrated handbook of Marriage, a key illustrated book produced during the Dutch Golden Age. The designs by Adrianen Pietersz van de Venne (1589-1662), official court painter to the Prince of Orange, were engraved by T. Matham, A. Matham, P. Serwouters, P. de Jode, J. Verstraelen and D. van Bremden. Houwelyck is divided into the six divisions of a woman's life, namely; a virgin, sweetheart, bride, woman, mother, and widow, each stage evocatively captured in van de Venne's poignant engravings. Provenance: Robert Hoe (ex-libris); W.R.H. Jeudwine (ex-libris); Pierre Berès, his sale Pierre Berge, 18 December 2007.

Bob Monkhouse books inc a signed Bob Monkhouse book "Movies" by Richard Schickel, A world of Movies x2, (one sealed), Jean Howards Hollywood, Big U Universal in the silent days, Secrets of the stars, The Stooge Chronicles, A fine mess by R Anobile, Hollywood the Years of innocence by John Kobil, A Blind Bargain, The Leading ladies, a Pictorial history of the silent screen x2, Bogey, The MGM story, Villains, Variety History of Show Business, etc. 2 boxes [C]

AFTER WILLIAM RUSSELL FLINT RA (1880-1969); a limited edition colour print, ladies in various poses, numbered 740/850 with Sir William Russell Flint Galleries blind stamp, 50 x 68cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM RUSSELL FLINT RA (1880-1969); signed limited edition colour print, 'The Silver Mirror' with Fine Art Trade Guild blind stamp lower left, 30 x 47cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A Georgian style mahogany breakfront bookcase, the upper section with astragal thirteen pane lattice glazed doors, the base with blind panel doors on plinth base, width 224cm.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition print, 'The Pond', signed in pencil lower right, with FATG blind stamp lower left, 43 x 57.3cm, framed and glazed. (D) CONDITION REPORT: Colours strong, print itself, mount and frame clean, the print is very slightly rippled to the upper section particularly. Provenance; from a private collection. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print, 'The Contraption', signed in pencil lower right bearing blind stamp lower left and letter code for no.3, image 31.5 x 30cm, framed and glazed, sold with a framed and glazed 'Preliminary Studies' print for The Contraption from the edition of 750 (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. No foxing or staining, colours have faded.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition print, 'Britain at Play', signed in pencil lower right with FATG blind stamp and letters to number indicating 434, 44.5 x 59.8cm, framed and glazed. (D) CONDITION REPORT: Provenance; from a private collection, condition is good throughout, strong colours, clean mount and frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

HELEN BRADLEY (1900-1979); two signed limited edition colour prints, 'Enchanted Garden', signed in pencil to lower right with Fine Art Trade Guild blind stamp and letter to number indicating 715/850, 27 x 37cm, and 'The Picnic', number 1/850, 37.5 x 56cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

MALCOLM MORLEY (1931-2018); a signed lithograph bearing blind stamp lower right and inscribed lower left 'AP 16/25', 60 x 87cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

TOM DODSON (1910-1991); two signed limited edition coloured prints, one with Fine Art Trade Guild blind stamps and letter to number indicating 277/850, 40.5 x 50.5cm, and an unsigned example 'A Carriage for Two', 366/850 with Studio Arts Gallery blind stamp, 35.5 x 45.5cm, all framed and glazed (3). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A large early 19th century mahogany chest, the moulded cornice above blind fret frieze, two short and five long drawers to bracket feet, the chest cut in half, width 104cm, height 159cm.

Terence Cuneo, winter river landscape, print bearing publisher's blind-stamp, signed in pencil l.r., framed & galzed

Mona Hatoum (b.1952), 3D, blind embossed print, trial proof, signed, 15cm x 18cm, framedArtist Resale Rights may apply

A late 19th century Chippendale style full height cabinet in dark mahogany, with blind fret decoration, 2 astragal glazed doors over 2 frieze drawers and double cupboard, on bracket feet

A late 17th/early 18th century oak blanket box, framed and panelled with hinged lid, blind fret frieze and block feet, width 4'6"

A mahogany reproduction Regency style desk, kidney shaped with kneehole, inset green leather top, 5 drawers, blind fret bracket and square tapering legs

Prints - Rex N Preston, By & After, Leading the Flock, signed, blind stamp, 34cm x 66cm; another E R Sturgeon, The Cricket Match, signed, 40cm x 70cm (2)

