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Limited edition (30/272) silver gelatin print with blind stamp of Little Hawk - Brule Sioux after Edward S. CURTIS (1868-1952)

Limited edition (29/272) silver gelatin print with blind stamp of Sitting Elk - Crow after Edward S. CURTIS (1868-1952)

1840 engraving of a pastoral scene by Charles-François Daubigny (1817-78) - 28cm x 39cm and has Louvres blind stamp below the image

Vinyl - Jazz - Yamamoto, Tsuyoshi Trio – Midnight Sugar on Three Blind Mice TBM-23. Includes one sided recording data sheet. Sleeve has some corner folds and slight wear but Vg+, insert Ex, vinyl Ex

Vinyl - Jazz / Bop - 12 original UK pressings albums on various labels, including rarities and early examples, to include: Joe Turner - Big Joe Rides Again (London Atlantic Records, LTZ-K 15205) VG / VG++, Art Farmer Quartet Featuring Jim Hall – Interaction (original UK, Stereo, London Atlantic records, SH-K 8135) VG / VG+, Zoot Sims / Al Cohn / Phil Woods – Jazz Alive! A Night At The Half Note (original UK gold print, H.M.V.- United Artists Records, CLP 1471) VG / VG++, Art Blakey & The Jazz Messengers – Three Blind Mice (original UK, United Artists records, ULP 1017) VG+ / EX. Ahmad Jamal - All Of You (Pye Jazz Records, NJL 47), Ahmad Jamal’s Alhambra (Pye Jazz, NJL 38), Various – Jam Session (Emarcy Records, EJL 103). Also including: Thad Jones / Mel Lewis, Milt Jackson (London Records), Joe Turner (London Records), Ernie Wilkins (London Records), Ray Charles - Yes Indeed! (London Records)

Vinyl / Hard Bop - 2 Rare Japanese pressing albums, to include: The Wynton Kelly Quartet W/ Hank Mobley – Interpretations By The Wynton Kelly Quartet (original 1977 Japanese, double album, Vee Jay Records, UPS 2067-8 JY) VG+ / VG+. Yamamoto, Tsuyoshi Trio – Midnight Sugar (1995 Japanese Limited re-issue, TBM Super-Cut Analogue Disk 180 gram, Three Blind Mice, TBM-23) EX / EX

Vinyl - 3 Blind Faith LPs to include Self Titled x 2 (583059) including one early pressing, and Blind Faith (ATCO Records SD 33-304) US pressing in heavy card sleeve, small price sticker to front. Sleeves & Vinyl Vg

Vinyl - Blind Faith self titled LP on Polydor 583059. Gatefold sleeve, credit inside right 'Distributed in the UK by Polydor Island'. Vg+

Vinyl - Blind Faith self titled LP on Polydor 583059. Single flap opening to left, no distribution credit, no.5 to top left of sleeve. Sleeve & Vinyl Vg-

Vinyl - Rolling Stones no 2 LP on Decca, red unboxed Decca label, matrices -1A / -2A, no 'Blind Man' text, non flipback sleeve, sleeve and vinyl vg

Vinyl - Rolling Stones no 2 LP on Decca, red unboxed Decca label, matrices -2A / -2A, no 'Blind Man' text. non flipback sleeve, creasing to laminate, sleeve vg-, vinyl vg

Vinyl - Rolling Stones no 2 LP on Decca, red unboxed Decca label, matrices 1A / -1A, 'Blind Man' text, flipback sleeve, sleeve and vinyl vg

Vinyl - Two Rolling Stones LPs to include No 1 & No 2 on Decca (LK4605 & LK4661), both unboxed Decca red labels, first album matrices 1A / 3A ink marks to label side 1, mono to sleeve & label, flipback sleeve, and no 2 'Blind Man' text to sleeve, matrices 2A / -1Aand sleeve with considerable laminate creasing, sleeves and vinyl vg- overall otherwise

Vinyl - Two Rolling Stones LPs to include No 1 & No 2 on Decca (LK4605 & LK4661), both unboxed Decca red labels, first album matrices 1A / 3A, no 2 'Blind Man' text to sleeve, matrices 1A / 1A, sleeves and vinyl vg

Vinyl - Rolling Stones no 2 on Decca LK4661 red unboxed Decca label, matrices -1A / 12A revised back panel to cover, original 'Blind Man' text, the name 'Deb' top right back of sleeve, sleeve and vinyl vg

