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A 19th Century mahogany triple leaf tea and card table, the leaves each having a blind leaf carved edge, fold-out action on single rear gateleg above a plain frieze and all raised on chamfered square supports, width 81cm (see lot 548 for illustration)

A late 19th Century Irish mahogany silver table, having an oval dished top above a blind carved frieze depicting birds, acanthus leaf, fruit and flowers, the whole raised upon cabriole supports with claw and ball feet, width 114cm

A George III mahogany bureau cabinet, the upper section with Greek key moulded cornice, blind carved frieze above twin panelled doors enclosing fitted adjustable shelves, the base having a sloping fall enclosing a well fitted interior, centre panelled cupboard door flanked by secret columns in turn flanked by arcaded pigeonholes and banked drawers, all above four long graduated drawers, having a cockbeaded edge, pressed brass oval plate handles, the whole raised on ogee bracket feet, height 231cm x 117cm (Illus. Back Cover))

A Victorian mahogany library table in the manner of Pugin, having a crossbanded top above twin blind frieze drawers, the whole raised upon double turned and knopped end supports united by an X frame and ring turned stretcher to square cut trestle bases on bun feet with castors, width 153cm

A Victorian walnut and woolwork inset firescreen of good size, having a pierced fret pediment above twin spiral turned columns flanking woolwork panel depicting coat of arms, the whole raised upon hipped and blind carved scroll cabriole supports, width 84.5cm

A 19th Century mahogany servery, having a crossbanded chevron strung edge above three blind frieze drawers and raised on ogee moulded square tapering supports with brass castors, width 153cm.

An 18th Century Continental fruitwood and oak cabinet on stand, having twin blind carved panelled doors depicting twin figure scenes entitled The Prioress and The Wife of Wrath and Miller Manciple & Reve, each opening to reveal fitted array of collectors drawers with all-over inlays, the stand having blind carved frieze on spiral turned supports united by platform undertier on bun feet (some alterations), width 85cm

A 19th Century oak thirty hour long case clock, square section base rising to plain body with long door, below 11” brass dial with conforming spandrels, date facility and engraved shipping scene with lighthouse in the distance, all below caddy top with blind fret work frieze. 77” high. S/D.

A Chippendale revival mahogany breakfront bookcase, early 20th century, with blind fret carved borders, the broken swan neck pediment above three astragal and bevel glazed doors, the lower breakfront section fitted with three frieze drawers above three panelled cupboard doors, on a shaped plinth base, 250cm high, 193cm wide

A George III mahogany and marquetry inlaid chest on chest, the projecting dentil moulded cornice above a blind fret carved frieze, two short and three long drawers, between chamfered corners, the projecting base fitted with three long drawers, on shaped bracket feet, associated, with alterations and restorations, 185cm high, 111cm wide, 53cm deep

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘La Voulte sur Rhone’, 17” x 25”

A Regency oak writing desk, the three quarter quatrefoil pierced gallery supporting open shelf above deep rectangular top with astragal edge and two frieze drawers flanked by blind Gothic panels, turned lobed and reeded legs with castors 91cm wide, 14cm high, 68cm high

A Victorian Gothic oak chair, the square back leaf carved rail and bell terminals above cusped tracery panel centred by blind shield, spreading large board seat and panelled square section legs with pierced brackets

A 19th century mahogany bureau bookcase, in the George III style, the moulded cornice above a blind fretwork frieze, above two astragal glazed doors enclosing a shelved interior, the fall front enclosing a fitted interior and four drawer base, brass escutcheons and loop handles, raised on ogee bracket feet 94cm wide, 119cm high, 53cm deep

After Lawrence Stephen Lowry R.A. Street Scene reproduction printed in colours signed in pencil Fine Art Guild blind stamp 44cm x 58cm

Ronalds Alfred - The Fly-fisher's Entomology with Coloured Representations of the Natural and Artificial Insect and accompanied by a Few Observations and Instructions on Trout-and Grayling fishing: London 1844 8vo publishers brown blind stamped decorated boards gilt; Jackson John - The Practical Fly - Fisher more particularly for Grayling and Umber: London n/d [1844] 3rd edn 8vo plain publishers cloth boards gilt (2)