Jorge Aquilay - two signed prints, of shipping coastal scenes, pencil signature and blind stamp to margins, 17 3/8" x 32 1/2", mounted in glazed, gilt frames

Adamowicz Brothers aviation pioneers signed 1934 cover flown New York to Warsaw. Only 500 covers were carried flying on 7 6 34 from New York to Caen and then on to Warsaw, landing on 2nd July. US and Polish stamps and postmarks. In 1928, they flew in an aircraft for the first time as passengers, sparking their enthusiasm for aviation. They bought a Waco biplane and learned to fly at a basic level. Impressed by trans-Atlantic flights, they decided to fly across the Atlantic themselves. In May 1932 they won a minor tourist aircraft contest at Floyd Bennett field, which encouraged them to pursue their plans. The brothers bought a long-distance plane, the Bellanca J-300, registration NR797W, c n 3003, for US$22, 000. In addition to the standard 1627l fuel tanks, it was fitted with an additional 440-gallon tank, and extra emergency fuel in cans. The plane had a Polish national White Eagle and the name City of Warsaw painted on the fuselage. In August 1933, the plane was damaged by a hired pilot while landing in Harbour Grace, Newfoundland. After repairs, the brothers decided to try again. Although Ben Adamowicz had learned to fly blind, both brothers were purely amateur aviators. Moreover, their aircraft was not fitted with a radio, which made their trip more dangerous. On 28 June 1934, Benjamin and Joseph Adamowicz took off from Floyd Bennett Field in New York City and landed in Harbour Grace, Newfoundland. On 29 June at 5:AM they took off for their Atlantic trip. After six hours of flight, they encountered a problem with ice. Benjamin managed to fly lower and regain control Joseph, writing a flight log in English, surprisingly wrote in Polish at one moment: God, have mercy on us. Then, for a few hours, they flew in a heavy rainstorm. After they managed to get above the clouds they noticed that the main fuel tank was leaking. Luckily, after pumping in emergency fuel, they determined it was enough to reach Europe. On the morning of 30 June, they crossed a shore-line, but due to fog and clouds, they were unable to determine their position a result of their poor navigation skills. After flying for 3 hours without sight of land they reversed direction, and after an additional hour, the fog cleared, and the brothers decided to land in a small meadow, while avoiding a herd of cattle, near Caen in France. The next day, after repairing the landing gear, they took off for Paris, then Germany, where they were forced to land due to fuel leaks. On July 2, the brothers arrived in Warsaw, Poland, where they were treated as heroes. Another Pole had already flown across the Atlantic, Stanislaw Skarzynski in May 1933. By that time, more pilots had managed to fly across the Atlantic, but it was still a very risky trip, even for professional pilots. The Adamowicz brothers may have been the first amateur pilots in the world to make a transatlantic flight. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95

BERYL COOK (BRITISH 1926-2008), 'Dirty Dancing', a limited edition print, 118/650 of a lady and gentleman dancing, signed lower right with blind stamp lower right, with certificate, mounted, unframed, approximately 52cm x 30cm (Artists Resale Rights May Apply To This Lot) (condition: as new)

BERYL COOK (BRITISH 1926-2008), 'Jiving to Jazz', a limited edition print of a man and woman dancing to a jazz band, 300/650, signed lower right with publishers blind stamp lower left, mounted, framed and glazed, approximately 48cm x 50cm (Artists Resale Rights May Apply To This Lot) (condition: some marks to the frame)

BERYL COOK (BRITISH 1926-2008), 'Shall We Dance', a limited edition print, 453/650, of a man and woman dancing, signed lower right, numbered with blind stamp lower left, with certificate, mounted, unframed, approximately 54cm x 38cm (Artists Resale Rights May Apply To This Lot) (condition: small stain to bottom left hand corner of the mount)

DOUG HYDE (BRITISH 1972), 'Partners in Crime', a limited edition print, 325/395, of a stylised boy and his dog, signed, titled and numbered in pencil with blind stamp, mounted, unframed, approximately 58cm x 73cm (Artists Resale Rights May Apply To This Lot) (condition: small creases to the corners of the mount)

AN EDWARDIAN SILVER DRESSING TABLE TRAY, of shaped rectangular form, pierced border, central blind cartouche, the whole embossed with thistles, roses and shamrock, maker Matthew John Jessop, London 1902, approximate weight 9.8ozt, 305 grams, approximately 32cm x 22.3cm

