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Demosthenes. Orationes Olynthiacae tres, et quatuor Philippicae, Strasbourg: Theodosius Rihel, [1593], woodcut title device and initials, interleaved throughout, text and interleaves heavily annotated in Latin by a contemporary hand up to leaf D2, browning, occasional marginal damp-staining, edges dyed blue, later vellum blind-tooled with acorn devices, manuscript spine-title, slightly marked, ties gone, 8vo Adams D274. (1)

Pradt (Dominique Dufour de). Des trois derniers mois de l'Am‚rique m‚ridionale et du Br‚sil, 1st edition, Paris: F. Bechet, July 1817, half-title, spotting, marginal tape-repair to first 3 leaves, top edge gilt, 20th-century half morocco (ink-stamp 'L. Berger & Filho, Rio' to front free endpaper), joints and extremities rubbed, 8vo, together with Robinson (Fayette), Mexico and her Military Chieftains, from the Revolution of Hidalgo to the Present Time, 1st edition, Philadelphia: E. H. Butler & Co., 1847, 12 wood-engraved plates (tanned), spotting, corner of pp. 339/40 torn to no loss of text, presentation copy, inscribed by the author 'E A Crenshaw, from his cousin Fayette Robinson, Philadelphia , Philadelphia Pa, June 15. 1847' on the front free endpaper, with the recipient's bookplate to the front pastedown, original blind-stamped pin cloth, spine sunned, headcaps slightly chipped, 8vo, plus Livermore (Abiel Abbot), The War with Mexico reviewed, 1st edition, Boston: American Peace Society, 1850, contemporary ownership inscription to title page, original blind-stamped blue cloth, rubbed and slightly mottled, spine sunned, 8vo, and Harper (Henry H.), A Journey in South-Eastern Mexico, 1st edition, Boston: printed privately for the author, 1910, etched frontispiece, ownership inscription and bookplate of American politican James Joseph Butler (1862-1917), edges untrimmed, original quarter japon, slipcase (crudely repaired), 4to, and 1 other Sabin 64908, 72071, 41558, N/A; Borba de Moraes II p. 163 for Pradt. (5)

Fludd (Robert). [Utriusque cosmi maioris et minoris historia] Tomus secundus de supernaturali, naturali, praeternaturali et contranaturali microcosmi historia, tractatus I (-II). 1st edition, [Oppenheim: Johann Theodor de Bry, 1619], half-title present, lacking A2 title, woodcut initials, woodcut & engraved illustrations, woodcut head- and tailpieces, a few leaves shaved and occaional light staining, bound with Brunn (Lukas), Praxis perspectivae, das ist von Berzeichungen ein auszfhrlicher Bericht, Nuremberg: Simon Halbmeyer; Leipzig: Lorentz Kober, 1615, 24 engraved plates (of 25, lacking plate 20), woodcut initials, head- and tailpieces, 2 engraved illustrations, some plates frayed at edges, contemporary blind stamped pigskin, light dust-soiling, folio 2nd work: Berlin Catalogue 4708. The second volume of Fludd's Utriusque cosmi historia contains a section on the arts and sciences as used by man, called "technica historia" by Fludd. Provenance: Collection of Robert Lenkiewicz (1941-2002). (1)

[Justice, Alexander]. A Compleat Account of the Portugueze Language. Being a Copious Dictionary of English with Portugueze, and Portugueze with English. Together with an Easie and Unerring Method of its Pronunciation, by a distinguishing Accent, and a Compendium of all the necessary Rules of Construction and Orthography digested into a Grammatical Form. To which is Subjoined by way of Appendix their usual Manner of Correspondence by Writing, being all suitable, as well to the Diversion and Curiosity of the Inquisitive Traveller, as to the Indispensible use and advantage of the more Industrious Trader and Navigator to most of the known parts of the World, 1st edition, London: Printed by R. Janeway, for the Author, 1701, both half-title and title printed in red & black (title with blind library stamp at head), some toning and occasional spotting, recent antique style quarter mottled calf gilt, red morocco title label to spine, marbled boards, folio, together with Castro (Jacobo de), Grammatica Anglo-Lusitanica & Lusitano-Anglica, or, A New Grammar, English and Portuguese, and Portuguese and English; divided into two parts..., to which is now added... Grammatica nova Ingleza e Portugueza, e Portugueza e Ingleza..., 3rd edition, 1759, contemporary inscription to title, some browning particularly to margins of first & last few leaves, modern calf, morocco title label, 8vo, plus Vieyra (Anthony), A New Portuguese Grammar in four parts..., 7th edition, F. Wingrave, 1809, hinges repaired, contemporary sheep, modern reback with morocco title label, 8vo (3)

