We found 44918 price guide item(s) matching your search

After Sir William Russell Flint Study of lady in blue Limited edition print 80/750 with blind stamp, 23cm x 36cm, And another of a lady gazing at a picture, Limited edition print 172/850 with blind stamp 28.5cm x 48.5cm (2)

BLIND FAITH - Three LPs and an LP cover for the eponymous album. There is a first pressing with single paper left hand side of the gatefold sleeve (583 089, VG/VG+) and a later pressing but still original issue with the gatefold sleeve (583 089, VG+/VG+). There is then a non-gatefold sleeve version (583 089B, VG/VG) and then a German cover for the album (184 302, VG+). ( Vinyl Records )

A set of three cascade blinds, together with the three lambrequin padded pelmets, fabrics by Romo, blind width 116 cm each, lambrequin width 155 cm each. (3)

9ct GOLD FINE CHAIN NECKLACE, and 9ct gold hollow pendant 'Three Blind Mice' 3.1gms

RAVE/POP/DANCE - A nice mixed collection of around 300 x 45s. Artists/titles include Prince inc. I Would Die 4 U (rare promo SAM 230 - VG+ condition), Beloved - The Sun Rising, Kym Sims - Too Blind To See It, Sabrina Johnston - Peace, De La Soul inc. Me Myself And I, Beastie Boys, Grandmaster Melle Mel, Bassheads, Isotonik, Michael Jackson, Coldcut, RUN DMC, Candi Staton - I Know, Eric B And Rakim, Big Fun - In The City, Smart E's ( Vinyl Records )

ROLLING STONES - Ace selection of 32 x LPs with early pressing releases. Titles are S/T (unboxed mono LK 4605 2A/3A - VG/VG), Out Of Our Heads (unboxed mono LK 4733 9B/10A), After-Math (unboxed mono LK 4766 6B/3A No. 2 (mono unboxed LK 4661 'blind man' text), Between The Buttons (stereo 1st SKL 4852), The Rolling Stones Now! (US LL 3420), December's Children (US mono LL 3451)Beggars Banquet (2 copies; red label original and blue label stereo), Some Girls ('censored' inner), Under Cover, Rewind, Tattoo You, Made In The Shade, No Stone Unturned and Big Hits. Condition can vary with the earlier titles, otherwise is generally VG to Ex. ( Vinyl Records )

ANON: TALES FROM KITTEN LAND, Raphael Tuck, circa 1910, number 2477, 4 full page chromolitho illustrations, Father Tuck's Happy Hour series, original pictorial wraps (375 x 190mm) + THE PLAYTIME BOOK, London, Ernest Nister, circa 1905, No 1384, 16 chromolitho illustrations, mainly full page, oblong folio, original cloth backed pictorial boards + ANON: WHEN THE CAT'S AWAY, THE MICE WILL PLAY AND OTHER CAT STORIES, illustrated Louis Wain and others, New York, McLoughlin Bros, 1905, original coloured pictorial wraps + JAMES ANTHONY FROUDE: THE CAT'S PILGRIMAGE, illustrated Jemima Blackburn, Edinburgh, Edmondston & Douglas, 1870, 1st edition, hand coloured vignette title + 6 plates, quarto, original pictorial boards worn and rubbed + ANON: PUSSIES AT MISCHIEF, (COVER TITLE), London, T Nelson, [1873], 4 coloured plates, quarto, original coloured pictorial wraps (some slight losses and closed tears to top wrap) + MISS C TUCKER "ALOE": TIT TINY AND TITTENS, London, T Nelson, circa 1864, 6 coloured plates, quarto, original blind stamped wrap, pictorial paper label and title label, lacks lower wraps (6)

DUDLEY WRIGHT: VAMPIRES AND VAMPIRISM, London, William Rider & Son, 1914,1st edition, VII, 177pp plus VI, 16pp publishers adverts at end, pratis dated September 1st 1914, original purple cloth lettered in gilt, spine and parts of board very faded, contemporary ownership signature to title page: MARY L LEWES: STRANGER THAN FICTION BEING TALES FROM THE BYWAYS OF GHOSTS AND FOLK-LORE, London, William Rider & Son Ltd, 1911, 1st edition, 234pp, original cloth, contemporary ownership signature to title page + JOHN SEBASTIAN MARLOW: GONE WEST, THREE NARRATIVES OF AFTER-DEATH EXPERIENCES, London, William Rider, 1918, 2nd impression, portrait frontispiece, XIX, 359pp plus [4] pp adverts at end, original blind stamped purple cloth gilt, contemporary ownership signature to the title page, A SUBALTERN IN SPIRIT LAND, A SEQUEL TO "GONE WEST", London, William Rider, 1920, 1st edition XIV, 310pp plus [2] pp adverts at end, portrait frontispiece, original blind stamped green cloth gilt, contemporary ownership signature to title page, (4)

