We found 44918 price guide item(s) matching your search

Dore Gustave 'The Fables of La Fontaine...' translated to English by Walter Thornbury, Cassel Petter and Galpin, frontis portrait, plates, ills, cloth, half leather, back strip detaching, Dore Gustave (ills) Holy Bible, title page missing, plates, blind stamped, front board detached, John Milton - the Select Works of ....including the Pilgrims Progress'  1874 , col. plates, blind stamped leather (3)

Sinclair George ' Hortus Gramineus Woburnensis ....... Account of ....Different Grasses and the Weeds of  Agriculture' London, Ridgways n.d. fourth edition, coloured engraved plates of grasses, faint pencil inscription of ffep, original blind stamped cloth with gilt titles, backstrip beginning to split from front board, Aiton William ' A Treatise on the Origin, Qualities and Cultivation of Moss-Earth....' Ayr printed by Wilson and Paul 1811, half title, uncut, contemporary boards, with Gifford Isabella ' The Marine Botanist', 1853, colour frontis, colour and other plates, marbled boards, half leather, and Donaldson , Professor ' Rudimentary Treatise on Clay Land and Loamy Soils...' John Weale 1852,  Beatson Alexander Major- General 'A New System of Cultivation without Lime or Dung or Summer Fallows as Practised by Knowle-Farm Sussex ' London  printed by W. Bulmer and W. Nicol 1820, some foxing throughout and curiously an advert inserted to the ffep for John Gay 'Gay's Chair' , rebound, boards (5)

Hopkins Ezekiel 'The Works of the Right Reverend and Learned Ezekiel Hopkins, Late Lord Bishop of London-Derry in Ireland, Collected into one Volume....' The Third  Edition , London  printed for Jonathan Robinson, Awnsham and John Churchill etc. in St. Paul's Churchyard, 1710, title page in black and red, contemporary full leather with panelled and blind stamped decs, spine splitting, folio

Ussher , James -  'Jacobi Usseri Armachani de Graeca Septuaginta, interpretum versione syntagma:......' Londini, Johannem Crook 1655, engraved headers, errata slip with contemporary inscription in ink, rebound navy calf, gilt decorated spine , paste down titles, gilt and blind lines to boards, marbled edges

Edward the Black Prince (1362-72), gold Noble Guyennois à l’E or Pavillon d'Or, second issue (c.1363-4), Bordeaux Mint, robed Prince standing over two opposing lions, flowers in hair, pointing finger and holding upright sword, four feathers surrounding bending right, all within Gothic portico and tressure of arcs, Latin legend and beaded borders surrounding, double voided quatrefoil stops, additional voided quatrefoil at start of legend, *ED'** PO** Gn'S** REG' AnGL’** PnCS** A*, rev. Gothic E at centre of cross quernée, lis and lion in angles, large trefoils in spandrels, Latin legend and beaded borders surrounding, +Dn’S** AIVTO** Z** PTECIO** Me** Z** IIPO** SP.AVIT** COR** mEVm** B, weight 4.50g (Elias 154b; cf.Schneider 53; AGC 161A 1/c; S.8126). Rim a little uneven, toned, almost extremely fine and very rare variety with the stop after P in SPAVIT. The gold Noble Guyennois à l’E was the most prolific of the Edward the Black Prince gold coins and perhaps one of the most Gothic and beautiful in its design with the pavillon around the King on the reverse such coins were formerly known as Pavillons d’Or. Four ostrich feathers surround the Prince which is symbolic to the Black Prince’s adoption of the ostrich feather as his crest, as he was also Prince of Wales. The story of how the ostrich feather was adopted harks back to the Battle of Crecy in 1346 when the 16 year old Prince commanding the English forces met the French Army under John “The Blind” (1310-46) with 500 of his best knights from Bohemia and Luxembourg. The French suffered very heavy losses and upon hearing of this rather than retreat, John commanded his knights to link their horses together with his in one last ditch charge at the English. The whole troop bar two survivors were slaughtered and legend relates the following day the surviving rider-less horses were found still tied together. Edward was so impressed as a 16 year old commander by this heroic chivalric action, that he adopted John The Blind’s ostrich feather crest as his own. This is thought to have inspired the origin of the crest of the Prince of Wales today, which has three ostrich feathers with the German motto “ich dien” meaning I serve. Provenance: Ex A. H. Baldwin, Fixed Price List, Summer 2014, item GAL001.