Mela (Pomponius, & others). Pomponius Mela, Julius Solinus, Itinerarium Antonini Aug., Vibius Sequester, P. Victor de regionibus urbi Romae, Dionysius Afer De situ orbis Prisciano interprete, Florence: heirs of Filippo Giunta, 1519, printer's woodcut device to final leaf, modereate spotting and soiling towards front and rear and occasionally to margins, marginal worming in signatures a1-4, causing a small portion of loss in a1 gutter, text never affected, free endpapers sometime renewed (with ink-stamp to front), spine lined with binder's waste, contemporary ownership inscriptions to pastedowns, a few near-contemporary annotations to text, contemporary Italian goatskin, covers elaborately blind-tooled with concentric fillet, guilloche, balustrade and floral rolls enclosing central panels built up from palmette and ringlet tools, the floral roll interspersed with two repeated devices of male heads in profile, one in a brimmed cap, the other in a helmet with a raised visor, spine and extremities worn, some restoration and repair, rear board near-detached, 8vo (16.5 x 10 cm) Adams M1054, Bandini II p. 136, BM STC Italian 1465-1600 p. 432. First Giunta edition of Pomponius Mela's De situ orbis, the earliest Latin geography extant. (1)

Parkes (Mrs. William). Domestic Duties; or, instructions to young married ladies, on the management of their households..., 3rd American from the 3rd London edition, with notes and alterations adapted to the American reader, New-York, J. & J. Harper, 1832, several woodcut illustrations to text, spotted throughout, contemporary red morocco-backed boards, rubbed and slight wear, 8vo, together with Bownas (Samuel), A Description of the Qualifications Necessary to a Gospel Minister, printed by Luke Hinde, 1750, contemporary blind-panelled calf, rubbed and marked with joints partly cracked, plus Johnson (Samuel), A Dictionary of the English Language, 9th edition, 1790, title lightly soiled, contemporary reversed calf, some wear with covers detached, 8vo, and Brown (John), Literae Laureatae or a selection from the poetical writings in Lincolnshire language, with introduction... by J. Conway Walter, Horncastle, W.K. Morton, 1890, top edge gilt, remainder rough-trimmed, contemporary dark brown half morocco, a little rubbed, 8vo, plus other 18th and 19th century antiquarian interest, including Thomas Sydenham, The Whole Works of That Excellent Practical Physician, 9th edition, corrected by John Pechey, 1729 (lacking upper cover), Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations, with a life of the author, introductory discourse, notes... by J.R. McCulloch, new edition, corrected throughout, 1838 (spine deficient), etc., mostly leather bound, 8vo & 4to (15)

Prudentius (Aurelius Clemens). Theodori Pulmanni Cranenburgii, et Victoris Giselini opera, ex fide decem librorum manuscriptorum, emendatus, et in eum, eisudem Victoris Giselini commentarius, Antwerp: Christophe Plantin, 1564, 2 parts in 1 volume, woodcut title devices, spotting and browning, frequent tissue-repairs to fore edges, affecting text in some 20 leaves, contemporary limp vellum, manuscript spine-title, yapp edges, lacking ties, small 8vo, together with Virgil, [Opera] cum veterum omnium commentariis et selectis recentiorum notis, nova editio, [Leiden:] Abraham Commelin, 1646, engraved title (with small hole), endpapers renewed, contemporary blind-stamped vellum, rear board soiled, 4to, plus Davila (Arrigo Caterino), Historia della Guerre Civili di Francia, 1st edition, Venice: Tomaso Baglioni, 1630, lacking signatures a1 (probably blank), 3Y1 and [3Z]1-2 (index and errata leaves), title page repaired, browning, spotting and damp-staining, contemporary vellum, repaired, 4to, and Horace, L'opere, comentate da Giovanni Fabrini da Fighine, in linguae vulgare Toscana ... 2nd edition, corrected, Venice: Giovanni Battista, Marchio Sessa, and brothers, 1573, lacking leaf 3B1, light browning, occasional marginal damp-staining, effaced contemporary ownership inscriptions to title page, endpapers renewed, contemporary vellum, soiled, 4to, and 1 other Adams P2186 for Prudentius, cf. H948 for a later edition of Fabrini's Horace; the second work is the influential variorum edition of Virgil by Dutch scholar Cornelis Schrevel. (5)

