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Tacitus. Opera quae exstant a Justo Lipsio postremum recensita, eiusque auctis emendatisque commentariis illustrata: item C. Velleius Paterculus cum eisudem Justi Lipsi auctioribus notis, Antwerp: ex officina Plantiniana Balthasaris Moreti, 1648, signatures *8 A-Z6 a- z6 Aa6 Bb8 2A-2C6 3A-3G6 3H8, title-page in red and black with engraved vignette, woodcut initials and head- and tailpieces, colophon leaf, final blank (3H8) apparently original, variable light browning, faint tide-mark to head of gutter in quires S-U, marginal paper-flaw to K2, tears at at lower outer corners of h1 and v1, bookplate effaced from front pastedown, a few other trivial marks and spill-burns, contemporary vellum, manuscript spine-title, 'mandorla' centrepieces in blind to sides, slightly marked, small paint-mark to foot of spine, original green cloth ties largely extant, folio (39 x 24.5 cm) (Qty: 1)

[Yorkshire]. Group of manuscripts and ephemera, 18th-20th century, comprising: 'Hunting Diary. York & Ainsty. 1911-12 [1912-13]' [cover-title], 2 volumes, 1911-22, fox-hunting diary, printed headings, ruled in red, completed in manuscript on approx. 190 pp. including lengthy remarks, contemporary black skiver over flexible boards, wear to extremities, large 4to (32.6 x 27.2 cm), [Landowner's household ledger], 1738-46, mentioning places chiefly near Wakefield including Little Smeaton, Knottingley, and similar, 258 pp., contemporary vellum, remains of tawed ties, marked, folio (31.6 x 20.4 cm), 'In the Matter of the Revd Edward Frank clerk of unsound mind. The first account of Sir William Bryan Cooke Baronet the receiver ad interim of the estates of the said Edward Frank appointed ... on the 11th day of August 1825 ... As to the rents of the estates in the counties of Norfolk and Suffolk [...York]' [caption-title], 1825-35, [362] pp., contemporary vellum, manuscript cover-title, heavily dust-soiled, rubbed, folio (35.5 x 23 cm), and 7 others, including: 1) [Leeds builder's ledger], c.1850, 78 pp., red skiver wallet binding, rubbed, 8vo; 2) [Testimonial photograph album presented to William Roscoe as chairman of governors at Leeds Modern School], 4to; 3) [Minute book of Halifax Art Union], c.1850, spine worn, 4to; 4) 'A Short History of Chapel Allerton, Allerton Gledhow, Allerton Grange, and Moor Allerton. Volume 1. A. E. Sandford, 1960' [cover-title], typescript with mounted gelatin silver print photographs, 4to; 5) Friendship album, 1856-1908, on varicoloured paper, blind-stamped dark blue roan, shaken, worn, 4to (Qty: 11)NOTESThird item: Sir William Bryan Cooke, 8th Baronet (1782-1851), of Wheatley Hall, was sometime mayor of Doncaster.

Circle Press. Blind Date, with etchings and embossed prints designed by John Furnival and text written by Thomas Meyer, Circle Press Publications, 1979, 10 etched plates within embossed borders, each numbered and initialled in pencil, extra etched watercolour "Omphale goes out walking" signed by the artist, loose as issued in original cloth portfolio, slipcase, 4to, 31 x 29.5 cm (Qty: 1)NOTESLimited signed edition, one of 30 Artist's Proof copies from a total edition of 300, together with a loosely inserted postcard from John Furnival to Joan Tucker (of Alan and Joan Tucker's bookshop, Stroud, Gloucestershire) 2002, enquiring if some books are still available.

