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A 20th century Scandinavian light oak sideboard - credenza by Skovby. The sideboard being raised on an inset plinth base with a series of blind fronted short drawers over cupboards beneath.Measures, 87 cm H x 165 cm W x 48 cm D

After Beryl Cook (1926-): A framed and glaze ' Four Hungry cats and a Lobster '  lithograph signed limited edition print  with blind stamp for the  Alexander Gallery Bristol and being signed in pencil by the artistMeasures, 67 cm H x 57 cm W 

A 19th century oak hanging corner cabinet. Of oak construction with qtr panel door having central cartouche under carved dentil with blind fret worked cornice. Shelved to interiorMeasures, 79 cm H x 72 cm W x 46 cm D

After William Russell Flint (1880-1969). A print of a young girl reading a letter in solitude. Gallery blind stamp and signed by the artist in pencil to the bottom right. Framed and glazed. 60cm x 77cm.

A contemporary Casino / Poker chips and card set complete with four different colours of chips, dealer, big and little blind chips and two set of playing cards, all set within a metal carry case. 21cm

A quality selection of around 44 LPs. Artists. titles include Faust - The Faust Tapes (VC501, Ex), Queen - Queen II (EMA 767), Glastonbury Fayre - The Electric Score (REV1, with 'Dome Sweet Dome' poster and brown booklet, no further inserts and no original outer plastic sleeve), Peter Green - The End Of The Game (RSLP 9006), Syd Barrett - The Madcap Laughs (SABB-11314 US RE LP housed with Ex condition original UK '6911' gatefold sleeve), Pink Floyd - Ummagumma (SHDW 1/2), Carol Grimes and Delivery - Fools Meeting (UK original B&C CAS 1023 - strong Ex record/VG+ a little light edge/ringwear), Family inc Entertainment, Jim Hendrix - Axis Outtakes (Sealed), Crosby Stills Nash & Young - Deja Vu, Brand X - Unorthodox Behaviour, Roxy Music inc S/T, Country Life, Warped Leatheress. Howard Wales & Jerry Garcia - Hooteroll?, Blind Faith, Ciril, The Rolling Stones. Condition is generally VG+ to Ex+.

A wonderful collection of around 33 LPs. Artists/ titles include King Crimson - In The Court Of The Crimson King (ILPS 9111, UK original pink labels white 'i' - Ex+ very fine condition record, A2/B4 matrix endings/Ex clean sleeve with some minor edgewear), Sourcery - Sinister Soldiers (45484, private release reissue, Ex), Alice Cooper - Schools Out (K56007, includes underwear), Led Zeppelin - IV (K50008, reissue, logos on label), Various - Glastonbury Fayre - The Electric Score (REV1 - contains the 'electric score' poster insert and the original outer plastic bag, no other inserts), Friends Of Betty - Blind Faith II (UDUK2), The Ghost - For One Second (KIKI 077, test pressing), The Corporation - Get On Our Swing (KS-4150), Amon Duul II - Dance Of The Lemmings (UAD 60003), Julie Driscoll, Brian Auger & The Trinity - Streetnoise, Nick Drake - Pink Moon, King Crimson - In The Court Of, Badfinger - No Dice, John Lennon & Yoko Ono - Two Virgins, Roger Waters, Frank Zappa, Patrick Woodroofe/ Dave Greenslade, Clark Hutchinson, Roxy Music, Crosby Stills & Nash, Neil Young, Billy Joe Thomas, Fanny Hill, Jimi Hendrix. Condition is generally VG+ to Ex+.

A curious collection of 23 LPs. All private releases relating to Bob Dylan, will include, demo's, live material, outtakes etc. Titles include Power Efficient Engine (13100), Subterranean Philadelphia Blues (BD-88-2), With Tom Petty & The Heartbreakers - Live Down Under (BDH 286), The 4th Of July: With Tom Petty & The Heartbreakers, BD & Grateful Dead: Bridget's Album, Behind The Lines Of War - Live 1991, A Night At The Festival: Roskilde Festival '90, UK Tour 1991, Dylan and The Grateful Dead, Minnesota 1961 Vol. 1, Blind Boy Grunt - Halloween Masque, Are You Now Or Have You Ever Been? Dylan '62: Original Gaslight, Inside The Museums, Don't Look Back, While The Establishment Burns, Tunes From The Simple Years, Melbourne Australia, Robert Zimmerman vs AJ Weberman. Condition is generally VG+ to Ex+.