Rossetti (Dante Gabriel). Sir Hugh the Heron, A Legendary Tale, in Four Parts, 1st edition, G. Polidori's Private Press, (For Private Circulation only), 1843, 24 pages, some marginal toning throughout, title-page slightly discoloured at margins, near-contemporary unlettered mauve wrappers (marginal fading), slim 4to (203 x 155 mm) preserved in a gilt-lettered brown cloth chemise with bookplate of Oliver Brett, and dark blue calf solander box with a gilt design after D.G. Rossetti on upper cover (and in blind on lower cover), gilt-titled on spine Scarce first edition of Rossetti's first book, printed at Rossetti's grandfather's private press. Only a small handful of copies survive, Rossetti having once given his brother William Michael 'a rather considerable stock of copies' to destroy. In a letter to T.J. Wise, written 28 June 1889, W.M. Rossetti writes that he has found 'three complete copies, and one extra copy of a single sheet. All my copies are simply in unstitched sheets - no wrapper'. (1)

Telegraphy. Reports from Mr. Malcolm J. Brown, of the General Post Offfice, London, upon the Working of the French, Belgian, and Swiss Telegraphic Systems, and upon the Regulations of the Vienna Convention, 1st edition, George Edward Eyre and William Spottiswoode, for Her Majesty's Stationery Office, 1870, 20 pp., 3 folding maps coloured in outline, mild spotting and soiling to text-block, contemporary red roan, blind palmette borders to covers, title gilt to front, rubbed, folio Uncommon: one copy traced at the University of Illinois. (1)

Valerius Maximus. De factorum dictionumque memorabilium exemplis libri novem, cura et diligentia recogniti, una cum Henrichi Loriti Glareani, in eundum Valerium Max. Annotationibus, nunc primum in lucem editis, Basel: Henricus Petri, 1562, complete with the register leaf, woodcut device to title page and final leaf verso, woodcut initials, signature 2b5 restored to partial loss of a few letters verso, very occasional faint damp-staining to margins, tiny worm-hole in final 30 leaves, sometimes touching a letter, a few other minor marks, slightly later German ownership inscription to title page, contemporary blind-stamped pigskin over wooden boards, later manuscript spine-title, soiled overall, remains of metal clasps, 8vo, together with Stapleton (Thomas), Promptuarium morale super evangelia dominicalia totius anni ... pars hyemalis, Lyon: Jean-Baptiste Buysson, 1593, volume 1 only (of 2), some light spotting, contemporary and later inscriptions and ink-stamps to title page (including ink-stamp of Buxheim monastery, Germany), pastedowns abraded to reveal lining of contemporary printed binder's waste, contemporary blind-stamped pigskin, decorative panel-stamps in blind to boards, outer frames showing the Four Evangelists enclosing an inner icon of the Annunciation to the front board and the baptism of Jesus to the rear, rubbed overall, ties gone, 8vo Second edition of Valerius Maximus to contain Glarean's Annotationes, which first appeared in 1553 and are considered 'a watershed in the Renaissance commentary tradition' (Crab, Exemplary Reading, Printed Renaissance Commentaries on Valerius Maximus (1470-1600), p. 173. (2)

Bogolubow (Andrei). Tapis de l'Asie Centrale faisant partie de la collection r‚unie par A. Bogolubow, 2 parts in one, St. Petersburg: Manufacture des Papiers de l'etat, 1908, lithograph title to first part (with closed tears, & lined to verso), 36 chromo lithograph and seven monochrome plates, 2 double-page coloured maps, text in Russian and French (leaves of letterpress window mounted), occasional spotting, modern gilt & blind panelled and decorated terracotta morocco, elephant folio The first edition of the first great book on Turkoman rugs. (1)

