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Fleming Ian " Thunderball"  Jonathan Cape 1961 , grey cloth, blind stamped skeleton hand on front board,  gilt titles, dust wrapper  not price clipped, chips to head of backstrip, corners of boards bumped, ( see images)

[Braithwaite Richard] " Drunken Barnaby's Four Journey's to the North of England in Latin and English Metre.....together with Bessy Bell....the Ancient Ballad of Chevy Chase....' "The Fourth Edition illustrated with several Neat Copper-Plates"  printed for W. Stuart 1778, engraved frontis and other plates, the title page and preface is loose, the font hinge is cracked, rebound, bookplate inside front board, full morocco, gilt titles and raised bands, some rubbing to the backstrip, aeg. with Dr John Done " The Ancient History of the Septuagint......London , printed for W. Hensman and Tho. fox, Booksellers in Westminster-Hall 1685, marbled end papers, bookplate inside front boards, full brown calf with raised bands, pastedown title missing, gilt rules, gilt dentelles, 16mo. and 'St. T. H. ' " Odes of Horace, the Best of Lyrick Poets...." Fourth Edition, printed by John Haviland for William Lee and to be sold at his shop at the sign of the Turk's Head in Fleet-Street 1638, engraved title page, half title, woodcut headers, rebound, full leather, blind tooled rules and decorations to front and back boards, bookplate inside front board, aeg 16mo. (3)

Chinese, Japanese, Asian catalogues and interest, Hertherington, A. L. "The Early Ceramic Wares of China ...", Benn Brothers 1922, colour frontis with lettered tissue guard, colour and other plates with lettered tissue guards, a blind stamp on title page "Complimentary Copy", brown cloth, gilt Ming horse stamped on front cover, corners rather bumped, Burlington Magazine "Chinese Art ...", Fry, Binyon Rackham, etc. Batsford 1925, colour frontis, plates, illustrations, bookplate Paul Champkins inside front board, decorated end papers, the boards all rather rubbed , with corners and backstrip bumped, "The Edward T. Child Collection", Sotheby's catalogues Part 2 & 3, 16th December 1980, 19th May 1981, with dust jackets, and a large quantity of catalogues from I. M. Chait, Parke-Bernet Galleries, Lempertz, Christie's, The British Museum Exhibition, Oriental Paintings and Antiquities 1933-63, 8th November '63 to April 1964, Dreweats & Kunsthandel Klefisch (2 boxes)

Fine bindings to include:-Strauchius, Giles"Breviarium Chronologicum or a Treatise describing the Terms and Most Celebrated Characters, Periods and Epocha's used on Chronology ... now done into English from the 3rd edition in Latin by Richard Sault", "The Second Edition corrected ...", printed for A Bosbile at The Dial at Bible Against St Dunstan's Church in Fleet Street, 1704, full calf, blind decorations to edge of boards, raised bands, pastedown with gilt titles"Gradus ad Parnassum; Sive Novus Synonymorum Epithetorum Phrasium Poeticarum ac Versuum Thesaurus ...", Londini 1705, some staining to the edges, cut down, full calf with raised bands and gilt title and other titles "Thro' the Whole Island of Great Britain divided into circuits or journies ..., 6th edition by a gentleman", vol 4 printed for D Brown, etc 1761Younge"Busiris King of Egypt, a Tragedy as it is acted at the Theatre Royal in Drury-Lane by his Majesty's Servants", printed for J Tonson 1719 and other plays by a Mr Taverner, Mr Killigrew, Johnson and others, some pencil scribblings, rebound, full panelled calf, blind decorations, pastedown, gilt titles to backstrip "The Spectator", full calf, 1747, The Lady's Magazine 1791 and Lempriere's Classical Dictionary, prize binding, the County School, Bridgend (7) 

Austen, Jane - MacDonald Illustrated Classics to include:-"Pride and Prejudice""Persuasion""Mansfield Park""Northanger Abbey"Sense and Sensibility""Emma" colour frontis to all volumes, vignette on title pages, colour plates, red cloth glassine covers with titles,Twain, Mark"Life on the Mississippi" Chatto & Windus 1883, frontis with tissue guard, with illustrations throughout, pictorial cloth with gilt titles, glassine cover,Folio Society"The Connecticut Yankee in King Arthur's Court", in original slip caseFolio Society"A Treasury of Mark Twain" 1999 "The Prince and the Pauper", Chatto & Windus 1899, illustrations, blue cloth, gilt titles"The Jumping Frog, in English, then in French then Clawed Back into civilised language once more by patient, unrenumerated toil", Chronicle Books San Francisco 1987wood engravings by Alan James Robinson, bookplate inside front board, cream cloth with blind stamped frog on front board, dustjacket,Hemmingway, Ernest"For whom the Bell Tolls", P.F. Collier & Son, New York 1940. blue cloth with blind stamped decoration and title to front board, gilt titles to backstrip, the whole book cocked, corners bumped"Death in the Afternoon" Jonathan Cape, reprint 1962, photographic illustrations, red cloth, dustjacket not price-clipped and assorted Penguin Paperbacks to include Christopher Isherwood, Bernard Shaw, D.H. Lawrence etc. (1 box)

