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Lot 1183

‡ A MAHOGANY SIDE TABLE, the frieze with blind trellis carved drawers flanked by paterae, on square tapered and stop fluted legs with stretchers and spade feet, 75cm h; 121 x 57cm, c1900, some elements earlier ++In very good condition, the top a re-used leaf from a George III dining table

Lot 1188

‡ A GEORGE III MAHOGANY SERPENTINE COMMODE, the quarter veneered top above four graduated drawers in matched veneers, that to the top with a slide and fitted interior including an ink drawer to one side, flanked by blind fret pilasters, the gilt brass handles probably original, on bracket feet, 82cm h; 106 x 57cm Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 1 February 1962 for £575. ++In good condition as supplied in 1961, the brushing slide with good quality replacement gilt tooled green leather insert

Lot 1212

‡ A MAHOGANY SERPENTINE CHEST-ON-CHEST, fitted with seven graduated drawers and a brushing slide flanked by blind fretwork, on bracket feet, 156cm h; 80 x 48cm, c1935 ++A good quality old reproduction of pleasing colour

Lot 1217

‡ A WALNUT CHEST-ON-CHEST, in matched veneers and fitted with four graduated drawers flanked by blind fretwork, the base with three further drawers, on bracket feet, 132cm h; 76 x 43cm, mid 20th c ++Of good quality and in fine condition, of pleasing colour

Lot 1223

‡ A GEORGE IV MAHOGANY WORK-TABLE, the swivelling drop-leaf top with ovolo lip, a drawer and opposing blind drawer, on waisted trestles with curved base and turned stretchers, 69cm h; 62 x 53cm ++In good condition

Lot 134

After L S Lowry: "Mrs Swindells Picture", artist signed print with FATG blind stamp, 17" x 12.5", framed and glazed

Lot 408

After Tom Dodson: "Fishergate, Preston", signed limited edition print with blind stamp, 255/850, 16" x 20", framed and glazed

Lot 409

After Tom Dodson: "Supper Bar", signed limited edition print with blind stamp, 12" x 15.5", framed and glazed

Lot 425

After Sir William Russell Flint: "Variations on a Theme", artist signed print with blind stamp for the Fine Art Trade Guild, 22" x 16", framed and glazed

Lot 426

After Sir William Russell Flint: "A Question of Attribution", artist signed print with blind stamp for the Fine Art Trade Guild, 22" x 16", framed and glazed

Lot 467

A late 19th century Elizabethan style oak "Credence" table with fold over top, carved blind fret frieze, turned legs and stretcher, length 44"

Lot 508

A 1920's Georgian style figured mahogany 3 piece bedroom suite comprising breakfront wardrobe with moulded and blind fret decoration, central mirror door robe and 2 figured panel side robe (one fitted) on ball and claw feet, width 78", a dressing table of 2 long and 2 short drawers, and a tallboy of 2 drawers and 2 cupboards, width 48"

Lot 555

An early 20th century Georgian style break-front mahogany sideboard with carved and blind fret decoration, having low raised back, 3 bow front central drawers and 2 side cabinets enclosed by figured panel doors with gadrooned rim and carved paw feet, width 72"

Lot 575

An Edwardian 6 height mahogany music cabinet with blind fret decoration and square tapering legs, width 21"

Lot 270

FERNAND KHNOPFF (1858-1921) Lithograph design for the studio, figure study, Published 1894, with blind stamp, unsigned, 8" x 5.5", framed.

Lot 674

Unusual nineteenth century large beech snuff box decorated in high relief with Scottish tavern scene depicting the Blind Man of Ayr with dogs and ram side decoration, 16.5cm

Lot 1264

Good quality Victorian carved oak two height bookcase with two glazed doors, adjustable shelves, two panelled doors below with blind fret floral rosette and figure decoration, 219cm high x 111cm wide

Lot 299

A George III mahogany hanging corner cupboard with moulded cornice and Chippendale style blind-fret frieze above a rectangular panelled door, enclosing shaped shelves, flanked by fluted chamfers, late 18th Century, raised on later feet, 80cm x 119cm high.

Lot 355

A George V mahogany buffet sideboard in the Chinese Chippendale style with moulded edge and canted corners to the rectangular top, above a blind-fret frieze and pair of panelled cupboard doors with foliate-shell-scroll relief mouldings, and gadrooned apron, raised on leaf-capped square tapered legs, maker's label of Maple & Co. Ltd., London, 152cm long.