Burrows (John William). The Essex Regiment, 1st Battalion (44th) 1741 to 1919 [-9th, 10th, 11th, 13th & 15th Battalions], 6 volumes, 1st editions, Southend-on-Sea: John H. Burrows & Sons, Ltd., 1923-35, numerous photographs and maps, many folding, some light spotting to endpapers and prelims, contemporary ownership inscription to volume 2, bookplate to volume 6, faint spotting to edges, original red cloth, front boards gilt with Essex arms, series title ('Essex Units in the War 1914-1919'), and individual volume titles, trivial rubbing to extremities, together with: Fortescue (J. W.), A History of the British Army, 13 volumes in 14, with 6 map volumes, 1st editions, Macmillan and Co., Limited, 1899-1930, profusely illustrated with colour maps and plans, many folding, occasional browning to endpapers, volume 1 slightly shaken, volume 2 rear map loose, contemporary gift inscriptions to volumes 1-3, volumes 9-11 blind-stamped 'presentation copy' on the title page, volumes 9-10 with ink stamps of The Field to rear pastedowns, original red cloth, spines sunned and rubbed, headcaps nicked; ibid., The British Army 1783-1802, Four Lectures Delivered at the Staff College and Cavalry School, 1st edition, Macmillan and Co., 1905, 3 folding maps to rear, blind-stamped 'presentation copy' on title page, original red cloth, spine faded, headcap frayed, rear board sunned, and Martin (Thomas Alexander), The Essex Regiment 1929-1950, 1st edition, Essex Regiment Association, 1952, photographic plates, folding maps (browned), original red cloth, sunned, spine rolled, all 8vo The second volume of Burrows's work is dated 1927, two years later than the third, which is dated 1925, but we can trace no earlier printing and the set appears to have been issued in this order. (31)

Strabo. Rerum geographicarum libri XVII. Graece et Latine, cum variorum praecipue Casauboni, animadversionibus, juxtra editionem Amsteldoamensem. Codicum MSS. collationem, annotationes, et tabulas geographicas adjecit Thomas Falconer, 1st edition, Oxford: e Typographeo Clarendoniano, 1807, half-titles, engraved title vignettes, 17 maps (all but one folding), one chart, Greek and Latin text in double column, maps variably browned and offset as usual (see Gadd et al.), contemporary and later ownership inscriptions and discreet blind stamps to title pages, bookplates of Prinknash Abbey, contemporary red russia, rebacked, gilt arms of collector and landowner Thomas Penrice (1757-1816) to sides within gilt and blind panels, extremities worn, folio (43 x 25.5 cm) Lowndes p. 2527; see Gadd et al., History of Oxford University Press, Volume II: 1780 to 1896, p 34 et seq. for a comprehensive account of the publication and controversy of the Oxford Strabo, which was 'one of the most expensive to produce books that the Press had so far published'. (2)

Atkyns (Sir Robert). The Ancient and Present State of Glocestershire, 1st edition, 1712, portrait frontispiece, eight untitled plates of coats of arms of Gloucestershire families, engraved map, plan of the city, engravings of the West Prospect of Glocester views of and Glocester Cathedral, plus 61 double-page 'bird's eye' views of the seats of the nobility and gentry by Johannes Kip, contemporary blind-panelled calf with old reback, upper hinge partly cracked, folio Upcott 1. page 246. The rare first edition: many copies were lost in a fire at the printer's house in Whitefriars on January 30th 1712. Upcott notes that a similar fate befell copies of the second edition. Sir Robert Atkyns, MP and topographer was somewhat overshadowed by his father, who as chief baron of the exchequer was speaker of the House of Lords between 1689 and 1693. Atkyns refused to take the oath of allegiance to William III and retired to Pinbury Park in Gloucestershire. The first of the three major Gloucestershire antiquaries, the other two being Ralph Bigland (1712-1784) and Samuel Rudder (1726-1801), Atkyns collected material for parish histories in an attempt to record the population of each parish, based on the number of houses therein and the yearly birth and burial numbers. Pinbury Park, a medieval manor house, was later remodelled and renovated by Ernest Gimson and Ernest and Sidney Barnsley who lived there from 1894-1901. (1)

Hope (& Co., publisher). The Battles of the Frogs and Mice. After Homer. By the Singing Mouse, 1st edition, 1851, two hand-coloured engraved plates on pale green heavy paper, including frontispiece, numerous woodcut illustrations to text, some faint waterstaining to extreme edges, two leaves with a short edge-tear, front hinge slightly split, original green limp cloth, both covers with blind-stamped design, front cover with title in gilt, some light marks, slim 8voScarce. Not in Osborne or Gumuchian. (1)

