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A mid-17th century joined oak plank coffer, the hinged cover on original steel loop hinges, the interior once fitted with candle box, the front panel with three rosette blind carving, w.92cm

A late George III Satinwood Work Table, early 19th century, of octagonal shaped form with hinged lid enclosing a blue velvet lined interior, with a blind fret carved moulding and gothic style arcaded frieze, on splayed legs with brass-capped toes and castors joined by a turned stretcher49cm by 32cm by 71cmModern velvet-lined interior. Cosmetically good in that it has previously been restored/polished. Small repairs around the arched apron but this has been done to a good standard (see images).

A Late George III Mahogany Secretaire Bookcase, early 19th century, of attractive proportions, the dentil and blind fret carved frieze above astragal glazed doors enclosing three adjustable shelves, pull-out candle slides below, the fall front with sliding mechanism enclosing a fitted interior of pigeons, four smal drawers and leather writing surface, three long graduated drawers below, on bracket feet83cm by 43cm by 239cm83cm wide and 43cm deep.

A Late George III Mahogany Straight Front Chest of Drawers, early 19th century, with Greek Key dentil cornice above a blind fret carved frieze and two short over six pine-lined long drawers, on later bracket feet, bears ivorine label to verso Thomas H Kerr, Modern and Antique Furniture Dealer, Hellen's Burgh80cm by 49.5cm by 139cmThe top is split and rather misshapen (see images), also with various ring marks. Locks replaced. Good quality. Brasses seem original. Faults to the cockbeaded drawers with small repairs (as photographed). The bracket feet have some splits and strengthening work (as photographed). The fretwork moulding also has some minor faults.

A Mahogany and Tulipwood-Banded Breakfront Four-Door Wardrobe, early 20th century, the Greek Key dentil cornice above a plain frieze and central cupboard doors with oval panels and acanthus scrolls enclosing two mahogany-lined sliding trays, flanked by conforming wings enclosing hanging space, the base with two short over three long drawers flanked by blind fret style carved panels, on bracket feet226cm by 70cm by 210cm

A George III Chinese Chippendale Style Open Armchair, late 19th/early 20th century, recovered in red silk damask, with oval back support and overstuffed seat, the pierced back support, arms and blind fret carved frame on square chamfered legs with scrolled and pierced brackets69cm by 51cm by 100cm

A Chinese Chippendale Style Satinwood Open Armchair, early 20th century, richly painted with flowers and Oriental figures, the fret cut back and arm supports above a single-cane seat with removable velvet squab cushion, the blind fret carved seat rail on forelegs joined by an H stretcher66cm by 51cm by 97cmA Matching Single Chair53cm by 43cm by 98cm (2)

A Chippendale-Style Carved Mahogany Dressing Table Mirror, early 20th century, the bevelled glass plate within a moulded frame between pivoting tapering supports with carved finials, the base of serpentine shaped form with three blind-fret carved small drawers69cm by 23cm by 81cm

Two modern first editions signed by their authors and with dust jackets:1. 'The Only Enemy' - Brig. Sir John Smyth V.C. (Hutchinson 1959), signed 'Jackie Smyth - House of Commons 30.1.63'. 2. 'The Blind Spot' - Joy Packer (Eyre & Spottiswoode 1967)

Ramazzini (Bernardino) Essai sur les Maladies des Artisans, translated by Fourcroy, first edition in French, marginal stain to A1, contemporary calf, spine gouged and chipped at ends, [PMM 170; Wellcome IV.467], Paris, Moutard, 1777 § P[ortal (Antoine)] Précis de Chirurgie Pratique, 2 vol., first edition, 16 engraved plates on 15 sheets, contemporary label of "Monsieur Fournier, maître en chirurgie & demonstrateur des Accouchemens, a Gisors" to pastedowns, contemporary sheep, spines gilt, [Wellcome IV.418], Paris, Théophile Barrois le jeune (slip pasted over original publisher), 1768 § Pardoux (B.) Universa medicina...De morbis anima, edited by Savvageon, 2 parts in 1, main title in red & black, modern bookplate of J.van der Hoeven, contemporary calf ruled and stamped in blind, [Wellcome IV.335], Lyons, J.Carteron, 1649 § Rivière (Lazare) Opera medica universa, engraved portrait, title in red & black with woodcut device, light foxing, old ink library stamp to title, modern calf-backed boards, spine gilt, Lyons, A.Cellier, 1672, all but the last rubbed; and 14 others, medicine, French, v.s. (19)⁂ The first mentioned is the first comprehensive and systematic treatise on occupational diseases, first published in Modena in 1700. The work examines the health hazards encountered in nearly sixty trades and professions and includes mining, masonry, ceramics, smithing, farming, brewing, weaving, and doctors.