18th century eight day longcase clock by Robert Sidwell, Nun Eaton with gilt and silvered arched dial,signed in arch with gilt rococo scroll spandrels and date aperture in oak case with blind fretwork decoration to cornice - 216cm high - key, pendulum and two weights present

Elaborate pair of Chippendale-style side chairs, each with ornately carved vase splat back and embroidered stuffover seat on blind fret carved square supports

JIM MOIR AKA VIC REEVES (BRITISH) 'PRINCE', a pen, ink and watercolour on paper, blind JM stamp and 'Moir 19' lower right, verso signed in blue biro 'Watercolour' by Jim Moir AKA Vic Reeves, May 2019, unframed, 24cm x 32cm

DIRK VAN DER EECKEN (BELGIAN 1954) 'Orchids' and 'La Femme', two limited edition prints, both no 57/150, signed in pencil, blind stamped NOVOTEL COLLECTION, on BFK Rives paper, 57cm x 76cm, unframed

A MID 19TH CENTURY AMERICAN WATCH CO POCKET WATCH, coin silver white metal case designed with a blind cartouche and further engraved decoration, Waltham 254095

PICTURES AND PRINTS ETC, to include three limited edition prints by William Russell Flint with blind stamps by The Russell Flint Gallery, open edition prints by the same hand, a still life oil on canvas of flowers in a vase, indistinctly signed, watercolours and prints etc, approximate largest size 53cm x 70cm

THREE SILVER POCKET WATCHES, to include a Jones & Co pocket watch, engraved Lichfield, ref no 278952, white enamel Roman numeral dial and subsidiary dial, sterling silver case with Chester hallmarks 1897, secondly a Ellis & Co engine pocket watch with a silvered Roman numeral and subsidiary dial, hallmarked London 1908, and a Swiss made pocket watch with an engine turned case and a blind cartouche also included are two sterling silver Albert chains and a silver fob, total approximate gross weight 497.8 grams

JOHN SWANNELL (BRITISH 1946) 'NUDE BY RADIATOR, 1990', a limited edition print 8/295, signed lower right, blind stamp lower left, mounted, framed and glazed, approximate size 54cm x 43cm (A)

JOHN SWANNELL (BRITISH 1946) 'NUDE IN A BOAT', a limited edition print 1/295, signed lower right, with certificate, blind stamp lower left, mounted, framed and glazed, approximate size 51cm x 62cm (A)

WILLIAM RUSSELL FLINT (BRITISH 1880-1969) 'THE BASKET OF APPLES, BRANTOME', a limited edition print published by Alexander gallery Publications 320/650 with blind stamp, together with open edition prints by the same hand, 'In Classic Provence' with facsimile signature, 'Model Reclining' and two others by the same hand, all mounted, framed and glazed (5)

Jacobean revival solid oak court cupboard, upper section with blind covered, cup & cover supports, bottom section with tongue & dart frieze drawers & blind cabinet, iron strap hinges & carved detail throughout, possibly Titchmarsh and Goodwin

A large mahogany white painted cupboard bookcase, the upper section having three glazed doors, above three blind doors, with linenfold panels terminating on bun feet.

A MAHOGANY SIDE TABLE IN CHIPPENDALE STYLE, probably 18th Century, the rectangular top above a Greek Key blind-fretwork carved frieze, raised on square section chamfered legs carved with blind-fretwork and with fret carved spandrels. 78cm high, 82cm wide, 49.5cm deepProvenance: The Keith Schellenberg Collection.

