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A mahogany serpentine front cabinet enclosed by a pair of doors with chamfered and blind fret carved angles on bracket feet 80cm wide

A George III mahogany chest on chest with a dentil cornice blind fret carved frieze and canted angles to the upper section of two short and three long cock beaded drawers brushing slide and three long drawers below on bracket feet 112cm wide

A Chippendale style mahogany hanging wardrobe with dentil cornice blind fretwork carved frieze enclosed by a pair of panelled doors on bracket feet 133cm wide

A LATE VICTORIAN MAHOGANY MIRROR BACKED CHIFFONIER with two freize drawers and two blind cupboards on platform base. 47" Wide x 74" High. C1895.

A LATE VICTORIAN MAHOGANY CHIFFONIER BOOKCASE having two door glazed top on projecting base with freize drawer and two blind cupboards on platform base. 44" Wide x 80"High.

AN EDWARDIAN PALE OAK CUPBOARD BOOKCASE OR GUN CABINET the tall glazed top with two doors on a projecting base with two blind panelled doors on a platform support. 9" High x 39" Wide. C1910.

A 19TH CENTURY WELSH HONEY OAK DOUBLE CORNER CUPBOARD having swept cornice with mahogany veneered freize above a single astragal glazed door similar mahogany veneered freize to the base over two blind panelled doors on bracket feet. 8.5" High x 36" Wide. C1885.

A 19TH CENTURY INLAID MAHOGANY BOW FRONTED CORNER CUPBOARD having moulded cornice over a pair of blind doors and moulded base all decorated with strung outlines and cross banding. 46" High x 30" wide. C1825.

A 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD the top with two arch glazed doors revealing fitted shelves the base with two blind panel arched doors on turned legs. 40" Wide x 80" High. C1890.

A 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD having sweat cornice above two arch glazed doors the base with two blind panelled doors on turned legs. 77" High x 36" Wide.

A VICTORIAN MAHOGANY BREAKFRONT MIRROR BACKED PEDESTEL SIDEBOARD having foliate pediment above rectangular plate two blind panelled pedestel doors centre drawer and on platform bases. 76" Wide x 66" High. C1875.

A George IV mahogany chest of one long blind frieze drawer above four long graduated drawers, turned rosewood handles, on swept bracket feet. 47.5in high x 50in wide (121 x 127cms)

A George III mahogany corner cupboard with a dentil cornice a blind fret frieze with gothic arches above two panelled doors flanked by reeded canted corners 116cm high 82cm wide

A late Victorian silver cigar case, the case shaped to contain four cigars, gilded interior, exterior engraved with foliage and blind cartouche, Birmingham 1901, approx 5 troy oz

After Cecil Aldin (1870-1935), The Golden Cross, Oxford, colour reproduction, signed in pencil lower left, inscribed in pencil lower right, published by Eyre & Spottiswoode and with Fine Art Trade Guild blind stamp, 38 x 33cm (15 x 13in)

After Charlie Johnson Payne ('Snaffles', 1884-1967), 'Gunners', colour lithograph, possibly with additional hand colouring, with snaffles blind stamp and printed remarque, c.1916, 39 x 62cm (15 1/2 x 24 1/2in)

English school, 19th century, A blind harpist and other figures in the ruins of an abbey, possibly John Parry of Ruabon, North Wales, watercolour, inscribed verso 'Marianne June 1829', 53 x 42cm (21 x 16 1/2in), unframed, together with a study of the ruins of the Banqueting Hall, Kenilworth Castle, pencil heightened with white, initialled 'JAW', 40 x 30cm (16 x 12in), two 20th century pen and ink studies of boats and lorries and three other watercolours, all unframed (7)

A George III mahogany longcase clock the twin train movement with anchor escapement striking on a bell the twelve inch brass dial with subsidiary seconds dial date aperture and makerÕs plaque ÔPope Margate' to the matted centre within a Roman hour and Arabic minute chapter ring and foliate pattern spandrels the projecting cornice above a blind fret frieze and a square glazed door flanked by three quarter columns the arched long trunk door above a panelled box base with a later moulded stand 210cm high

