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Vinyl - Three 10,000 Maniacs LP's to include In My Tribe, The Wishing Chair, and Blind Man's Zoo. All in Ex condition

Vinyl - Over 30 Rare Metal / Thrash LP's & 12" singles to include Gang Green, S.A.D.O, Flotsam And Jetsam, Agony, Zoetrope, Mania, Blind Illusion, Dead Brain Cells, Dr Mastermind, Defalla, Mordred, Midas Touch, Quick Change, Taramis, Violent Playground, Token Entry, Intrinsic, F.U.C.T, Hellanbach, Mortal Sin, Ripcord, Manowar, Drunken State, Saxon, Nevermore, Nuclear Assault, Mark Edwards, Nasty Savage. Sleeves at least Vg+ overall with many Ex, Vinyl at least Ex overall with some appearing unplayed

Vinyl - Punk / New Wave - 8 USA Female vocalists UK / EU pressing albums, to include: Patti Smith - Wave (UK 1at Pressing, VG / EX + insert), Horses (UK 1st Pressing, VG+ / EX), Dream Of Life (UK 1st Pressing, VG / EX + Printed Inner + Insert). 10,000 Maniacs - Human Conflict Number Five (UK 1st Pressing, Gatefold Sleeve VG+ / EX), Secrets Of I Ching (UK 1st pressing, VG+ / EX + Insert). Blind Man’s Zoo (UK / EU 1st Pressing, EX / EX + Printed Inner + Limited Edition exclusive print in EX condition) + Blondie - Plastic Letters, and Parallel Lines

Vinyl - The Gun Club / Violent Femmes - 6 UK Pressing albums, to include: The Gun Club - Miami (UK 1st pressing, VG++ / EX), Fire Of Love (UK 1st Pressing, VG+ / EX), The Las Vegas Story (UK 1st pressing, VG+ / EX). Violent Femmes - Violent Femmes (UK 1st Pressings, EX / EX), Hollowed Ground (UK 1st Pressing, EX / EX), The Blind Leading The Naked (UK 1st Pressing, EX / EX + Printed Inner)

A modern white painted wine rack with blind drawer and space for twenty-five bottles

A 1.22m retro G-Plan style teak effect wall unit with fall-front writing compartment, flanking shelves and a pair of blind frieze drawers, over a base with a pair of sliding panel doors, set on moulded legs

A 1.66m far eastern hardwood Victorian style sideboard with three blind frieze drawers and triple cupboard doors under, set on plinth base

A 1.53m Victorian mahogany sideboard with decorative raised back, three blind frieze drawers, central cupboard with flanking cellarette and napery, set on plinth base

A 32cm old stained mixed wood wall mounted three shelf open bookcase with iron bound top decorated with blind fretwork foliage

Vinyl - Two folk LP's to include Davy Graham Hat on Decca LK5011 mono, sleeve has laminate creasing and corner wear along with some losses to rear from sticker removals etc and requires seam reglue Vg Vinyl has light scuffs and scratches but at least Vg, John Fahey The Transfiguration Of Blind Joe Death on Transatlantic Records TRA 173, sleeve Vg+ with some corner and seam buffering and foxing, vinyl Vg with many light marks and scratches, booklet has some discolouration and stains to front by present and Vg+,

Vinyl - Blind Faith self titled LP on Polydor 583059 stereo, no distribution credit, later pressing, sleeve and vinyl ex

A George III mahogany chest on chest, with Greek key cornice and blind fret frieze above an arrangement of two short and six long graduated cock-beaded drawers, with brass drop handles, raised to bracket feet, height 163cm, width 119cm and depth 58.5cm, S/D.

A George III oak and mahogany chequer strung and cross banded chest of two short and three long drawers, oval brass drop handles, below a blind fret secret drawer, flanked by canted sides, on bracket feet, height 119cm x depth 53cm x 102cm, S/D

A late 18th to early 19th Century oak longcase with eight-day movement, the dial with moon phase, subsidiary seconds and date dials, silvered chapter ring and corner spandrels, signed Richard Reader, enclosed by a blind fret carved hood over a chequer strung arched inlaid door and canted plinth base, height 225cm.