19th century mahogany display cabinet, the upper section with blind fret cornice and adjustable shelves enclosed by pair of astragal glazed doors, on stand with two short drawers on square tapered legs and spade feet, 121cm wide x 40cm deep x 200cm high

Esk,Still life of flowers on a mossy bank,watercolour, blind stamp,18x26cm.

Oak and elm Longcase clock, with walnut banding, pagoda hood, blind and fretwork frieze, long arched door, pinth base, 10" square brass dial, with cast floral spandrels, signed Davd. Pain at Spittlefields, London, thirty-hour movement, striking on a bell, labelled, "Alfred Bullard, Park Lane, London", height 212cm.Condition report:The pendulum is snapped off from the bob and also at the top end so we can't assemble in situ. Applying some pull on the weight chain the movement does seem to tick over ok, but as you'll see from the additional images it has been many years since the movement was cleaned and serviced. The Weight is present. The movement appears to have started as a bracket clock with the case matched and adapted to house the movement. The face may also be a marriage to the movement. There is a filled patch (below XII) and another drilled hole (near III) to the backplate which would suggest some sort of adaptation. The chapter ring has some blistering to the black enamelling. The hands are replaced with the hour hand being much more copper in tone, and the minute hand is very delicate with a split near the centre. It has also been bent away from the face quite significantly. There is an old paper label applied to the interior of the case with 'Wm Davis Woolford 17xx' in ink, as well as the Alfred Bullard applied label to the interior door. Old repairs and adaptions to the hood and case, hinges replaced. Crossbanding lifting in most areas. Losses to the base section.

LAURIE RECORDS - SOUL / ROCK & ROLL 7" PACK. Great pack of 9 x 7". Titles / Artists include Bernadette Carroll - Try Your Luck (LR 3320), Ernie Maresca - Blind Date (LR 3496), The Enchords - Zoom, Zoom, Zoom (3089), The Chiffons - Easy To Love (LR 3224), The Orients - Shouldn't I (LR-3232), The Chiffons - Nobody Knows What's Going On (LR 3301), The Chiffons - Just For Tonight (LR 3423), Dawn - For the Love of Money (LR 3417) and The Charmers - Johnny (3142). The condition is generally Ex to Ex+.

FELSTED RECORDS - 7" PACK. A quality pack of 7 mostly soul 7" singles released on Felsted records, including some promos. Artists/ titles include The Deltairs - Who Would Have Thought It (45-8525, record is Ex), Sonny Martin - Rockabye Baby (45-8507, Ex), The Five Fleets - Slight Case Of Love (45-8522, strong VG+), The Crystals inc Blind Date (45-8566, Ex), Lonely Boy (45-8512, Ex), Don Hume - Perfect Night (45-8679, promo. Ex) & Vicki Belmonte - The King Pin (45-8695, promo. Ex).

KEITH ANDREW limited edition print (199/850) - interior scene, blind stamped and signed in pencil, 53 x 51cms and JENNIE JONES & KIM ATKINSON series of prints and another limited edition print

A slender Edwardian mahogany side cabinet enclosed by a rectangular glazed panelled door with applied scrolling acanthus mouldings beneath a frieze drawer with blind fret detail, flanked by glazed panelled sides and raised on cabriole forelegs 43 cm wide x 40 cm deep x 122 cm high (af)

An antique old English style oak court cupboard enclosed by an arrangement of cupboards and drawers with fielded inlaid panels, carved baluster columns with scrolled doric capitals, panelled framework and blind fret detail and raised on turned bun feet, labelled with circular disc to drawer Robson & Sons Ltd, Newcastle Upon Tyne, 165 cm wide x 61 cm deep x 167 cm high

An 18th century walnut chest of three long and three short drawers with crossbanded detail, the top quarter panelled and with further cross banding, with blind sides, raised on bracket supports, 1m wide