A GEORGE V RECTANGULAR SILVER CIGARETTE BOX, blind cartouche to hinged lid, engraved throughout with horizontal bands, makers mark rubbed, London 1918, width approximately 17.5cm, together with an Edwardian silver covered mustard with blue glass liner, a George IV Fiddle, Thread and Shell pattern dessert fork, engraved crest, London 1825, a small five bar toast rack on bun feet, Birmingham 1918, three various napkin rings, an ashtray, a French silver beaker, maker BF & Cie, four William Comyns teaspoons, preserve spoon, etc, various dates and makers, approximate weighable silver 14.6ozt, 455 grams

A FOLIO OF LATE 19TH CENTURY ART WORK RELATING TO AMY F. BRIDGES, many pieces bearing the blind stamp for ESK in oval (Examined/Exhibited at South Kensington Museum) and bearing labels with dates, subjects include portraits, architectural details, still life, etc, including two pieces framed and glazed, the folio also contains a small number of pieces by other artists (parcel)

L.S. LOWRY (BRITISH 1887-1976), 'Level Crossing - Burton on Trent', a limited edition print, 457/850, signed in pencil lower right, with Fine Art Trade Guild blind stamp lower left, published in 1973, mounted, framed and glazed (condition: some yellowing to the print)

L.S. LOWRY (BRITISH 1887-1976), 'The Football Match', a limited edition print, 710/850, signed lower right with blind stamp lower left, mounted, framed and glazed, approximately 26cm x 37cm (condition: some yellowing to the top half of the print and print edges, dirt and paint loss to the frame)

John Lee Cookham; an oak longcase clock, the square hood with blind fret frieze and pagoda top, cylindrical pilasters, long moulded edge trunk door, the 11" brass dial with Roman numerals, the single train movement striking on a bell, 200cm high, the oak case, late 17th/early 18th century, reduced in height and distressed, the dial and movement mid 18th century.

Jimi Hendrix / Cream, seven albums by Jimi Hendrix, Cream and related comprising Are You Experienced (original Mono), Electric Ladyland (Polydor Double), Fresh Cream (original mono), Blind Faith (Original), Baker Gurvitz Army, Jack Bruce - Songs For A Tailor and West, Bruce and Laing - Why Dontcha - various years and conditions

2 terracotta plant pots, blind

A GEORGE III OAK PRESS, LATE 18TH C adapted as a hall cupboard, the upper part with panelled doors, the base fitted with drawers and blind drawers, the sides panelled, 188cm h; 50 x 159cm ++Good condition, part of middle leg missing (apparent in image) the panelled back incorporating moulded elements

A VICTORIAN GILT BRASS MOUNTED KINGWOOD, TULIPWOOD AND MARQUETRY WRITING TABLE in Louis XVI style, c1860 the top in matched 'butterfly' veneers outlined with green stained banding and cube parquetry spandrels in husk border with penwork detail, the frieze with drawers and opposing blind drawers divided by oval bleu celeste ground Sèvres style porcelain panels painted with amorini, the legs headed by paterae and festoons, 74cmh; 59 x 107cm++One of the porcelain plaques damaged and incomplete but in otherwise excellent unrestored original condition. The top with old minor stains and scratches but no significant water damage etc

A GEORGE IV ROSEWOOD WRITING TABLE, C1830 the oblong top fitted with drawers and opposing blind drawers, the lobed feet with recessed castors, 72cm h; 60 x 122cm++Lacking the roundel from one of the uprights, top unevenly faded with old ink and other stains

A GEORGE III MAHOGANY SECRETAIRE CHEST, C1780 the fitted interior centred by a blind fret gothick door, the fine pierced gilt brass handles apparently original, 102cm h; 57 x 109cm++Top with old black marks and scratches, the interior complete and original, the locks and handles all present, feet original, no shrinkage cracks to sides, pine/deal horizontal backboards original, one split

19th CENTURY MAHOGANY VENEERED GLAZED BOOKCASE, with dentilled cornice, 2 glazed doors enclosing 3 adjustable shelves, with 2 blind panel doors below, veneered in flame mahogany, 36"

GEORGIAN CORNER CABINET, Georgian mahogany hanging corner cabinet, blind panel door, H strap hinges, fitted 3 interior shelves, 26"