A Chinese Chippendale style carved wood and gilt gesso rectangular bijouterie table decorated throughout with blind fret bands. On chamfered square supports. 91 cm wide x 51 cm deep x 74 cm overall height

A 17th-century Italian style carved wood and gilt gesso vitrine on stand, late 19th century. The two-door upper section is glazed to four faces and opens at either end of the cabinet and is carved with blind fret acanthus scrolls; the base with elaborately carved amorini, flowers and swags, on bold haunched cabriole legs strewn with vines terminating in scroll feet. 120 cm overall width x 64 cm overall depth x 194 cm overall height.Private estate.Some knocks and chips to the gilding.

Laurence Stephen Lowry (1887-1976). Deal, artist signed print, blind stamp, ABH, 17.5cm x 25cm.

A Chippendale Revival mahogany display side cabinet, blind fretwork frieze, ball and claw feet, 125.5cm high, 139.5cm wide, 41cm deep, c.1925

An 18th century oak mule chest or marriage chest, hinged cover enclosing a till above a blind fretwork frieze and three panels, the central stiles applied with an initial, the base with two short drawers, 78.5cm high, 129cm wide, 55.5cm deep

An 18th century and later oak blanket chest, hinged top above a blind fretwork frieze and a three panel front, one stile carved with initials, 65cm high, 132cm wide, 52.5cm deep

A Boots Quarter Plate Mahogany and Brass Field Camera, probably made by Houghtons, a round plate states BOOTS CASH CHEMISTS 900 BRANCHES, double extension, tapered bellows, body and bellows intact F, folding struts seem misaligned, preventing folding to flat, with Goerz Berlin Doppel-Anastigmat lens P, heavy dust, Bausch & Lomb Unicum and roller blind shutters

A collection of four novelty charirty collection boxes from the 1970's (Royal National Institute For The Blind) - Basil brush, Sooty, Money Eating Monster & The Beauty You Can See (4)

EARLY PRINTING: ERASMUS; Paraphrasis in Evangelium. Basel: Froben, 1523 (but 1524), lacking the title page. 179 leaves out of 180; BOUND WITH: ERASMUS: In Evangelium. Basel, 1524, with 144 leaves. Cont. blind stamped leather over wooden boards (possibly Flemish), lacking the clasps and spine chipped with small loss; covers detached, O/W G+Provenance: The Peter and Pat Crofts Collection

EARLY PRINTING: ERASMUS, Desiderius (1466-1536): In Evangelium. Basel: Froben, 1534. PP: 527, (i). Cont. blind stamped leather over wooden boards (possibly Flemish), lacking the clasps and spine chipped with small loss. Faded ink notes in some margins & lacking the front pastedown & endpapers; a few small tears, without loss to text.Provenance: The Peter and Pat Crofts Collection

SWAN MARK REGISTERS OF OWNERS (Two volumes): The first volume is for marks used by the proprietors of lands in the “Hundred of Wisbech'', Isle of Ely (Cambridgeshire), and dated 1566. It contains over 600 marks, followed by 19 pages of manuscript notes concerning the “Laws and Ordinances regarding swans”. The marks are made up of swans’ heads drawn in black, with most of the beaks painted in red, a swan's foot to the right of each and in many cases the name of the mark's owner above it. The names start with the Dukes of Norfolk and Suffolk, on to the Bishop of Ely and the Dean of York and finishing with the wealthy landowners. The manuscript notes are dated 1577, signed: George Carlton and go on to say: "it is desired and ordered that all books and swannmarks be reformed, corrected, amended and made uniform into one book and that remains in the keeping of the swanner, or his deputy…” A Beautiful volume of an early record of swan ownership, bound in near contemporary full leather with blind stamps to covers and later spine. The second volume is dated 1834 and with the ownership name of Alan H Whitman? PP: (4) manuscript notes on swan marks, etc, followed by 84 pages of swan marks, 12 to the page, making a total of c900 marks, mostly with the owner's name, followed by an index of owners (A-E only). Plus: a loosely inserted vellum sheet with Lord Walpole's swan mark, drawn from an old document. The volume is bound in contemporary full calf, with one of two clasps. [The last time a similar item to the first volume above appeared for sale, was sold by Christies, London, June 2nd. 1999 reaching £32,200 (including commission)]. That one was dated c1500“The swan has been deemed a royal bird from the Middle Ages, and although the privilege of owning a 'game' of swans was granted by the crown to individuals or institutions, all such birds had to be marked and pinioned. Only the monarch could claim unmarked mute swans. Swan marks are used to identify the birds’ rightful owners or licence holders and to assist in any dispute over ownership, or to use at swan upping, when the Swan-Master oversees the marking of the new cygnets” (2)Provenance: The Peter and Pat Crofts Collection