Dostoevsky (Fyodor). The Novels, translated by Constance Garnett, volumes 1-10 (of 12), 1st editions, London: William Heinemann, 1913-18, scattered spotting but mostly confined to endpapers and text block edges, original blind-stamped red cloth, rubbed and faded on spines, 8vo (Qty: 10)NOTESThis important near-complete set lacking only volumes 11, An Honest Thief (1919) & 12, The Friend of the Family (1920), is notable for having as volume 1 the first edition in English of The Brothers Karamazov. The copy here is presumed to be an early issue with the author's full name on spine, half-title with 'Volume 1' and adverts to verso. Copies of this edition of Dostoevsky's final novel are rare in any condition, with only a handful of copies appearing at auction in recent decades. The set comprises volume 1: The Brothers Karamazov , 1912; volume 2: The Idiot , 1913; volume 3: The Possessed , 1913; volume 4: Crime and Punishment , 1914; volume 5: The House of the Dead , 1915; volume 6: The Insulted and Injured , 1915; volume 7: A Raw Youth , 1916; volume 8: The Eternal Husband , 1917; volume 9: The Gambler and Other Stories , 1917; volume 10: White Nights and Other Stories , 1918.

CECIL ALDIN: 'Binghams Melcombe Dorset' from The Old Manor Houses series, print with signature and Fine Arts Trade Guild blind stamp to margin

'This Is Not Here' Exhibition poster at Everson Museum of Art, Syracuse, NY October 9-27, with 'Lennon and Ono blind stamp' 61.5 x 46.5cm

Victorian oak tea table, the semi-circular foldout top with moulded edge above blind carved frieze, on three turned supports terminating to block feet and stretchered base, 105cm diameterCondition Reportslight bowing to the top, loss to the edge, some small splits, very wobbly, stretcher coming loose, old woodworm holes, some losses, general wear and tear throughout. 

Seven assorted curtain poles, three in original boxes with fittings and a Roman blind, width 54-55" (8) 

Pharaoh Sanders LPs, five albums comprising Pharaoh Sanders Quintet, Thembi, Live At The East, Love In Us All and Deaf Dumb Blind - Sleeves mainly VG+ to Excellent, Vinyl mainly Excellent

Blues LPs, twelve albums of mainly Blues comprising Sleepy John Estes - Tennessee Blues Vol 4 and 1929-30 Sessions, Blind Willie Johnson - Let Your Light Shine On Me, Johnny Shines - Masters of Blues Volume 1 and Dust My Broom, Homesick James & Snooky Pryor - Shake Your Moneymaker, K C Douglas - Big Road Blues, Sam Collins - Crying Sam Collins, Big Mama Thornton - Stronger Than Dirt / The Way It Is, Odetta - Sings Folk Songs, Junior Parker et al - Mystery Train and Pink Anderson - Carolina Blues Man Voume 1 - mainly Excellent to EX+ condition

Progressive Rock LPs, nine albums of Progressive Rock and Neo Prog comprising Castanarc - Journey To The East, Tea - S/T, White Witch - S/T, Avalon - Voice of Life, Ursa Major - S/T, Neil Merryweather - Space Rangers, Citadel - The Citadel of Cynosure, Blind Owl - Debut at Dusk and Wolf - Night Music - mainly Excellent condition

Blind Willie McTell LPs, six albums comprising King of the Georgia Blues Singers, Last Session, Death Cell Blues, Love Changin Blues, Trying to Get Home, and Atlanta Twelve String - mainly Excellent condition

After Sir William Russell Flint (1880-1969). Three framed prints all signed by the artist in pencil, with blind proof stamps two for Frost & Reed and one for W. J. Stacey.

A Chinese Chippendale style mahogany dome top display cabinet. With gadrooned moulding, blind fret carved frieze and decorated with chinoiserie panels, 203cm high, 125cm wide, 42cm deep.

{ Option of lots: 120, 121, 122 } Boho Boutique Bedside Table The Boho Boutique Bedside Table is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a stunning mat black charcoal finish - the different grains in the mixed timbers stand out in the light and catch your eye with this beautiful detail The table features a patterned frieze of blind fret work made from solid mango wood around the tray-style top It is also ideal as a side table and matches the rest of the Boho Boutique dining and occasional furniture Offering a global traveller look that has a hint of ethnic design detail this beautiful table is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space W460 x D460 x H665mm

{ Option of lots: 120, 121, 122 } Boho Boutique Bedside Table The Boho Boutique Bedside Table is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a stunning mat black charcoal finish - the different grains in the mixed timbers stand out in the light and catch your eye with this beautiful detail The table features a patterned frieze of blind fret work made from solid mango wood around the tray-style top It is also ideal as a side table and matches the rest of the Boho Boutique dining and occasional furniture Offering a global traveller look that has a hint of ethnic design detail this beautiful table is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space W460 x D460 x H665mm