NO RESERVE Interiors, architecture, crafts etc.- Read (Herbert) English Stained Glass, number 16 of 50 copies signed by the author, plates, some colour, original vellum, slip-case (worn and frayed), 1926 § Hood (Charles) A Practical Treatise on Warming Buildings by Hot Water..., second edition, 4pp. advertisements, half-title, original blind-stamped cloth, lightly rubbed, 1844 § Cadogan Rothery (Guy) Chimneypieces and Ingle Nooks, plates, light foxing to half-title, original decorative cloth, spine ends lightly creased, [c.1911] § Ayrton (Maxwell) and Arnold Silcock. Wrought Iron and Its Decorative Use, plates, original cloth-backed boards, 1929 § Briggs (R.A.) Country Cottages and Homes for Small and Large Estates, plates, some colour, original cloth, spine gilt, 1910 § Jourdain (M.) Old Lace: A Handbook for Collectors..., plates, original cloth, fine, dust-jacket, browned, spine ends chipped and frayed but overall a lovely copy, 1908; and c.25 others, interiors, crafts, English estates and families etc., including a rare ropes trade catalogue, v.s. (c.30)

Alchemy.- Ulstadt (Philipp) Coelum philosphorum, seu liber de secretis naturae, second Lyons edition, title with woodcut printer's device, woodcut illustrations of furnaces, distillation apparatus etc., some full-page, with the final blank, old ink signature to head of title, some ink underlinings, occasional spotting or browning, a few small stains, cropped with slight loss to a few side-notes, ink presentation "S.M.C. from H.P.B. 1900" to front pastedown, contemporary blind-stamped calf, rubbed, rebacked preserving old red morocco label, new endpapers, [cf.Adams U54; Ferguson II.482], 12mo in 8s, Lyons, Guillaume Rouille, 1557.⁂ Second Lyons printing of this popular work on distillation by a Nuremberg physician, first published in 1525. It contains detailed descriptions of the preparation and use of distillates, for apothecaries, surgeons and doctors, as well as recipes for wines and spirits.

NO RESERVE Pontoux (Claude) Figures du Nouveau Testament, illustrées de huictains Françoys, pour l'interpretation & intelligence d'icelles, collation: Aa-Dd⁸, Ff-Kk⁸, Ll⁴, 143 woodcut illustrations by Pierre Eskrich, lacking Ee, bookplate to pastedown, 19th century ink ownership inscription to front free endpaper, occasional spot or two, ff. lightly trimmed at head though not affecting text, 19th century blind-stamped calf, a little rubbed, rebacked preserving spine strip, 4to, Lyon, Guillaume Rouille, 1570.

NO RESERVE [Trusler (John)] Hogarth Moralized. Being a Complete Edition of Hogarth's Works, engraved frontispiece and additional vignette title, 75 engraved illustrations, a few tipped-in, armorial bookplate of Sir Robert Johnson Eden, frontispiece with small repaired tear to upper margin, C1 with short tear to foot, affecting only catchword to verso, some light spotting and occasional browning, patch of water-staining to head of first few leaves, hinges cracked, later blind-stamped calf, gilt, some rubbing, light spotting to upper cover, joints split, g.e., S. Hooper...and Mrs. Hogarth, 1768; and another 18th century on Hogarth, 4to & 8vo (2)

Louvet de Couvray (Jean-Baptiste) Les Amours Du Chevalier De Faublas, 2 vol. only (of 4), new edition, 4 copper-engraved plates, contemporary cat's paw calf, vol.2 upper cover nearly detached, joints rubbed, Paris, Chez Ambroise Tardieu, 1821 § de Goncourt (Edmond & Jules) Madame de Pompadour, new edition, plates, some colour, contemporary crimson half morocco, spine gilt with floral and heart blind stamping design, Paris, 1888 § Le Comte de Ségur (M.) Mémoires, ou Souvenirs et Anecdotes, 3 vol., plates. contemporary half calf, a little rubbed, Paris and London, 1825 § Samain (Albert) Oeuvres, 3 vol., contemporary blue morocco, spines gilt in compartments with red spine labels, lightly scuffed, spines a little faded, Paris, n.d., bookplates, light scattered foxing; and c.20 others, French literature, v.s. (c.25)