JOHN GERARD: THE HERBALL OR GENERALL HISTORIE OF PLANTES GATHERED BY JOHN GERARDE OF LONDON, MASTER IN CHIRURGERIE, VERY MUCH ENLARGED AND AMENDED BY THOMAS JOHNSON, CITIZEN AND APOTHECARYE OF LONDON, London, Adam Islip, Joice Norton & Richard Whitakers, 1636, re-issue of 1633 edition, engraved title (just trimmed at foot), lacks preliminary leaf Q2, usually mis-pagination, very few illustrations neatly coloured or partly coloured, folio, rebound (not recent), blind stamped calf, morocco gilt spine label, binders schedule of work loosely inserted

OWEN JONES (1809-1874): EXAMPLES OF CHINESE ORNAMENT SELECTED FROM OBJECTS IN THE SOUTH KENSINGTON MUSEUM AND OTHER COLLECTIONS, London, S & T Gilbert, 1867, 1st edition, additional chromolithograph pictorial title + 99 chromolithographed plates as called for, ex-library copy, majority of plates with library reference number to top right corner of margin, several plates with small marginal closed tears and chips, plate 98 with approx 1 inch closed tear at foot affecting image and loss of paper at bottom right corner (not affecting image), 15pp letterpress as called for, original blind stamped decorative cloth gilt, very worn and soiled, boards detached but present, backstrip detached, lacks top approx one third part of backstrip, library reference number in black pen to bottom left corner of top board and foot of backstrip, contents loose (a/f)

JOHN PARKINSON: THEATRUM BOTANICUM, THE THEATER OF PLANTS, OR AN HERBALL OF A LARGE EXTENT CONTAINING THEREIN ALTOGETHER A MORE AMPLE AND EXACT HISTORY OF THE PHSYICALL HERBS AND PLANTS..., London, T Cotes, 1640, 1st edition, lacks added engraved title; title page, preliminary leaves and a few leaves at end all reinforced with various degrees of losses, pages 1-10 with some reinforcement with mainly marginal losses, usual mis-pagination, lacks pages 705-706, 877-886, 1061-1064, pages 1065-1076 duplicated, lacks part of index at end, folio, old blind stamped calf worn

JAMES MARTIN PEEBLES: 3 titles: SPIRIT MATES, THEIR ORIGIN AND DESTINY, SEX LIFE, MARRIAGE, DIVORCE, Battle Creek, Michigan; Peebles Publishing Co [1909], 1st edition, portrait frontispiece, xvi, 308pp + [3]pp publisher's adverts at end, contemporary ownership signature to title page: THE DEMONISM OF THE AGES, SPIRIT OBSESSIONS SO COMMON IN SPIRITISM, ORIENTAL AND OCCIDENTAL OCCULTISM, Battle Creek, Michigan; The Peebles Medical Institute, circa 1904, 5th edition, ix, 382pp, portrait frontis, contemporary ownership signature to title page: DEATH DEFEATED OR THE PSYCHIC SECRET OF HOW TO KEEP YOUNG, Battle Creek, Michigan; Peebles Publishing Co, 1912, 5th edition, portrait frontispiece, 215pp + [3]pp adverts at end, contemporary ownership signature to title page, some insect damage at front mainly affecting front paste down and front free end papers, each original pictorial cloth gilt + GABRIEL DELANNE: EVIDENCE FOR A FUTURE LIFE, translated and edited H A DALLAS, London, William Ryder & Son, 1909, xvi, 264pp, original cloth gilt, contemporary ownership signature to title page + ROSA BAUGHAN: THE INFLUENCE OF THE STARS: A BOOK OF OLD WORLD LORE... IN THREE PARTS PART I - ASTROLOGY PART II - CHYROMANCY - PART III - PHYSIOGNOMY..., London, Kegan Paul, Trench, Trubner & Co Ltd, 1891 [but later], 9 plates as called for, iv, 194pp + 56, [1]pp publisher's catalogue of adverts at end dated September 1895, original pictorial cloth (slightly soiled) + ANNA W MILLS: PRACTICAL METAPHYSICS FOR HEALING AND SELF-CULTURE OR THE WAY TO SAVE BOTH SOUL AND BODY NOW, Chicago, F M Harley Publishing Co; Brisbane, Sapsford & Co, 1896, "Foreign Edition", portrait frontispiece, vi, 304pp, original blind stamped cloth lettered in gilt, contemporary ownership signature to title page + ELIZABETH SEVERS: THE WAYS OF LOVE, London, The Theosophical Publishing Society, 1909, 1st edition, 264pp, original cloth lettered in gilt, top edge gilt, contemporary ownership signature to title page + EDWARD T BENNETT: 4 titles: THE SOCIETY FOR PSYCHICAL RESEARCH, ITS RISE AND PROGRESS AND A SKETCH OF ITS WORK, London, R Brimley Johnson, 1903, 1st edition, 3 plates as called for, original cloth gilt, contemporary ownership signature to half title: THE DIRECT PHENOMENA OF SPIRITUALISM - SPEAKING, WRITING, DRAWING, MUSIC, AND PAINTING: A STUDY, London, William Ryder & Son Ltd, [1908], 22 illustrations on 16 full page plates as called for, 64pp + [2], 17, [1]pp adverts at end dated 1908, original cloth, contemporary ownership signature to title page: 20 YEARS OF PSYCHICAL RESEARCH: 1882-1901, London, William Ryder & Son, circa 1904, 2 plates plus illustrations in text as called for, 66pp, original cloth, contemporary ownership signature to half title: AUTOMATIC SPEAKING AND WRITING: - A STUDY, London and Edinburgh, Brimley Johnson & Ince, 1905, 1st edition, original cloth gilt, contemporary ownership signature to half title +four others similar (15)

