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[Bible] The Booke Of Common Prayer, with the Psalter or Psalmes of David, of their Translation which is appointed to to be used in Churches imprinted at London by Robert Barker printer to The Kings most excellent Majestie 1607, title page with decorative engraved border and with additional engraved titles to The Bible; The New Testament; and with titles to Two right profitable and fruitfull Concordances and The Whole Booke of Psalmes, bound in early full leather over thick boards with engraved blind stamped decoration, raised brass corner and centre pieces on both covers and metal clasps, raised bands with a gilt title on spine (Lacking one clasp and front board detatched, first few pages repaired at edges)

Dictionarium Botanicum: Or, A Botanical Dictionary for The Use of the Curious in Husbandry and Gardening containing The Names of the Known Plants in Latin, English &c Their Description, Their Culture or Management rendered easy and familiar, whether Domestick or Exotick; so that the Name of a Plant being known the proper Direction for its Improvement in the Garden is to be found in the same Article, A Work never before attempted, by R. Bradley printed for T. Woodward 1728 in 2 volumes first edition with engraved folding frontispiece in volume 1. Blind stamped calf re-backed in leather with raised bands and gilt lettered leather labels (2)   

Approximately 35 albums including Led Zeppelin (1 and 2 both plum), The Beatles (With, Rubber Soul and Pepper all black/yellow), Richie Havens (Blind Degree, Alarm Clock and State of Mind), The Beach Boys (Wild Honey and Friends), Captain Beefheart (Strictly Personal and Safe As Milk), Cream (Disraeli, Wheels and Goodbye) 

Cream - Disraeli Gears (593003) AI/BI, Disraeli Gears (594003) AI/B3, Wheels Of Fire (2612001 sleeve, 582031/2 labels), Heavy Cream (2659022) also Blind Faith (2394 142) and Derek and the Dominos - Layla (2625-005) condition generally VG/Ex. 

A George III mahogany Pembroke table, elliptical top with fall leaves above a single frieze drawer, blind to verso, tapered square legs, spade feet, 82.5cm long

A Chinese Chippendale inspired ebonised bureau bookcase, shallow outswept cornice above a pair of astragal glazed doors enclosing two shelves, the base with a fall front enclosing an inset writing surface and an arrangement of pigeonholes above a pair of short drawers and a further pair of glazed doors, blind fretwork throughout, 193.5cm high

A Louis XV Revival library table, in the French Provincial taste, serpentine rectangular top above three frieze drawers, blind to verso, serpentine legs carved and applied to the knees with foliate drapery, shaped X-stretcher, scroll feet, 145.5cm wide

A Chippendale Revival mahogany open bookcase, moulded rectangular top above a deep frieze carved with Gothic blind fretwork, adjustable shelves flanked by two pairs of cluster columns, plinth base, 121cm high, 122cm wide, c.1910

[Bindings] Novels of Joseph Conrad (c.1920s) comprising 19 volumes uniformly bound in leather with a Celtic colour and gilt design, with a collection of books by A.A. Milne and  E.V. Lucas (c1920s) in matching gilt, colour and blind stamped leather (30)   

An Empire mahogany and gilt metal mounted console table, circa 1810, the rouge marble top above a blind frieze drawer above four architectural supports, 87cm high, 85cm wide, 36cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,No evidence this previously had a mirror back,One element of moulding is detached but present with the lot - it is shown as attached in the catalogue image, the tacks to hold it appear to still be in the base, this should be easy to re-fit. The marble is almost certainly a more modern piece, there are the usual slight edge chips,Overall stableSome old splits and cracks, including through the veneers of the platformPlease refer to additional images for visual reference to condition Condition Report Disclaimer

Y A French walnut, marquetry inlaid, tulipwood and rosewood banded centre table, circa 1870, with two blind frieze drawers, 74cm high, 117cm wide, 75cm deep

A reproduction wall mounted set of open bookshelves with three small drawers below and blind fretwork decoration, 75cm wide, 92cm high.

An Edwardian Mahogany Side Table on Cabriole Supports Culminating in Claw Feet, Blind Carved Border and Top Rail, 80cm Wide

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Rag & bone man' 652/850

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Open all hours' 332/850

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Bogey race' 194/500

Four boxes containing various sundry china; a tile cutter; door furniture; light fittings; a blind; mirrored door cabinets etc.

A Samsung monitor; a small case; and a roller blind

Louis Icart (French, 1888-1950) “Coursing II” 1929 Etching and Aquatint. Pencil signed lower right. Numbered (12/500) and windmill blind stamp lower left. Image Size: 15 x 25 in. Overall Framed Size: 23.75 x 31.75 in. Framed behind glass.

