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Jamie Hewlett - limited edition print of 2D from Gorillaz, no. 329/350 within blind stamp

After Pablo Picasso (1881-1973): A framed limited edition giclee art print of the model "Sylvette David", official limited edition estate blind stamp to bottom right hand corner of print, 51cm x 40cm

LAURENCE STEPHEN LOWRY R.A (1887-1976) (ARR) - Lithograph titled 'Britain at Play', Fine Art Trade Guild blind stamp, signed in pencil. Image size 44.5cm x 60cm. Framed & glazed

LAURENCE STEPHEN LOWRY R.A (1887-1976) (ARR) - Lithograph titled 'The Pond', Fine Art Trade Guild blind stamp, signed in pencil. Image size 43cm x 57.4cm. Framed & glazed

Frederick Stackpoole after Breton Riviere - Large black and white engraving of a child and dogs in a Winter landscape, signed in pencil by the artist and engraver with print sellers blind stamp 66cm x 66cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

George III style mahogany drop leaf occasional table, with blind fret work frieze, cluster column supports united by turned 'X' stretcher, 61cm x 57cm, H72cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

EARLY 20TH CENTURY BRASS REPEATER CARRIAGE CLOCK, with two train movement, the white enamel dial with Roman numerals, the brass pillared five glass case with blind fretted borders, on four feet, 19.5cm high

CERI RICHARDS limited edition (91/150) studio print - Arthur and Guinevere on Martin Tinney Gallery label, CR blind stamp, numbered in pencil, 35 x 27cms

Elisabeth Frink, 'Cormorant', signed and numbered 24/150, colour print, blind stamped, lithograph, 65 x 50cm.

EDWARD BAWDEN CBE RA (1903-1989); a signed limited edition linocut, 'Covent Garden', no. 58/75, with blind stamp lower left, 45.75 x 61cm, framed and glazed. (D)Provenance: Purchased from Curwen Prints Ltd, 1974.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukCondition is generally good, colours are strong and with no major issues.

EDWARD BAWDEN CBE RA (1903-1989); a signed limited edition linocut, 'Leadenhall', no. 49/75, and with blind stamp lower left, 45.75 x 61.5cm, framed and glazed. (D)Provenance: Purchased from Curwen Prints Ltd, 1974.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukGood condition, the colours are strong and with no obvious faults.

DERRICK GREAVES (1927-2002); a signed limited edition screenprint, 'Square Vase', dated 1981 and with blind stamp lower right, 50 x 37.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Various prints after William Russell Flint, gallery editions, some numbered and bearing blind stamps (qty); together with a print after John Cunningham

ANTHONY GIBBS (BRITISH 1951), 'Dawns First Scent', a Limited Edition print of a Leopard at rest, 1000/1100, signed to lower margin with blind stamp, approximately 51cm x 83cm (condition: good condition)

DAVID SHEPHERD (1931-2017), 'Badgers', a Limited Edition print, signed to lower margin with blind stamp, unmounted, unframed, approximately 22cm x 40cm (condition: print is in good condition)

DAVID SHEPHERD (1931-2017), 'Cottage Companions', a Limited Edition print of a woman sitting at a spinning wheel, a dog beside her, 8/350 signed to lower margin, with Fine Art Trade Guild blind stamp, unmounted, unframed, approximately 38cm x 42cm (condition: good condition)

DAVID SHEPHERD (1931-2017), 'Nuts', a Limited Edition print of a Red Squirrel, 99/1000, signed to lower margin, with Fine Art Trade Guild blind stamp, unmounted, unframed, approximately 25cm x 30cm (condition: small crease to one corner of the margin)

REZA SAMIMI (IRANIAN 1919-1991), 'Girl with Mandolin', a Limited Edition print, 397/500, signed to lower margin with Fine Art Trade Guild blind stamp, unmounted, unframed, approximately 82cm x 66cm (condition: light creases to the margins)

Jacob (Simon) Ein new und wohl gegrundt rechenbuch, auff den linien un[d] ziffern, sampt der welschen practic und allerley vortheilen, neben der extraction radicum, un[d] von den proportionen, mit vilen lustigen fragen und auffgaben [&c.], first edition, Gothic letter, title printed in red and black with woodcut vignette, woodcut printer's device on colophon, occasional browning, title and colophon a little frayed, contemporary blind-stamped pigskin over wooden boards with metal clasps, a little rubbed and soiled, preserved in custom drop-back box, [Smith, Rara Arithmetica, p.295; Tomash & Williams J4; VD16 J29], 4to, Frankfurt, Georg Rab for Sigmund Feyerabend and Simon Hüter, 1565.⁂ Simon Jacob was a well-known reckoning master who had published an arithmetic at Frankfurt in 1557. The present edition is a revised and expanded version, published by his brother shortly after his death. Provenance: Reuter (bookplate to title verso).