A superb pack of 11 LPs by Cream or related, all German pressings in lovey condition. Cream titles include Disraeli Gears (184 105), Wheels Of Fire (2658 110), Fresh Cream (623 031, stereo), Goodbye (184 203, stereo), I Feel Free (2499 002), Rock Sensation (2499 112), The Story Of (2658 127), The Best Of Cream Live (2 LP 5531/ 532), I Feel Free (2872 244), The Best Of Cream (2674 010). Blind Faith - That's Blind Faith (92 208, stereo). Condition is generally VG+ to Ex+.

A super selection of 7 LPs by Cream and related. All overseas pressings, including some promos. Cream titles include The Best Of Cream "En Onda Con Cream" (220099, 1969 Mexican pressing, Ex/ Ex), Extra Cream (CREAM 1, 1981 Australian press, Ex+/ Ex), Disraeli Gears (SLPHM/ D184105, 1967 Italian stereo pressing, Ex+/ Ex+), Goodbye (184 203, Italian press), The Story Of Cream Vol. 2 (2479 213), The Story Of Cream Vol. 1 (2479 212), Goodbye (658 129, French press). Blind Faith - S/T (658 170, French press). Condition is generally Ex/ Ex+).

An excellent selection of 5 Japanese CDs, all special editions released in 12" LP sized sleeves by Cream and related. Artists/ titles include Cream - Disraeli Gears (UICY-95007, 2005 release), Eric Clapton inc Slowhand (UICY-95009, 2005 release) & 461 Ocean Boulevard (UICY-95010, 2005 release). Derek And The Dominos - Layla And Other Assorted Love Songs (UICY-95008, 2005 release) & Blind Faith - S/T (UICY-95031, 2005 release). All are brand new and factory sealed.

A superb selection of 7 LPs, all Japanese pressings in immaculate Ex+/ Archive/ New and Sealed condition. Includes a CD box-set. Eric Clapton titles include At His Best (MW 9037/38), Just One Night (MWZ 8111/2, 1980 release), Behind The Sun (P-13069, 1985 release), August (P-13390, 1986 release). Various - The Secret Policeman's Concert (25S-50, 1982 release), Ginger Baker's Air Force - Air Force 2 (MP 2149, 1971 release), Blind Faith - S/T (MWA 7002, 1979 release) & Derek And The Dominos - The Layla Sessions (UICY-7017/9, 3 CD box-set). Condition is incredible Ex+/ Archive/ As new.

An excellent collection of 6 LPs, all in impeccable Ex+/ Archive/ Factory Sealed condition. Artists/ titles include JJ Cale & Eric Clapton - The Road To Escondido (44418-1, US release, factory sealed), Eric Clapton - One More Car One More Rider; Live On Tour 2001 (48374-1, US triple-LP, factory sealed) & Clapton (PD 5526, US pressing, factory sealed). Jack Bruce - Songs For A Tailor (SD 33-306, US stereo, Ex+/ Archive), Blind Faith - S/T (33-304, US pressing, factory sealed) & Baker/ Gurvitz Army - Elysian Encounter (SD 36-123, US pressing, Ex+/ Archive).

A smashing selection of 11 LPs, all solo releases or related to the band members from Cream. All in impeccable Ex/ Ex+/ Archive condition. Artists/ titles include Eric Clapton inc Reptile (9362-47966-1, 2001 European pressing), From The Cradle (9362-45735-1, 1994 European press), Self-Titled (2383 021, UK press). Various - Lethal Weapon Soundtrack (925 561-1), Delaney & Bonnie & Friends - On Tour With Eric Clapton (2400 013), Derek & The Dominos - Layla (2625 005). Ginger Baker's Airforce inc S/T (2383 012) & Air Force 2 (2383 029). Various - Super Groups (2485 002), Jack Bruce - Songs For A Tailor (583 058) & Blind Faith - S/T (583 059B). Condition is stunning Ex to Ex+/ Archive.