Exhibited 19th C Russian Icon, "The 'Kazan' Mother of God". Tempera on Wood. This icon takes its name from the city of Kazan, where in 1579 a young girl named Matrona saw Mary, the Mother of God in a dream. Mary told the girl to inform the authorities of a buried icon that they were to unearth. Matrona told her mother of the dream but was not believed until her mother saw a vision of the icon in her kitchen fire and heard a voice warning her to pay heed. After the mother and daughter were not believed by the authorities, they decided to look for the icon on their own. Over three feet down, they unearthed the icon wrapped in a sleeve of red cloth. It was taken with honor to the Church of Saint Nicholas and then carried in a procession to the Annunciation Cathedral. According to tradition, two blind men were healed during the procession. The Kazan icon became one of the two most venerated in Russia. It was credited with saving Moscow from invading Poles, among many other miracles. Size: 12.75 x 10 in. Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014

Hodges Soileau (American, B. 1943) "Red Cloud" Signed lower right. Original Oil painting on Canvas laid on foam board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 10c Red Cloud stamp issued August 15, 1987. Born in 1822 on Blue Creek in Nebraska, Red Cloud earned a reputation as a warrior, diplomat and leader. Described as a natural born gentleman, Red Cloud led an independent band in the 1860's, and was eventually accepted as leader of the Oglala Sioux -- the largest Teton Sioux tribe. Throughout this period the Oglala dominated the rich Powder River hunting grounds of Wyoming and Montana. Meanwhile, as the Civil War raged eastward, John Bozeman was sent to map a trail through Oglala territory to the Montana gold fields. Red Cloud strongly opposed the route, and, in hopes of peaceably stopping its use, he attended a council at Fort Laramie in June 1866. There he discovered a column of soldiers leaving to build three forts for protection of travelers to the gold fields. Red Cloud immediately left the council, and during the next few months gathered two thousand warriors to constantly harass the forts. On December 21, 1866, the Indians set an ambush that annihilated Captain W.J. Fetterman and his eighty men. During the following months, Red Cloud kept relentless pressure on the three forts until he succeeded in forcing their abandonment. He won both victory and peace with the treaty he signed on November 6, 1868. In his later years, Red Cloud continued to lead the Oglalas, while heading the Red Cloud Agency at Fort Robinson. On October 7, 1878, he established the Sioux Agency. Blind and ailing, Red Cloud died December 10, 1909. Image Size: 14 x 12 in. Overall Size: 18.25 x 16.25 in. Unframed. (B11201)

Exhibited Antique Russian Icon, "The 'Kazan' Mother of God". Oil on wood. This icon takes its name from the city of Kazan, where in 1579 a young girl named Matrona saw Mary, the Mother of God in a dream. Mary told the girl to inform the authorities of a buried icon that they were to unearth. Matrona told her mother of the dream but was not believed until her mother saw a vision of the icon in her kitchen fire and heard a voice warning her to pay heed. After the mother and daughter were not believed by the authorities, they decided to look for the icon on their own. Over three feet down, they unearthed the icon wrapped in a sleeve of red cloth. It was taken with honor to the Church of Saint Nicholas and then carried in a procession to the Annunciation Cathedral. According to tradition, two blind men were healed during the procession. The Kazan icon became one of the two most venerated in Russia. It was credited with saving Moscow from invading Poles, among many other miracles. Size: 12 x 10 in. Previous Exhibitions:Brevard Museum of Art (Foosaner Art Museum), Melbourne, FLSept - Nov 1994Pensacola Museum of Art, Pensacola, FLNov 1995 - Jan 1996Hearst Center for the Arts, Cedar Falls, IADec 1996 - Jan 1997Durham Western Heritage Museum, Omaha, NEMarch - May 1998Biblical Arts Center, Dallas, TXDec 1998Visual Arts Center of Northwest Florida, Panama City, FLDec 1998 - Jan 1999Gallery at the American Bible Society, New York, NYJune - Oct 1999Samuel P. Harn Museum of Art, Gainesville, FLAug 2000 - Jan 2001Museum of Fine Arts, Springfield, MAFeb - May 2001Loveland Museum and Gallery, Loveland, COJan - March 2002Gallery at the American Bible Society, New York, NYApril - June 2002Lauren Rogers Museum of Art, Laurel, MSOct - Nov 2002Albin Polasek Museum and Sculpture Garden, Winter Park, FLApril - June 2004Hearst Art Gallery as St. Mary’s College, Moraga, CANov - Dec 2004Albin Polasek Museum and Sculpture Garden, Winter Park, FLOct 2013 - April 2014

After Derek Reynolds: The Old Bailey, limited edition print, signed in pencil and blind stamped lower right, 71/100, 39 by 29cm, mounted, glazed and framed, 56.5 by 46cm.