{ Option of lots: 120, 121, 122 } Boho Boutique Bedside Table The Boho Boutique Bedside Table is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a stunning mat black charcoal finish - the different grains in the mixed timbers stand out in the light and catch your eye with this beautiful detail The table features a patterned frieze of blind fret work made from solid mango wood around the tray-style top It is also ideal as a side table and matches the rest of the Boho Boutique dining and occasional furniture Offering a global traveller look that has a hint of ethnic design detail this beautiful table is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space W460 x D460 x H665mm

Boho Retreat 3 Door 2 Drawer Sideboard made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a beautiful brown wood finish Featuring a patterned frieze of blind fret work along the front of the top drawer made from solid mango wood Offering a global traveller look that has a hint of ethnic design detail this beautiful chest of drawers is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space W1400 x D450 x H800mm (Location MN-A14)

Boho Retreat 4 Drawer Chest The Boho Boutique 4 Drawer Chest is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a beautiful brown wood finish The chest features a patterned frieze of blind fret work along the front of the top drawer made from solid mango wood Offering a global traveller look that has a hint of ethnic design detail this beautiful chest of drawers is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space W1000 x D460 x H1040mm (Location MN-A14)

Boho Retreat Coffee Table 900x900x400mm The Boho Retreat Coffee Table is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a beautiful natural brown wood finish The table features a patterned frieze of blind fret work made from solid mango wood around the tray-style top Offering a global traveller look that has a hint of ethnic design detail this beautiful table is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space 90 x 90 x 40cm

Boho Retreat Console Table 1100x400x800mm The Boho Boutique Console Table is made using Mango solids with mixed timber veneers of Teak-Mahogany-Mindy Ash and Mango which give contrast and make the inlaid pattern stand out It has a beautiful natural brown wood finish The table features a patterned frieze of blind fret work made from solid mango wood around the tray-style top Offering a global traveller look that has a hint of ethnic design detail this beautiful table is exciting but timeless in its approach and so can be mixed with modern or classic pieces in an eclectic living space 110 x 40 x 80cm

Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

Sir William Russell Flint (RA, ROI) (4 April 1880 – 30 December 1969), Framed and Mounted Print (PICNIC AT LA ROCHE) limited edition 554 of 850 with Blind Stamp for Michael Stewart Fine Art, signed in the plate. 66 x 49cm

2005 BMW E46 M3 Coupe SMGMake: BMWModel: E46 M3 Coupe SMGYear: 2005Mileage: 69,952VIN: WBSBL92020PP87552Registration: SK55LNDConfiguration: Right hand driveTransmission: AutoForming part of a private collection since 2014. The vendor, an avid BMW collector, has described this very high specification car as being in absolute immaculate condition throughout. It is fitted with many factory extras including electric sunroof, electric rear blind, heated seats, Harmon Kardon, M leather steering wheel and dual climate control. Seven registered owners. It comes complete with the original service book containing eleven stamps between 2005 and 2018 which includes the all-important running-in service, various MoTs and receipts, handbooks, wallet and two keys.

An Indian blind carved hardwood plaque for the Royal Air Force 670 Glider Squadron, h.22cm; together with an Eastern carved hardwood pot pourri and cover on stand, h.19cm (2)

After Sir William Russell Flint R.A. (1880-1969), Print on paper, 'The Mauve Frock', Inscribed 'By permission of Sir Wm. Russell Flint R.A.' lower left, published by Adam Collection Ltd 1970, blind stamp under mount, 28cm x 18cm, Framed and glazed, With a matching William Russell Flint print, 'The Pink Frock', Inscribed 'By permission of Sir Wm. Russell Flint R.A.' upper right, published by Adam Collection Ltd 1970, blind stamp under mount, 28cm x 18cm, Framed and glazed (2)

Laurence Stephen Lowry RBA RA (1887-1976), Signed limited edition artist's proof on paper, 'The Reference Library Manchester', Signed in pencil lower right margin, blind stamp lower left margin, Unicorn Gallery label verso, 27cm x 36.5cm, Framed and glazed, Provenance: Supplied with a certificate of authenticity from The Unicorn Gallery stating that the print is from "An elite limited edition of 850 proofs signed by the artist" For condition information please view this lot on our website HEREThis lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions or click here for further information. 