A super pack of 3 CD box-sets by Cream or related. Cream titles include Cream With Eric Clapton (Japanese 18 CD - Paper Sleeve Collection, No: 025 of 100 copies. Titles included in the set are: John Mayall Blues Breakers with Eric Clapton, Fresh Cream, Disraeli Gears, Wheels Of Fire Goodbye Cream, Cream Live, Live Cream Volume II, Blind Faith, Derek And The Dominos - Layla, 461 Ocean Boulevard, Slowhand. All in Ex+/ Like New condition. Presentation box still has shrinkwrap cover), John Mayall Blues Breakers with Eric Clapton (Japanese presentation box containing 9 relating CD albums by Clapton. Titles include Derek and The Dominos - Layla, Live Cream Volume II, Disraeli Gears, Blind Faith, Fresh Cream, Live Cream, Wheels Of Fire. CDs are in Ex+/ Like New condition, presentation box also Ex+/ Like New) & Eric Clapton (Japanese 18 CD boxset containing albums by or featuring Eric Clapton. Titles include John Mayall Blues Breakers With Eric Clapton, Another Ticket, Blind Faith, Backless, Derek And The Dominos - Layla, EC Was Here, Slowhand, No Reason To Cry, Just One Night, There's One In Every Crowd. CDs are in Ex+/ Like New condition as is the presentation box).

THE ROLLING STONES LPs - 60s UK MONO ORIGINALS. Wicked pack of 5 x well presented early/original 60s UK mono LPs from the Stones. Titles are The Rolling Stones (LK 4605, unboxed 2A/3A - neat VG+ record/VG sleeve 'Mona' and Hurran, Calvert credits), No. 2 (LK 4661 unboxed 2A/2A 'blind man' - VG/VG+), Out Of Our Heads (LK 4725 unboxed, EU export, 2A/2A - glossy VG+/VG+), After-Math (LK 4786 unboxed 1B/5A - very fine Ex record/VG+) and Between The Buttons (LK 4852 unboxed 1A/3A, first four songs on 2 lines original - Ex nice and clean record/Ex only light wear).

A superb selection of 12 LPs by The Rolling Stones, all privately pressed. Will include things like live shows, demos, outtakes etc. Titles include Burning At The Hollywood Palladium 1972 (TMQ 71057), Wonderful Wonderful Copenhagen, BBC Broadcasts, Detroit 75, Have You Seen Keef: Standing In The Shadows?, Accidents May Happen (ENG 5001). Mick Taylor - May I Have A Record Contract. The Rock And Roll Circus, Brown Sugar & White Snow, Black & Blue Sessions Vol. 1, Blind Date: The New barbarians & The Rolling Stones, The New barbarians: Breathe On Me (2R-66). Condition is generally VG+ to Ex+

A wonderful collection of 13 7" blues/ R&B EPs. Artists/ titles include Ralph Willis - Alabama Blues (EP 241, 4-prong centre), Johnny Otis - S/T (VE-P 170162, 4-prong centre), Cyril Davies - The SOund Of (NEP 44025, solid centre), The Jubalaires - The Kings Highway (OE 9198, tri-centre), Josh White - Ballads And Blues Vol.2 (BME 9216, tri-centre), Big Bill Broonzy - Sings The Blues (SEG 7674, 4-prong centre), Marie Knight with The Sam Price Trio - Gospel Songs Volume 1 (OE 9283), Professor Johnson and his Gospel Singers - S/T (OE 9352), Helen Humes/ Jimmy Witherspoon - Rhythm And Blues Concert (EPV 1198, tri-centre), Original Five Blind Boys/ Sensational Nightingales - Negro Spirituals (EPV 1106, tri-centre), Hound Head Henry and Frankie Jaxon - The Male Blues Vol. 6 (JEL 10, solid centre), Walter Roland and Georgia Slim - The Male Blues Vol. 1 (JEL 2, 4-prong centre), Tall Tom and Pinewood Tom - The Male Blues Vol. 4 (JEL 5, 4-prong centre). Condition is generally VG+ to Ex+.

REPRODUCTION BURR OAK EXTENDING DINING TABLE peg-joined construction three plank top with cleated ends over a single dummy drawer with twist-out additional leaf and opposing blind drawer, both with brass knobs on tapering supports, excellent colour and condition, 73cms H, 100cms W, 137cms L closed, 199cms fully extended

Worcester 'Blind Earl' plate, c.1770, painted with enamels and gilded, and moulded in relief with rose-leaves and buds, 19.5cm diameterCondition report: In good antique condition. Some scratching, and some gilt and enamel wear. Possibly some minor overpainting.