DUGDALE, William/FEN DRAINAGE, 1772: The History of Imbanking and Draining of divers Fens and Marshes, both in Foreign Parts and in this Kingdom. W. Bowyer, 1772, 2nd. Edn. Revised and corrected by Charles N Cole. Folio, with 11 large folding maps. PP: xii, 469. Cont. full blind stamped leather with gilt geometric ruling, gilt inner dentelles and all edges gilt. Recased very well, preserving the original covers & spine; VGProvenance: The Peter and Pat Croft Collection

Florentine Gradual 1584. 1584 Illuminated Manuscript on Paper: Florentine GRADUAL. Hand written and illuminated by a nun of the Monastery of the Holy Cross, Florence, 1584. With over 800 illuminated letters, 69 large (90 x 90mm), and 733 smaller ones (50 x 45mm), painted in gold, red, blue, green & black. 241 leaves, 1-226 + 15 not numbered (482pp), each measuring 425 x 300mm. Musical notes & liturgical text in black, with 4 line staves in red and seven lines to a page. c16/early c17 full leather over wooden boards stamped in blind, the spine has been replaced. 5 brass bosses to each cover, plus 2 brass clasps. A couple of pages with ink-burn, causing small tears. Plus a modern folder, containing transcript for leaves 1-60, i.e. 120 pages.Condition ReportPlease see images for condition. No period provenance within the book. See image for only reference to the nun.The book was purchased in Sienna in the early 1970's.

A 20th century Chinese hardwood extending dining table and chairs. Both the table and chairs having blind fretwork Chinese character marks. The seats having pink striped upholstered cushions. Four standard dining chairs and two carvers. It measures 77x167x106 (223)

A Regency Revival low centre table / coffee table of circular form having marquetry decoration to the surface, blind fretwork to the frieze raised on reeded tripod legs atop brass feet.

Helen bradley print framed with blind stamp

A 19TH CENTURY MAHOGANY TWIN PEDESTAL DINING TABLE, with a single additional leaf, on splayed legs, and brass casters, extended length 197cm x closed length 151cm x depth 105cm x height 75cm, and eight chairs with a wavy top, blind fretwork detail, reeded spindle back and red leatherette seat pads, including two carvers (condition:-good condition considering age, scratches to leather) (10)

BERYL COOK ( BRITISH 1926-2008) 'MEADOW SUITE', three female figures are playing a piano, cello and violin while naked, signed to lower margin with Fine Art Trade Guild blind stamp, published by Alexander Gallery publications 1984, mounted, framed and glazed, approximate size 34cm x 42cm frame 53cm x 62cm, small amount of damage to the frame (artist resale rights apply)

WILLIAM RUSSELL FLINT (1880-1969) LIMITED AND OPEN EDITION PRINTS, comprising a signed print 'Market Hall, Cordes', published 1963, approximate size 45cm x 59cm, limited edition print 'The Mill Barbaste' from an edition of 850 published 1970, Fine Art Trade Guild blind stamp to lower margin, limited edition print 'The Royal Academy Courtyard' from an edition of 750 published 1991, limited edition print 'Under the Terrace Brantome' 638/653 WRF blind stamp to lower margin, published 1995 and open edition prints 'The Unwelcome Intruders' and 'Provencal Caprice', Market Hall print has some fading, the others appear to be ok (6)