GEORGE BARRY: HISTORY OF THE ORKNEY ISLANDS, INCLUDING A VIEW OF THE MANNERS AND CUSTOMS OF THEIR ANCIENT AND MODERN INHABITANTS ..., edited James Headrick, London, Longman, Hurst, Rees and Orme, 1808, 2nd edition, engraved folding frontis map dated 1807 (some browning), 11 engraved plates as called for, quarto, old blind stamped calf, spine gilt in compartments, morocco gilt label, inner dentils gilt, all edges gilt, armorial book plate of Sir Robert Peel (1788-1850), British Politician twice Prime Minister of the United Kingdom and Industrialist

After Montague Dawson (1895-1973) - 'The Gallant Mayflower', print published by Venture prints, USA, 1970, blind stamped lower left, pencil signed lower right, 65 x 77 cm Condition Report Paper rippled behind glass, signature smudged

An Edwardian Blind Carved Oak Framed Wall Mirror Decorated with Vine Leaves and Dated 1910, 39cmx33cm

A Victorian blush terracotta planter, with gothic blind tracery decoration, and on spreading base, 78cm tall

Three Roman large format photographs, titled, 'The Papal Benediction, Cloisters of the Certosa, Rome', with blind stamp, 'The Cloaca Maxima, Roma', 45 x 32cm long, and two others

A Helen Bradley pencil signed print. CONDITION REPORT: Has blind stamp

Sir William Russell Flint - a pencil signed colour print, bearing Fine Art Guild blind stamp, published in 1963 by Frost and Reed Limited depicting a reclining naked female figure, mounted and framed.

20th Century woodblock print, surrealist street scene with figures and dinosaurs, bearing blind stamp, indistinctly signed in pencil, 24ins x 28ins, together with a modern oil on canvas, rocky seascape

A Charles II oak side table, circa 1680, with single blind frieze drawer with geometric drawer fronts, 73cm high, 90cm wide, 62cm deep

A late 19th century French walnut dressing table, the bevelled adjustable mirror with blind fret surmount and fluted uprights, over two small drawers and a quarter veneered top with carved egg and dart border, over a single long frieze drawer, raised on beaded and fluted turned tapered legs with brass and china castors, 33½ x 22in. (85 x 66cm.), 61in. (155cm.) high.