An Edwardian Chippendale revival walnut side cabinet with moulded and blind fret frieze over four astragal glazed panelled doors enclosing adjustable shelves raised on squat claw and ball supports, 190 cm wide x 35 cm deep x 131 cm in height

A reproduction Chippendale style flight of open wall shelves with blind and pierced fretwork detail, together with a small Edwardian walnut drop leaf Sutherland type tea table, a Japanese lacquered two fold screen, a rectangular stool with cane panelled seat and barley twist rails, and an oak tea tray, together with a large coloured print of highland cattle in gilt frame (6)

A 1920s slender oak freestanding open bookcase with three fixed shelves, blind fret and moulded detail, 92 cm wide x 25 cm deep x 122 cm high

An early Georgian oak longcase clock, the full length door crossbanded in walnut with column supports, the square cut hood with further columns and blind fret detail enclosing a 30 cm square brass dial with applied cast spandrels and further engraved work with subsidiary calendar and secondary dial and eight day striking movement by James Green of Nantwich, with pendulum and weights

Early 20th century sepia coloured photograph of the royal yacht Safa El Bahr, blind embossed stamp - William Kirk & Sons of Cowes, Isle of Wight and with details relating to the sale of the yacht in 1900, 29 x 36.5cm approx, together with a gouache study of a sailing vessel with distant steamer, inscribed verso John Gorst, 15 x 22.5cm approx, also together with a signed coloured limited edition print by Frank Shipsides of a busy Bristol quayside scene, no 689/850, 28 x 39cm, all framed (3)

HIlda Bonsey (XX) Original signed limited edition (300) etching ?Peter Pan ? after the statue in Kensington Gardens by Sir G Frampton RA Signed under in pencil and bears FATG blind stamp lower left Plate 10 7/8 x 7 1/2? ( 27.7x 18.4cm)

CONSOLE TABLE, rectangular teak galleried with blind fret frieze and x stretcher, 110cm x 40cm x 81cm.

After Laurence Stephen Lowry RBA, RA (1887-1976) ''Sailing Boats'' Signed, with the Fine Art Trade Guild blind stamp, from the edition of 850, published by Venture Prints Ltd., a colour reproduction, 32cm by 36cm Provenance: Headrow Gallery, Leeds Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

δ Banksy (b.1974)ApplauseScreenprint in colours, 2006-2007, numbered 223/500 in pencil, printed and published by Pictures on Walls, London, with their blind stamp, on wove paper, with margins , sheet 805 x 1210mm (31 1/2 x 47 1/4in)This work is authenticated by Pest Control Office and a certificate will be issued by them to the buyer.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Michael Ward (1929-2011), Photograph of Dirk Bogarde and Olivia De Havilland, 1959, signed in pen with blind stamp, 24cm x 34cm, framed, note: taken during filming of Libel

A Victorian walnut and ormolu mounted quarter striking bracket clock, Payne and Co., London circa 1880, the eight inch silvered dial with Roman numerals, flanked by gilt capital Corinthian columns, supporting a blind fret carved foliate frieze and curved pediment, embossed in relief with floral garland, surmounted by a flared pedestal dome with flaming urn finial, each corner with a similar finial, all on a stepped base with cast scrolling bracket feet, gilt side handles, the dial signed and numbered 4245, also to the movement, 45cm wide, 72cm high, 30cm deep

A gilt brass swiss carriage clock, the white enamelled chapter ring and subsidiary dial with Roman numerals, fluted columns and blind fret friezes, bobbin turned folding carrying handle, signed, 14.5cm high

George Owen for Royal Worcester, a double walled blind reticulated vase, 1890, ovoid shouldered form, the outer shell pierced with a hexagonal honeycomb lattice and open quatrefoil cartouches, beaded in gilt, the inner body painted in gilt with landscapes, jewelled and tooled to the rim, puce mark, 9cm high

Four Royal Worcester historical design plates and two dishes, early 20th century, painted and gilded with various floral and Imari designs, the later small dish circa 1970 after the Blind Earl service, 23cm diameter (6)