A MAPLE & CO MAHOGANY BREAKFRONT VITRINE, IN THE CHIPPENDALE TASTE, c.1920, with gadrooned edge over a blind fretwork carved frieze, above three astragal glazed doors, raised on ball and claw feet, labelled to back. 107cm high, 197cm long, 42cm deep

After Salvador Dali (Spanish 1904-1989): Don Quixote, drypoint etching, with The Collector's Guild London certificate of authenticity and blind stamp verso 25cm x 20cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

AR Roland Green (1896-1972), Pheasant alighting, coloured artist's proof with publisher's blind stamp, signed in pencil to lower right margin, 38 x 26cm

33 RPM VINYL LPs, FOLK AND BLUES, JUDEE SILL, BLIND FAITH (ORIGINAL AND REPRESS), JOHN MAYALL, BLUES FROM LAUREL CANYON, JOHN MARTYN, INSIDE OUT, GARY MOORE, BLUES FOR GREEN

AFTER SNAFFLES (CHARLES JOHNSON-PAYNE) "The Finest View in Europe", limited edition colour print No'd. 52/500, bears the Snaffle bits blind stamp lower right CONDITION REPORTS Appearance of being faded and slightly discoloured. Facimile signature and is probably a more modern print. Image size 51cm x 24cm approx and including margins is 67.5cm x 37.5cm approx. Size including frame 84.5 cm wide x 55 cm high.

AFTER SNAFFLES (CHARLES JOHNSON-PAYNE) "Gunner", chromolithographic, bears artist's blind studio stamp, unsigned

A collection of predominantly 60's and 70's LPs including Mike Harrison, Bonzo Dog Band, David Bowie, The Doors, Bruce Springsteen, Blind Faith, Bob Dylan, Leonard Cohen etc (approx. 50)

By and after Sir Alfred Munnings - portrait of Major J Bouch with the Belvoir hounds, signed print published 1956 by Frost and Reed with blind stamp, 54cm x 62cm, framed

By and after Sir William Russel Flint - Return From The Sun, signed colour print published 1962 by Frost and Reed, blind stamped, image 48cm x 62cm, framed

By and after Sir William Russel Flint - interior with Spanish dancers, signed colour print published 1963 by Frost and Reed, blind stamped, image 48cm x 62cm, framed

An 18th century print of a blind beggar with children. 13½' x 19½'

Stothard – Blind man Dictating ‘Paradise Lost’. On Panel 14” x 12” Inscribed on reverse

A black forest oak cuckoo mantel clock, late 19th century, with arched top and blind pierced Gothic tracery, applied brass mask, the back with label for Camerer, Cuss & Co, height 53cm.

Daredevil #1 (April 1964) Marvel comic featuring the first appearance and origin of Daredevil written by Stan Lee and illustrated by Bill Everett. The book tells the story of Matt Murdock who loses his sight while saves a blind man from a truck's path, the radioactive cylinder that hits Matt takes his sight away but leaves him with enhanced abilities and so Daredevil is born! This is the UK cover version, complete with no pages missing, wear on the edges slight mark above Daredevils left arm and a tear on the back cover, the books pages have been chipped in the bottom right corner, The artwork inside is bright and the pages are browning. (1)

HENRY MILLER; a signed limited edition print, 'Just a Brooklyn Boy', inscribed 'SII 48/200' and bearing post publishing copyright blind stamp lower left, 54 x 44cm, framed and glazed.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition print, 'The Pond', Fine Art Trade Guild blind stamp and numbered to letter code indicating number 178, approx 43 x 57cm, framed and glazed.Additional InformationVery slightly has a yellow/pale green tinge to the paper, blind stamp and signature are clear, free from foxing and staining.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); ‘Three men and a cat’, print signed in ball point pen, studio blind stamp, 27.5 x 18cm, framed and glazed. Additional InformationOverall in good condition. No foxing or staining and colours are good.  Not possible to see if it is laid down or not, the mount is a little dirty in parts.