18th century walnut strong box with blind fret details showing characters in battle, etc 92cm long

Mezzotint of "Lady Waldegrave" by H. Norman (after Johan Hoffner) signed by artist c/w blind stamp

Mezzotint of "Lady Charlotte Dunscombe" by Clifford R. James signed by artist c/w blind stamp

Mezzotint by E.M. Hester (1912) signed by artist with blind stamp

A 2003 Mercedes-Benz CL55 AMG Kompressor Automatic, registration number YS03 ENR, chassis number WDB2153742A036160, engine number 11399160011249, Cubanite. Mercedes-Benz second generation CL model was introduced in 1999 and would remain in production until 2006 based on the S-Class (W220) on an eight inch shortened wheel base. When introduced they were incredibly expensive with this example costing over £110,000 when new in 2003. It is a ***four owner (not three)*** car and features the 5.5 litre 500 bhp supercharged engine giving this large coupé supercar bating performance of a 0-60 mph time of 4.8 seconds and a controlled top speed of 155 mph. With memory driver and passenger seats, climate control, electric windows, security alarm and keyless entry, 18 inch AMG five spoke alloy wheels, Command in-car entertainment with radio/CD/TV and satellite navigation with centre console and steering controls, CD autochanger, Parktronic, Distronic cruise control (with auto braking), five speed automatic gearbox with tiptronic and steering wheel paddle shift, glass electric sunroof, double glazed windows, heated front windscreen, rear folding headrests, folding wing mirrors, adjustable steering wheel/column, speed sensitive steering, Nokia Mercedes embossed pre-wired telephone with hands free option, pneumatic suspension with ABS, active body control, manual ride height setting, electric assist boot opening and closing and electric rear roller blind. There is a full and comprehensive history with Mercedes dealership service book, receipts and previous MOTs. This barn storming luxury coupé now offers tremendous value compared to its original list price and will offer scintillating performance for the next owner. V5C, MOT to June 2018 See illustrations

Portrait of Horatio Viscount Nelson , early 20th century chromolithograph after Lemuel Francis Abbott pub. The Medici Society 1912 label verso with blind stamp 46cm x 38cm Framed with ivorine plaque 'Presented by the Association of Past Students 1913'. Provenance: Joost Slingerland Collection.

'Bootham Bar York', hand coloured etching after A Dupont signed in pencil with Academy Proof blind stamp and one other max 32.5cm x 22.5cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

A William IV flame mahogany chiffonier of narrow proportions, having two-tier integral raised superstructure, over blind frieze drawer to twin cupboard lower doors, width 77cm

A Victorian mahogany three-quarter gallery backed wash stand, having two cushion frieze blind drawers, over shaped platform stretcher, width 95cm

An Unusual Eight Day Longcase Clock with Rocking Eye Automata, signed Barnaby Matthews, Dublin, circa 1740, arched top with a blind fret front panel, Corinthian capped columns, later inlaid marquetry floral, bird and urn d-ended trunk door panels, later marquetry plinth, 13-3/4-inch arched brass dial with a silvered signed chapter ring, finely matted dial centre with recessed seconds dial and date aperture, ringed winding holes, painted face in the arch with rocking automata eyes, four pillar movement with anchor escapement and inside countwheel striking on a bell, possibly later case, 265cm high see illustration16.06.17, Hood with small pieces of moulding missing in parts, later finials, visible black tap to the top side of the hood, later inlaid marquetry panels, marquetry inlay lacking in parts, plinth has been partly re-built, plinth with later stepped skirting, woodworm holes are visible around the stepped base, dial is clean, spandrels are possibly later, re-painted face in the arch, movement with later automata moving parts, later seatboard, small blocks of wood have been added to both side cheeks to raise the dial and movement up within the case, (possibly in a later case), with pendulum and two weights.

A George III Mahogany Chest on Chest, late 18th century, with blind fret carved frieze above two short and three long drawers all between canted fluted stiles, three deep drawers below, raised on bracket feet, 118cm by 59cm by 182cm

A George III Chippendale Style Mahogany Secretaire Bookcase, late 18th century, of attractive proportions, the fret carved swan neck pediment above a Greek Key and blind fret carved frieze above astragal glazed doors enclosing adjustable shelves, the base fitted with a deep secretaire drawer enclosing pigeon holes and drawers, four long drawers below, raised on bracket feet, the top possibly associated, 75cm by 51cm by 221cm

After Laurence Stephen Lowry RA (1887-1976) ''The Contraption'' Signed in pencil, with the blind stamp for the Fine Art trade Guild, from an edition of 750, a colour reproduction, together with the accompanying preparatory sketch, 31cm by 29.5cm and 24.5cm by 17cm respectively (2) See Illustration