An Edwardian mahogany kneehole writing desk or dressing table in the Georgian style, the central cupboard surrounded by an arrangement of seven drawers, raised on bracket supports, the canted corners with blind fret detail, 83cm wide

A gentleman's 18ct gold Piaget manual wind dress wrist watch, on an 18ct gold Piaget bracelet, the blind dial with beaded border, no box or papers, diameter 32mm, overall length 17.3cmm gross weight 67.6 grams.**CONDITION REPORT**Overall condition is good. Watch not ticking and the hands adjust.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

PENFOLD, Jane Wallas.- Madeira flowers, fruits, and ferns: a selection of botanical productions of that island, foreign and indigenous, drawn and coloured from nature / by Jane Wallas Penfold, of the Achada, Madeira.- London: Printed and published by Reeve, Brothers, 1845.- [10] p., [20] f.: [1], XX estampas; 30 cm.- E., Beautiful edition, very characteristic of the time, illustrated with a frontispiece and 20 hand-coloured lithographs (three double-paged), lithographed by R. E. B., according to drawings by the author (1820-1884), English, born in Funchal. The five preliminary sheets include a title page, a list of subscribers, a preface by the author and two poems “at the request of Jane Wallas Penfold”, one by William Wordsworth and the other by Mrs. Calverley Bewicke. Each of the prints is accompanied by a sheet with explanatory text, printed only on the verso. Small faded inscription, on the front of the text sheet of the print VII. Otherwise, a clean copy, preserving the editorial binding, gold blind tooling engraved canvas, with new endpapers and gilt edges. Pritzel, 7030. Nissen, 150.

An early 20th century mahogany wardrobe, blind fretwork cornice above three doors, fitted with linen slides, drawers, a shelf and hanging rails, ogee bracket feet, 187cm high, 184.5cm wide, 58cm deep

An oak twin pedestal desk, rectangular top with inset writing surface above three frieze drawers, one pedestal with two drawers, the other front blind with panel door side, 75.5cm high, 157.5cm wide, 75.5cm deep

A George III oak longcase clock, 31cm square brass dial inscribed Henry Banister, Litchfield (sic), Roman and subsidiary Arabic numerals, subsidiary seconds dial, calendar aperture, Rococo spandrels, twin winding holes, eight day movement striking on a bell, the case quite plain with blind fretwork frieze, 199cm high, 53.5cm wide, 27cm deep, c.1800

A George III mahogany Lancashire chest, hinged top above an arrangement of drawers, the upper three blind, flanked by inset quarter-columns, skirted base, ogee bracket feet, 93.5cm high, 172.5cm wide, 55.5cm deep

A quantity of small furniture to include a mahogany demi lune hall table; a dark wood video cabinet; a mahogany storage unit on castors; an old white suitcase and a blue aluminium slatted blind

FOUR LATE VICTORIAN AND LATER SILVER DOUBLE SOVEREIGN CASES OF OVAL / OBLONG FORM, one with plain case, maker G F Wall, Birmingham 1911, one engine turned with vacant cartouche, maker's mark rubbed, Birmingham 1912, the Victorian example foliate leaf engraved, blind cartouche, maker's mark rubbed, Birmingham 1898 and the other example with engraved initials and worn case, makers Clark & Sewell, Birmingham 1904, gross weight 3.79ozt, 118 grams (4) (Condition report: three are in reasonable condition, some thinning to covers, the foliate engraved case with the initial lacks loop and the sprung sovereign holders are not operational and the case has dents)

WEDGEWOOD GREEN JASPERWARE PLAQUE, children playing Blind man's Bluff, in black and gilt frame, 40cm x 28cm.

ANDY WARHOL 'Coca Cola ',1962, lithograph, hand numbered limited edition no. 33 / 100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'Lifesavers', 1985, lithograph, hand numbered limited edition no. 58 / 100 by Leo Castelli Gallery, edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

Beryl Cook (1926 - 2008) ' The Birthday Cake ' Print, signed in pencil to the margin with blind stamp, published by Alexander Gallery Publications Ltd, Bristol, image and cream border measures 57cm x 40cm, unframed

Beryl Cook (1926 - 2008) ' Bus Stop ' Print, signed in pencil to the margin with blind stamp, published by Alexander Gallery Publications Ltd, Bristol, image and cream border measures 54cm x 45cm, unframed