Galloway (William). The Battle of Tofrek, Fought Near Suâkin, March 22nd, 1885, Under Major General Sir John Carstairs M'Neill..., 1st ed., 1887, four tinted litho. plts., incl. double page map, plus full page plan and illusts. to text, t.e.g., orig. blind and gilt dec. cloth, badly water stained, 4to Limited edition of 500. copies, this numbered 94. Henry Stanley's copy, with William Galloway's inscription on binder's prelimnary blank: 'To Henry M. Stanley Esqr. From the Author, as a small tribute of admiration for his heroic and successful work, brought to a happy issue, in "Darkest Africa", with sincere wishes that he may yet be privileged in some measure to redeem the incalculable loss to oppressed and down trodden Africa, and to Civilisation, sustained when the ever to be lamented General Gordon, perished at Khartoum, instead of governing on the Congo. 30th May, 1890.' (1)

Gardner (George). Travels in the Interior of Brazil, Principally Through the Northern Provinces, and the Gold and Diamond Districts, During the Years 1836 1841, 2nd ed., 1849, litho. frontis., plus map of Brazil, a.e.g., orig. blind stamped cloth gilt, extrems. sl. rubbed, spine faded, 8vo (1)

Low (Hugh). Sarawak; Its Inhabitants and Productions: Being Notes During a Residence in that Country with H.H. the Rajah Brooke, 1st ed., 1848, four steel eng. plts., two wood eng. plts. and one litho., some spotting (mostly to plts.), rough trimmed edges foxed, endpapers renewed, orig. blind stamped red cloth, red moroco reback gilt, 8vo (1)

Roscoe (Thomas). The Tourist in Italy, Illustrated from Drawings by J.D. Harding, 1833, eng. frontis. and addn. title, twenty four eng. plts., browned throughout, title page with upper corner excised, endpapers sometime renewed, a.e.g., orig. morocco gilt, extrems. rubbed, 8vo, together with Gilbert (Linney), Russia Illustrated; An Historical & Descriptive Account of that Immense Empire, Particularly as Regards St. Petersburgh and Moscow, [1844], twenty five steel eng. plts., incl. frontis. and addn. title page (contemp. ms. inscription to head of latter), some light foxing, a.e.g., orig. gilt and blind stamped cloth, some marks, spine faded and fraying at ends, 4to, plus L'Abbé (M., and Egron, M.A.), La Terre Sainte et les Lieux Illustrés par les Apotres, 2nd ed., pub. Paris, [1849], forty eight steel eng. plts., incl. frontis., folding map at rear, with handling tear, water stained throughout, hinges split, a.e.g., contemp. morocco backed cloth, rubbed, lower cover water stained at one corner, 8vo, plus 3. other travel items (6)

Emmons (Ebenezer). Agriculture of New York ..., vol. 1. only (of 4), Albany, 1846, twenty one litho. plts., incl. seven folding panoramas (most hand col.), hand col. folding map, a little browned and with short handling tear, letterpress illusts., intermittent foxing, endpapers renewed, orig. blind stamped cloth gilt, with recent calf spine and corners, 4to (1)

Terentius (Publius). Aphri Comoediae Sex, Secundum Joannis Riuij Correctiones, & Emendatissima Exemplaria Excusae..., Zürich, 1561, woodcut to title, early ink inscription and library stamp to title, ink annotations throughout and notes to first & last blanks (one library ink stamp to blank at rear of vol.), slight damp staining, contemp. pigskin over wooden boards with bevelled edges, blind rollwork dec. to covers, brass clasps present, 8vo (1)

Macdonald (George). Phantastes: A Faerie Romance for Men and Women, 1st ed., pub. Smith, Elder and Co., 1858, half title present, no ads. at rear, edges sl. foxed, orig. blind stamped olive green cloth, worn, covers detached, spine faded and frayed, with sl. loss, 8vo Shaberman 8. (1)

Dexter (Colin). The Wench is Dead, 1st ed., 1989, signed by the author on the title page, ownership name to front and rear free endpapers, orig. boards in d.j., 8vo, together with The Jewel that was Ours, 1st ed., 1991, orig. boards, d.j. with mark left by circular sticker on front cover, 8vo, plus Death is Now My Neighbour, 1st ed., 1996, ownership label on front free endpaper, orig. boards, d.j. with small closed tear, and with blind embossing to letters sl. mis aligned, 8vo, plus six other Dexter titles (9)