MAHOGANY BOW FRONT SIDEBOARD OF GEORGE III DESOGNwith blind fretted frieze, two central drawers, flanked by two cupboards, on square tapered legs, with spade feet, 153cm long

LATE GEORGE III SCOTTISH LONGCASE CLOCKthe hood with swan neck pediment and blind fretted panels enclosing an arched painted enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar dials with 8 day movement, inscribed D. Smith of Prestonpans, contained in a waisted mahogany case, on bracket feet, 217cm high

PRATT WARE PRINTED OVAL PLAQUEthe reverse stamped with the title 'The Blind Fiddler by Sir David Wilkie RA', in a polished mahogany frame

EARLY 20TH CENTURY INDIAN CARVED TEAK JARDINIERE STANDof square tapering form, carved and pierced with scrolling foliage, on blind fretted legs joined by an under tier, 37cm wide, 122cm high

Victorian mahogany chiffonier, the raised back fitted an open shelf supported by turned pillars, the base with two blind panel doors and standing on a plinth base Condition:

A vintage early 20th century oak blanket box coffer chest being peg jointed having a hinged flared panel top opening to reveal a spacious interior with a blind fret worked panel to front raised on shaped legs. Measures 48cms x 71cms x 38cms

An impressive William IV rosewood credenza The shaped top above an arrangement of four cupboard doors each with blind fret work panels and the central doors flanked by C scroll foliate brackets above similar lower brackets, raised on a shaped plinth base, 172x94x56cm.

A Victorian mahogany Scottish chest of drawers, one long blind drawer above three ogee shaped drawers above three long drawers c.1880

A Regency mahogany sofa table, rounded rectangular top, two short drawers to frieze, brass loop handles, two blind drawers to verso, turned column, four reeded sabre legs, brass lion paw terminals and casters. 73cm high x 71cm wide x 87cm opening to 151cm.

A George III mahogany chest on chest with dentil carving and blind fret cut frieze, above three short over three long drawers with canted fluted corners on base with three further long graduated drawers with brass drop handles, on scroll bracket feet, 114cm

Beryl Cook signed print "Strip Poker" with embossed blind gallery stamp lower left (55cm x 32cm)

Beryl Cook signed print "The Birthday Cake" with embossed blind gallery stamp lower left (51cm x 37cm)

Beryl Cook signed print "Shall We Dance" with embossed blind gallery stamp lower left (51cm x 37cm)

Beryl Cook signed print "The Lingerie Shop" with embossed blind gallery stamp lower left (47cm x 40cm)

Four cinema advertising posters to include 'Grown Ups' starring Adam Sandler, Kevin James and Chris Rock, 'The Blind Side', 'Tooth Fairy' and Disney 'John Carter' size of largest approx 102 x 68cm

Beryl Cook signed print "Jiving to Jazz" with embossed blind gallery stamp lower left (45cm x 48cm)

Beryl Cook signed print "The Bus Stop" with embossed blind gallery stamp lower left (40cm x 51cm)

After William Russell Flint (1880-1969) limited edition colour print 686/850, with blind stamp, 62cm x 45cm

After William Russell Flint (1880-1969) limited edition colour print, with blind stamp signed in pencil 60cm x 45cm

An Edwardian Mahogany Wall Shelf with Blind Carved Panel, 55cm wide Together with an Italian Gilt Decorated and Pierced Sconce, 16cm high

A Russell Flint signed print, The Secret Retreat, signed in pencil on mount, blind stamp lower left, 17 x 23in.

A Russell Flint signed print, The Unseen Target, signed in pencil on mount, blind-stamp lower left, pub. Frost & Reed, 1966, 18 x 24in.

An early 20th century chiming oak long case clock with a square hood, carved roundel frieze and blind fretwork to the door and base terminating on bun feet. The silvered dial has a Roman chapter and an outer minute Arabic ring. There is a brass presentation plaque 'Presented to Mr and Mrs Charles Arthur Freeman by the parishioners of Greenford on the retirement of Mr Freeman after 30 years service as headmaster of Betham Schools May 28th 1925'

A yellow metal tie pin, the terminal set with grapes and leaf (2.1g); and two pendant seals, one blind, the other with beehive and motto

A thirty hour striking long case clock in an oak case with a blind fret frieze to the hood. The square brass face with brass spandrels and a Roman chapter bearing the name Thomas Dicker of Silchester (from the label within Thomas Dicker Silchester 1736-1756 died 1774). The inner ring is tooled with circular pattern and engraving. The hour hand has a fixed half hour hand