Beryl Cook (1926 - 2008) ' Shall we Dance ' Print, signed in pencil to the margin with blind stamp, published by Alexander Gallery Publications Ltd, Bristol, image and cream border measures 56cm x 40cm, unframed

Beryl Cook (1926 - 2008) ' Shall we Dance ' Print, signed in pencil to the margin with blind stamp, published by Alexander Gallery Publications Ltd, Bristol, image and cream border measures 56cm x 40cm, unframed

Beryl Cook (1926 - 2008) ' Ladies who Lunch ' Print, signed in pencil to the margin with blind stamp, published by Alexander Gallery Publications Ltd, Bristol, image and cream border measures 47cm x 43cm, unframed

Beryl Cook (1926 - 2008) ' Drinkies ' Print, blind stamp to lower left margin, published by Alexander Gallery Publications Ltd, Bristol, 51cm x 31cm, framed and glazed

Anthony Gibbs (b. 1951) Large Signed Print of a Tiger titled ' Quizzical Quadruped ' with gallery blind stamp, image measures 75cm x 50cm, framed and glazed

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, THOMAS WALKER, STRATHAVENLATE 18TH CENTURYthe hood with a swan neck pediment with enamel roundels to the terminals and centred by a brass eagle with brass finials to the corners, above a scale fretwork frieze and arched brass dial with engraved silvered chapter ring and centre, with subsidiary seconds dial, date aperture, twin winding holes, and a signed makers name to the arch boss flanked by Corinthian columns; the trunk with a shaped door with central marquetry roundel flanked by quarter columns, on a plinth base with further marquetry panel and conforming blind fret angles, raised on bracket feet; the twin train, eight-day movement striking a bell[238cm high, 53cm wide, 28cm deep]

A matching pair of retro 20th Century teak wood side tables / lamp occasional tables. Each having blind fronted single drawers support by straight legs. Each measures approx; 72cm x 61cm x 40cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

A Reproduction Mahogany Part-Glazed Standing Corner Cupboard, with dentil cornice and blind fret work decoration, on bracket feet, 100cm by 55cm (appeoximately) by 207cm

† 19th century carved wood breakfront console table, in French style, with rosso marble top over a blind fret carved frieze with central mask on husk carved tapering legs joined by foliate carved cross stretchers, H93 W220 D77cm 19C. Marble top in two pieces due to break. Provenance: From a large listed country house located in Surrey. Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable. Condition Report: † Marble top is in two pieces and has been restored several times before. Pieces broken off two corners.General wear and tear consistent with age and use.Small losses to leading edges of feet and other losses.Some splitting/cracking to wood.Repair to left side stretcher.

David Shepherd (1931-2017), signed limited edition print in colours on paper, Rhino Reverie, 23cm x 40cm, signed and numbered in pencil, with blind stamp, 1985, Ed. 747/850, mounted, glazed and framed

A 19th century head and shoulder female marble bust, the sitter being blind, unsigned, 53cm wide x 70cm highSocle base chipped and repaired. Small chip to base of bust. Otherwise good

A George III mahogany library bookcase, with twin astral glazed door above a caddy top with a brushing slide, three short and three long drawers, rococo style brass handles all raised on bracket feet with blind fret work decoration. 142cm wide 60cm deep 230cm high.Two small corner crackes to glass, later lock plates and possibly brass fittings. minor suface marks.

A 1.06m late Victorian pitch pine two part book cabinet with glazed top section over a blind frieze drawer with double cupboard under, set on plinth base

A 1.52m High Victorian figured walnut veneered display cabinet with moulded cornice, central glazed fall-front compartment with three open material lined shelves under, with further flanking shelves enclosed by curved glazed panel doors, decorative capitals and blind fretwork to doors, set on a rounded plinth base

AFTER LAURENCE STEPHEN LOWRY RBA RA (1887-1976). 'Viaduct St Passage', unsigned, limited edition colour print number 804 of 850, blind stamp bottom left, framed and glazed, 34 x 23.5 cm

AN ISLAMIC HARDWOOD TABLE, THE HEXAGONAL TOP BLIND FRET CARVED WITH SCRIPT ABOUT MOTHER OF PEARL STAR INLAY REPEATED ON THE LOWER GALLERIED TIER ABOVE THE BUN FEET. W 44 x D 44 x H 62cms.

A REGENCY MAHOGANY WRITING TABLE, THE BLIND FRET GALLERIED BACK TO A RECTANGULAR TOP ROUNDED ABOVE THE CYLINDRICAL LEGS TAPERING TO SPINDLE FEET, THE THREE DRAWERS WITH EBONY BAND INLAY. W 115 x D 56 x H 77cms.