WW2 bomber veterans multiple signed cover. Sqn. Ldr. Tom Bennett 617sqn , N. C. Stevens 35 sqn , and Sgt. Leslie Izzard 35 sqn signed Hurricane Cover illustrate Flight Commander 'Bob' Doe No.238 Sqn., as he destroys a Junker Ju88, 7th October 1940. Special hand-stamp 'Classic Fighter Air Show', Imperial War Museum, Duxford, Cambridge, 4 July 1993. Multi-signed Sqn./Ldr. Tom Bennett DFM (No. 617 Sqn.), N. C. Stevens (Flt./Eng. No.35 Squadron) and Sgt. Leslie Izzard DFM (No.35 Sqn.) Radio expert. Wanted to be a pilot, but was night blind. Developed the ZZ system for blind landings. Flew in Whitleys and Halifaxes. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

A William Russell Flint signed print, with blind stamp

A William Russell Flint signed print, with blind stamp

GOOD 19TH CENTURY WELSH OAK FARMHOUSE CORNER CUPBOARD the blind two-door cupboard base having crossbanded panels below a two-door glazed upper section, 217cms high x 91cms wide Condition Report: minor scuffs and chips only.

A cedar wooden blind 180 x 160.

NO RESERVE Cornhill Magazine (The),11 vol., comprising first series vol.1-9, 15 & 17, plates and illustrations, some folding, occasional foxing, uniform original blind-stamped cloth, rubbed and soiled, 8vo, 1860-68 § Nevill (Ralph) Old Cottage and Domestic Architecture in South-West Surrey, illustrations and plates, folding map, occasional light spotting, original cloth, gilt, extremities rubbed, 1889; and 8 others, miscellaneous (20) ⁂ The first is an important Victorian literary journal containing the first appearnces of works by Anthony Trollope, Alfred Tennyson, Henry James, Elizabeth Gaskell, Thomas Hardy, George Eliot and Wilkie Collins.

Birds.- Salvadori (T.) Catalogue, of the Psittaci, or Parrots, in the collection of the British Museum, vol. xx only of Catalogue of the Birds in the British Museum,18 hand-coloured lithographed plates, illustrations, ex-library with usual labels and ink-stamps, occasional blind-stamps throughout, publisher's catalogue bound at end, cracked hinges, later cloth, slight bumping to corners and spine extremities, 8vo, 1891.

Numismatics.- Rouille (Guillaume) Promptuarii Iconum Insigniorum, 2 parts in 1 vol., woodcut devices on title-pages, the first with decorative border, numerous woodcut medallion portraits, damp-staining, heavier at beginning and end, title margins strengthened and repaired, final gathering with occasional minor loss to a few letters of text, contemporary blind-stamped calf with medallion portraits within roll border, rebacked and recornered, [Adams P2162], Lyons, for Guillaume Rouille, 1553; and 2 others, similar, 4to & 8vo (3)

NO RESERVE Dighton (Richard, 1795-1880) Portrait of Sandford Tatham Garndown (?) at 84, watercolour over pencil on wove paper, signed 'Richd. Dighton/ Cheltenham' in the lower right, with sitters details inscribed underneath the chair, sheet 272 x 222 mm. (10 3/4 x 8 3/4 in), minor spotting and surface dirt, unframed; together with another portrait of unidentified Cheltenham gentleman, watercolour over pencil, signed lower right, sheet 272 x 222 mm. (10 3/4 x 8 3/4 in), paper manufacturer's blind stamp in the lower right corner, minor spotting and surface dirt, unframed (2)Provenance:Ex-collection of David PadburyLiterature:Padbury, The Dighton family, their times, caricatures and portraits, 2007, illus. p. 73 and 75

Calvin (Jean) [Institution de la religion chrestienne : composée en latin par Jean Calvin, et translatée en françoys par luymesme, et encores de nouveau reveuë et augmentée], double column, woodcut decorative initials, lacking title, preliminaries *3-7 working loose, occasional spotting or staining, lightly browned, later calf, ornately blind-stamped calf panels from an early binding mounted on covers, corners repaired, [Bibliotheca Calviniana 53/7a], [Geneva], [Jean Girard], [1553]. sold not subject to return. ⁂ Second edition in French, which is rare in commerce.