Laurence Stephen Lowry RBA RA (1887-1976), Signed limited edition print on paper, 'Great Ancoats Street', Signed in pencil lower right margin, blind stamp and numbered '433/850' lower left margin, Unicorn Gallery label verso, 29cm x 38.5cm, Framed and glazed For condition information please view this lot on our website HEREThis lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions or click here for further information. 

Laurence Stephen Lowry RBA RA (1887-1976), Signed artist's proof on paper, 'The Two Brothers', Signed in pencil lower right margin, blind stamp lower left margin, Unicorn Gallery label verso, 63.5cm x 31cm, Framed and glazed  For condition information please view this lot on our website HEREThis lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions or click here for further information. 

A signed Cecil Charles Windsor Aldin print, The Dover Road, The Bull At Dartford, with Lawrence & Bullen Ltd. blind stamp to margin, no. 122, 42 x 62cms, framed

After Helen Bradley (British 1900-1979): 'Oh Just Look Said Mother', colour print signed in pencil with blind stamp 32cm x 26cm Condition Report & Further Details Currently ticking away,

Andrew Charles Benfield (b1965) pair of artist signed limited edition coloured prints of poultry 24/500 35cm x 25cm with print sellers blind stamp

Large Edwardian Adam style mahogany chimney-piece, fire-surround with swan neck pediment and urn finial above circular bevelled mirror plate with two brass candle sconces, enclosed by concave corner cupboards with moulded cornice, blind fret work frieze and astragal glazed doors above a quarter veneered panel doors on a skirted base, H340cm, W269cm, D70cm, aperture 107cm x 102cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

George III style mahogany drop leaf occasional table, with blind fret work frieze, cluster column supports united by turned 'X' stretcher, 61cm x 57cm, H72cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Early 20th century satin walnut wardrobe, dentil cornice over mirrored door with blind fret work decoration, enclosing interior fitted with brass hanging hooks, one drawer under, W116cm, H212cm, D58cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

•AR Samuel John Lamorna Birch, RA, RWS, River landscape, artist's coloured proof with publisher's blind stamp, published by Frost & Reed, 1931, signed in pencil to lower right margin, 44 x 64cm

•AR Lawrence Stephen Lowry, RA, (1887-1976), "St Luke's Church, Old Street, London 1973" artist's coloured proof with publisher's blind stamp, published by G R Mellor, 1973, signed and numbered 176/850 in pencil to lower margin, 61 x 45cm

•AR Sir William Russell Flint, RA, PRWS (1880-1969) , "Gitanas a la Galera", artist's coloured proof with publisher's blind stamp, signed in pencil to lower right margin, 68 x 50cm

•AR David Shepherd, OBE (1931-2017), "Last leaves of Autumn", artist's coloured proof with publisher's blind stamp, signed and numbered 204/850 in pencil to lower margin, 30 x 50cm

A 19th Century Mahogany Chippendale Style Card Table, the foldover top with baize lined interior and with carved blind fretwork frieze and similar square legs

Ken Anderson (1909-1993) - Art Director and Animator at Walt Disney - ' Nessie - And The Little Blind Boy Of Loch Ness ', rare limited signed edition hardcover version of the book. Signed to a special title page, No. 267 of 1,000. With dustcover. Rare. 

Kenneth Grahame (1859-1932) - Scottish writer, most famous for The Wind in the Willows (published 1908) - a rare typed and signed letter from the author to a Mr Curtis Brown. The letter talks about the death of Grahame's son just a few weeks prior, and reads;'Dear Mr Curtis Browne - Just a line of true appreciation of your kind words of sympathy with us in our overwhelming sorrow. The dear boy went back to Oxford this term so full of new plans and interests, with 'Mods' safely behind him, and liberty to follow a wider range of thought and reading. From all we can glean, his last days were specially happy ones. He was laid to rest in Oxford on his 20th birthday. You may like to know, that his little visit to you was a matter of constant pleasant recollection. Owning to the war, he had led so secluded a life, socially speaking, that this was a real 'event', and the memory of it was cherished by him. Yours most truly...' then signed by Grahame in black ink.Typed on headed paper, with personal address to top (noted as Boham's, Didcot) and dated 26th May, 1920.A rare and poignant letter. Grahame wrote The Wind In The Willows based upon stories he used to tell his son Alastair, who was born blind in one eye and plagued with health problems his entire life. Alastair took his own life on 7th May 1920 - just five days before his 20th Birthday. 