AN IMPERIAL ENAMELED WHITE GLASS ‘BOYS’ SNUFF BOTTLE, QIANLONG MARK AND PERIODChina, 1760-1780. Masterfully painted in soft enamels of imperial yellow, pink, blue, green, and turquoise on a translucent ivory-white ground with two scenes of boys at play below a ruyi-tassel border at the shoulder and neck, the recessed base with a blue-enameled four-character Qianlong nianzhi mark within a double square and of the period.Provenance: From the collection of Mary Ann Edmondson Bresee (1932-2017), Georgia, USA, avid collector and former member of the International Chinese Snuff Bottle Society. Her grandfather was Walter T. Candler, son of Asa G. Candler, the founder of the Coca-Cola Company. Her bottles were exhibited both at the Cummer Museum of Art and Gardens and the Norton Museum of Art. Collector’s label ‘LH1’ to spoon.Condition: Superb condition with some wear. Flaws in the glass include minuscule bubbles to the foot rim, partially polished off as a part of the manufacturing process. The crisp and fresh enamels with minor pitting and microscopic crackling in some areas.Stopper: Gilt bronze with incised floral decorations, black collar, and neatly carved spoonWeight: 40.7 gDimensions: Height including stopper 58 mm. Diameter neck 17 mm and mouth 6 mmFour boys are playing a game of blind man’s buff to one side and three boys are performing gymnastics to the other, each in a fenced garden. In Chinese art the depiction of young boys at play is considered a sign of good fortune, representing the blessing of having many sons to carry on the family name. The shoulders of the bottle show birds in flight amid bamboo and craggy rockwork as well as blossoming prunus and wutong behind lingbi stones. The flattened globular body rises from a short broad oval foot to a tapering neck.Of the two main Palace painted enamel arts (on glass and on metal), those on glass are the rarer. During the Qianlong reign enameled metal wares, including snuff bottles, ran into the thousands, whereas enameled glass wares were produced only in the low hundreds. A rough estimate of the total number of enameled glass snuff bottles produced during the period comes to about three hundred. This was mainly due to the greater difficulty of producing them successfully, the need for multiple firings to correctly mature different colors and layers of enamel, and the much higher failure rate during production. In the early phase of the art form, from the late Kangxi until the 1750s or early 1760s, technical control of the enamels was still marginal, and all known examples exhibit some degree of pitting or discoloration of the enamels. This continued to be a problem with some colors into the second half of the Qianlong reign. Although far from obtrusive, in the present bottle the blue enamel on some of the boys’ clothing in particular is pitted, but it is otherwise remarkably well fired.The present type of translucent, milky-white glass was frequently used as an alternative to opaque white glass within the Palace workshops and is ideally suited to the equally translucent enamels. One of the key features of Palace enamels on glass is the softness, translucency, and delicacy of much of the palette, which allows for very subtle shading and gradations of color.A distinctive feature of Qianlong painted enamels on glass is the relative thinness of the enamels and the painterly quality of the brushwork. Court artists, highly trained in the tradition of calligraphic brushwork that gave Chinese painting one of its most profound inner languages, were involved in drawing up the designs and sometimes in painting the enamels. Failing that, it was skilled enamellers trained in the same aesthetic and overseen by court artists who produced them from preparatory sketches. Artistically, these early, painterly enamels represent the apogee of glass enameling during the Qing dynasty, and the present bottle well exhibits this exceptional quality.This design is purely Chinese in its conception, without any hint of the Western influence that appears, not unnaturally, in some wares with European subjects that rely to a greater extent on the use of color and chiaroscuro rather than line to create form. The red blossoms drawn without any in the present bottle do not by that quality reflect Western influence, but rather the 'bodiless' style made famous by Yun Shouping (1633–1690), whose works would have been well known to any court artist a mere half century after the painter's death. Here, the blossoms are balanced against the other elements of the design featuring the elegant black lines of the calligrapher's brush, with well-modulated, expressive strokes.Expert’s note: The reign marks on earlier Qianlong enameled glass bottles are usually flush with the foot, in contrast to the raised blue enamel marks of the mid- to late reign as seen on the present bottle. Together with the masterful quality of the painting as well as the use of translucent glass and soft enamels, this allows us to further narrow the likely dating of this bottle to circa 1760-1770.Literature comparison: Compare a bottle in the Palace Museum, Beijing, included in Snuff Bottles, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2003, no. 9. See also another bottle of this type from the J & J Collection, reproduced in Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, no. 187.Auction result comparison: Compare with a related bottle, dated 1736-1760, at Bonhams Hong Kong in Snuff Bottles from the Mary and George Bloch Collection Part I on 28 May 2010, lot 132, sold for HKD 5,248,000, and another, dated 1750-1780, at Christie’s Hong Kong in Important Chinese Snuff Bottles from a Distinguished American Collection on 7 October 2014, lot 18, sold for HKD 4,120,000.乾隆款與年代御制琺琅彩白料嬰戯圖鼻烟壺 中國，1760-1780年。在半透明的象牙白地上，使用黃色、粉紅色、藍色、綠色和青綠色等琺瑯彩精美描繪孩童玩耍場景。頸部飾如意紋。底足内凹凹進，藍色四字“乾隆年制”款。 來源：美國佐治亞州Mary Ann Edmondson Bresee（1932-2017）收藏。她曾是國際中國鼻煙壺協會的會員。 其祖父是Walter T. Candler，可口可樂公司創始人Asa 克Candler的兒子。 她的鼻烟壺在Cummer Museum of Art and Gardens博物館和Norton Museum of Art博物館均有展出。 圖片：Mary Ann Edmondson Bresee (1932-2017) 品相：狀況極佳，有些磨損。 玻璃中有些瑕疵，包括足部邊緣的微小氣泡，在製造過程部分打磨過。 琺瑯局部有輕微裂紋。 壺蓋：鎏金銅雕花卉紋，黑色蓋托，小壺匙 重量：40.7 克 尺寸：含蓋總高58 毫米，頸部直徑17 毫米，嘴部直徑6 毫米 專家注釋：乾隆時期早期款識通常與腳齊平，與本瓶中晚期所繪的藍色琺琅彩款相反。 再加上繪畫的精湛品質，以及使用半透明玻璃和洋彩，使我們可以進一步明確此鼻烟壺的年代，大約為1760-1770。 拍賣結果比較：一件相近1736-1760年間的鼻烟壺見香港邦翰斯Snuff Bottles from the Mary and George Bloch Collection Part I 拍場，2010年5月 28日 lot 132, 售價HKD 5,248,000, ；以及另一件1750-1780年間的鼻烟壺見香港佳士得 Important Chinese Snuff Bottles from a Distinguished American Collection 拍場，2014年10月7日 lot 18, 售價HKD 4,120,000.