Topffer (Rodolphe). The Comical Adventures of Beau Ogleby, London: Tilt and Bogue, [circa 1845], etched caricature title, 52 leaves of plates and one advertisement leaf at rear, occasional scattered spotting, hinges cracked, original dark green cloth, blind decoration to boards and gilt blocked title and image of Mr Ogleby to upper board, some faint damp mottling to extremities, oblong 8vo Only three UK institutional locations found. (1)

*Hasselriis (Else (1878-1953)). A young faun and a cat chasing two butterflies, 1917, black paper scissor cut silhouette, with the butterflies drawn in ink, mount card lightly toned, image size 9 x 16cm (3.5 x 6.25ins), sheet size 23.5 x 28cm (9.25 x 11ins), framed and glazed, together with Schonberg (Eva, early 20th century), A small girl being offered cherries by an older girl carrying a basket, black paper scissor cut silhouette, incorporating coloured fabrics, some light brown stains, and one or two breaks, artist's open scissor blind stamp lower right, sheet size 25 x 19cm (10 x 7.5ins), oval frame, glazed, plus another silhouette by Eva Schonberg similar, of a young girl with a parasol, holding a tiny dog on a lead, some small breaks, backing card toned, artist's open scissor blind stamp lower right just faintly visible, sheet size 26.5 x 20cm (10.5 x 7.75ins), framed and glazed, and Kaskeline (Friedrich, born 1863) A landscape with poplar tress and a figure on a bridge, black paper scissor cut oval silhouette, artist's blind stamp lower right, 26 x 20.5cm (10.25 x 8ins), framed and glazed, plus eight other black paper scissor cut silhouettes, various sizes, mostly of children and animals, two with signatures: 'B. Ulricksen' and 'H. Brenssong [19]36', all framed and glazed Danish artist Else Hasselriis illustrated a number of books with silhouette designs, including: Shen of the Sea, a Book for Children, by Arthur Bowie Chrisman, 1925; The Wind that Wouldn't Blow, by Arthur Bowie Chrisman, [1927]; 'H.C. Andersens Eventyr', 1929; and 'The Nutcracker of Nuremberg, by Alexandre Dumas, 1930. She is also known to have painted pottery. German artist Eva Schonberg was one of the most prolific cutwork artists working in Berlin in the 1920s and 30s. Friedrich Kaskeline studied at the Academy of Fine Arts in Vienna under the history and portrait painter Christian Griepenkerl. He subsequently worked chiefly as an illustrator of magazines, journals and postcards, as well as working in commerce and producing propaganda graphics during the First World War. (11)

Booker Prize. A collection of Booker Prize winners (17) and shortlist (100), 1st editions hardbacks and uncorrected proofs etc, some signed, winners are V.S. Naipaul's In a Free State, 1971, J.G. Farrell's The Siege of Krishnapur, 1973, Ruth Prawer Jhabvala's Heat and Dust, 1975, David Storey's Saville, 1976, Kingsley Amis's The Old Devils, 1986, Barry Unsworth's Sacred Hunger, 1992 James Kelman's How Late It Was, How Late, 1994 (signed proof), Graham Swift's Last Orders, 1996 (signed), Arundhati Roy's The God of Small Things, 1997, Ian McEwan's Amsterdam, 1998, Margaret Atwood's The Blind Assassin, 2000, Peter Carey's True History of the Kelly Gang, 2001 (signed), Vernon God Little, by DBC Pierre, 2003, Alan Hollinghurst's The Line of Beauty, 2004, Kiran Desai's The Inheritance of Loss, 2006, Julian Barnes' The Sense of an Ending, 2001 and Eleanor Catton's The Luminaries, 2013 (inscribed) (117)

Hardy (Thomas). The Woodlanders, 3 volumes, 1st edition, London: Macmillan and Co., 1887, half-titles, without advertisements as issued, some spotting to half-titles and free endpapers, volume 1 front free endpaper with embossed W.H. Smith & Son library stamp, most hinges cracked, original dark green pebble-grained cloth (secondary binding), gilt blocked to spine and single-rule border with inner frame in black to upper boards, some light mottling, extremities worn, 8vo Purdy, pages 54-57. Originally published in monthly installments, Hardy sometimes mentioned The Woodlanders as being his favourite (and best) of his own novels. The first edition comprised 1000 copies, of which 860 were initially bound, with the remainder bound up in dark green pebbled cloth, blocked in black on the front and in blind on the back with a single-rule border and inner frame with square corners (as here). Purdy states that this secondary, less common, binding is never found on ex-library copies, making this a very unusual example. (3)

After Sir David Wilkie (1785-1841), The Blind Fiddler, oil on canvas, 26.5 x 34.5cm .