Hebrew Manuscript Facsimile.- The Golden Haggadah, one of 520 copies, coloured and gilt facsimile manuscript leaves, original blind stamped calf, spine gilt, slip-case and spine lightly faded, Eugrammia Press, 1969; and an accompanying commentary volume (2)

First press at Eton.- Greek printing.- Gregory (Saint, of Nazianzus) Sancti gregorii nazianzeni In julianum invectivae duae. Cum Scholis Graecis nunc primum editis, edited by Richard Montagu, title with woodcut head-piece and ornament, woodcut head-pieces and decorative initials, browned, water-stained at head at end, 19th century blind-stamped calf, spine in compartments, lacking label, short split at head of spine corners worn, rubbed, [STC 12346], small 4to, Eton, [M. Bradwood for] John Norton, 1610.⁂ One of the earliest works to be printed at Eton. Montagu's Greek edition of Gregory of Nazianzus' two discourses against Julian, dedicated to Archbishop Bancroft, was produced on the press of Sir Henry Saville (1549-1622), biblical translator (involved in the production of the Authorized Version) and then Provost of the College.

NO RESERVE Fleming (Ian) Goldfinger, first edition, neat ink inscription to endpaper dated May 1959, original blind-stamped and gilt pictorial boards, minor bumping to spine ends and corners, else fine, dust-jacket, light browning to spine, spine ends and corners a little chipped and creased, light rubbing to extremities, but an excellent example overall, 8vo, 1959.

NO RESERVE Pins.- Tomlinson (Charles) Illustrations of the Useful Arts. No II. The Manufacture of a Pin, third edition, 4pp. publishers' catalogue at end, original limp blind-stamped cloth, with card of specimens of metals and pins stitched to card (a little soiled), together in original cloth slip-case, glazed paper label printed in gilt to upper cover, slightly rubbed, 8vo, with slip "sold at The Kindergarten Emporium...Oxford St." pasted over imprint, [1868].⁂ Only 2 copies listed by Library Hub (BL and Oxford).

NO RESERVE Conjuring.- Sachs (Edwin) Sleight of Hand: a Practical Manual of Legerdemain..., second, enlarged, edition, occasional foxing, 1885 § [Lewis (Angelo J.)], "Professor Louis Hoffmann". More Magic, first edition, 1890; Conjurer Dick, n.d.; Puzzles Old and New, n.d.; Latest Magic, first edition, New York, 1918 § Clarke (Sidney W.) & Adolphe Blind. The Bibliography of Conjuring, original cloth-backed boards, 1920 § Winder (Roland) Check List of the Older Books on Conjuring in the Library..., limited edition (number not specified but "strictly limited"), presentation copy from the author to James Stevens Cox with accompanying T.L.s. offering to buy any conjuring books missing from his collection, tipped-in frontispiece and portrait, original cloth, Leeds, 1967, illustrations, all but the sixth original cloth, most pictorial, most rather damp-stained; and 2 others, Hoffmann, 8vo & 4to (9)

NO RESERVE Scrap Album.- A collection of Victorian scraps, Christmas & Valentine cards etc., printed in colours, a few heightened with gold, some with "lacy" embossed borders, mounted on blank leaves, some soiling, one or two items removed, a few with slight damage, ownership signature to front free endpaper, upper joint weak, original blind-stamped cloth, rubbed and soiled, splits to joints, [c.1871]; and another loose Valentine card, an envelope with embossed bee skep and roses in gold, and a small box of embossed "lace" paper, small 4to (a bundle)