Bible, English.- The Psalmes of King David translated by King Iames Cum privilegio Regiæ Maiestatis, engraved frontispiece incorporating royal arms and pictorial title with portraits of David and James I, woodcut head-pieces and decorative initials, frontispiece trimmed to border and laid down, frontispiece and title detached, A3 small hole near head with loss of a few letters,water-stained, lightly browned throughout, contemporary blind-ruled and gilt calf, sympathetically rebacked, covers detached, spine ends and corners worn, rubbed, [STC 2736.5], 8vo, [Printed by Thomas Harper], [c.1637].⁂ Rare at auction. In fact mainly translated by William Alexander, Earl of Stirling.Provenance: 'Robert Reynolds, his booke, 1687'; David Bell (ink inscriptions to rear endpapers).

Religion.- Stanley (Charles, Earl of Derby) The Protestant Religion is a Sure Foundation and Principle of a True Christian and a Good Subject, a Great Friend to Humane Society ..., small loss to title, neatly restored, previous owner's faded ink signature, occasional contemporary marginal annotations (trimmed), corrections inserted by hand, occasional finger soiling, modern antique style panelled calf, 1669 § Noble (John) The Believers Triumph over Death. In a Sermon Preached at the Funeral of the Late Mr. Richard Robins ..., trimmed occasionally affecting headline and mourning border, ex-library with discreet blind-stamps, modern marbled boards, for Samuel Drury, 1702 § Smith (Michael) Christianity Unmasqued: or Unavoidable Ignorance preferable to Corrupt Christianity, occasional spotting, contemporary calf, rebacked, bumping to corners and extremities, 1771; and others similar, 8vo (7)⁂ The second is scarce, with no copies of this edition on ESTC.

NO RESERVE Butchers.- An Act to prohibit butchers from being grasiers; and to redress several abuses in buying and selling of cattel; and in the slaughtering and packing of beef, tallow and hides, mostly black letter, title with woodcut royal arms, lightly browned, disbound, rare, Dublin, Printed by Andrew Crook, printer to the Queen's Most Excellent Majesty, on the Blind-Key, 1703; and a 1792 French parliamentary decree banning the production of all types of salted meats, folio & 4to (2)

NO RESERVE Eyken (Sebastian Vander) The Crown of Life Exemplified to all Christians: or, a Sermon upon the Epistle of St. James, discreet blind-stamps, occasional spotting, later calf-backed boards, rebacked, 4to, by S. and D. Bridge, for the Author, 1706.⁂ Scarce. Only one copy on ESTC, at the Bodleian.