Mary Ann Pickering, still life study with flowers, signed, with Ecole South Kensington blind stamp, watercolour, framed and glazed, picture size: 35cm x 42.5cm, frame size: 57.5cm x 63cm. Provenance: part of The Stephen Furniss Collection .

PINDAR (Johannes Benedictus, ed.) 'Pindari Olympia, Pythia, Nemea, Isthmia', hardcover, published by Saumur, ex typis Petri Piededii, 1620, 1st edition, Greek and Latin text, blind-stamped decorations and gilt-titled leather label.

A collection of illustrated books by Rev. F.O. Morris, including Vols. I, II & III of 'A Natural History of the Nests & Eggs of British Birds', 2nd edition, published by George Bell & Sons, London, 1870, quarto, green cloth, gilt-lettering on spines.Together with Vols. 1-6 of 'A History of British Birds', 2nd edition, 1870, published by Bell & Daldy, London, with original blind-stamped green cloth along with other nature and gardening books (12)

James Alphege Brewer (fl 1909-1938)Rouen Cathedral Etching Signed in pencil, bearing blind stamp59 x 42cmTogether with a group of etchings by Edward Cherry and another attributed to Gareth Jones (qty)

A early 20thC mahogany music cabinet, the top with a pierced gallery above a single door flanked by blind fret carving on cabriole legs, 51cm wide

A mahogany display cabinet, with two glazed doors, a blind fret frieze on cabriole legs, with ball and claw feet, 107cm wide

Luther, MartinTomus Sextus Omnium Operum. Witemberg: Lorenz Schwenck, 1561. Folio, [56], title within woodcut border, a little dampstaining to upper corner, loss of a few letters to sidenote p. 163, contemporary blind-stamped calf over wooden boards, roll-stamps containing portraits of Salvator, Filippus, Martinus, Johannes, joints a bit worn, repair to head and base of spine, lacks clasps, [USTC 698678, 11 copies recorded], name in ink D Arch Whitehouse at head of title

A Victorian four-piece silver tea set, Joseph Angell Snr and Joseph Angell Jnr, London 1849, comprising: a teapot, a coffee pot, a cream jug and sugar basin, each of lobed hexagonal form and decorated all-over with chased and engraved blind fret decoration, the cast handles with ivory insulators,the coffee pot 29cm high,, 64.8ozt overall (4)

Attributed to Elizabeth Frink (British, 1930-1993), 'Parable of the Blind' study from Bruegels, charcoal, chalk and ink, bearing signature in pencil. H.75cm W.55cm

AN EDWARDIAN MAHOGANY WARDROBE, with moulded dentil cornice and blind fret frieze above twin astragal glazed panel doors, raised on a base with shell carved apron and cabriole legs. 202cm high x 124cm wide

AN EDWARDIAN MAHOGANY WARDROBE, with dentil cornice and blind fret frieze above twin astragal glazed panel doors, flanked by blind fret pilasters and raised on bracket feet. 208cm high x 132cm wide

Approx seventy vinyl RecordsBLUES and JAZZ. LPs & 45s Various years and genres. Included amongst the LPs is Brownie McGhee & Sonny Terry Topic Label (12 T29), Champion Jack Dupree 'Blues from the Gutter' London Label (LTZ-K 15171), Humphrey Lyttelton 'Heres Humph!' Parlophone (PMD 1049) and 'Kath meets Humph' Parlophone (PMD 1052), Jimmy Rushing 'Showcase' Vanguard (PPT 12016) and 'If this aint the Blues' Vanguard (PPL 11008), Otis Spann 'Walking the Blues' Candid (9025), others by Billy Strayhorn, Erroll Garner, Buck Clayton, etc. Amongst the 45s is Little Walter & his Jukes EP London Label (RE-U 1061), Big Bill Broonzy 'Southern Saga' EP Pye Nixa Label (NJE 1047), Blind Willie Johnson 'Treasures of North American Negro Music' EP Fontana (TFE 17052) and Muddy Waters 'Mississippi Blues' EP London Label (RE-U 1060). Conditions vary throughout overall VG