2012 Poujeaux, Bordeaux, France, 6 bottles, bottle size: 75cl, 13% alcohol | Tasted blind. Relatively simple greenish fruit with masses of tannin. Dark chocolate flavours with rather tough tannins. Falls away on the finish. Jancis Robinson Provenance: Recently removed from the Wine Society

A George III mahogany bow-fronted corner washstand, drawer to frieze, flanked by a pair of blind conforming, shaped undertier with turned upstand, outswept legs, 107cm high, 64cm wide, c.1820

Edwin Penny, by and after, a pair, Kingfishers and Gold Finches, lithographic prints, signed to margins, blind stamps, 54cm x 39cm (2)

A GEORGE IV SATINWOOD SOFA TABLE crossbanded in calamander, fitted with drawers and opposing blind drawers, on lyre shaped trestles united by a turned stretcher, 72cm h; 70 x 155cm++Old restoration

A GEORGE III MAHOGANY LINEN PRESS with blind fret carved tracery and dentil cornice above panelled doors enclosing trays, the lower part fitted with drawers, ogee feet, 206cm h; 76 x 128cm++Somewhat unevenly faded but in good unrestored condition, no shrinkage cracks to sides

J C Harrison (1898-1985). Grouse in flight, artist signed limited edition print, No. 191/250 with blind stamp, 37cm x 46cm.

An Edwardian mahogany display cabinet, stamped Hampton & Sons London, 1825, the top with a pierced shaped crest above a single lazed door, decorated with blind fret, the base with a frieze drawer, reeded supports with under tier, (AF), 77cm wide.

After Pablo Picasso, 2 prints, La Ronde and Le Bouquet, both with limited edition blind stamps, Combat Pour La Paix Spadem, 25" x 19", framed

A LATE VICTORIAN OAK FRAMED THE HEARTS OF OAK BENEFIT SOCIETY CERTIFICATE, the rectangular frame with arched aperture and blind fret corners surrounding the colour certificate which is named Stephen Clark, No.200306 and dated 1892, overall dimensions 97.5cm x 75cm (condition: overall fair condition, some slight damage towards the back of the frame along the top edge)

L.S. LOWRY (BRITISH 1887-1976), 'Peel Park, Salford', a limited edition lithograph print 387/850, signed in pencil to the margin lower right, Fine Art Trade Guild blind stamp lower left, published by Venture Prints of Bristol in 1975, mounted, unframed, approximately 42cm x 79cm (Artists Resale Rights May Apply To This Lot) (condition: the print is in very good condition, no sign of fading, no tears, dirty marks to the mount) As per catalogue description the print is in good condition but the mount is dirty, however the print has been sellotaped to the mount backing/hinge

SIR WILLIAM RUSSELL FLINT (1880-1969), three signed limited edition prints to include 'Rosa and Marisa' 182/700, 'The Nuns Class, La Chariti' incorrect number, edition size 325 and 'Group of Idlers' 119/850, all with Fine Art Trade Guild blind stamp bottom left, largest approximately 52cm x 68cm, mounted, unframed (Artists Resale Rights May Apply To This Lot) (condition: prints are in very good condition, creases to the corners of the mounts)

A PARCEL OF SILVER, to include a late Victorian belt buckle, of shaped rectangular form, pierced foliate scroll decoration, makers Levi & Salaman Birmingham 1894, an Edwardian silver rectangular dressing table tray, blind cartouche, repousse decorated with foliate scrolls and flower heads, makers Robert Pringle & Sons, London 1904, 26cm x 20cm, an Elizabeth II silver waiter of circular form, bears presentation inscription, maker J.P, Birmingham 1963, together with Victorian silver part sets of teaspoons, two silver thimbles, a posy vase with loaded base and a pierced bon bon dish, various makers and dates, approximate gross weight of weighable silver 23.8ozt, 741 grams (condition: mixed condition, thimbles have holes in the tips, waiter and tray heavily tarnished but in reasonable order, buckle appears in good condition, spoons in slightly used to worn condition)

SIR WILLIAM RUSSELL FLINT (1880-1969), four signed limited edition prints, to include 'The Silver Mirror' 832/851, 'Cecelia' 727/750, 'The Danza Montana' 422/751 and 'Variations IV' 432/850, all with Fine Art Trade Guild blind stamp bottom left, mounted, unframed, largest approximately 51cm x 66cm (Artists Resale Rights May Apply To This Lot) (condition: the prints are in very good condition, small creases to the mounts)

SIR WILLIAM RUSSELL FLINT (1880-1969), three signed limited edition prints, to include 'Eve and Yasmin and an Unfinished Picture' 418/701, 'A Question of Colour-Portovenere' 750/751, 'Variations on a Theme' 423/850, with Fine Art Trade Guild blind stamp bottom left, mounted, unframed, largest approximately 49cm x 63cm (Artists Resale Rights May Apply To This Lot) (condition: prints are in very good condition, small creases and dirty marks to the mounts)