Religion.- Sewel (William) The History of the Rise, Increase and Progress of the Christian People called Quakers, first English edition, 2pp. advertisements bound at end, one or two marginal annotations, occasional marginal soiling and worming, scattered spotting, ex-library with discreet blind-stamps, contemporary calf, rebacked, bumping to corners and extremities, folio, 1722.

NO RESERVE Irish imprint.- Gavin (Antonio) A Master-Key to Popery, list of subscribers, occasional browning, previous owner's ink inscription to front free endpaper, ex-library with discreet blind-stamps and accession number to title verso, near contemporary calf, rebacked, bumping to corners and spine extremities, 8vo, Dublin, by George Grierson, 1724.

NO RESERVE Mirabeau (Victor Riqueti de) Letters, 2 vol., engraved portrait frontispiece, some spotting and browning, contemporary calf, rather rubbed, spines blind-stamped with morocco spine labels, 1732 § Chesterfield (Philip Dormer Stanhope, Earl of) Letters, 4 vol., engraved portrait frontispiece, contemporary ink ownership signature to front free endpaper, light spotting to endpapers, contemporary calf, lightly rubbed, 1806; and 9 others, mostly military history, v.s. (15)

NO RESERVE Hewlet (Ebenezer) Christianity Refined from the Errors of Popery, Calvinism, Deism, Arianism, Arminianism, Socinianism ..., occasional faint spotting, ex-Wigan Free Public Library with bookplate and discreet blind-stamps, ink accession number to title verso, modern cloth, 8vo, for the Author, 1741.

NO RESERVE Turner (Rev. Daniel) The Conversion, the Practice of St. Paul; and the Prayer of Jabez, considered, presentation inscription from the author, trimmed, affecting odd letter of inscription, ex-library with bookplate, faint accession stamp to title verso and discreet blind-stamps, occasional marginal spotting, lacking final free endpaper, contemporary calf-backed boards, rebacked, rubbed and worn, 8vo, 1788.

NO RESERVE Lodge (Edmund) Portraits of Illustrious Personages of Great Britain, 39 engraved portraits, some toning, occasional spotting, contemporary blind-stamped and gilt calf, spine faded, rubbed, Harding & Lepard, 1829; and a small quantity of others, Antiquarian, v.s. (Sm.Qty.) sold not subject to return.

Coal mining in Wales.- Mackworth (Sir Humphrey) The Case of Sir Humphrey Mackworth, and the Mine Adventurers, with Respect to the Extraordinary Proceedings of the Agents, Servants and Dependents, of the Right Honourable Sir Thomas Mansell, Bar, light soiling to title, ex-library with accession number to title verso and blind-stamp to final leaf, trimmed occasionally affecting pagination, later half-morocco, a little rubbed, 8vo, [Goldsmiths' 4383], 1707.⁂ Scarce. Only 4 copies in the UK, and 3 in the US. The case relates to mining competition in the Neath area of Wales. Sir Thomas Mansell instructed his staff to destroy Sir Humphrey Mackworth's work and waggons.

Tennyson (Alfred, Lord) The Princess, 8pp. publisher's catalogue at beginning, 1847; Idylls of the King, second issue with imprint to verso of title, 1859; Enoch Arden, first issue with 8pp. publisher's catalogue at beginning dated August 1864, 1864; The Holy Grail, 1870; Gareth and Lynette etc., contemporary red morocco with elaborate gilt floral corner-pieces, spine gilt in compartments and five raised bands, g.e, a little rubbed and marked, 1872, first editions, all but the third with half-titles, the first four original blind-stamped green cloth, spines slightly rubbed and faded; and 7 others, Tennyson, most first editions, 8vo (12)

America.- Slavery.- Taylor (John Granville) The United States and Cuba: Eight Years of Change and Travel, half-title, corrections inserted by hand, occasional spotting, ex-library with occasional discreet blind-stamps, modern half-calf, 1851 § Smith (Joshua Toulmin) The Discovery of America by the Northmen in the Tenth Century, engraved frontispiece and plate, 2 folding maps, occasional faint off-setting, ex-library with ink stamp to endpapers, contemporary half-calf, library name in blind to upper cover, a little rubbed, worn corners, 1842; 8vo (2)