11 LPs BLUESIncludes 4 by Blind Boy Fuller '1936-40' Old Tramp Label (OT-1202), '1935-1938 Shake that Shimmy' Magpie Label (PY1807), 1909-1941 Death Valley' Oldie Blues (OL 2809), 'Blue & Worried Man' Travelin Man Label (TM801), 4 by J.B. Lenoir 'Natural Man' (Chess 410), 'Mojo Boogie - The Tay May Club' Flyright (FLY 564), 'J.B. Lenoir' Chess Label (CXMD 4054) and 'J.B. Lenoir' Polydor (2482 014) and 3 by Buddy Moss '(1933-1935)' Document (DLP 528), 'Georgia Blues' Travelin Man Label (TM 800) and 'Red River Blues 1933-1941 Vol.2' Travelin Man Label (TM 802). Overall clean VG condition

Approx seventy BLUES LPsIncludes Down in Hogans Valley 'Piano Blues & Boogie' Flyright (LP 4703), Peetie Wheatstraw 'Vol.1 the Devils Son-In-Law 1930-36', Guitar Slim & Jelly Belly 'Carolina Blues' Arhoolie Label (R 2005), Leadbelly '1945' Travelin Man Label (TM 8810), Cousin Joe 'Bad Luck Blues' Black & Blue (33.035), Peg Leg Howell 'Vol.1 1926-1927' Matchbox (MSE 221) and '1928-1929' Matchbox (MSE 205), Blind Lemon Jefferson 'The Immortal' Milestone (MLP2004), Tommy McClennan 'Cross Cut Saw Blues' Roots (RL-305), Cannons Jug Stompers 'The Complete Works in Chronological Order 1927-1930', Sylvester Weaver 'Smoke Town Strut' Agram Blues (AB 2010), Henry Thomas 'Ragtime Texas 1927-1929' Herwin Label (209), others by Carl Martin, Joe Turner, Professor Longhair, Moses Rascoe, Piano Red, T-Bone Walker, Sonny Terry, Saunders King, John Lee Hooker, Jimmy Rogers, Josh White, BB King, Elmore James, Howlin Wolf, Champion Jack Dupree, Clarence Gatemouth Brown, etc. Overall clean VG condition.

Beryl Cook (1926-2008) - 'Two on a Stool'Pencil signed print, with blind stamp, 40x27cm, inset within modern frame

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Figures in Manchester City Scene'Four unsigned prints, artist blind guild stamp, inset in painted wooden framed

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Burton on Trent Level Crossing'Pencil signed print, artist blind stamp, 40x58cm, inset in wooden frame

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Burton on Trent Level Crossing'Pencil signed print, artist blind stamp, 40x58cm, inset in metal frame

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Industrial Scene'Pencil signed print, with artist blind stamp, 40x28cm, inset in gilt frame CONDITION REPORT: Do not know if the piece is stuck down but good condition with strong colours, pencil signed with blind stamp, minor colour

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) 'View of a Town'Pencil signed print with artist blind stamp, 46x54cm, inset in metal frame CONDITION REPORT: Unaware if print is stuck down but appears to be in good condition with strong colours

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Landscape with Farm Buildings'Pencil signed print with artist blind stamp, 44x52cm, inset in metal frame CONDITION REPORT: Unaware if print is stuck down but appears to be in good condition with strong colours

Laurence Stephen Lowry, RBA, RA (British, 1887-1976) - 'Crime Lake'Pencil signed print with artist blind stamp, 48x62cm, inset in gilt plaster frame

Laurence Stephen Lowry RBA RA (1887-1976), The Family, signed print, Published by Adam Collection Ltd. 1970, Fine Art Trade Group blind stamp to margin, unframed *Please note DACS Artist Resale Rights may apply to this lot

A mid-18th century style mahogany framed salon suite, to comprise; a sofa with humpback and open arms 144cm wide x 110cm high, and six matching side chairs, all with blind fret carved decoration, (7).