NO RESERVE Manchester.- More Fruit from the Same Pannier; or Additional Remarks on the History of Manchester, first edition, small loss to foot title, old repair to verso, scattered faint spotting, ex-library with neat ink shelf-mark to title verso and occasional discreet blind-stamps, modern boards, slight bumping to corners, 8vo, 1781.⁂ Scarce. Only 3 on ESTC, at: Manchester Cheltenham's Library; The John Rylands Library, and; Yale University Library. ESTC suggests that this work refers to John Whitaker's 'The History of Manchester', which was first published in 1771.

Thackeray (William Makepeace) Vanity Fair. A Novel Without a Hero, first edition in book form, without the suppressed woodcut of Marquis of Steyne on p.336 but with "Mr. Pitt" for "Sir Pitt" on p.453, initial advertisement leaf for "Great Hoggarty Diamond" present, additional vignette title, 39 etched plates (frontispiece present but misbound after p.618), wood-engraved vignettes, offsetting, a few leaves starting to work loose, upper hinge cracked, contemporary half calf over marbled boards, corners repaired, 1848 § Stowe (Harriet Beecher) Uncle Tom's Cabin, ?first English edition, wood-engraved portrait frontispiece, vignette title and 27 plates by George Cruikshank, contemporary ink ownership inscription to endpaper, hinges repaired, original blind-stamped cloth, John Cassell, 1852, some light foxing, rubbed; and 2 others 19th century, 8vo (4)

Johnson (Samuel) Julian's Arts to Undermine and Extirpate Christianity. together with Answers to Constantius the Apostate, and Jovian, second edition, half-title, M4 with marginal loss to bottom corner, neatly restored, ex-library with shelfmark to title verso and occasional discreet blind-stamps, previous owner's ink inscription to early blank, contemporary calf, gilt, slight bumping to corners and extremities, upper joint rubbed but holding firm, [Wing J832], 8vo, by J. D. for the Author, 1689.⁂ A2 verso reads, "The present Impression of this Book, was made in the Year 1683, and has ever since lain Buried under the Ruines of all those English Rights which it endeavoured to Defend; But by the Auspicious and Happy Arrival of the Prince of Orange both They and It have obtained a Resurrection."

Tennyson (Alfred, Lord) Lyrical Poems, contemporary polished red calf, spine gilt in compartments with brown morocco spine label, light scuffs, London and New York, 1899 § Rosetti (Christina Georgina) The Poetical Works, portrait frontispiece, contemporary burgundy crushed morocco, spine with raised bands, g.e., inner dentelles, 1906 § Thomson (James) The Seasons, half-title, light foxing, contemporary straight-grain red morocco, gilt, 'merit' prize blind-stamping to upper cover, corners bumped, a little soiled, for T. Longman et al., 1793 § Dryden (John) The Poetical Works, 4 vol., engraved portrait frontispiece, offset, lightly foxed, contemporary diced calf, worn, rebacked with red morocco spine labels, 1811, bookplates, some with contemporary gift inscriptions to endpapers; and c.30 others, poetry, 8vo (c.35)

Alchemy.- Sendivogius (Michael) A New Light of Alchymy: Taken Out of the Fountain of Nature and Manual Experience. To Which is added a Treatise of Sulphur..., translated by J[ohn] F[rench], second edition in English, with separate titles for Paracelsus's 'Of the Nature of Things' and 'A Chymical Dictionary', with A6-8 'To the Reader' duplicated after the second title, a little soiled and stained, later ruled in blind, rubbed, rebacked with red morocco label, new endpapers, [Ferguson I.257; Wellcome V.80; Wing S2507A], 8vo, by A. Clark, for Tho. Williams, 1674. ⁂ Scarce second edition of French's translation, first published in 1650. Sendivogius was considered by contemporary alchemists to be the true possessor of the philosopher's stone. In orthodox scientific terms the work is important for its discussion of the components of air. "Sendivogius believed that the air contained a hidden life-giving and fire-supporting agent . . . the first idea of the existence of oxygen". (DSB XII, 307).