Lot 514

A Fine Quality 18th Century Mahogany Moonphase Eight Day Longcase Clock. The brass dial having decorative pierced & gilt brass spandrels to the corners, a silvered chapter ring signed Rob Wright, Kennoway and encircling an engraved centre with calendar aperture and subsidiary seconds dial. The arched top housing a painted moon roller. The flame mahogany hood having a swan-neck pediment above scrolling blind fret-work panels and a glazed door flanked by Corinthian stop fluted columns. The sides having a mirrored arches decorated with astrigal beading. The long trunk door with egg finial above the base raised on ogee bracket feet. 86 ins (219 cms) in height.

Lot 518

A George IV Mahogany Server Circa 1825, Attributed to Gillows, of fabulous quality & fine timbers. The moulded solid mahogany one-piece top surmounted by an entablature carved with a marriage crest flanked by a blind fret- carving. The fret-carving repeated along the frieze and centred by a small panel enriched with a cluster of swagged flowers & foliage. Standing on wonderful, imposing cabriole legs with foliate crested C-scrolls adorning the inner hips, acanthus lappets to the outer hips leading down to voluted scroll feet raised on square plinth terminals. 54 ins (137 cms) wide, 27 ins (69 cms) deep and 46 ins (117 cms) in height.

Lot 596

A Victorian Scottish mahogany chest with a blind cushion drawer above four long drawers flanked by turned columns standing on bow feet height 48" width 42" depth 20 1/4"

Lot 673

An Edwardian mahogany ladies Bonheur du jour with a brass gallery rail joining two banks of two small bowfronted blind fret drawers above a leather inset writing surface and two blind fret frieze drawers, all raised on square tapering legs and brass castors

Lot 736

A good Victorian Gothic oak library table with leather inset to carved tongue and dart rim and carved frieze incorporating two blind drawers all raised on carved barley twist legs 57 1/2" x 38 1/2"

Lot 385

A George III Mahogany Chest on Chest, the moulded cornice above a blind fretwork frieze above two short and six long graduated drawers with brass swan neck handles and escutcheons flanked by quarter pilasters, raised upon ogee bracket feet, 113cms wide

Lot 475

A George III Mahogany Chest on Chest, the moulded cornice above a blind fretwork frieze and two short and six long graduated drawers with brass swan neck handles, raised upon ogee bracket feet, 125cms wide x 126cms high

Lot 491

An Early 20th Century Mahogany Inverted Breakfront Bookcase, with pierced galleried back above a blind fretwork frieze and two central arched glazed doors enclosing shelves, flanked by drawers and cupboards, raised upon square legs

Lot 498

A MAHOGANY BUREAU BOOKCASE, the Greek key cornice above a blind fret carved frieze with a pair of bar glazed doors below, the fall front revealing a carved and inlaid interior above two short and three graduated long drawers, on bracket feet, 110 cm wideSee illustration

Lot 236

After Angelica Kauffman - 'Amor Plectitur' and 'Blind Mans Buff', two late 19th/early 20th Century prints, together with a pastel.

Lot 2002

A 20th Century Jacobean Revival oak panelled press cupboard with inlaid geometric decoration, the moulded canopy top on carved blind fretwork supports above two arched panel doors, the breakfront base fitted with a pair of arched panel doors flanking a central panel carved with Adam and Eve beside the tree of life, raised on stile feet, width approx 139cm.

Lot 2145

A 20th Century oak credence table, the hinged demi-lune top above a blind fretwork frieze, on turned legs.

Lot 564

Snaffles: "Great Banks there was below the fields", Somerville & Ross, a signed colour print, blind stamp, in ebonised strip frame (illustrated on website)

Lot 570

Snaffles: "Mr Duker", a signed hand-coloured print, inscribed in pencil, "You've bacon to vast o'folk But a sportsman to a few. Apologies to Will Ogilvie", blind stamp, in ebonised strip frame (illustrated)

Lot 571

Snaffles: "Foxcatchers - for the love of it", a signed colour print, blind stamp (restorations), in wash line mount and ebonised strip frame (illustrated on website)

Lot 572

Snaffles: "The Varmint Little Lady", a signed colour print, blind stamp, in ebonised strip frame (illustrated on website)

Lot 497

TOMKINS after KAUFFMAN; A circular coloured Engraving titled on the reverse "Blind Man's Buff" in gilt frame.

Lot 431

After Francis Russell Flint, Three masted yacht in a stormy sea, coloured print, pencil signed, blind stamp.