A LATE VICTORIAN OAK DISPLAY CABINET ON SINGLE DRAWER STAND WITH GEOMETRIC BLIND FRET BANDS ABOUT THE ASTRAGAL GLAZED DOOR. W 113 x D 40 x H 217cms.

WILLIAM WYLLIE (1851-1931) FISHING BOAT IN ESTUARY- PENCIL SIGNED AND BLIND STAMPED ETCHING

Crispin van den Broeck, um 1524 Mechelen – vor 1591 AntwerpenHeilung eines BlindenÖl auf Holz. Teils parkettiert.76 x 93,5 cm.Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, 31. Mai 2022 (im Original vorliegend). Die Dargestellte Erzählung, ist eine Wundergeschichte der Bibel nach dem Johannes Evangelium (Joh. 9,1 bis 41). Die Geschichte erzählt wie Jesus mit seinen Jügern an einem Blindgeborenen vorrüber geht und von ihm gefragt wird, wer den schuld an der Blindheit dieses Mannes sei. Jesus antwortet das an ihm Gotteswerk offenbart werden soll und heilt ihn, indem er ihm ein Gemisch aus Speichel und Erde über die Augen streicht. Es folgt ein Streitgespräch mit einigen Pharisäern, da die Heilung an einem Sabbatort stattgefunden hat. Die Titelgebende Heilung wird im obere rechten Bildfeld eher klein Dargestellt: „Jesus mit rotem Mantel streicht gerade dem vor ihm Knieenden Blinden ein Gemisch auf seine Augen.“ Umgeben werden beide von einigen Jüngern, mehreren erstaunt blickenden Figuren und wohl auf der linken Seite in langen Gewändern mit Turban zwei Pharisäern die sich über das Geschehen wundern. im Vordergrund rechts zwei groß gemalte Frauen, die linke in ockar farbenen Gewand mit einem Kind spielend, während die rechte aus einem großen Krug trinkt; beide scheinen völlig unbeeindruckt vom Wunder der Blindenheilung zu sein, obwohl sie von dem am rechten Bildrand stehenden Mann als auch von einer linksseitig stehenden Marktfrau per fingerzeig darauf hingewiesen werden. Links am Boden stehend ein großer Korb, gefüllt mit Früchten, Gemüse und einer Gans, sowie daneben am Boden weitere Gemüsesorten und ein großer Krug, wohl der stehenden Marktfrau mit Hut gehörend. Links von ihr drei weitere Männer davon einer in Rücenansicht mit auffallend rotleuchtenden Umhang. Oben links fällt der Blick in die Weite einer angedeuteten bergigen Lanschaft mit darüberliegendem hellblauem Himmel. Vor dem überwiegend beige-braunen Felsigeuntergrund, wirken die dezent farbigen Gewänder der gezeigten Figuren als auch die weißen Kopfbedeckungen der beiden Frauen im Vordergrund durchaus hamonisch. Der Künstler hat sich sowohl in seinen Gemälden als auch in einer Vielzahl seiner Stiche überwiegend mit den christlichen Themen des alten und neuen Testament auseinandergestezt. Vorallem in seinen Vielfiguren Gemälden finden immer verschiedene Themen gleichzeitig statt. (13216112) (18)Crispin van den Broeck, ca. 1524 Mechelen – before 1591 AntwerpCHRIST HEALING THE BLIND MAN Oil on panel. Partially parquetted.76 x 93.5 cm.Accompanied by the original expert’s report by Dr Klaus Ertz, Lingen, dated 31 May 2022.

A late George II mahogany serpentine card table, the foldover table top lined with green baize, the square section legs with blind fretwork detail and slender brackets. H.70 W.86 D.85cm

A Chippendale style marble topped mahogany side table, late 19th century, the rectangular marble inset top above a blind-fret carved frieze raised on internally chamfered square legs with fret carved corner brackets81 x 97 x 46cm