Legh Thomas - Narrative of a Journey in Egypt and the Country Beyond the Cataracts: London John Murray 1817 8vo viii folding map and plates 296 pp 11 plates 8vo cont dec calf blind and gilt stamped decs to both boards gilt dec comps to spine brown title labels gilt

(Ashbourne) Anon - The History & Topography of Ashbourne and the Valley of the Dove and the Adjacent Villages with Biographical Sketches of Eminent Natives: Ashbourne Dawson & Hobson 1839 viii 380 pp [18] leaves of plates ills royal 8vo ills by drawings onto stone and woodcuts dark blue blind dec publishers boards gilt [with] Tour of The Dove and Manifold Valleys J P Sheldon ills by E Roper Derby 1894 2 copies one in green pictorial cloth one in blue (3)

Nimrod (editor) - Sporting Embellished By Large Engravings And Vignettes Illustrative of British Field Sports: London 1838 folio oversized book of engravings by Gainsborough Landseer Cooper Hancock Lewis and Barraud in decorated blind stamped cloth boards with gilt crest to upper gilt titles to spine a.e.g rat catching a gamekeeper with several breeds a greyhound setter spaniel Scottish deerhound hounds foxhounds &c

Cox J. Charles - Notes on the Churches of Derbyshire: Chesterfield Palmer & Edmunds - 1877-1877-1879 4 vols complete 8vo vol 1: The Hundred of Scarsdale: frontis 19 plates xxv [i] [3] 4-495pp; vol 2: The Hundreds of the High Peak and Wirksworth: frontis 24 plates xxi [iii] [5] 6-612pp; vol 3: The Hundreds of Appletree and Repton and Gresley: frontis 22 plates xiii [i] [5] 6-556pp; vol 4: The Hundred of Morleston and Litchurch: And General Supplement: frontis 20 plates xxii [iii] [3] 4-570pp uniform publishers brown cloth gilt with black decoration on upper boards blind on lower boards

Mosley Sir Oswald & Brown Edwin - The Natural History Of Tutbury Together With The Fauna And Flora Of The District Surrounding Tutbury And Burton-On-Trent: London 1863 royal 8vo original publishers black blind diagonally decorated cloth covered boards coloured and b/w plates gilt

AN EDWARDIAN MAHOGANY FULL LENGTH CORNER CABINET with shaped shelves enclosed by large astragal glazed door, with blind fret cornice above, 76" high

A George III mahogany bureau bookcase, the bookcase top with dentil moulded architectural pediment over a blind fret carved frieze and two astragal glazed doors revealing adjustable shelves over a fall front writing surface revealing a central single door cabinet flanked by four short drawers and two pigeon holes to each side over pull-out lopers and four long graduated cockbeaded drawers fitted with brass swan neck handles raised on shaped bracket feet, 40.5" wide, 88" high, 21" deep

Arthur Romilly Fedden. Blind Girl. Pencil drawing in an oval mount &.5in x 5.5in. Titled signed with initials and dated "July 13" by the artist in pencil. Mounted framed and glazed. /t

A Victorian circular walnut veneered occasional table, the top decorated with chessboard and foliate scrolls, raised on a turned and blind fret carved baluster-shaped column on three scrolling legs, 20in. x 28 1/2in. high.

A giltwood and gesso shallow display case having velvet-lined interior enclosed by hinged reeded and acanthus-wrapped glazed top complete with protective blind L 52cm W 41cm

A 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE, having outswept moulded cornice above a pair of rectangular panel glazed doors, fitted shelves to the interior, the projecting base with deep fitted secretaire drawer over two blind arch panel doors later (a marriage) revealing sliding shelves. On bracket feet 44" Wide x 92" High. C1875.

A GEORGE III STYLE MAHOGANY BUREAU BOOKCASE, having blind top with moulded cornice over two arch moulded doors, the base with fall front, fitted interior and four graduated drawers, on bracket feet. 40" Wide (late 19th century, with associated top, a marriage).

AN EARLY 19TH CENTURY WELSH OAK BUREAU BOOKCASE, the blind top with herringbone inlaid moulded cornice above two blind panel doors, the base two short and two long drawers, standing on bracket feet. 42" Wide. C1810.