‡ BERNARD GREEN (1931-1998) limited edition (11/35) linocut - titled to base 'Newport Castle, Pembrokeshire', signed and dated 1992 with blind-stamp, 49 x 78cms (unframed) Provenance: private collection Lancashire

‡ MARGARET GREEN (1925-2003) limited edition (9/50) lithograph - titled to base 'Summer Hedgerow', signed and dated 1992, with blind-stamp, 56 x 45cms (unframed) Provenance: private collection Lancashire

2 Framed prints Aus A.Hendschel's Skizzenbuch with blind stamp

Late 19th century oak dresser, the top section with shelves and two small cupboards over a base with two doors and two drawers decorated with blind fretwork detail, 183cm wide

A Scottish George III mahogany bookcase top, Edinburgh, in the manner of William Brodie, on later stand, the fret cut swan neck pediment over dentil cornice and blind fret frieze, above two astragal glazed doors enclosing three adjustable shelves, raised on a later stand with square chamfered supports united by a pierced stretcher, no key, (A/F) H210cm, W114cm, D33cm

Late Geo. III mahogany chest on chest, dentil cornice with blind fret frieze above two short and six long rosewood crossbanded and satinwood strung drawers, enclosed by fluted canted angles on shaped bracket feet, W108cm D52cm H182cm

After Russell Flint, Girls by a Pool An Awkward Encounter signed print, with blind stamp, signed lower right, together with one other framed Russell Flint unsigned print In Sunny Perigord. (2)

Oak long case clock, 28cm square painted Roman dial with faux date aperture signed Kidds Malton, later caddy top case with blind fret frieze, gilt urn finials, mahogany crossbanded door on bracket feet, 30hr movement, H215cm

GUCCI 'BLIND FOR LOVE' SILVER RINGsize 19

ARR Peter Wileman, b1946, 'The golden light of a tranquil dawn', signed in pencil, lithograph, numbered 58/250, with gallery blind stamp, 54 x 53cm, De Montford label

A Victorian wine table, with blind fret decoration, on a tripod base51w x 72h cm

δ Salvador Dalí (1904-1989)Hommage à Meissonier (Field 67-2)The set of four lithographs printed in colours, 1967, each with the blind-stamped signature, the edition was 2000, all on wove paper, with full margins, the sheets loose in in the original brown paper folder with a photograph of the artist tipped to the uppers, overall size 390 x 315mm (15 3/8 x 12 3/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

William Russell Flint framed and glazed polychromatic limited edition print of figures beneath a bridge by a river, blind stamped to the bottom, 36 x 55.5cm

BERYL COOK OBE (British 1926-2008) *ARR*  Street Market  Print, pencil signed lower right, FATG FHF blind stamp lower left, 36cm x 36cm. Published by Alexander Gallery Publications Limited of Bristol.

A Fabulous Collection of Six Original 1st Pressings From the 1960's, East Of Eden - Mercator Projected (Deram SML 1038, 1969), Blind Faith - Blind Faith (Polydor 583059, 1969), Family - Music In A Dolls House (Reprise RLP6312, 1968), Family - Entertainment (Reprise RSLP 6340, 1969) with the insert, Ten Years After - Ten Years After (Deram DML 1015, 1967) and Bonzo Dog Band - Tadpoles (Liberty LBS83257, 1969). This collection should be given very close attention as their rarity and condition deserves.

A George III style mahogany blind fret display cabinet circa 1900, 207 x 77 x 42cm

Augustinus (Aurelius, Saint) Nonus Tomus Operum ... Hipponensis episcopi, continens illus tractatus ..., [title] a²-a⁶. b-z⁶. A-Z⁶. Aa-Dd⁶, ?lacking leaf after title, Basel, Officina Forbeniana, 1542, bound before, In Omnia, A⁶-X⁶. Y⁴. Z⁵, Basel, 1543, together 2 vol. bound as 1, ex-library with ink-stamps to title, lacking free endpapers, previous owner's ink inscription to head of Preface, worming affecting text throughout, occasional spotting and staining, contemporary blind-stamped calf over wooden boards, worming, remnants of metal clasps, broken joints but holding firm, loss to upper cover, title in manuscript on paper label to spine, rubbed and worn, folio.