Vinyl - Approx 30 Rock & Pop LPs and 25 12" singles including Yes, Steve Harley, Blind Faith, The Beatles, Talk Talk, Beach Boys, Laura Branigan,UB40, Erasure, Ultravox, Moody Blues, Smokey Robinson, Soft Cell and more. Vg overall

Vinyl - Two Rolling Stones LPs to include No 1 & No 2 on Decca (LK4605 & LK4661), both unboxed Decca red labels, first album 'Tell Me' on label and vinyl, matrices 1A/4A, no 2 'Blind Man' text to sleeve, matrices 1A / 1A, sleeves and vinyl vg+

Vinyl - Rolling Stones no 2 LP LK4661 on red unboxed Decca label, matrices SA / -2A 'blind Man' text, flipback sleeve, name to top right back of sleeve, sleeve vg-, vinyl vg- with marks to side 2 (not feelable)

A BOXED BLIND NUT RIVETER, HYDRAULIC CABLE CRIMPER, AN IFIXIT MULTI TOOL DRIVER SET, A PART SET OF CABLE CRIMPER DIES, A STARRETT TANK HOLE CUTTER SET

A KARCHER STEAM CLEANER A BLIND SPOT MIRROR A SET OF SCALES VARIOUS TOOLS INCLUDING AXLE STANDS, WHEEL CHOCKS ETC.

31 x Vinyl LPs includingfour Beatles, White Album (top opener poster no photos) Revolver, Help and Abbey RoadElton John, Blind Faith, Stevie Wonder, Labi Siffre, 22 singles including Desmond Dekker, Johnny Johnson, Betty Everett, Otis Redding and Johnny Nash and twenty 78s Including Savoy Orphans. Condition Report: CONDITION GOOD + TO NEAR MINT (BEATLES ALL AROUND VG).

† Isle of Wight Festival 2008.- Limited edition screenprint, after designer John Giddings, numbered 101/200 in pencil and blind-stamped lower left, promoting the seventh Isle of Wight Festival held 13 -15 June at Seaclose Park, Newport, I.O.W. 2008, the first year the festival was screened live on television, performing bands included Pink Floyd, Kaiser Chiefs, Sex Pistols, and The Police, created by screenprinter Danny Langlois on heavy stock paper, flat, 17 ¾ x 25 inches.Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable.

Sandra Blow (1925 - 2006), Untitled Collage Study, Sandra Blow Estate blind stamp, and ink stamp on the reverse, mixed media on paper, 28 x 30 cm, framed and glazed, framed size 41.5 x 44 cmPurchased from Westcott's Gallery, St Ives, 2012; One of four collages exhibited at the Royal Academy of Arts; Illustrated on page 13 of the Hayward Gallery Annual 1978.

After Pablo Picasso (1881 - 1973) 'Fillette Couronee au Bateau', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 457/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Fillette Couronee au Bateau" by Pablo Picasso created on June 12, 1939, Approved by the Heirs of Pablo Picasso' and '© National Machine Systems, Inc, 1982', on Arches paper, with certificate of authenticity, Image approximately 57.5cm x 46cm, Overall 75cm x 54.3cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 25/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cm

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 20/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Beret', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 153/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'G', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au Beret" by Pablo Picasso created in 1939, Approved by the Heirs of Pablo Picasso' and 'Artvestors', on Arches paper, with certificate of authenticity, Image approximately 55cm x 37.4cm, Overall 73.4cm x 52.7cmA private estate.

Laurence Stephen Lowry RA (1887-1976) British, 'Crime Lake', limited edition print, signed in pencil in the margin, with Fine Art Trade Guild blind stamp, numbered 493 from the edition of 500, 48 cm x 61.5 cm, framed and glazed.Some rippling to the print beneath the mount edges, would benefit from re-framing.

After Pablo Picasso (1881 - 1973) 'Notre Dame', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 232/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & a motif, printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Notre Dame" by Pablo Picasso created October 25, 1954, Approved by the Heirs of Pablo Picasso' and '© Beatrice Dwork 1979', on Arches paper, with certificate of authenticity, Image approximately 60cm x 50cm, Overall 75.5cm x 55.5cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme Assise', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 6/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme Assise" by Pablo Picasso created on February 19, 1947, Approved by the Heirs of Pablo Picasso' and '© Aaron Keiter, Betty J Hughes & Dale R Ruckman, 1980', on Arches paper, with certificate of authenticity, Image approximately 58.5cm x 39.5cm, Overall 74.5cm x 53.5cmA private estate.