America.- Ashworth (Henry) A Tour in the United States, Cuba, and Canada, bookplate to front pastedown, original cloth stamped in blind, spine and joints sunned, joints and ends a little scuffed, [c.f. Sabin H.2208], 8vo, [?1861] § Robertson (William) The History of America, 2 vol., first edition, half-titles, 4 engraved folding maps, 1 folding engraved plate, bookplates, some light off-setting, spotting (mainly to vol. 1), contemporary calf, spines gilt with red morocco labels, early sympathetic repairs to joints, [Sabin 27097], William Strahan, 1777; and 3 others North America, 8vo and 4to (6) ⁂ The first: Rare. Can trace no copies sold at auction in last 50 years. Henry Ashworth was a Bolton cotton spinner and author of several books on the cotton trade (listed in Slaters Directory of 1850)

NO RESERVE Central America.- Squier (E.G.) Travels in Central America, Particularly in Nicaragua, 2 vol., 30 lithographed or wood-engraved plates on 29 sheets, one folding, several tinted lithographs, 2 folding maps, illustrations, vol. 2 appendix "Outline of Political History" bound without chapters 2 and 3 but with duplicate chapter 6, contemporary pencil inscription and owner's blind-stamp to front free endpaper, folding plate and 1 folding map with short tear at fold, offsetting, hinges tender, original blind-stamped cloth, joints starting at head, [Abbey, Travel 674], New York, 1853 § Montague (Lady Mary Wortley) Letters of the Right Honourable Lady M--y W--y M--e: Written during her Travels in Europe, Asia and Africa, 3 vol. in 1, third edition, each vol. with half-title, contemporary ink ownership inscription to pastedown, the odd small stain, contemporary calf, spine worn with loss, upper cover and endpaper detached, Printed for T. Becket and P. A. De Hondt, 1763, occasional light spotting, rubbed, 8vo (3)

Divination.- Peruchio (Sieur de) La Chiromance, la Physionomie, et la Geomance, avec la Signification des Nombres..., third printing, title with woodcut printer's device, 2 folding engraved plates, numerous engraved or woodcut illustrations, tables and diagrams in text, some full-page of hands, faces and Pythagoras's wheel, ink spot to E3 causing small hole affecting a few letters, lightly browned, old manuscript notes and symbols to old front free endpaper, modern calf with latticework panel ruled and stamped in gilt and blind, slightly rubbed, spine a little faded, [Caillet 8555; cf.Wellcome IV.340, first printing 1656], 4to, Paris, Louis Billaine, 1663.⁂ Guide to the arts of determining character and temperament through the study of palms, faces and configurations or patterns in the earth and their relationships to astrology.

NO RESERVE Madness of King George III.- Reply to the Author of the Remarks on a letter relative to the late petitions to parliament for the safety and preservation of His Majesty's person; and for the more effectually preventing seditious meetings and assemblies, first edition, half-title, author incorrectly inscribed as Edward Hartington on title, lacking final text leaf (I2), scattered soiling, one or two very faint marginal blind-stamps, modern drab-boards, 8vo, 1796.⁂ Rare. Only one copy on ESTC at the British Library. This work has previously been incorrectly attributed to Sir Edward Hartington, who was actually the author of the work this is in response to.

17th century chest of drawers 17th-century oak chest of drawers, planked top with ogee molding above cushion drawer with carved gadrooning, two short and two long drawers with cushion molding, carcass with split turned decoration all standing on blind base.width 120cm (47"), depth 57cm (22"), height 103cm (41")Later brass handles standing on later blind pedestal base.

Victorian bookcase Victorian mahogany glazed bookcase on cupboard base, upper section with two doors having arched profile covering three adjustable shelves, lower section with single cushion drawer and two further blind cupboards to base.width 100cm (39"), depth 44cm (17"), height 193cm (76")Overall good colour, upper section requires molding to be re-attached to base left-hand side, knocks and blemishes to plinth, each side to lower section requiring polishing to remove mold.