Owen (George). The Taylors Cussion..., with a Short Biography of the Author, by Emily M. Pritchard, 1906, facs. reprod. text, untrimmed, orig. cloth gilt, a little spotted, lower joint sl. frayed, folio, together with Hurlbutt (Frank), Bow Porcelain, 1926, sixty four col. and b & w plts., orig. gilt and blind stamped cloth, spine and board edges faded, folio, plus Golden Cockerel Press. Songs & Poems by Henry Carey, with Decorations by Robert Gibbings, 1924, vigns. and musical notation on letterpress, untrimmed, modern bookticket of John Gant, orig. qtr. vellum gilt, 4to, limited edition 72/380. copies, plus 33. others, incl. 24. Covent Garden Press items by B.S. Johnson, William Trevor, Harold Pinter and others (36)

Dennis (George). The Cities and Cemeteries of Etruria, 2. vols., 1st ed., 1883, wood eng., col. frontis. to vol. two and folding map at rear, orig. gilt dec. cloth, minor wear to head and foot of spines, 8vo, together with Cassell's Picturesque Australasia, edited E.E. Morris, 4. vols., n.d., c. 1890, numerous wood engs., orig. dec. cloth in bright condition, 4to, plus The Newgate Calendar; Comprising Interesting Memoirs of the most Notorious Characters.... with Occasional Anecdotes and Observations, Speeches, Confessions, Last Exclamations of Sufferers, by Andrew Knapp & William Baldwin, 2. vols., 1824, eng. frontis. to each, numerous wood eng., orig. blind stamped cloth gilt, a little worn on head and foot of spines, 8vo, and other misc. books, mostly travel interest (3. shelves)

Dickens (Charles), The Cricket on the Hearth. A Fairy Tale of Home, 1st ed., 1846, half title with previous owner's inscription, eng. frontis. and additional title, engs. to text, single ad. leaf at rear, a.e.g., orig. gilt dec. and blind stamped cloth, a little worn at extrems., small 8vo, together with Riccardi Press, Caesaris et Hirti Commentarii De Bello Gallico, 1914, t.e.g., orig. vellum gilt with silk ties and card slipcase (limited edition 66/525), 8vo, plus Laclos (Choderlos de), Les Liaisons Dangereuses, n.d., pub. Paris, c. 1920s, seven hand col. pochoir illusts. by Maurice Berty (incl. orig. front wrapper), later cloth gilt, 8vo, with other misc. poetry, literature and biographies, etc., incl. private press (3. shelves)

Mahogany two-door bookcase, the rectangular top with an upstand above a blind fret work frieze and two astragal glazed doors raised on ball and claw feet, 50 1/2in (128.3cm)

George III mahogany Bureau in two halves, the upper half with fall front enclosing central glazed door, flanked by compartments with blind fretwork and further pigeonholes and drawers and above one long and two short drawers, the base fitted with three long graduating drawers, all with brass swan neck handles and on bracket feet.

A Large 19th Century Overmantel Mirror, with lion head cresting and with vining fruit, the overall mirror plate with blind fretwork corners 165cms x 118cms (See lot 383 for illustration) £200 - 300

JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ARTIST’S PROOF WITH BLIND STAMP (76/250), Woodcock in flight in winter, 12” x 17”

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, A SET OF THREE ARTIST’S COLOURED PROOFS WITH BLIND STAMPS, ‘Guildford Steam Shed’, number 1,2 and 3; Together with a facsimile page of sketches for the same series, various sizes, (4)

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ARTIST’S PROOF WITH BLIND STAMP, (76/1500), ‘Jaguars’, 12” x 21”

TERENCE CUNEO, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ARTIST’S PROOF WITH BLIND STAMP, (418/850), ‘D-Day’, also signed by General John Mogg, 18” x 31”

ARCHIBALD THORBURN, SIGNED IN PENCIL TO MARGIN, TWO COLOURED PRINTS, (ONE WITH BLIND STAMP), Published 1922/7, ‘Pintails on the Shore’ and ‘Wigeon alighting’, 11” x 15”, (2)

P W TOMKINS, A GROUP OF TEN UNFRAMED BLACK AND WHITE ENGRAVINGS ON BLUE PAPER, Classical figures, (Historical Note: There is a blind stamp on the verso of each print, stating that duty has been paid for stained paper), each approximately 3” x 5”, (10)

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘Casilda’s white petticoat’, 18” x 24”

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘Retreat from the sun’, 18” x 24”

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘Interlude’, 12” x 20”

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘The Secret Retreat’, 17” x 23”

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH BLIND STAMP, ‘La Voulte sur Rhone’, 17” x 25”

A CIGARETTE BOX of oblong form, the domed moulded edged lid with blind cartouche on engine turned ground, on bracket feet, 5 1/2" wide, London 1939.