Terence Cuneo (1907-1996). Snow Hillstation, artist signed print, FLK blind stamp, 52cm x 69cm.

An 18th century mahogany Longcase clock, the hood with a moulded dentil cornice, blind fretwork panels and fluted ionic columns above a long trunk door with pointed arched top, box base and bracket feet, the 32.5cm dial with strike silent dial to the arch, brass chapter ring with Roman numerals, seconds subsidiary dial and calendar arch, inscribed Robt Martin, Glasgow, the eight day movement striking on a bell, 225cm high CONDITION REPORT: Appears to be original throughout, veneers chipped on the foot, cracking throughout, colour is dull, fretwork re glued in place, in used condition

19TH CENTURY ROSEWOOD JEWELLERY/ WRITING BOX COMPENDIUM, mother of pearl inlay, the blind panel doors revealing four drawers with a small writing slope complete with original glass inkwell, raised on four carved reeded feet, 31.5h x 32w x 22cms Condition: there is historic damage to the front opening door and front lower moulding but the interior generally complete with minor repairs required.  

Man Utd FC Football Autograph Collection of 11 Signed Colour Photos, Mostly 10x8 inch. Signatures Include Radamel Falcao, Darren Fletcher, Quinton Fortune, Dwight Yorke, Daley Blind, Edwin Van Der Sar, Ray Wilkins, Wes Brown, Pat Crerand, Alex Stepney and Norman Whiteside. Good Condition All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the moulded cornice above a blind fret frieze and two short and three graduated long drawers flanked by fluted angles; the lower part with three further graduated long drawers, raised on bracket feetDimensions:112cm wide, 180cm high, 53cm deep

GEORGE III MAHOGANY LIBRARY ARMCHAIR 18TH CENTURY the serpentine back above a loose cushion seat flanked by scrolled enclosed arms, covered in green damask upholstery outlined with brass nail head trim, raised on blind fret carved square legs joined by stretchersDimensions:78cm wide, 100cm high, 49cm deep

LATE GEORGE III MAHOGANY AND INLAID WORK TABLE EARLY 19TH CENTURY the rounded rectangular top centred by a shell motif and opening to a compartmented interior, above two frieze drawers with blind keyholes to the sides, raised on slender legs joined by a concave undertierDimensions:46.5cm wide, 78cm high, 35.5cm deepProvenance:Provenance: Newton Don, Kelso; Harrietfield, Kelso; and thence by descent

A WORCESTER 'BLIND EARL' PLATE CIRCA 1770 23.5cm diameter AND A WORCESTER LEAF-SHAPED DISH, circa 1770, 23.5cm in length Condition Report: The Blind Earl plate cracked in half and glued, leaf-shaped dish cracked and rivettedCondition Report Disclaimer

A VICTORIAN WALNUT GAMES TABLECIRCA 1870With chess, cribbage and backgammon75cm high, 59cm wide, 42cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, some signs of repairsThe top swivels and encloses the gaming boards, the drawer is blind but can be opened with fingernails, it should have a key (One has never been present at Dreweatts). The interiors of the drawer and 'bag' are paper lined (probably original) There are four inset panels to the lid, these are later figured walnut to probably fix an old loss/damage - this could be better and is a little clumsy at present.The chess set is included, this is resin and of no age.Please refer to additional images for visual reference to conditionCondition Report Disclaimer

16th century A.D. A copper-alloy war-hammer composed of ellipsoidal socket, waisted butt with shallow conical face and tapering, lozenge-section head, inlaid with a silver 'net' design. See Paszkiewicz, M., 'Polish War Hammers: Czekan Nadziak, Obuch', in The Journal of The Arms and Armour Society, vol. VIII, no. 3, June 1974, pp. 225-227, pls. LXXXI - LXXXII, for parallels of war-hammers of this type; Popov, S., ‘Late Medieval War Hammers from Vatevi Collection (Bulgaria)’ in Rela?ii Interetnice în Transilvania, Militaria Mediaevalia în Europa centralâ ?i de sud-est, Sibiu, pp.71-83, figs. 8-9, type XI. 453 grams, 18.5 cm (7 1/4 in.). Private collection of Mr M.B., Mainz, Germany, 1990s.Property of a London businessman.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11203-186235. The name obuch is Polish and means 'the blind end of an axe', but already at the beginning of the 15th century it meant a [unspecified] war hammer. According to Polish sources of 17th century, the war-hammer could have been formed into the shape of an axe (czekan), or in the form of a thick, slightly sloping spike (nadziak), or curved like a round cracknel (obuch). A 17th century description states: 'It was a terrible instrument in the hand of a Pole..With the sabre one could cut off somebody’s hand, cut the face, injure the head, and the running blood of the adversary would calm down the rancour. But with the obuch one could cause a deadly wound without even seeing the blood, and – not seeing it – he would not calm down instantly, but would strike several times without cutting the skin, breaking ribs and bones at the same time.'