Agricola (Franciscus) Nova Apodixis evangelica de periculoso multisque nominibus infoelici statu concubinariorum inpoenitentium, praesertim illorum quibus animarum cura incumbit, woodcut decorative initials, F3&4 blank, 17th century blind-stamped pigskin over wooden boards, upper cover stamped in black 'DGAG, 16*46', metal clasps, lightly soiled, rubbed, [not in VD 17], Cologne, Hermann Hoberg, 1604; and the remains of a 16th century ?Danish blind-stamped calf binding, 8vo (2)⁂ Rare, with ESTC recording only two copies.

NO RESERVE Early printing.- [Heinecken (Karl Heinrich von)] Idée générale d'une collection complette [sic.] d'estampes. Avec une dissertation sur l'orgine de la gravure & sur les premiers livres d'images, 28 engraved or woodcut folding plates, a few unobtrusive blind-stamps (including lower corner of title, which also has a faded ink stamp verso), spotted, lightly browned, red crushed morocco, gilt, by Bedford, spine ends and corners worn, rubbed, g.e., 8vo, Leipzg & Vienna, Jean Paul Kraus, 1771.⁂ With much on early printed illustrated books.

George III mahogany-cased eight day painted dial longcase clock, maker indistinct, with 12-inch break arch dial, subsidiary seconds and calendar, the hood with blind fret work beneath dentil cornice, 217cm high

A good pair of Chinese Chippendale-style mahogany side tables, circa 1910-20, the moulded tops with openwork gallery above an openwork frieze with conforming blind fretwork to the corners, raised on triple turned supports united with openwork scroll stretchers, 68.5cm H, 33cm W, 32cm D. (2)

After William Russell Flint (British, 1880-1969), colour print, no. 51/850, with studio blind stamp, 55x38cm

After William Russell Flint (British, 1880-1969), colour print, no. 468/850, with studio blind stamp, 50x69cm

A George III mahogany corner washstand, undershelf with single drawer flanked by two blind drawers, 115cmH

Two vinyl long play LP record albums by Murray Roman to include – You Can't Beat People Up And Have Them Say I Love You – Original Track Record 1st U.K. Press  – 613 007 Stereo. Vinyl Condition E. Sleeve Condition VG and A Blind Man's Movie – Original Track Record 1st U.K. Press –  613 015 Stereo. V

NINE JAPANESE WOOD NETSUKE OF FIGURES MEIJI PERIOD, 19TH CENTURY Variously carved as two drunk shojo sleeping, two men with sake bottles and another drinking, three blind men and the last trying to lift a stone which is transforming into a tanuki racoon dog, some with signatures including Gyokuhei and Shiko, 5.3cm max. (9) Provenance: from the collection of a lady of title, and thence by descent.

Football Daley Blind and Angel De Maria 12x8 signed colour photo pictured while playing for Manchester United. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Three cannonballs, purportedly from HMS Conwy, each weighing approx 19lb, accompanied by a statement from James Watter Dooky confirming the origins of the cannonballs, blind stamped for Beaumaris Studio Anglesey and dated 02/08/2006 (4). CONDITION REPORT Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/

An 18th Century carved oak domed coffer, the hinged top enclosing an interior, the sizes with carved rosettes and blind fretwork bearing a plaque dated 1759. 66 x 122 x 59cms

20th Century lacquered oriental design two door blind panelled drinks cabinet. (B.P. 24% incl. VAT)Condition report: Heavily worn, with losses, marks and scratches. Dimensions: 79 x 61 x 107cm approx. 

Terence Warren, 2 limited edition lithographs, "Waste Not Want Not" and "Never Put Off Til Tomorrow What Can Be Done Today", both with Retigraphic Society blind stamps, pair of Sharp's advertising pictures etc (6)

Tatton Winter R.B.A., coloured etching, "Christchurch Gate Canterbury" with blind proof stamps, 27cm x 38cm, framed, and watercolour, Continental coastal view, unsigned, 23cm x 52cm, framed

A Leica IIIc Rangefinder Camera, chrome, red blind, serial no. 363280, with Leitz Summitar f/2 50mm lens, some marks, with lens cap

A W. W. Rouch 'Rouch's Patent' Whole Plate Mahogany Field Camera, serial no. 1111, with roller-blind shutter, lacking lens, with adjustable swing back

A Houghtons Ltd 'The Empress' Half Plate Mahogany Field Camera, with R & J Beck Series II f/6.3 7.2" lens, in Thornton Pickard roller-blind shutter

An Unmarked Half Plate Mahogany Field Camera, with Aldis Anastigmat No.7 brass lens, in Thornton Pickard roller-blind shutter

A Small Selection of Mahogany & Brass Accessories, including Voigtlander Sohn Wien rotary Waterhouse stop brass lens, roller-blind shutters and more (a lot)

WELSH DRESSER. LATE 9TH CENTURY PINE AND MAHOGANY with 3-shelf rack over a breakfront base of 3 open top drawers and 3 blind drawers with a cupboard either side.