NO RESERVE English Civil War.- Full Relation (A) Of all the late proceedings of His Majesties Army in the County of Yorke ... Declaring His Majesties intention to advance His Standard at Nottingham ..., ex-library with blind-stamp to title and shelf-mark to title verso, tipped-in with fabric tape, touching border of title and edge of text of final leaf, library bookplate inside upper cover, modern cloth-backed stiff paper boards, manuscript label to upper cover, shelf-mark to spine foot, blind-stamp to upper cover, loss and chipping to corners, [Wing F2358], for John Wright, August 20. 1642 § Smith (William) The Banner of Love, under which the Royal Army is Preserved, and Safely Conducted. Being a Clear and Perfect Way out of Wars & Contentions ..., lacking C1 & C3, ex-library with occasional ink-stamps, previous owner's pencil note to title, modern paper wrappers, title in manuscript to upper cover, a little rubbed, [Wing S4288], for Robert Wilson, at eh Sign of the Black Spread-Eagle and Wind-Mill ..., 1661; 4to (2).

White (Henry Kirke).- [Walton (Brian)] Introductio Ad lectionem Linguarum Orientalium Hebraicæ ..., Henry Kirke White's copy with his signature to title head, illustrations, early ink inscription to blank, lacking D12 and ?final blank, E2&3 detached and loosely inserted, tissue repairs to edges and gutters, light staining, modern morocco-backed boards, [Wing W658], Tho. Roycroft, 1655 § Southey (Robert) The Remains of Henry Kirke White, of Nottingham, vol. 3 only, inscribed by the author's mother, Mary White, lacking signature G (8ff.), spotting, ex-library with bookplate and blind-stamp to title, contemporary cloth, library blind-stamp to upper cover, rubbed, bumping to corners and extremities, 1822; and others on or by Henry Kirke White, v.s. (44)

NO RESERVE Coleridge family copy.- Pope (Alexander) The Dunciad, variorum. With the prolegomena of Scriblerus, engraved title and charming head-piece, woodcut tail-pieces, lacking final Addenda f., some spotting or staining, later endpapers, engraving of 'Little Will at the Turks Head Coffee house' mounted on front pastedown, contemporary calf, later blind-stamped panelling to covers, rebacked, covers detached, upper corners repaired, lower corner worn, rubbed and scuffed, [Griffith 212; Foxon P773], 4to, Printed for A. Dod, 1729.⁂ Provenance: 'J.T. Coleridge, Montague Place, June 27th. 1835.1/2' (ink inscription to front free endpaper); Bernard, 2nd Baron Coleridge (armorial bookplate).

Bindings.- Ryley (S. W.) The Itinerant, or Memoirs of an Actor, 9 vol., portrait frontispiece, detached, spotting and staining, occasional marginal loss or holes, one or two tears, crudely repaired, ex-library with usual stamps and labels, occasional corrections inserted by hand, all by vol. 6 in contemporary half-calf, rubbed and worn, vol. 1 upper cover becoming detached, blind-stamps to upper covers, losses to spine extremities, remnants of labels to spine feet, vol. 6 in modern library cloth, 1808-27 § Grotius (Hugo) De Veritate Religionis Christianæ, engraved vignette title, K3 with large area of loss to bottom half of leaf affecting text, lacking endpapers, marginal staining towards end, contemporary calf, loss to corners and spine foot, cracked joints, rubbed, [Wing G2104], Oxford, Thomas Sheldon, 1675 § [Butler (Samuel)] Hudibras, engraved portrait frontispiece and 15 plates only (of 16) by Hogarth, scattered spotting, previous owner's ink-stencil name to blank, previous owner's crude pencil drawing at end, abrasion marks to front endpapers where labels removed, contemporary calf, rebacked, for D. Browne ..., 1761; and others, including a small quantity of prints, most 19th century, v.s. (c.65 & sm. qty prints).