Photo Portraits - Alistair Morrison's 'Hidden Gems', a bound volume of 25 original colour & b/w. photographs . . . ' each photographer has chosen & donated their signed photograph, all at edition 1/5 . . . a representation of their latest work, a unique & lasting record of the Hidden Gems Project never to be repeated . . .' this a 'one-off' publication, in support of the Variety Club gala auction at St Pancras Renaissance Hotel, London, Nov, 2011, photographs, mostly 47 x 31cms., within mount, photographers name blind-stamped in lwr. r.h. mount, introductory / limitation leaf signed 'Alistair Morrison 2011', index of photographers, the sitters & titles of images; the photographers include - Cambridge Alexander, Michael Birt, Pattie Boyd, Zoe Buckman, Alwyn Coates, Jillian Edelstein, Ken Griffiths, Elisabeth Hoff, Barry Lategan, Peter Lavery, Mary McCarthy, Tony McGee, Alistair Morrison, Terry O' Neill, Clare Park, Steve Pyke, Sheila Rock, Olivia Rose vs Stone and Spear, Amanda Searle, Tom Stanworth, Tom Stoddart, James Stroud, John Swannell, Andy Teare & John Thornton; black cloth, oblong elephant folio, 60 x 62cms.

Charles Whymper Hunting Scenes, six sepia engravings, with graphite signatures to the margins, also signed by Frank Paton and with blind stamps, published 1889 by E.E. Leggatt (framed as two); together with three further fishing scenes (framed as one), graphite signed 'Douglas Adams'. (3)

A three piece silver tea service by the Goldsmiths and Silversmiths Company Limited, London 1931, of globular shape, the cover with blind fret decoration, with scrolling ivory handle and finial, each piece bearing a crest, the teapot 14cm high, 1622gms Provenance: The Harrison Family, Helensburgh

A 19th century eight day mahogany longcase clock with swan neck pediment and satinwood blind fretwork over brass dial engraved birds and flowers - signed to arch A Buchan, Perth Bridge - seconds dial and date dial, all over satinwood and ebony strung case flanked by pillasters - 219cm tall, dial 28cm

A Victorian mahogany Chippendale style display side cabinet with blind fretwork and pierced carved decoration

A Japanese Meiji period carved ivory okimono figure of a blind man with walking cane and accompanying dog, penwork decorated, signed verso, h.6cm

A 19th Century two-tier freestanding corner cabinet, with blind fretwork decoration

Alfred W. Strutt, hand-coloured photogravure print, signed by the artist at lower-left with publisher's blind-stamp. Original handwritten label to verso stating that this is an 'artist's-proof'. After Strutt's painting, 'A Lassie and Her Laddie'. Framed & glazed, 109cm x 79cm.

L. S. Lowry 1887 - 1976 Ltd and Numbered Edition - Offset Lithograph / Print. Fine Art Trade Guild Blind Stamp. Titled ' Family Discussion ' A Man Trying To Convince His Mother About Something. Ltd Edition of 850 Only. This Is Number 448, Published by Henry Donn In 1974, Mounted and Framed Behind Glass. Image Size 13.5 x 9.5 Inches - 33.5 cm x 24 cm, On Wove Paper - Full Margins.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' Fishergate Preston ' Fine Art Trade Guild Blind Stamp. Only 850 Issued. Mounted and Framed Behind Glass. Image Size 16 x 20 Inches. Excellent Condition.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' The Smithy ' This Print Is No 842 of 850. Fine Art Trade Guild Blind Stamp, Mounted and Framed Behind Glass. Print Size Only 14 x 18 Inches. Excellent Condition.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' Backyard I ( One ) ' Edition of 850 Only. Fine Art Trade Guild Blind Stamp, Mounted and Framed Behind Glass. Print Size Only 19 x 14.5 Inches. Excellent Condition.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' The Market Day ' Only 850 Issued. Fine Art Trade Guild Blind Stamp. Mounted and Framed Behind Glass. Print Size Only 14 x 18 Inches.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' The Anniversary Walk ' Edition of 850 Only. Fine Art Trade Guild Blind Stamp, Mounted and Framed Behind Glass. Print Size Only 15.5 x 18.5 Inches. Excellent Condition.

Tom Dodson 1910 - 1991 Artist Pencil Signed Ltd and Numbered Edition Colour Print. Titled ' May Queen ' Fine Art Trade Guild Blind Stamp. Edition of 850 Only. Mounted and Framed Behind Glass. Print Size Only 12 X 9 Inches. Excellent Condition.

2 rolls of blind material. One approx. 10m long, the other approx. 1.5m long