Victorian side cabinet Victorian burr oak twin pedestal side cabinet stamped "Garnett", top with low back stand, three frieze drawers with carved wooden handles, each pedestal with hinged door containing various sliding shelves. Robert Garnett & Sons, Warrington, well-known cabinet makers producing high-quality aesthetic movement furnishings.width 213cm (84"), depth 74cm (29"), height 94cm (37")Blind pedestal base with various scuff marks in keeping with age.

Victorian burr oak side cupboard Victorian burr oak side cupboard, rectangular top with matched quartered veneers, two doors, each with three panels, upper panels with carved Rococo decoration, doors opening to reveal three adjustable shelves, slatted back panel, makers mark for Thomas Edwards &Son, Newcastle, Staffs, width 127cm (50"), depth 44cm (17"), height 117cm (46"), also a matching bedside locker with single door bearing makers mark, interior with single shelf, width 46cm (18"), depth 41cm (16"), height 75cm (29").Overall condition of large cupboard good, very slight scuff marks to blind base (see photographs), bedside locker swan neck pediment to back board, central finial missing.

After Emil Adam, 'Isinglass' and 'Diamond Jubilee', colour prints numbered 385/400 and 386/400, with studio blind stamp, each plate 23x30cm

A Victorian Irish burr walnut loo table with amboyna banded and marquetry inlaid decoration, raised on a four column fluted and blind fretwork decorated base to splayed moulded supports and scroll feet, 130 cm wide x 98 cm deep x 70 cm high CONDITION REPORTS There is some fading and water marks throughout particularly noticeable to the top. An area of patching to the veneer/breaks on the edge of the moulding rolling onto the top. Signs of worm throughout. Losses to the veneer on the base variously. Wear and tear conducive with age and use, some heavy scratches etc - see images for more details. Tilting mechanism not working

A Victorian mahogany side cabinet, the shallow raised back over two cupboard doors enclosing two shelves raised on a plinth base 137 cm wide x 36.5 cm deep x 107 cm high together with an early to mid 20th Century mahogany shallow bow fronted and blind fretwork decorated display cabinet with two doors enclosing two shelves raised on cabriole legs to claw and ball feet 89 cm wide x 35 cm deep x 129 cm high

A Victorian drop dial wall clock with blind fret detail, Roman numerated painted dial, 99cm tall x 39cm wide, with pendulum

A Victorian Tunbridge style drop dial wall clock with blind fret detail, Roman numerated painted, one finial a/f, 85cm tall x 38cm wide, with pendulum

A blind-fret carved mahogany bed head and tail, 153cm wide

A George III style mahogany blind fret display cabinet circa 1900, 207 x 77 x 42cm

After Robert Wade (Australian b.1930), The Last Drive St Andrews, limited edition golfing print, pencil signed lower right, Chelsea Green Editions blind stamp lower left, limited edition number 162/600. H.64 W.78cm.

A George III mahogany sofa table, rounded rectangular over-sailing top with reeded edge, pair of short drawers to frieze, blind to verso, turned stretcher, sabre legs, lion paw brass casters, 75cm high, 79cm wide, 66cm deep, c.1810

A Victorian inlaid burr walnut Davenport, fitted interior, four short drawers to side, blind to verso, bun feet, 85cm high, 53.5cm wide, 52cm deep, c.1860.

A Victorian walnut davenport, domed superstructure fitted for writing, hinged sloping top with inset tooled and gilt leather surface enclosing small drawers, turned supports, four graduated drawers to side, blind to verso, bun feet, casters, 84cm high, 53.5cm wide, c.1870

Arnold Muhren signed Manchester United 12x8 colour photo. Arnold Johannes Hyacinthus Muhren (born 2 June 1951 in Volendam, North Holland) is a Dutch football manager and former midfielder. His older brother Gerrie, also a midfield player, won three European Cup titles with Ajax in the early 1970s. Muhren is among the few players to have won all three major UEFA-organised club competitions, the European Cup (1972-73), the Cup Winners' Cup (1986-87) and the UEFA Cup (1980-81). The last of these was won with Ipswich Town, while the other titles were won while playing for Ajax. He is also one of the two Dutch players, together with Danny Blind, to have won all UEFA club competitions. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