Execution chap-book.- Trials.- Cooke (Percival) The Confession of Percival Cooke and James Tomlinson, who were executed ... on a drop newly erected in front of Derby Gaol, woodcut of coffin to final leaf, blind-stamp to title, staining and creasing to edges, folio leaf folded, short split to folds, Nottingham, C. Sutton, [1812] § A Copious Report of the Trial of Thomas Dewey for the Wilful Murder of Maria Austin ... and Execution copied from the Nottingham Review, with some Additions, small marginal loss to title, ex-library with ink-stamp to title verso, faint spotting, modern paper wrappers, small paper label to upper cover, Nottingham, [1825]; folio leaf folded & 12mo (2). ⁂ Both are scarce. The first with 6 on Library Hub, and the second with 4 copies on Library Hub.

NO RESERVE Chap-books.- Nancollas (Richard) Rhyming Dick and the Strolling Player, woodcut illustration to title, ex-library with blind-stamp to title, chipping and creasing to edges, light staining, folio sheet folded, Nottingham, C. Sutton, [c.1815] § The Repentance and Happy Death of the Celebrated Earl of Rochester, woodcut illustration to title, ex-library with blind-stamp to title, folio leaf folded, short split to folds, Nottingham, Sutton and Son, 1814 § The Entertaining History of the King and Cobler: Part the First, woodcut illustration to title, woodcut illustrations, spotting and staining, tender edges, modern tape repair to spine, Nottingham, for the Walking Stationers, [c.1800]; and two copies of Jack and the Giants: Part the First, one of which defective, folio leaves folded & 12mo (5)

Coleridge (Samuel Taylor) The Friend: A Series of Essays to aid in the Formation of fixed Principles in Politics, Morals, and Religion..., 3 vol., fourth edition, very light marginal toning or occasional foxing, original cloth, extremities bumped, spine ends lightly creased and frayed, 1850 § Browning (Robert) The Poetical Works, 8 vol. in 4, new edition, portrait frontispieces, contemporary half morocco, spine gilt, 1902 § Hogarth (William) The Works, 2 vol., first edition, engraved plates, some offsetting and light foxing, contemporary calf with floral blind-stamped border, spines gilt, morocco labels to vol.2 chipped with loss, corners a little bumped, 1812, light scuffing or rubbing to extremities of each but each attractive sets overall, 8vo (9)

Trollope (Anthony).- Strickland (Agnes) Lives of the Queens of England, 8 vol., Anthony Trollope's bookplates to pastedown of each vol., with renewed endpapers cut around them, stipple-engraved portraits and additional titles, light foxing and spotting, contemporary blind-stamped cloth, worn and faded, rebacked with original spines laid down, 8vo, 1852.

Doré (Gustave).- Bible, English. The Holy Bible, Containing the Old and New Testaments, According to the Authorised Version, 2 vol. in 1, wood-engraved plates by Doré, contemporary black morocco, blind stamped in gilt, inner gilt dentelles, spine gilt with red morocco spine label, g.e., lightly faded but overall a very attractive copy, folio, [c.1871].

Myths and Legends.- Westervelt (W. D.) Hawaiian Legends of Volcanoes (Mythology), frontispiece, plates and illustrations, occasional marginal finger-soiling, ex-library with ink-stamps and labels, contemporary calf-backed boards, small label to spine foot, Boston, Mass. & London, 1916 § Mackenzie (Donald A.) Myths and Traditions of the South Sea Islands, frontispiece, plates, ex-library with labels, original cloth, library blind-stamp to upper cover, a little rubbed, [c.1928] § Curtin (Jeremiah) Creation Myths of Primitive America, frontispiece, ex-library with labels, modern crushed-morocco, gilt, light fading to spine and edges, 1899; and others similar, 8vo (9)