Keith Newstead, 1956-2020, Disco Cat, a hand-operated automaton, coloured brass, plain and painted wood, wire, cord, titled DISCO CAT, signed and dated K. NEWSTEAD 02, and inscribed MADE IN CORNWALL, 44.5cm high; together with another by the same artist, Stressometer, a hand-operated automaton, painted wood, wire, painted tin plate, inscribed K NEWSTEAD No 1, approx. 30.5cm high, 21.4cm wide, 18.5cm deep; Lifes a Beach Surfer, designed by Keith Newstead, made by Tom Stiles, a hand-operated automaton, wood, painted wood, brass, wire, inscribed LIFES A BEACH, approx. 28.5cm high, 14cm wide, 10.5cm deep; and a similar hand-operated automaton, inscribed LOVE IS BLIND, depicting an angel with wings and blindfold, approx. 22cm high (4)Sir Nicholas Goodison noted:Disco Cat: the striped cat is a vigorous dancer in the disco style, shaking his loosely jointed arms and legs to good effect. This is a typically ingenious design by Newstead.Lifes a Beach Surfer: the surfer, dressed in holiday kit, moves in surges, standing with tail up and crouching on the surfboard, his head lolling loosely. His goggles are opaque, which may be just as well, the surfboard is decorated with bones (what he had for lunch?). Newstead designed a card cut-out version of this automaton.Provenance:Disco Cat: Medici Galleries, London, March 2003.Lifes a Beach Surfer: Purchased, Cabaret Mechanical Theatre, Covent Garden, London, October 1996.Note: Keith Newstead, 1956-2020, studied at Barking College of Art and Technology was one of UKs preeminent makers of automata. His work is often irreverent, playful, and accessible and can be found in museums, galleries, and private collections around the world.Roseberys do not guarantee the working order of any automata or toy.Condition Report: All in good condition and working order. Love is Blind and Stressometer both have a stiff action. Disco Cat has some minor scuff marks to white painted base. All with Sir Nicholas Goodison inventory numbers. 

A Georgian-style reproduction hardwood chest-on-chest, the upper section with blind fret frieze above an arrangement of five short and three long drawers, the lower section with brushing slide above three long drawers, flanked by carved and shaped canted corners, on leaf carved bracket feet, modern, 95 x 45 x 179cms high.

Ellen Jowett, coloured print of an 18th Century beauty, blind stamp to margin

Harriet Martineau The History of England During The Thirty Years' Peace: 1816 - 1846. Published by Charles Knight, London. This work is offered in two separate volumes. Volume One - 599 pages 1815 - 1830 Volume Two - 721 pages 1830 - 1846 Large format in excellent condition in publisher's brown Boards. Decorated in blind and titled in gilt. 1849. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Men of History. By eminent writers. Published by William P. Nimmo, Edinburgh. 319 pages. Publisher's highly decorated green cloth boards decorated in blind and gilt, titled in gilt with all edges gilt. A very fine copy. 1866. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Scripture Topography. Being some account of the places mentioned in the Holy Scriptures. , published by The Society for Promoting Christian Knowledge, London 1849. 475 pages, including index. Folding map frontispiece with many engravings. Publisher's brown boards, decorated in blind, titled in gilt. Very good copy 1849. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Edward Walford M. A. Greater London: A Narrative of Its History, People and Places. Illustrated with numerous engravings. Volume one only. Published by Cassell and co. Ltd. London Circa 1890. A large format volume of 576 pages. Publisher's brown boards, highly decorated pictorially in blind, black and gilt, titled in gilt. Circa 1890. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Our Own Country. Descriptive, historical, pictorial, illustrated. Published by Cassell, Petter, Galpi and Co. London, Paris, New York. 1880/1890. A very fine set, in publisher's green boards, decorated in blind and decorated and titled in gilt. Large format. This lot of six separate volumes. Very fine condition. An excellent set. 1880/1890. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Chamber's Concise Gazetteer of the World. Topographical, statistical, historical. Published by Ward R Chambers. London and Edinburgh. 1895. 768 pages. Publisher's dark red boards. Decorated in blind, titled in gilt. Excellent condition. 1895. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

Stamps - Cinderella London fund for the blind folder

Kleiner Biedermeier Spiegel Eschenholz. Spiegelglas etwas blind. H.: 60 cm, B.: 42 cm.