Schott (Gaspar) Cursus Mathematicus, sive Absoluta omnium mathematicarum disciplinarum encyclopedia, third edition, double column, woodcut initials, head- and tail-pieces and diagrams, engraved additional title page, folding engraved table and 41 plates (one folding), foxing and browning, occasional dampstaining to margins, contemporary blind-stamped pigskin over bevelled wooden boards, metal clasps, [Tomash & Williams S55; VD17 39:124545Z], Bamberg & Frankfurt Am Main, Johann Martin Schönwetter, 1677.

George III oak-cased eight-day brass dial longcase clock, Wilks, Wolverton, the 12-inch square brass dial with Roman hours and Arabic minutes framing a matted centre with subsidiary seconds ring over calendar crescent within scroll spandrels, the case having a flat hood with dentil-moulded cornice over blind fretwork frieze, turned columns, long trunk door and plain base, 220cm high Condition: Chapter ring has been polished and may previously been silvered, general light wear to dial including minor tarnishing to second ring but overall sound. Movement appears uncleaned, is untested and sold as seen. Case has been repolished as some stage. Very minor losses to blind fretwork, otherwise sound. Sold with key, winder, two weights and pendulum with intact feather. We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information

George III oak and mahogany press cupboard, the upper stage having a moulded cornice over a pair of fielded panelled doors with crossbanding, enclosing two banks each of three flat-fronted shelves over an inverted breakfront shelf, the lower stage of three short crossbanded drawers with brass swan neck handles over a pair of fielded cupboards flanking a conforming blind panel raised on bracket supports, 159cm x 54cm x 206.5cm high Condition: Slight widening of plank joints to both large panels of upper section cupboard doors, lower stage has minor loss over central drawer where lock has been forced, two of the three lower section panels have dark vertical gaps between planks, moulding between sections has losses to each front corner, otherwise good colour and condition - **General condition consistent with age

A set of 6 Chippendale style mahogany dining chairs, having an ornate pierced back with carved resting rail and blind carved splats, raised on similar blind carved front legs with fret cut corners, terminating in splayed feet, maximum seat width 23in, depths 20ins

John Rankine Barclay, oil on canvas, a gentleman seated in a motorcar with a view towards the Malvern Hills, bears a Royal Academy label on the frame to the reverse, 25.5ins x 30ins, the subject, Brian Bradnack, is former principal of Worcester College for the Blind (D)

An 18th century oil on panel, Fete Galante, figures playing blind man's buff in landscape, 17ins x 12.5ins

Victorian burr walnut side cabinet, breakfront central blind door, flanked by two glazed doors covering fixed shelves, cantered corners with brass fluted tapering columns, terminating with acanthus leaf moulding, all standing on bun feet, width 183cm (72"), depth 43cm (17"), height 107cm (42").Condition report: Blister to veneer on top, approximately 2" in diameter, knocks to corner of top on cantered corners, all metal beadings and fittings present, small section of stringing lifting to left hand side of cabinet.

Longcase clock by Thomas Birchall, Nantwich, 8-day movement, striking on single bell, brass arched dial with rolling moon, secondary minute dial and date aperture, cast metal spandrels, case with canopy, swan neck pediment with blind fretwork, trunk with quartered columns, long walnut cross-banded door, box base with single panel, height 210cm (83").Condition report: Re-furbished movement, rolling moon disconnected, dial requiring re-furbishment, painted spandrels, cracked glass to canopy, missing feet.

A rolled length of floral design blind material. Width approx. 144cm.