Lot 119

A 19TH CENTURY MAHOGANY BOOK CASE with glazed top, having a blind fret cornice, a fitted base with four long drawers and slide, 43" wide

Lot 204

AFTER CECIL ALDEN 'Old Manor Houses', colour reproduction, signed in pencil and with blind stamp in the margin, 15 1/2" x 12 3/4", 'Moreton Old Hall, Cheshire' and five further similar prints each signed in pencil and with blind stamp in the margin (7)

Lot 1376

An early 20th Century Mahogany Wall Bracket, fitted with three open shelves, the lower shelf with two drawers below with blind fretwork moulding, 20 ½" wide

Lot 714

A 1920's design oak display cabinet, having blind fret scroll decoration over glazed section with Dutch style frame under W 24"

Lot 319

A late 17th century walnut and floral marquetry month going longcase clock, the twin train movement with recoil escapement striking the hours on a bell, , the 11" brass dial signed to the lower margin 'Joseph Knibb Londini Fecit', with chevron engraved perimeter and cherub mask spandrels around a silvered Roman chapter ring enclosing a matted centre with date aperture, the hood with caddy top, blind fretwork friezes and spire finials above a long trunk door with central armorial of a crown supported by griffins, on a stepped apron with bracket feet, the whole inlaid flower-filled jardinieres and perched birds within line inlaid and trailing vine borders (movement significantly adapted). 236cm high

Lot 321

A George I month going walnut longcase clock. By John Crucefix, London, the square dial with a silvered chapter, signed Jn. Crucefix, London, with Roman numeral and sword hilt half hour markers, the matted centre with subsidiary second dial and date aperture, within crowned coronet cherub spandrels, the bell striking five pillar movement with anchor escapement, the square hood with blind fret carved frieze and twin capped turned pilasters, above a feather door centred by a brass ringed lenticle, raised on a plinth base. 228cm high, 41cm wide

Lot 378

A fine George II mahogany side chair, the foliate carved back with a pierced interlaced splat, above a drop-in seat with blind feet apron, raised on acanthus carved cabriole legs ending in scroll feet

Lot 413

A George III mahogany and satinwood inlaid longcase clock, the hood having a swan neck pediment and blind fret carved decoration between turned pilasters, housing an arched brass dial with a silvered chapter ring and subsidiary second dial between brass spandrels, signed Norman Macpherson, Edinburgh, the trunk enclosed by an arched door inlaid with an urn on a stepped plinth base

Lot 1207

A Carved Mahogany Tiller Handle, 19th century, the cylindrical handle with greyhound head finial, the main square section stem with canted angles and with cusped and blind lozenge carved detail, stamped C Corke and CC, 100cm long

Lot 1558

An Octagonal Table, the moulded top inset with tooled red leather, over four drawers to the frieze with blind panels between, on curved cruciform four pillar support with cruciform base and turned block feet, 151cm by 151cm by 77cm See illustration. Sold with a facsimile copy of The Building News, dated 2 April 1880. Lots 1557 & 1558 were part of the original furnishings of the principal's room in the new factory of Messrs Huntley, Bourne & Stevens, Reading. The furniture was illustrated in the Building News of 2 April 1880 and the factory facade in The Architect, 9 June 1883.

Lot 518

A William IV 18ct Gold Small Vinaigrette, Edward Edwards, London 1830, of slightly domed rectangular shape, the lid blind fretted with scrolls about a central floret against a punched background, the underside with leaves around a cartouche engraved with initials FLS, 3cm long, 0.52oz See illustration

Lot 329

WILLIAM SCOTT R.A. Green predominating. Lithograph. Signed, dated '76 and numbered 40 from an edition of 40. Publishers blind stamp. 22 x 30ins. (See illustration)

Lot 201

An early 20th Century mahogany model of a river barge, the wide hull with scroll carved blind fretwork to either side and beadwork border to the interior, with reeded decoration to the exterior and vertical keel, 46cm length.

Lot 403

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, BOTH ENDS WITH CIRCULAR BLIND TRACERY, 303 CM APPROX

Lot 404

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, BOTH ENDS WITH CIRCULAR BLIND TRACERY, 303 CM APPROX.

Lot 405

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END WITH CIRCULAR BLIND TRACERY, 208 CM APPROX.

Lot 406

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END WITH CIRCULAR BLIND TRACERY, 208 CM APPROX

Lot 407

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END WITH CIRCULAR BLIND TRACERY, 208 CM APPROX

Lot 408

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END WITH CIRCULAR BLIND TRACERY, 208 CM

Lot 409

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END WITH CIRCULAR BLIND TRACERY, 208 CM APPROX.

Lot 410

A 19TH CENTURY OAK PEW WITH MOULDED TOP RAILS AND PANELLED BACK, ONE END CIRCULAR BLIND TRACERY, 208 CM APPROX. (NO BOOK REST TO BACK)

Lot 216

After William Russell Flint (1880-1969): 'Conversation St Martin D'Ardeche', lithograph signed limited edition of 850 with blind stamp pub Medici Society 54cm x 68cm

Lot 695

A 19th Century Mahogany Chinese Chippendale Style Armchair, with carved pierced back above a cane seat with pierced arms, raised upon blind fretwork square legs with stretchers See illustration

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