NO RESERVE France.- Weld (Charles Richard) A Vacation in Brittany, first edition, wood-engraved vignettes, original blind-stamped cloth, spine faded, 1856 § Palais et jardins de Versailles et de Trianon, wood-engraved plates by Jaime, original cloth, damp-stained, Versailles, Brunox, [c.1870] § Malan (César) La Valisane, seventh edition, original pictorial boards, Toulouse, 1870; The Valisane, or Woman of Valais, original printed wrappers, pencil notes to inside covers, J.Nisbet, 1822, rubbed; and 2 others, 8vo et infra (6)

19th Century mahogany press cupboard fitted two blind panel doors enclosing two shelves, the base fitted one long drawer, 116cm wide x 130cm high x 52cm deep

19th Century rosewood Davenport, with three-quarter balustrade over blind-tooled tan leather skiver to the hinged fall, enclosing drawers, the side with pull-out compartmentalised drawer, on four graduated drawers, raised on barley twist supports and concave platform with castors, 60cm x 59cm x 90cm high

A mid 20th Century mahogany sideboard, serpentine form, having a serpentine back rail to top, glazed central cupboard, two doors to sides, moulded edges, blind fretwork to doors, raised on claw and ball feet, 140cm high, 151cm wide, 47cm deepCondition: general expected scratches, dent in door, original glass is present

A late 19th century mahogany full height display/bijouterie cabinet in the Chippendale style with extensive blind fret decoration, the upper section with pierced broken arch pediment and twin astragal glazed door, the base with hinged top jewellery section and galleried undertier, on square tapering legs, width 84 cm, height 120 cm

Box 40 - Mixed Spirits Malinovice GOLD VIP Raspberry brandy Dappa 2018 Liqueur Concombre Garden Party 25% vol OriGinCPH Summer Fruit Cierto Spirits Private Collection - Extra Anejo Ron Santísima Trinidad de Cuba 7 años W. L. Weller Special Reserve Kentucky Straight Bourbon Whiskey Blind Tiger Imperial Secrets Moonshot Gin (That Boutique-y Gin Company) Real Gin Rouge Brenne Estate Cask Single Malt Whisky The WESTFALIAN cask 11

George V, King (1865-1936) Document signed at head,  "George R.I." 8 pages, given at the Court of St. James, 30 Sept. 1925, being the appointment of Edmund St John Debonnaire John Monson to be Envoy Extraordinary at Bogota, Republic of Colombia, with blind embossed paper seal, 325 x 205mm.

Stachelscrift Johann Wilhelm Klein printing device for people who are blind the hinged slatted lid over a felt 'writing' pad over a small paper drawer with an adjacent compartment for storing the printing blocks, with 25 smaller printing blocks (lacking 'X'), a stop block, a spacing block, and 21 larger printing blocks (lacking 'E', 'H', 'I', 'V', 'W', & 'X', with and additional 'M',) the box 33 x 34 x 10cm Note: The Stachelschrift - literally 'thornwriter', was a device designed by Johann Wilhelm Klein to enable people who were blind to write. In 1804, Klein undertook the tutor-ledge of James Brown, a young blind man, and devised the Stachelschrift for Brown in 1807. The writer would place the paper onto a felt pad and then use the spiked letter blocks to punch holes into the paper through the slats. Unfortunately, the Stachelschrift proved rather difficult to operate.

Lawrence, D.H. The White Peacock London: William Heinemann, 1911. First British edition, Rota's variant 3 with a cancel title with the 1911 copyright notice to reverse, pp.227-230 are cancels and the publisher's device is blind-stamped to the lower cover, original blue cloth gilt printed in black and white to upper cover, a little rubbing to covers, some spotting and darkening to endpapers

A Worcester Blind Earl dish, c.1760-65, moulded in relief with rosebud sprays and leaves extending from the crabstock handle, printed in black with figures before Classical Ruins and a tall fountain, and a large Worcester cylindrical mug printed with the Whitton Anglers design, the reverse with The Fortune Teller, 15.7cm max. (2) Provenance: the Robert and Celia Morris Collection. The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll's home at Whitton in Middlesex. The Fortune Teller, also known as 'La Diseuse d'Aventure' is after a painting by Watteau.

A 20th century mahogany jardiniere stand, with blind fret tapering square column, on square base, 33cm wide x 113cm high.

A 19th century oak and pollard oak Gothic Revival hanging corner cupboard, the single drawer with arched blind fret decoration, 57cm wide x 86cm high.