After Cecil Aldin (1870-1935)The Grand National - The Canal Turn, coloured print, 158/800 blind stamp Chelsea Green Editions, 36cm x 57cm and a Palladian type Country House print, 32cm x 48cm (2)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

A George III oak brass dial 30-hour longcase clock by Samuel Harley of Salop, the hood with scroll pediment and brass finials above a blind fretwork frieze and fluted full columns, the cross-banded trunk with conforming door over a cross-banded base box raised on bracket feet, the 11in dial with moulded corner spandrels, silvered chapter ring with black Roman numerals and Arabic minutes track, the silvered centre inscribed Sam.l Harley to a scroll cartouche and with a calendar aperture, the 30-hour movement with four knopped pillars, striking on a bell, 51cm wide x 25cm deep x 215cm high, with single weight and pendulum.

An Edwardian mahogany side cabinet, with blind fret frieze above two glazed doors, flanked by shelves on cabriole legs, 103cm high, 121cm wide.

Cecil Aldin (1870-1935) pair of signed coloured lithographs from the Old English Inns series - The Grange Inn, Dorchester and Pomfret Arms Towcester, published Eyre & Spottiswoode with Fine Art blind stamps and both signed in pencil lower margins, one with hand coloured original sketch by the artist alongside signature, 35 x 40cm and 40 x 38cm, both framed and glazed, one with original printer's and framer's labels dated 1927

Beryl Cook (1928-2008) signed limited edition (90/650) print 'Strip Poker', with gallery blind stamp and certificate of authenticity verso, 59 x 34cm

Beryl Cook (1928-2008) signed limited edition (473/650) print 'Birthday Cake', with gallery blind stamp and certificate of authenticity verso, 54 x 38cm

Elizabeth I / Tudor jointed oak and parquetry inlaid figurally decorated canted court cupboard, the single plank top raised above two cupboards and blind central panel decorated with figure of eight foliate decoration, stepped borders, scrolling panels, inlaid bog oak and holly surround flanked by male and female high status figures, probably king and queen, the king's image repeat carved lower down the piece. The central cupboard and panels decorated with foliate roundels, stepped adzed borders, two male and female figures, and bulbous carved supports, the lower part of the cupboard with two carved straight drawers flanked by the aforementioned figures raised above a simple plank shelf, fluted supports and bun feet, W129 x D39 x H139cmProvenance: Originally from The Manor, Ashby St Ledgers

Ryan Callaman 'Ryca' (born 1981) signed limited edition (2/20) print Ona Islam (duckshell), with Scrawl Collective blind stamp lower left, 50 x 30cm, with certificate

Sybil Andrews (1898-1992) limited edition (37/850) print 'Tillers of The Soil' (1934), with Bookroom Art Press blind stamp lower right, 43 x 51cm

Sybil Andrews (1898-1992) limited edition (58/850) print  Concert Hall (1929), with Bookroom Art Press blind stamp lower right, 43 x 51cm

Cyril Power (1872-1951) limited edition (902/950) print The Tube station c1932, with Bookroom Art Press blind stamp lower right, 53 x 61cm

Eric Ravilious (1903-1942) limited edition (82/850) print Leaving Scapa Flow, 1940, with Bookroom Art Press blind stamp lower right, 61 x 71cm

Laurence Stephen Lowry, RBA, RA, (British, 1887-1976),"His Family",Artist signed print on paper,Signed in pencil lower right,Fine Art Trade Guild blind stamp and number code "AKE" for 085 lower left,55cm x 72.5cm,Framed and glazed CONDITION REPORT:The picture is framed under glass and has not been removed for inspection.  The image appears to be in good condition, showing no obvious damage, although there is a small fox mark in the lower right quadrant, and further fox marks to the lower right corner.  The colours appear relatively bright, but may have faded somewhat over time.