AN EDWARDIAN TOILET TRAY of rounded oblong form, the repousse centre with flowers, scrolls and with blind cartouche, 11 1/2" wide, Chester 1905, 9ozs 1dwt.

A VICTORIAN FRUIT DISH of oval form, the flared and gadrooned rim embossed with blind cartouche, scroll and flowerhead edging, on flared feet, 10 3/4" wide, Birmingham 1916, 12ozs 7dwts.

A GEORGIAN TEA CADDY of square form with detchable lid, embossed and chased with blind cartouche amongst scrolls and flowerheads, 8 3/4" wide, London 1747, maker's mark M.H., 10ozs 6dwts (Illustrated).

LE BLOND, Sunday Morning, oval oil print with blind stamp, and another Wedding Day, 6 1/2" x 5 1/4", gilt frames (2).

LE BLOND, Pet Rabbits, oval oil print with blind stamp, 6 1/2" x 5 1/4", ebonised frame.

SIR WILLIAM RUSSELL FLINT, October Morning on the Baise, reproduction in colours, signed in pencil, with blind stamp, 21" x 27 1/2", gilt frame.

SIR WILLIAM RUSSELL FLINT, Anne Marie by the Loire, reproduction in colours, signed pencil with blind stamp, 18 3/4" x 24 1/2", framed (Illustrated).

An Edwardian mahogany lift-top piano stool with blind fret decoration, raised on four fluted supports.

A George III oak and mahogany crossbanded hanging corner cupboard, the blind door enclosing two shaped shelves.

An Edwardian Chippendale style side cabinet, the swan neck pediment above a blind fretwork frieze and an astragal glazed door with a bowfront base with various cupboards and recesses, on cabriole supports carved to the knees, 45ins x 82ins.

An early 18thC walnut longcase clock, of eight-day movement chiming on two bells, the brass dial with Roman and Arabic numerals, seconds dial and vertical calendar aperture, matted centre, signed 'Wm. Smith London' on a tablet, with steel and foliate cast spandrels, re-painted moon dial to the arch, the hood with high domed caddy top over swept and moulded twin arch moulding, later finials and with blind fret friezes, ½ round pilaster flanking the dial, the trunk door with double ogee door and glass lentile, canted sides, on stile feet, 103" high overall.

Kane, Elisha Kent. Arctic Explorations: The Second Grinnell Expedition in Search of Sir John Franklin, 2 Vols (Philadelphia: Childs & Peterson, 1857), 8vo, folding maps, eng. plates, b. & w. text illus., blind stamped original grey-green cloth, (2).

After the 18th century British School 'Blind Man's Buff' Engraving 20cm x 20.5cm In a birds-eye maple frame; and three companions, 'The Blind Fiddler', 'The Cut Finger' and 'Reading the Will' Uniformly framed, (4)

A 19th century mahogany kneehole desk, the rectangular top with moulded edge above long drawer and kneehole with frieze drawer and cupboard, flanked by two banks of three graduated drawers raised on bracket feet and flanked to the angles by canted blind fretwork panels 83.5cm wide

A George III style mahogany small bureau bookcase, the top with dentil cornice and blind fret frieze over twin astragal glazed doors enclosing three adjustable shelves, the base with hinged fall enclosing stepped interior over four long graduated drawers to front with brass swan neck handles, on bracket feet, 214cm high, 80cm wide, 47cm deep.

An Edwardian inlaid mahogany serpentine front display cabinet, with shallow moulded cornice and panel inlaid frieze over central curved-front door flanked by glazed side panels enclosing three shelves, the lower section with blind quarter veneered panel infill, on four square section tapered supports with spade feet, 183cm high, 122cm wide, 40cm deep.