Frank Worth (American 1923-2000) a black and white photographic print of Robert Wagner and Natalie Wood, at the Oscars, 1959, limited edition no.94 of 195, with the photographer's blind-stamp and certificate of authenticity from the Frank Worth estate, framed, 38cm by 50cm

Helen Bradley (1900-1979), view of a busy railway station, Blackpool South Shore (Waterloo Road), colour print, blind stamped and signed in pencil, 40cm by 57cm, together with a hardback copy of Bradley, Helen, Miss Carter Came With Us, pub. Jonathan Cape 1973, inscribed by the artist "With Best Wishes from the Artist Helen Bradley Oct 13th 1973

Quentin Blake (b.1932), a scene from Roald Dahl's 'The Giraffe, The Pelly and Me', a boy and a pelican, "I'll only get in if you promise not to shut your beak once I'm inside", limited edition colour print 211 / 495, blind stamped and numbered in pencil, paperwork verso, 18.5cm by 19.5cm

After Samuel John Lamorna Birch (1869-1955), river landscape with stone bridge, colour print, blind stamped and signed in pencil, paper label verso for Morse & Son, 41cm by 59.5cm

Joseph B. Pratt, figure hunting an otter with dogs, large engraving, blind stamped, indistinctly inscribed and signed in pencil, 86.5cm by 63.5cm

An early 20th century mahogany three-section room screen, three arched fabric panels with blind fret decoration, above open spindle base, each section with fold-down shelf, 165cm

BEEKEEPINGPURCHAS (SAMUEL) A Theatre of Politicall Flying-Insects, Wherein the Nature, the Worth, the Work, the Wonder, and the Manner of Right-ordering of the Bee, is Discovered and Described, FIRST EDITION, title and parts title within typographical woodcut border, vertical half-title and blank leaf preceding title to part 2, loss of some text to pp.261/2 replaced in manuscript facsimile, small burn hole to pp.259/60 resulting in loss of 5 letters, nineteenth century blind-stamped calf, neatly rebacked to match, gilt lettering on spine [ESTC R6282], small 4to, Printed by R.I., for Thomas Parkhurst, 1657Footnotes:Provenance: B. Venables, early ownership inscription at end of the dedicatory epistle; G.R. Bostock, Aslockton, Notts, small oval stamp on front endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ART, LITERATURE AND PHILANTHROPYSeries of autograph letters to Lady Louisa Goldsmid, the philanthropist, educationalist and suffragist, from Robert Browning, Millicent Jarrett Fawcett and Edward Lear, comprising: three autograph letters signed 'Robert Browning', the first asking her to 'Please put the notes into the fire, and – if you please to honor it so far – the photograph into your album', the rest accepting invitations ('I understand your kindness in softening the disgrace by this second invitation, which I accept blushingly but joyfully too'), 3 pages, 8vo, 19 Warwick Crescent, 'Saturday afternoon', 20 February [18]69 and 'Tuesday'; two autograph letters written on mourning paper signed ('Millicent Jarrett Fawcett' and 'M.J.Fawcett'), thanking her for her efforts in funding a memorial fountain on London's Embankment to her husband Henry ('not only for the sympathy and consideration shown to my by yourself and others at every stage of the undertaking, but especially for embodying, in a lasting form, the appreciation of his country women... On all grounds then, public & private, I think there is no title he would have been prouder to bear than that of the Friend of Women', the second confirming that the fountain is being put to good use ('It was surrounded by children drinking from it the whole time we were there'), the first with envelope, 4 pages, 8vo, Alde House, Aldeburgh, 28 July [1886] and Bayreuth, 5 August; and autograph letter signed ('Edward Lear'), regretting he is unable to accept her invitations as he is preparing for an exhibition of oil and watercolour landscapes at Frank Lushington's and thanking her for her kindness, 3 pages, 8vo, 33 Norfolk Square, Friday 14 May (7)Footnotes:LETTERS OF GRATITUDE TO A LEADING SUPPORTER OF WOMEN'S EDUCATION.Lady Louisa Goldsmid's 'entire life was devoted to the advancement of women's causes, chief among which was raising the professional status of Victorian women of the middle classes' (Geoffrey Alderman, ODNB). She championed the rights of governesses and worked with other activists in the Langham Place circle such as Emily Davies to obtain the admission of women to university examinations, leading to the creation of Girton College, Cambridge and a campaign to give women the right to gain university degrees. Her wealth and position in society as a well-known London hostess attracted leading figures from the worlds of politics and the arts to her salon and her causes. The fountain she caused to be erected in the memory of the blind educational reformer and economist Henry Fawcett (by, appropriately, a female sculptor) can still be seen on the Embankment.For further information on this lot please visit Bonhams.com