A collecting of DC comics including; Justice League of America 58, 67, 85, 93, 112,114, Justice League 1-6, Justice League America 27-41, 56-57, 59-60, 78-80, 84-85, Justice League International 7-25, 53-54, 60-61, Justice League International Annual 2-3, Last Days of the Justice League Society 1, Justice League Europe 1-2, 4-7, 9-10, 13-27, 31-32, 35-36, Justice League Europe Annual 1, 3, Justice League Task Force 3-4, 8-9, Justice Society of America 1-10, assorted Justice League titles, Justice League Suicide Vs Suicide Squad 13, Team Titans 3-6, New Titans 92-96, Titans Sell-out 1, Silver Age Classics Green Lantern 22, Green Lantern Gorilla Warfare 8, 30-31, Wonder Girl 113, Teen Titans 12, War of The Gods 2-4, Legion 1, 5, 6, 9, 11-14, 19, 22,  25, 33-56, Legion of Super-Heroes 4, 20-22, 26-27, 38-53, 1990's Aquaman 1-4, Teen Titans Spotlight on the Changeling 9, Catwoman 1, 6-7, 17, 47-38, 57-61, 69-73, Catwoman Mini-series 1-4, 2, 6-8, 10-12, Birds of Prey Manhunt 1, 4, Batman Legends of the Dark Knight 6, 8, 16-20, Batman 259,   404-406, 415-416, 434-442, 450-451, 461, 503, 578, 582, 612, Batman Annual 15, Worlds Finest 223, War Against the Giants 19, Legionnaires 1-4, 10-12, 21, 40, Mister Miracle 1-28, some related titles, Blackhawk 1-16, Blackhawk Annual 1, Blind Justice 599-600, Angel and the Ape 1-4, Special Hawkman 1, 1990's Hawkman 4-5, 13-18,  1960's Hawkman 16, Hawk World 22-32 etc (qty) Condition Report:Available upon request

BINDING: BOOK OF COMMON PRAYER...AND PSALMS. Eyre & Strahan, 1830. 648pp, Bound with: A new version of the Psalms of David, Eyre & Strahan, 1826, 104pp. Cont. full leather with blind stamped & gilt decoration to covers and spine, all edges gilt. Covers rubbed, front endpaper torn.Provenance: The Peter and Pat Crofts Collection

A substantial country house mahogany wardrobe, outswept cornice with blind fretwork frieze above a bevelled mirror flanked by raised and fielded panel doors, the base with five drawers, 214cm high, 363cm wide, 64cm deep

A William IV mahogany work table, rounded rectangular top with fall leaves above two frieze drawers, blind to verso, acanthus grasped column, incurve rectangular base, 71.5cm high, 44.5cm opening to 80.5cm wide, 44cm deep, c.1835

A George III mahogany and parcel-marquetry Pembroke table, oval top with fall leaves above a single frieze drawer, blind to verso, ring handles, the escutcheons pressed with a stylised representation of the Prince of Wales's feathers, tapered square legs, spade feet, 71cm high, 58cm opening to 105.5cm wide, 74cm deep, c.1790

An early 20th century oak lead glazed library bookcase, blind fretwork frieze, 183cm high, 96cm wide, 32cm deep

Australia, The Royal Tour of the Prince of Wales (Edward VIII), June 1920 – “Photos taken on the occasion of H.R.H. Prince Edward of Wales’ visit to Sydney/June 16-(26) 1920”, an album of 24 sepia & b/w photographs, mostly of Sydney dressed for the occasion with flags, bunting, lights, Empire/Colonial Commonwealth insignia, 2 images of H.M.S. Renown (then acting as a ‘royal yacht’ – from Cremorne, and 1 snapshot “From The Domain/Aeroplane down/16.6.20”, presumably in Sidney Harbour, etc., titled pastedown, annotated and dated in manuscript throughout, 8vo, (1); a b/w studio portrait of Miss Gertrude Tearle (daughter of the Shakespearean actor Osmond Tearle, sister of Sir Godfrey Tearle the film actor), who, though totally blind, followed the English cricket team all over the world, including Australia, (1), & a typed and autographed 1pp letter from the English cricketer Dennis Compton, MBE (1918-1997), on Hotel Adelphi/Perth writing paper, dated 16th October, 1950, and in receipt of a fan letter from Miss Tearle (who he incorrectly addressed as Sir!), (1), [3]

A collection of posters and prints including: Big Beat ( Beatles ) Jazz and Blues interest - Beatles - B.B.King, Muddy Waters, Freddie Starr signed Poster, 3 x Yellow Submarine Postcard displays framed.Buddy Holly, Blind Lemon Jackson, Bert Weedon signed poster, plus others.( 16 items ) 

Various silver plated ware, sauce boat, part egg cruet, 22cm high, goblets, blind fret perfume bottle, flat ware, serving spoon case, sauce boat, two handled cup, etc. (a large quantity)

Various metalware, a cockeral doorstop, 24cm high, another similar, extending book slide with shaped blind fret ends, etc. (a quantity)