AN EARLY 19TH CENTURY WELSH OAK BUREAU BOOKCASE, having blind top with moulded cornice above two ogee pointed arch doors, shelves to the interior, the projecting bureau base with fall front revealing fitted interior, above two short and two long cockbeaded drawers on bracket feet. 46" Wide x 79" High. C1820.

A 19TH CENTURY WELSH DARK OAK TWO STAGE PRESS CUPBOARD, having moulded cornice above two blind panel doors, two short and two long drawers to the base, on baluster turned legs. 46" Wide. C1890.

AN EARLY 19TH CENTURY TWO STAGE MAHOGANY PRESS CUPBOARD, blind top on three drawer base and bracket feet. 46" Wide. (Reconstructed).

A 19TH CENTURY MAHOGANY TWO STAGE PRESS CUPBOARD, having moulded cornice above two flame panel blind doors with sliding shelves to the interior, the projecting base with two short and two long drawers, lacking feet. 48" Wide.

A 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD, having two door glazed top over two door projecting blind base on baluster turned legs. 40" Wide. C1895.

A REGENCY MAHOGANY SINGLE STAGE PRESS CUPBOARD, having moulded cornice above ebony inlaid foliate freize, two panelled blind doors, four sliding shelves and four fitted drawers with recessed brass handles above three graduated drawers having turned knobs on a platform base. Bramath locks throughout. 42" Wide x 76" High x 21" Diameter. C1815.

AN 18TH CENTURY WELSH OAK TWO STAGE BLIND CORNER CUPBOARD, having moulded cornice above two panelled doors, similar to projecting base, on bracket feet. 38" Wide. Mid Wales. (See lot 107 for illustration)

A VICTORIAN MAHOGANY SIDEBOARD, having arched foliate moulded back, straight front top with three cushion drawers, breakfront base with four arch blind panel doors, on platform support. 71" Wide x 20.5" Deep. C1880.

A 19TH CENTURY WELSH MAHOGANY SIDEBOARD, in the style of Morley of Carmarthen, having indented front with curved angles and moulded edge, wrythen moulded quarter pillasters to the corners, with recessed centre drawer above blind arch conceived drawer, flanked by two cupboards one with tapering legs, decorated with ebony outlines and lion mask loop handles. 71" Wide x 36.5" High. C1830.

A Victorian silver snuff box, acanthus engraved decoration with blind cartouche, later velvet lining, incomplete hallmarks visible, 7.5cm (3in) wide

After Charlie Johnson Payne ('Snaffles', 1884-1967), 'Gunners', lithograph with hand colouring, with snaffles blind stamp and printed remarques, 39 x 61cm (15 x 24in) overall, oak frame

After Cecil Aldin (1870-1935), 'The Exeter Road - The White Hart at Hook', coloured lithograph, signed in pencil to the margin and blind stamped 'Proof no. 8', with printed remarque but no lettering, sheet size 42 x 63cm (16 1/2 x 25in), oak frame, together with an unsigned but lettered copy of the same print (2)

After Charles Bird A.R.E. Newcastle St. Nicholas's Cathedral. Black and White Engraving with windswept figures in the foreground. Signed in Pencil on mount. Pub. Mawson Swan & Morgan 1899. City Arms on Mount and E. F. Print Sellers Association blind stamp, 62 x 42.5cm.

An early XX Century Chippendale style Mahogany Corner China Display Cabinet with blind fret moulded cornice over lattice glazed doors enclosing three shaped shelves over a cupboard on bracket feet, 86cm wide.

An early XX Century Chippendale style Urn Stand the square top with blind fret carved frieze raised on tapering fluted legs with stretcher 35.5cm wide.

A William S Coleman print of a young maiden holding a shell to her ear framed blind stamp WSC signature in print pencil signature image 17.5 x 12.5cm.

An Edwardian mahogany display cabinet with blind fret frieze and oval glazed door 2ft

DMU Wooden Destination Blind Box. Ex WR C1 117/1 No 51408. West of England locations listed including Brentor, Camborne, Falmouth, Chard, Penzance, Saltash, Tavistock etc. List 33 extremely evocative names in all.