PROG/CLASSIC/PSYCH & BLUES ROCK - LPs. Wicked collection of 28 x ace LPs. Artists/titles include Skin Alley - To Pagham And Beyond (UK og, CBS S 64140 - super clean Ex+ record/VG+ light edgwear), High Tide - High Tide (UK og, Liberty LBS 83294 - v. clean Ex record/VG+ few light creases and ringwear to the textured sleeve), Ten Years After (x7) inc. S/T (SML 1015, RE), Undead (SML 1023 UK og), Ssssh. (stereo SML 1052 P-3L/P-2L), Stonedhenge (mono DML 1029 1A/1A), Watt (SML 1078 P-2W/P-2W, no poster), Cricklewood Green (SML 1065) and I'm Going Home, The Edgar Broughton Band - The Edgar Broughton Band (boxed SHVL 791, with textured sleeve), Blind Faith - Blind Faith (583059 UK), Utopia - Utopia (UK og UAG 29438 - ace Ex+ record/with og company inner/VG+ light ringwear reverse), Badger - One Live..., Quintessence - In Blissful Company (ILPS 9110Q, pink label white 'i' og - VG+, hairline on side 2/VG+ neat sleeve, booklet attached), King Crimson - Red (ILPS 9308, pink rim og - VG/VG), Druid - Toward The Sun, Wild Turkey, Family, Curved Air and The Nice. Condition is generally VG to Ex+.

BOB DYLAN/CSNY & RELATED - LPs. Lovely collection of 18 x LPs including a great offering from 'blind boy grunt'. Dylan/related titles (x14) include Blonde On Blonde (early UK pressing S DDP 66012 with 'Memphis Blues Again' credit on record - VG+ and Ex records/Ex clean sleeve), Bringing It All Back Home (2 x copies including early stereo orange labels, '33 1/3' and also sunburst labels RE), Freewheelin' (stereo orange labels, '33 1/3' SBPG 62193), Nashville Skyline (stereo orange labels S 63601), Highway 61 Revisited (RE), Planet Waves, Hard Rain, Self Portrait and Bob Dylan/The Band (IDBD 1). Also with a cool large poster (approx 50 x 76cm) for Bob Dylan at Budokan (CBS). Also with David Crosby - If I Could Only Remember My Name (plum UK og 2401005 - neat Ex/VG+), CSNY - Deja Vu (K 50001) and Neil Young - Journey Through The Past. Condition is generally VG to Ex+.

HYDE PARK 1969 BLIND FAITH. Two original posters likely designed to be sold at Blind Faith's 1969 Hyde Park appearance. Both measure 20 x 30" and in VF condition. Printed by 'Screendream Print Redhill 61104'. From the archive of acclaimed poster designer David Arnott.

Railwayana - GWR Great Western Railway - A collection, comprising of GWR fire bucket with wrought iron swing handle, stamped; GWR Hotels Dept cooking pan, stamped; stamped carriage door handle; GWR leather window blind; GWR stamped cast metal gauge glass holder ?; glazed Great Western Railway ' How to use a telephone sheet; pair of unknown cast iron brackets, probably from back of tank engine, stamped; King Loco blueprint; regulations for use of capstans (unmounted); large sheet gradient profile Reading-Taunton. (quantity)

An Art Deco platinum and diamond ladies cocktail watch by Zenith, 1930s-40s, the 21 x 10mm. rectangular silvered dial signed 'ZENITH', with black Arabic numerals and keywork borders, within an elongated octagonal 15mm. case millegrain set with eight cut diamonds, the sides with blind fretwork decoration, the tapered bracelet similarly set with old cut diamonds, with manual wind movement. * Condition: Winds and runs. A little spotting to the dial and minor discolouration to two corners from reaction with the minute steel screws holding the movement. Case in good condition with just light scratches to caseback. Bracelet in good condition. All diamonds present and appear original. Clasp working well.

ROSS, Sir John, CB, KSA, KCS, FRAS, Memoirs and Correspondence of Admiral Lord de Saumarez, London, Richard Bentley, 1838, portrait frontis to both, various other plates, in two Volumes, Pub's original light brown blind-stamped cloth, gilt title to spine. two volumes (scarce) * Condition: Plates slightly spotted or foxed, slightly rubbed and faded cloth, backstrips chipped at head with short tears.