BIBLE, IN LATINBiblia. Concordantiæ in eadem... Interpretationes nominum Hebraicorum, title printed in red and black within a wide historiated border, Eusebian canons (4 leaves) also printed in red and black, numerous woodcut illustrations (including full-page cut of the Nativity at the opening of the New Testament), title with old paper repair at gutter margin and corners (very small loss to printed border of one), some light dampstains (mostly marginal, primarily to the preliminaries and index), nineteenth century gilt and blind-tooled calf, red morocco spine label, a few small scuffmarks [not in Adams or Darlow & Moulel], folio (350 x 235mm.), Lyon, Johannes Crespin, 1539Footnotes:Provenance: ?Migeul de Arma, early inscription on title; a few later names in ink in blank area of final leaf.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

a Worcester 'Blind Earl' type plate and a pair of 18th century Chinese soft paste white libation cups (5)

'The Worst View in Europe'; 'Great Banks There Was Below in the Fields'; 'The Biggest Walls in the Counthry Was in it'; 'Peshawar Vale', all with the original signature in pencil and with the Snaffles blind stamp, chromolithographs, 42 x 67cm, 50 x 70cm, 50 x 70cm, 50 x 74cm (4)

the hood with detachable arched pediment and blind-fretwork framed door, above breakarch trunk door and base with applied Rococo style mouldings, on shaped bracket feet, the 12.5inch brass dial with Rococo spandrels, chime/silent and Whittington Chimes/Westminster Chimes dials to the arch, silvered chapter ring and seconds dial, chiming on 8 bells and striking on a gong, 269cm highCondition report: with 3 brass cased weights, pendulum and key

Ephemera, buses, a bus destination roller blind (route numbers only), London bus timetables (Harold Wood Station, Farringdon Street, Barking, Rainham, Edgware Station, Potter's Bar, London Victoria, Oxford Circus, Golders Green etc.) together with Heathrow and Central London coach destination carriage posters, London Bus and Coach Hire self adhesive bus decal, 5 Uxbridge Bus Route carriage posters, 3 brown bus decals, 2 Central Hoppa self adhesive 'Bus' signs, 4 bus route carriage posters for Red Arrow, Clydeside and Cumbernauld's Buses (gen gd) (30+)

L.S. Lowry, "Industrial Scene,' limited edition Gouttelette, number 1/75, with certificate of authenticity, blind-stamped gallery stamp, framed, 76x53cm

A stained-wood bureau-bookcase, the cornice with blind-fretwork above a pair of glazed cupboard doors, leading to a fall front enclosing pigeonholes and pen tray, over further storage space and shelves, 73cm wide (AF)

An oak duet stool with tapestry seat depicting a scene of figures on horseback, chickens and houses, with blind fretwork to frieze and raised on squared supports with stretcher, 137cm long

Petrie (George) The Ecclesiastical Architecture of Ireland, Anterior to the Anglo-Norman Invasion;.... the Origin and Uses of The Round Towers of Ireland, Vol. I [All Published] v. lg. 4to D. 1845. First Edn., illus. thro-out, fine recent hf. polished calf, green marble sides, raised bands, blind Celtic design in panels. V. good copy. (1)

Bindings: Gibbon (Edward) The History of the Decline and Fall of the Roman Empire, 12 vols. 8vo L. 1807. New Edn., cont. hf. calf, tooled gilt spines in panels; Anderson (Rob.) The Works of John Moore, M.D., 7 vols. 8vo Edin. 1820. Cont. hf. dark blue mor., blind tooled spines, gilt lettered. Good. As a box of bindings. (19)

Signed Presentation CopyBinding: [Butler (Chas.)] Horae Biblicae, Being a Connected Series of Miscellaneous Notes on the ... Old and New Testament, 8vo Oxford 1799. First Edn., a.e.g., in cont. straight grained mor. blind & gilt fillet borders & gilt tooled spine by Riley, Lond., with ticket. (1)* Pres. Copy to Dr. O'Connor from author, & from Dr. O'Connor to H. MacDermot, Coolavin, Co. Roscommon.