A George III mahogany chest on chest, with a moulded dentil cornice over two short and three long lip moulded drawers, applied with associated brass swing handles and flanked by blind fretwork canted corners, upon the lower chest formed with three conforming long drawers, raised upon bracket feet, 182cm H x 100cm W x 55cm D (at fault)

SPARTON RECORDS - 7" PACK. A top pack of 10 x 7", primarily promotional copies. Artists / Titles include The Velvetones - Think About Me (4-1318-R, Promo, Ex+), Big Little John - Look Out (4-1308-R, Promo, Strong VG+), Vince Everett - Baby Let's Play House (4-1215, Strong VG+), Tony Douglas - Baby, When the Sun Goes Down (4-616R, Ex), Jimmy Starr - Blind Date (4-1164-R, Ex), Hank the Drifter - Painted Doll (4-1115-R, Ex), Arthur Thomas - Bee Sticks to Honey (4-1346R, Glossy Ex), Tommy Roe - Carol (4-1258-R, Ex+) Don Rogers - Ann Tanner and The Extroverts - Hey Boy, Hey Girl (4-765 R) and Earl Williams - A Fool In Love (4-481R, VG+).

COLUMBIA - 78RPM SHELLAC PACK. A wonderful selection of 14 mixed-genre 78rpm shellacs, all released on Columbia, including some promos. Artists/ titles include Memphis Minnie inc Hold Me Blues (37977), Sweet Man (30176). Blind Boy Fuller - Screaming And Crying Blues (37155), Willie "Long Time" Smith inc Flying Cloud Boogie (30140, promo), My Buddy Doctor Clayton (37990). The Ravens inc My Baby's Gone (39070, promo), You Don't Have To Drop A Heart To Break It (39112), Earl Peterson - Boogie Blues (21364), Johnny Horton - I Got A Hole In My Pirogue (40813), Onie Wheeler - I Wanna Hold My Baby (21523), Big Bill inc Hard Hearted Woman (37196), I'm Gonna Move To The Outskirts Of Town (37196). Bill Crosby - Come For A Ride (36938) & Spade Cooley - Oklahoma Stomp (37237). Condition is generally V+ to Ex+.

ROCK N ROLL/ ROCKABILLY/ BLUES/ R&B - 78RPM SHELLACS (M & O LETTER LABELS). A quality collection of 28 mixed genre 78rpm shellac, all released on labels starting with the letter M &O. Artists/ titles include Bernie Early - Your Kisses Kill Me (12640), Jimmy Newsome - Do That Thing (11849), The Solitaires inc Later For You Baby (1015), The Honeymoon. Champion Jack Dupres - Angola Blues (05823), Etta James inc Crazy Feeling (962), The Pick Up. Herb Fisher - Too Many Fish In The Sea, Young Jessie - Nothing Seems Right, Ruth McFadden - Since My Baby's Been Gone. Little Willie Littlefield, Memphis Minnie, Smokey Hogg, Floyd Dixon Trio, Roy Hawkins, Lillie Greenwood, Ivory Joe Hunter, The Three Flames, George McCormick, Blind Johnny Davis, Braxton Shooford, Hardrock Gunter. Condition is generally V+ To Ex+.

RONNIE DAWSON - ROCKIN' BONES C/W CONGRATULATIONS TO ME 7" (ROCKIN' RECORDS #1 - ORIGINAL US COPY). A wild Texas Rockabilly rarity from Ronnie "The Blind Bomber" Dawson with the original US 7" of Rockin' Bones c/w Congratulations To Me. The record (Rockin' Records #1, original hand etched matrix RR-1A/RR-1B, more scarce variant with 'Congratulations To Me' over two lines) is in glossy Ex condition showing a couple of light and minor surface

After William Russell Flint, Spanish Courtyard, signed, colour print, with blind proof mark, 43 x 58cm.Qty: 1

Vinyl Lps including R&B from The Marquee, Alex Korner's Blues Inc.; Charles Mingus Jazz Portraits, T663; Memphis Slim, $500; Humphrey Lyttelton, Me And Buck T 324; Buck Clayton, one for buck T601; Art Blakey and his Jazz Messengers T555; Blind Gary Davis, Harlem Street Singer, 688 303ZL; The Great Kai & JJ T688; Lou Rawls, Black & Blue TP 716; Roots of the Blues Mono, LTZ-K 15211; John Lee Hooker sings his Blues Don't Turn Me From Your Door, HA-K 8097; Sonny Terry & Brownie McGhee T379; Brownie McGhee & Sonny Terry, Topic 12T29 inc. fold-out leaflet; others inc. Wild Bill Davison, George Lewis, Red Alle; Gret Ellingtons; Ray Charles; Lionel Hampton, Mose Allison & Acker Bilk & His Parmount Jazz Band etc.