NO RESERVE Botany.- Phillips (Henry) Floral Emblems, half-title, hand-coloured additional lithographed title, vignette and 18 plates, some foxing, mostly to tissue guards or text, contemporary half roan, uncut, 1825 § Tyas (Robert) Flowers and Heraldry, 25 plates, 24 hand-coloured, original red cloth stamped in gilt and blind, g.e., 1851, a little rubbed, 8vo (2)

Edwardian Chippendale style mahogany display cabinet with blind fret-fraise, an astragal glazed door above three drawers W55cm H176cm D36cm (1 x glass panel a/f)

After Denys George Wells (1881-1973), St Andrew's Place, number 19/850, Park Lane 1971, number 10/850,42cm x 57cm each and Leicester Square 1949, number 90/850, 55cm x 36cm, each with studio blind stamp, (3)

A Victorian walnut davenport, hinged top on barley twist supports, flanked by four drawers and four blind drawers, some damage, 54x54x82cmH

Signed First U.K. & U.S. EditionsConnolly (John) The Book of Lost Things, 8vo L. (Hodder & Stoughton) 2006, First Edn., embossed decorative blind design cloth, navy d.j.; The Book of Lost Things, 8vo N.Y. (Atria) 2006, First U.S. Edn., inscribed on tp. Once Upon a Time - John Connolly, blue boards, d.j. both Good Copies. (2)

Burton (Richard) The History of the House of Orange, ... Together with The History of William and Mary, 4to Westminster 1814. New Edn., wd. cut frontis, red & bl. title, Bound with; The History of the Kingdom of Scotland, 4to Westminister 1813, New Edn., wd. cut frontis, red & bl. title, & oval wd. cut portraits thro.-out, & bound with two other reprints, cont. calf, gilt fillet & blind tooled border, upr. cover detached, otherwise v. good. (1)

Dublin Prize Binding: Hawkey (John)trans. The Ascent of Cyrus The Younger; and The Retreat of the Ten Thousand Greeks, 8vo D. (Geo. Faulkner) 1738. First Edn., some damp stains, Prize Bookplate for Arthur Pomeroy, 1740, errata leaf at end, cont. calf, stamped T.C.D. prize binding, a tooled gilt spine in panels, some wear; Ramsay (Chev. A.) The Travels of Cyrus, 2 vols. 8vo L. 1728. Third Edn., 2 engd frontis wd. cut heads & tails, advert leaf at front. Vol. I, cont. blind tooled calf, raised bands, mor. labels. (3)

Music: Grattan Flood (W.H.) The Story of the Harp, L. 1905. First Edn., Frontis décor. title, illus. plts. etc; also Stoeving (Paul) The Story of the Violin, L. n.d. Frontis plts. & text illus., uniform blind décor crimson mor. v. good. (2)

Sermons: Butler (Joseph) Fifteen Sermons Preached in the Rolls Chapel,  8vo L. 1726. First Edn., cont. attractive blind tooled panel calf, mor. label (worn); Bentley (Richard) Eight Sermons Preach'd at the Hon. Robert Boyle's Lecture in the First Year 1692, 8vo Cambridge 1735. Sixth, vignette title, cont. panel calf, some wear; Emlyn (Rev. Thos.) Sermons on the Following Subjects... (14), 8vo L. 1742. First Edn., lacks front loose blanks, cont. calf, worn. (3)

The Book of Kells - Most Sumptuous EditionFacsimile - Verlag, Luzern, Publishers: The Book of Kells, the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION, published by Authority of the Board of Trinity College, Dublin. Lg. thick 4to, Luzern 1990, LIMITED EDN. (1480), in fine white tawed leather over wooden boards. Contained in a specially created presentation box, the embossed surface with blind & gilt tooled Celtic decoration and silver and brass mounts. Together with a large Commentary Volume, with illus., leather backed cloth, and orig. advertising portfolio. An unique opportunity to acquire a complete facsimile of one of the Worlds greatest Art Treasures. As a lot. (1)

A pair of late 19th Century cast bronzed desk tidies in the Gothic Revival style, of architectural form incorporating blind and open tracery slots for cards and an area for implements, height 30cm, and a smaller similar card rack (3)Condition: generally good overall

A late Victorian/Edwardian cased cast iron blind stamp, by Shaw & Sons, London, of typical form with gilt floral decoration, the die for the Haytor Hotel and dated 1900, with fitted tin carry case, 23cm wide.