Photo Portraits - Alistair Morrison's 'Hidden Gems', a bound volume of 25 original colour & b/w. photographs . . . ' each photographer has chosen & donated their signed photograph, all at edition 1/5 . . . a representation of their latest work, a unique & lasting record of the Hidden Gems Project never to be repeated . . .' this a 'one-off' publication, in support of the Variety Club gala auction at St Pancras Renaissance Hotel, London, Nov, 2011, photographs, mostly 47 x 31cms., within mount, photographers name blind-stamped in lwr. r.h. mount, introductory / limitation leaf signed 'Alistair Morrison 2011', index of photographers, the sitters & titles of images; the photographers include - Cambridge Alexander, Michael Birt, Pattie Boyd, Zoe Buckman, Alwyn Coates, Jillian Edelstein, Ken Griffiths, Elisabeth Hoff, Barry Lategan, Peter Lavery, Mary McCarthy, Tony McGee, Alistair Morrison, Terry O' Neill, Clare Park, Steve Pyke, Sheila Rock, Olivia Rose vs Stone and Spear, Amanda Searle, Tom Stanworth, Tom Stoddart, James Stroud, John Swannell, Andy Teare & John Thornton; black cloth, oblong elephant folio, 60 x 62cms.

A framed Snaffles Print of a gentleman on horseback ''I have my man cleaning my 'osses not my breeches'', snaffle bit blind stamps, signed to the lower right margin, 15 1/2'' x 14 1/2'' approx.

A most uncommon, profusely blind-fretwork decorated lady's Writing Desk/Dressing Table having a Maple lined lid with original mirror, wings with drawers folding out to flank a gold-tooled black leather inset surrounded by Maple wood drawers, one accommodating inkwells and a pen tray. Precisely cut miniature dove-tail joints abound and the surface has seven true drawers and one false drawer with a lift out segmented compartment. The whole is raised on a support with four swept legs. Close inspection appears to reveal that much over-painting has been carried out, but there is evidence that the finish may have been Ebony/ebonised contrasting with intricate brass inlay in a similar manner to the decoration frequently seen in Boule pieces. 22 3/4'' x 18 3/16" and 36 3/8'' high approx. The lower frieze is Ormolu, but sadly it appears that much of the brass inlaid decoration has been lost, although some could perhaps be re-exposed with skill.

Lithographic print, blind stamped MB, World War I tank, mounted in gilt glazed frame, (34.5cm x 49cm)

A 1930's Oak Grandmother Clock, hand with a blind fret, meze, barley twist supports, square dial, with a silver chapter ring, trunk and base, with moulded decoration, plinth base, 140cm high.

WALTER WHALL BATTISS (South African, 1906-1982) set of four limited edition (34/200) coloured prints - various images of figures and birds, all signed 'Giles Battiss' together with a monochrome print with expanding hair, printers blind stamp to bottom left, 36 x 50cms (5)Comments: slight foxing to monochrome print, all mounted but unframedProvenance: Estate of Prof. Ritchie Ovendale, Aberystwyth.

WALTER WHALL BATTISS (South African, 1906-1982) four monochrome prints - one entitled 'Land and Water', recumbant female with birds, figures with hair, man's head with birds, hands and feet, all 26 x 34cms, all with artist blind stamp to lower left (4)Comments: slight foxing to figures with hair print, mounted but unframed

WALTER WHALL BATTISS (South African 1906-1982) limited edition (25/62) screen print - set of two of birds, animals and shubbery, signed, 20 x 23cms and 14 x 2cms, the smaller with artists blind stamp, limited edition (34/100) screen print kneeling figure with birdsigned, 14 x 29cms plus two screen prints of animals and birds (13 x 18cms and 13 x 14cms), both with artists blind stamp (3)Comments: all mounted and unframedProvenance: Estate of Prof. Ritchie Ovendale, Aberystwyth.

A Regency period rosewood and brass line inlaid sofa table, with two frieze drawers and two blind drawers, raised on a gadrooned turned column and quadripartite platform, the outswept legs with brass paw caps and castors. In the manner of Gillows. 55½' wide (open) x 30' deep x 28½' high