C19th Mahogany 2 Shelf Music Cabinet with decorative wooden glazing bars, small up-stand with swan neck & acanthus leaf decoration, small shaped mirror to centre, single drawer under with blind fret raised on cabriole legs & shaped apron

An Edwardian mahogany display cabinet, with pierced fret work swan neck pediment over astragal glazed doors, the protruding bow front base with glazed display top, having blind fret frieze drawer over further glazed doors on square legs with splayed feet, 75" high x 31" wide x 19" deep.

A Staffordshire Pottery Figure "Bloomers", circa 1860], as a lady wearing a broad rimmed feather plumed hat, holding a black bag and yellow umbrella, the base inscribed "Bloomers" in gilt, 24cm high; and [Another "The Blind Fiddler"], wearing tricorn hat, and performing a gig, 21.5cm (2) *Amelia Bloomer (1818-1898) was born in Homer, New York. In 1840 she married Dexter C Bloomer and became the first woman to publish a paper solely for women, entitled “The Lily: A Monthly Journal devoted to Temperance and Literature”. In the May edition 1851 she advised readers that they should adopt the dress of Mrs Elisabeth Smith Millar, the daughter of the famous abolitionist Gerrit Smith. Letters poured into the paper by women asking how to make the dress and bloomerism was born. The invention of bloomers caused a storm across the world in ladies fashions in the early 1850’s, the figures that the potteries produced did not portray her but were inspired by many musicals and waltzes that were produced as “bloomer-mania” spread across the country. There were many productions, including “I Want to be a Bloomer”. See Harding (A&N): Victorian Staffordshire Figures 1835-1875, Schiffer Books, fig 1313.

A Small Edwardian Mahogany Chiming Longcase Clock, Retailed by Harrison & Son, Darlington], the nicely figured mahogany case with swan neck pediment, blind fret work to the hood and slender turned columns, the good good coloured arched trunk door with moulded borders and flanked by reeded pilasters, plinth with raised quatre form panel and dial with silvered chapter ring signed "Harrison & Son, Darlington", triple barrel movement chiming four hammers on to four gongs, backplate numbered "96 921363", 176cm high

A Serpentine Mahogany Chest of Drawers], the moulded top over a slide and blind fretted frieze, with four long drawers below, between fluted canted corners, on bracket feet, 86cm by 93cm by 51cm See illustration

A Three-Piece Suite], upholstered in red velvet, comprising a sofa with low scroll back and rolled arms over a sprung base with three loose cushions, the arm terminals of blind-fretted mahogany, the base having a black and gold japanned frieze over a blind-fretted rail and block feet, 228cm wide, and two matching easy chairs

A George III Mahogany Tallboy], the moulded cornice with key pattern detail and blind fret frieze, over two short and three long drawers flanked by blind trellis pierced chamfered stiles, brushing slide to the lower section over three further drawers and upon bracket feet, 116cm by 57cm by 194cm

Dresden porcelain figure group depicting four ladies and a gentleman dressed in period costume playing Blind Mans Bluffrococo style base, 31cm high

A 19th Century mahogany chest, the cornice and canted corners carved blind fretwork, fitted three long and two short drawers and raised on a stand with acanthus carved cabriole legs and claw and ball feet, 112cm (44") wide

A George III mahogany bureau bookcase, enclosed by a pair of glazed gothic doors below a blind fret frieze, a bureau and four graduated long drawers under, raised on bracket feet, 95.25cm (37.5") wide

19th Century mahogany linen press, the upper section now with hanging compartment enclosed by pair of blind panel doors,and two long drawers below with turned handles on bracket feet, 126cm wide

18th Century oak longcase clock with stepped and moulded cornice having blind fret decoration, the case with long door obase, brass square dial with square calendar aperture and signed Samuel Holbin of Bitton - 30 hour striking bird-cage mo 216cm high

George III mahogany hanging corner cupboard having a dentil and blind fret cornice, interior fitted three shaped shelves pair of blind panel doors with moulding beading flanked by reeded canted pilasters, 86cm wide x 117cm high