With Hand-Coloured Plates[Combe (Wm.)] The Tour of Dr. Syntax in Search of the Picturesque, A Poem. roy 8vo L. 1815. Sixth, hd. cold. frontis, title, & 29 hd. cold. (complete), plts., cont. calf, blind & gilt tooled borders, & spine. (1)

[Swift (Jon.)] Temple (Sir Wm.) Miscellanea, 3 Parts in one Vol. [Third Part Published by Jonathan Swift] 8vo L. 1705 - 1701, Third Part, First Edn., Second Part Fifth Edn., & First Part, Fourth Edn., recent antique blind tooled panel calf, raised bands. A very good copy. Scarce. (1)

Burton (Richard) The History of the House of Orange, .. Together with the History of William and Mary. 4to Westminster 1814. New Edn., wd. cut frontis, red & bl. title, bound with: The History of the Kingdom of Scotland, 4to Westminster 1813, New Edn., wd. cut frontis, red & bl. title, & oval wd. cut portraits thro-out, & bound with two other reprints, cont. calf, gilt fillet and blind tooled border, upr. cover detached, otherwise v. good. (1)

Bolton (Sir R.) A Justice of Peace for Ireland, ed. by M. Travers. Lg. 4to D. 1750, Approb. leaf at front; also Bullingbrooke (Ed.) An Abridgement of the Public Statutes of Ireland, 2 vols. in one, lg. 4to D. (Boutler Grierson) 1768, cont. uniform full calf, blind tooled decor. border. (2)

The Book of KellsFacsimile - Verlag, Luzern, Publishers: The Book of Kells, the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION, published by Authority of the Board of Trinity College, Dublin. Lg. thick 4to, Luzern 1990, LIMITED EDN. (1480), in fine white tawed leather over wooden boards. Contained in a specially created presentation box, the embossed surface with blind & gilt tooled Celtic decoration and silver and brass mounts. Together with a large Commentary Volume, with illus., leather backed cloth, and orig. advertising portfolio. An unique opportunity to acquire a complete facsimile of one of the Worlds greatest Art Treasures. As a lot. (1)

A Spiritu Sancti (Antonio) Carmelitae Discalceoti ... Consulta Varia, Theologica. Iuridica et Regularia ... Folio Venice (Nicolaum Pezzana) 1697. Hf. title, cont. full blind tooled calf; Pignatelli (D. Jacob) Compendium seu Index ad Consultationes Canonicas, 2 vols. folio Venice 1733. One hf. title, 2 titles (one in red & black), cont. full sheep. All v. good. (3)

O'Keeffe (John) Recollections of The Life of John O'Keeffe, Written by Himself, 2 vols. roy 8vo L. 1826. First Edn., port. frontis Vol. I, recent hf. calf, blind tooled spine in panels, contrasting mor. labels. V. good copy. (2)

A Flemish inspired oak sideboard, shallow half gallery above a pair of raised and fielded panel doors centred by a blind fretwork panel, and two short drawers, 152.5cm wide

A George III design work table, rectangular top with fall leaves above a pair of frieze drawers, the verso blind, 'reeded' legs, casters, 71cm high, opening to 75cm

A George III oak press-on-chest, outswept cornice above a pair of panel doors and three short blind drawers enclosing a shelf, the base with an arrangement of five drawers, brass swing handles, bracket feet, 145.5cm wide

National service medal plus commemorative service medal to 3513125 SAC P.L.A Harman RAF. Certificate of service and flying log together with a blind stamped and signed print of a Vulcan over Lincoln cathedral. It is understood that SAC Harman was attached to a Vulcan display team during his service

A pair of George III style chestnut jardinieres, in the Gothic style, of square form with 'blind' lancet tracery sides and turned cluster-column supports, 71cm high, 56cm wide, 56cm deep

A George III and later mahogany armchair, based on a design by Thomas Chippendale, the carved pagoda shaped cresting above a pierced 'Chinese fretwork' back and arms, the upholstered seat covered in blue close-nailed damask, on chamfered square front legs with blind fret carving, 101cm high, 69cm wide, mostly re-railed Elements of the present lot, such as the top-rail, back and legs closely relate to a chair design in Thomas Chippendale's Gentleman and Cabinet-Maker's Director, 1754, pl. XXVII