Laurence Stephen Lowry (1887-1976), 'The Fever Van', published 1972, offset lithograph in colours, signed in pencil by the artist, with blind stamp, 42cm x 52cm

Laurence Stephen Lowry (1887-1976), Berwick upon Tweed, published 1973, offset lithograph in colours, signed in pencil by the artist, with blind stamp, 53cm x 43cm

Laurence Stephen Lowry (1887-1976), Manchester Reference Library, offset lithograph en grisaille, signed in pencil by the artist, with blind stamp, 24cm x 34.5cm

Good Victorian walnut and inlaid davenport, circa 1860-75, having a brass three-quarter gallery and slope front with tooled green leather writing surface, opening to two small burr wood fronted drawers, over five short drawers to one side with boxwood foliate inlays and turned wooden knobs, opposing similar blind drawers, the front with a recessed burr panel inlaid with a laurel wreath and supported with acanthus carved scroll brackets, all raised on beaded bun feet with concealed brass castors, width 48cm, depth 64cm, height 86cm

Sir Peter Markham Scott (1909-89), Mallards dropping in, print in colours, signed in pencil by the artist, with blind stamp, 41cm x 48cm

John Piper (1903-92), Anglesey Beach, rare limited edition screen print, numbered 4/65, signed in pencil by the artist, with blind stamp, 66cm x 50cm

Global-240 blind stitch sewing machine with instruction books CONDITION REPORT: All electrical items in this lot have been PAT tested and have PASSED. THIS DO NOT CONFIRM WHETHER ITEMS ARE IN WORKING ORDER AND ARE THEREFORE SOLD AS SEEN.

W. PARKER, LONDONA 28-BORE FLINTLOCK BRASS-BARRELLED BLUNDERBUSS, no visible serial number,circa 1790, with round 13 1/4in. octagonal to round barrel, cannon muzzle, the top-flat signed 'LONDON' in script, engraved band at breech, London proofs, plain iron top-tang (cracked through), flat bevel-edged and borderline engraved lock with stepped tail and signed 'W. PARKER', roller frizzen, borderline engraved cock with sliding safe behind, chequered walnut full-stock, brass furniture including heel-plate and rolled edge trigger-guard bow and tang, side nail cups and brass-tipped under-barrel ramrod (blind crack to stock alongside top-tang and chips to toe and fore-end)

A 7.5x53.5mm (SWISS) STRAIGHT-PULL REPEATING SERVICE-RIFLE, UNSIGNED, MODEL 'M1889 SCHMIDT RUBIN', serial no. 52264,circa 1892, with blued 30 3/4in. barrel, blade fore-sight, tangent rear-sight, blind-fluted receiver with straight handled bolt fitted with bakelite toggle-ends, ring safe to rear, walnut three-quarter stock, blued steel furniture including box magazine and twin barrel-bands, in the white heel-plate and retaining its original muzzle-protector and period leather slingSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

MERWIN & HULBERT, USAA SCARCE .44 (RUSSIAN) SIX-SHOT REVOLVER, MODEL 'RUSSIAN MODEL', serial no. 7377,with twist and pull shortened 4 1/8in. barrel, re-applied crescent fore-sight, patent details to 1877, blind-fluted six-shot cylinder, open iron frame with load-gate and exposed hammer, the left hand side of frame below cylinder marked 'RUSSIAN MODEL', guarded trigger and replacement wood grips, the whole re-nickel plated with loss to sharp edgesSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

MERWIN HULBERT, USAA SCARCE .44 (M&H) SIX-SHOT SINGLE-ACTION REVOLVER MODEL 'ARMY, FIRST ISSUE', serial no. 258,circa 1877, with 7 1/2in. sighted barrel (signature erased), blind-fluted cylinder (barrel flange cracked through but present), plain frame with barrel slide release catch forwards of the trigger-guard, dark brown gutta-percha chequered grips, provision for lanyard ring to base of butt (absent), the whole retaining traces of its original nickel-plateSold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament