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THE ROLLING STONES - LP COLLECTION. A fine collection of 16 LPs by The Rolling Stones. Titles include Exile On Main St (COC 69100, UK press with all post card inserts attached), Beggars Banquet (LK.4955, unboxed red Decca. 4A/ 2A), Let It Bleed (SKL 5025, narrowband label with poster), S/T (LK4605, 2A/ 4A), No.2 (LK.4661, 2A/ 1A. Blind man sleeve), Get Yer Ya-Ya's Out (SKL 5065), Their Satanic Majesties Request (TXS 103, reissue in og lenticular sleeve), Big Hit (TXS 101), Through The Past Darkly: Big Hits Vol.2 (SKL 5019, Hexaganol sleeve), Aftermath (LK4786), 12x5, Sticky Fingers (zipper sleeve), Out Of Our Heads, Between The Buttons, Super Star. Condition is generally VG+ to Ex, odd record or sleeve may drop to VG.

An Edwardian mahogany envelope card table, usual form with blind fret panels, raised on cabriole supports, united by an X shaped stretcher

A George III mahogany card table, the fold over top with blind fret carved edge and on square moulded chamfered legs, 91cm wide, 45cm deep, 70.5cm high

16 CREAM/ERIC CLAPTON LPs including: Disraeli Gears (UK Stereo Orig), Fresh Cream (UK Mono Orig), Derek & The Dominos, Ginger Baker's Airforce, Blind Faith, Wheels Of Fire (UK Mono Orig), 461 Ocean Blvd, Goodbye Cream, etc.

FILM STARS: Marcus Hearn: Hammer Glamour, Classic images from the archive of Hammer Films. 2009, 1st, edn. DW. SIGNED on the respective photograph, by: STEPHANIE BEACHAM; VERA DAY; JOANNA LUMLEY; CAROLINE MUNRO; STEFANIE POWERS; & MADELINE SMITH; Patrick MACNEE & Marie Cameron: Blind in One Ear, 1st. edn. dw, Signed by both; Michael Caine: The Elephant in Hollywood, autobiography. 1st. Edn. dw, SIGNED; John MILLS: Up In The Clouds Gentlemen Please, 1st. Edn. dw, Inscribed & Signed; Claire Bloom: Leaving a Doll's House, a Memoir. 1st. Edn. dw. Inscribed & Signed; Donald Sinden: A Touch Of The Memoirs, 1st. Edn. dw. Inscribed & Signed; Plus: Laughter at the Second Act: 1st. Edn. dw. Inscribed & Signed; Plus an Inscribed & Signed photo, loosely inserted; Jackie Collins: Deadly Embrace. 1st. Edn. dw. WITH A CARD Signed by Collins; PLUS: Hollywood Divorces. 1st. Edn. dw, Inscribed & Signed; Julie Walters: That’s Another Story. 2008, 1st. Edn. dw. With a signed card; S M Silverman: David Lean, 1st. Edn. DW, With the signatures of JAMES FOX & NIGEL HAVERS; More Character People, 1984, 1st. Edn. Soft covers. All very good+/Fine. (13)

'Frog', limited Edition coloured print, signed in pencil and numbered 95/155, Pacific Editions Limited blind stamp, framed under glass, 51 x 32cm

1965 London Transport DESTINATION BLIND for a Green Line RMC Routemaster coach at Windsor (WR) garage, dated 19.11.65 and coded 'SS' to fit all 3 boxes. Includes panels for early morning bus duties in Windsor and Harlow. A complete, linen blind, Aldenham-manufactured in very good, ex-use condition except for paint splashes on the 397 panel. [1]

1960s Lancashire United Transport DESTINATION BLIND for Atherton and Hindley depôts. A lengthy, complete, linen blind in very good, ex-use condition. [1]

1960s/70s Bournemouth Corporation DESTINATION BLIND. A very lengthy, complete, linen blind, mostly in very good, ex-use condition, one area has wear along one edge. [1]

Pair of London Transport trolleybus DESTINATION BLINDS from Highgate (HT) depôt comprising a front/rear box example dated 14.12.55 and a route numbers blind dated 7.2.57. Both are complete, linen blinds, Aldenham-manufactured and in very good, ex-use condition. [2]

Hong Kong Tramways Ltd DESTINATION BLIND from one of the famous double-deck trams on the island. A classic dual-language blind with all the well-known destinations. Note the extra displays for the Star Ferry and the Races for use in bad weather. A complete, linen blind - no manufacturer's name but it is in the King & Flack style. In very good, ex-use condition. [1]

Sheffield Corporation Tramways TRAM DESTINATION BOX with DESTINATION BLIND. Complete with winding handle and in good working order. Size: 41" x 13" x 5.5" deep (104cm x 33cm x 14cm). [1 unit]

1961 London Transport DESTINATION BLIND for an RT at Barking (BK) garage, dated 6.3.61 (Ren 9.62 & 7.65) and coded 'S' for the side or rear box. Some panels still use upper-case lettering. A complete, linen blind, Aldenham-manufactured and in very good, ex-use condition. [1]

London Transport Tramways DESTINATION BLIND from Holloway depôt dated Sept 16, 1937. A most uncommon survivor, given that Holloway's north London routes were converted to trolleybuses by the start of WW2. In well-used but very reasonable condition, a couple of repairs where the panel-joins are weak. [1]

Pair of London Bus DESTINATION BLINDS from M-class Metrobuses comprising an intermediate points/numbers blind (coded KM) from Willesden (AC) garage and a side blind (numbers etc, coded CC) from Fulwell (FW) garage. Both are c1980s but are undated. Complete blinds, manufactured in Tyvek material by McKenna Bros and in very good, ex-use condition. [2]

Pair of London Transport DESTINATION BLINDS for an RF at Muswell Hill (MH) garage, coded 'K' and comprising a front-box blind dated 25.8.69 and the matching rear blind dated 15.1.70. Complete, linen blinds, Aldenham-manufactured, and in very good, ex-use condition. [2]

1969 Bournemouth Corporation DESTINATION BLIND. Dated August 1969. A complete, linen blind in very good, ex-use condition. [1]

London Bus DESTINATION BLIND from an MA-class Mercedes midibus at Westbourne Park (X) garage and from the 1989-92 period when, under the Gold Arrow name, these buses had replaced the Routemasters and were, in turn, then replaced by higher-capacity Dennis Darts. A lengthy, complete blind in Tyvek material, manufactured by McKenna Bros and in very good, ex-use condition. [1]

1970 London Transport DESTINATION BLIND dated 8.10.70 for an RT at Barking (BK) garage coded 'S' for the front ultimate box. A complete, linen blind, Aldenham-manufactured, mostly in very good, ex-use condition but 6 panels near the centre have a vertical tear. [1]

1960s/70s Sheffield Corporation DESTINATION BLIND. A complete, linen blind mostly in very good, ex-use condition. [1]

1960s Aldershot & District DESTINATION BLIND as fitted to the company's Dennis Lolines. Purchased by the vendor direct from A&D in 1970. A lengthy, complete, linen blind generally in very good, ex-use condition. [1]

London Bus DESTINATION BLIND from a DMS vehicle operated by Ensignbus and coded YY for the side box. Dated 14.1.87 and includes both local routes (blue background) and other panels for the sightseeing tours London Pride and Culturebus. A complete, linen blind, manufactured by London Transport and in very good, ex-use condition. [1]

London Transport trolleybus DESTINATION BLIND from Fulwell (FW) depôt dated 6.1.59 and to fit the front and rear boxes. A linen blind, Aldenham-manufactured, in very good, ex-use condition, incomplete at the top end but still quite lengthy. [1]

Pair of London Transport trolleybus DESTINATION BLINDS from Hammersmith (HB) depôt comprising a Charlton-manufactured example for the side box dated Mar 10, 1950 (still includes the 612 display) and an Aldenham-manufactured route numbers blind dated 30.1.56. Both are complete, linen blinds - well used but generally good. [2]

1962 London Transport DESTINATION BLIND for an RT at Barking (BK) garage, dated 5.7.62 (Ren 5.64 & 7.65) and coded 'S' for the side or rear box. A complete, linen blind, Aldenham-manufactured and in very good, ex-use condition. [1]

London Transport Tramways DESTINATION BLIND for an ex-West Ham Corporation car at West Ham depôt dated April 24, 1934. A most uncommon survivor as these routes were converted to trolleybus operation before WW2. A complete, linen blind in well-used but very reasonable condition. [1]

SouthWest Trains Class 455 EMU DESTINATION BOX complete with 32-panel destination blind. The unit is in very good working order, complete with winding handle. Measures 23.5" x 9.5" (60cm x 24cm) and is 3" (9cm) deep. [1 unit]

Pair (one complete, one section) of 1960s London Transport DESTINATION BLINDS for RTs: the first from Holloway (J) garage dated 13.3.62 (Ren 4.64 & 3.65) and coded 'S' for the side or rear box, the second a 2-panel section from an 'S' blind at West Ham (WH) garage dated 24.9.63 (Ren 2.65). The first is a complete, linen blind, Aldenham-manufactured, well-used at the top end but overall still good. The WH section is in good, ex-use condition. [2]

1967 (manufactured 22/4/66) United Automobile Services DESTINATION BLIND from Redcar depôt. A complete, linen blind in good, ex-use condition. [1]

London Transport DESTINATION BLIND for an RT at Barking (BK) garage dated 14.10.69 and coded 'V' for the rear, ultimate box. A complete, linen blind, Aldenham-manufactured and in very good, ex-use condition. [1]

1962 London Transport DESTINATION BLIND for an RT at Holloway (J) garage dated 13.3.62 (Ren 8.64) and coded 'S' for the side or rear box. A linen blind, Aldenham-manufactured and complete except for the top leader section. The top panel is rather worn, the remainder is in very good, ex-use condition. [1]

1960s Birmingham City Transport DESTINATION BLIND from Rosebery Street garage. A complete, linen blind in good, ex-use condition. [1]

Bundle (13) of misc London Transport/TfL items comprising 2 x 1999 laminated, quad-royal Underground POSTER MAPS (ex-use condition), a framed 1934 tram & trolleybus MAP, a framed world cities MAP in London Underground style, 2 bus destination blind paper INSERTS (Kensington Police Station) (dusty), 5 bus SLIPBOARD POSTERS incl 4 x 1977 'Long Live the Queen' (good to very good), an LT Look Out enamel ARMBAND w/strap (much-used condition) and an LT Parcel Service Agent hanging CARD NOTICE (ex-use). [13]

London Bus DESTINATION BLIND from an RML Routemaster at Willesden (AC) garage and for the ultimate boxes, coded NN. Some iconic central London destinations included. Undated but c1980s. A complete blind, manufactured in Tyvek material by McKenna Bros and in very good, ex-use condition. [1]

1960s Oldham Corporation DESTINATION BLIND marked "327 Front" which would indicate that it was fitted to Daimler CVD6 with that fleetnumber. A complete, linen blind in generally good, ex-use condition. [1]

London Transport Tramways DESTINATION BLIND for a UCC Feltham car at Streatham depôt dated June 29, 1949. A complete, linen blind in generally very good, ex-use condition. [1]

London Transport Tramways DESTINATION BLIND for a standard tramcar at New Cross depôt. The date is unclear but appears to be 1948. A complete, linen blind in reasonable to good, ex-use condition. Some of the upper panels are well-used with small edge-losses not affecting the text. [1]

1963 London Transport DESTINATION BLIND for an RT at Holloway (J) garage dated 21.6.63 (Ren 10.65) and coded 'B' for the front, intermediate box. A complete, linen blind, Aldenham-manufactured, well-used towards the top end but mostly in very good, ex-use condition. [1]

1961 (dated August 1961) Crosville Motor Services DESTINATION BLIND coded 'XC' for express coach services. A lengthy, complete, linen blind in very good, ex-use condition. [1]

London Transport DESTINATION BLIND for an RT at Barking (BK) garage dated 7.2.68 and coded 'B' for the front, intermediate box. A complete, linen blind, Aldenham-manufactured and in very good, ex-use condition. [1]

1960s Ribble Motor Services DESTINATION BLIND from Ulverston depôt. A complete, linen blind in very good, ex-use condition. [1]

1964 London Transport DESTINATION BLIND dated 5.3.64 (Ren 8.65) for an RT at Holloway (J) garage coded 'B' for the front intermediate box. A linen blind, Aldenham-manufactured. The first line of the top panel and the top leader panel are missing, otherwise the blind is in very good, ex-use condition. [1]

London Bus DESTINATION BLIND from an MA-class Mercedes midibus at Westbourne Park (X) garage and from the 1989-92 period when, under the Gold Arrow name, these buses had replaced the Routemasters and were, in turn, then replaced by higher-capacity Dennis Darts. This example has additional panels for the 'Night Arrow'. A lengthy, complete blind in Tyvek material, manufactured by McKenna Bros and in very good, ex-use condition. [1]

1970s Ribble Motor Services DESTINATION BLIND marked "Single Deck Coaches" and believed to be from the company's Wigan depôt. A complete, linen blind with a very wide range of UK destinations and in very good, ex-use condition. [1]

1960s Ribble Motor Services DESTINATION BLIND from Preston depôt, coded 'G' and with sections for Trunks, Preston North, South, East, West and Locals. A lengthy, complete, linen blind in very good, ex-use condition. [1]

1960s/70s Sheffield Corporation DESTINATION BLIND. A complete, linen blind mostly in very good, ex-use condition. [1]

Pair of 1959/60 Crosvillle Motors Services DESTINATION BLINDS comprising an 'AD' blind dated July 1960 and an alpha-numeric blind dated Sept 1959, both from Flint or Mold depôts. Both are complete, linen blinds in good, ex-use condition. [2]

Pair of London Transport trolleybus DESTINATION BLINDS comprising a front/rear example from Bexleyheath (BX) depôt dated 2.4.58 and a route numbers blind from Edmonton (EM) depôt dated 5.10.59. Both are linen blinds., Aldenham-manufactured, and complete other than the first has no top leader panel. In good to very good, ex-use condition. [2]

London Underground District Line DESTINATION BLIND ex-D Stock. A complete blind in plastic material and in excellent, ex-use condition. [1]

Ipswich Corporation bus DESTINATION BLIND. Undated but probably 1950s/60s. A complete, linen blind in very good, ex-use condition. [1]

Helen Layfield Bradley, 1900-1979, Keep Off The Grass, print, signed in pencil by the artist, with a gallery blind stamp, 30 x 50cm, together with a limited edition print, The Snip, John Skeaping, The Break, signed print and two others (5)

An early 20th century oak triple wardrobe, with blind fret decoration and a fitted interior, by Maple & Co195w x 56d x 196h cm

Abstrakter Expressionismus - - Sam Francis. (1923 San Mateo - 1994 Santa Monica). Dark Plated. 1973. Lithographie auf chamoisfarbenem BFK Rives. 64,8 x 86,4 cm (64,8 x 86,4 cm). Signiert und nummeriert. - Tadellos schön erhalten. Prachtvoller, kontrastreicher Druck der formatfüllenden Darstellung, mit Schöpfrand. Lembark, L 167, SF-187. - Eines von 30 Exemplaren. - Hrsg. von The Litho Shop, Santa Monica (mit dem Blindstempel). - Druck bei George Page, The Litho Shop. - Die Lithographie wurde von 4 Aluminiumplatten in 4 Tönen gedruckt. Lithograph on buff BFK Rives. Signed and numbered. - Perfectly preserved. Splendid, high-contrast impression of the full-size depiction, with deckle edge.- One of 30 copies. - Published by The Litho Shop, Santa Monica (with the blind stamp). - Printed by George Page, The Litho Shop. - The lithograph was printed from 4 aluminium plates in 4 tones.

Geneviève Asse. (1923 Vanne, Frankreich - 2021 Paris). Atlantique I. 1993. Farbaquatinta und Kaltnadelradierung auf Velin. 24,4 x 25 cm (57 x 38 cm). - In ausgesprochen gutem Zustand. Prachtvoller Druck, die Aquatinta feintönig und in dem für die Künstlerin typischen "Asse-Blau". Mit breitem Rand und Schöpfrand an der oberen und unteren Seite. Aus einer unbegrenzten Auflagenhöhe. - Exklusiv für die Chalcographie du Louvre realisiert (mit dem Blindstempel). - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. - Seit 1989 beauftragen das Musée du Louvre und die Réunion des Musées Nationaux zeitgenössische Künstler mit der Herstellung von Gravurplatten für die Werkstatt der Chalcographie, die für den exklusiven Druck verantwortlich ist. Colour aquatint and drypoint on wove paper. - In very good condition. Splendid impression, the aquatint finely coloured nd in the artist's typical "Asse blue". With wide margins and scooped edges at the upper and lower sides. - From an unlimited edition. - Realised exclusively for the Chalcographie du Louvre (with the blind stamp). - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis.

Ross Bleckner. (1949 New York City). School (State). 1999. Farblithographie und Serigraphie auf festem Velin. 51 x 75,6 cm (62,2 x 86,4 cm). Signiert, datiert und nummeriert. - Gering angestaubt, in drei Rändern punktuelle leichte Knickspur, verso punktuelle Anschmutzung, insgesamt sehr gut und tadellos schön. Ganz prachtvoller, satter und nuancenreicher Druck mit Rand. Eines von 60 Exemplaren. Herausgegeben von Gemini G.E.L. Ltd., Los Angeles, Kalifornien, mit deren (Blind-)Stempeln sowie Copyright-Blindstempel. - Bleckner untersucht in seinen Arbeiten die Themen Veränderung, Erinnerung und Verlust, den menschlichen Körper und seine Verfassung, einem Memento mori ähnlich. Seine eindrücklichen Kompositionen, ob der Abstraktion oder Gegenständlichkeit in Form von Blumen oder Vögeln gewidmet, wirken hypnotisch und schwindelerregend. Die zentral gesetzten Motive schweben im Raum und sind durch Verrückung flirrend erscheinende, bewegte Farbfelder. Colour lithograph and silk-screen on strong wove paper. Signed, dated and numbered. - Lightly dusted, isolated light crease marks in three margins, verso isolated soiled spot, all in all very good and impeccably nice. Very splendid, rich and nuanced impression with margin. - One of 60 copies. Published by Gemini G.E.L. Ltd., Los Angeles, California, with their (blind) stamps and copyright stamp. - Bleckner's works explore the themes of change, memory and loss, the human body and its condition, resembling a memento mori. His immersive compositions, whether dedicated to abstraction or representationalism in the form of flowers or birds, have a hypnotic and dizzying effect. The centrally placed motifs float in space and, through dislocation, are shimmering, moving fields of colour.

Konzeptkunst - - Jenny Holzer. (1950 Gallipolis). La libeté de choisir (Freedom of choice). 2006. Heliogravüre mit Aquatinta auf Velin. 48,5 x 58,5 cm (59,5 x 72 cm). - In ausgesprochen gutem Zustand. Prachtvoller, tiefschwarzer Druck mit breitem Rand und Schöpfrand an der rechten Seite. Aus einer unbegrenzten Auflagenhöhe. - Exklusiv für die Chalcographie du Louvre realisiert (mit dem Blindstempel). - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. - Seit 1989 beauftragen das Musée du Louvre und die Réunion des Musées Nationaux zeitgenössische Künstler mit der Herstellung von Gravurplatten für die Werkstatt der Chalcographie, die für den exklusiven Druck verantwortlich ist. Heliogravure with aquatint on wove paper. - In very good condition. Splendid, deep black print with wide margins and scooped edge at the right side. - From an unlimited edition. - Realised exclusively for the Chalcographie du Louvre (with the blind stamp). - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis.

Karl Otto Götz. (1914 Aachen - 2017 Wolfenacker/Westerwald). Entym. 1986. Farblithographie auf Vélin. 60 x 80 cm (70 x 90 cm). In Bleistift signiert, datiert, betitelt und nummeriert. Mit zusätzlicher, datierter Gefälligkeitssignatur in Bleistift. - Verso entlang des oberen Randes mit Spuren früherer Montierung. Minimale, kleine Anschmutzung im oberen weißen Rand. Prachtvoller Abzug der dynamischen Komposition. Aus der Sammlung Rissa Götz, der Witwe des Künstlers. Verso mit dem Sammlerstempel. - Hügelow 1986, 77. - Eines von 70 nummerierten Exemplaren. Mit dem Blindstempel des Verlegers Manfed Hügelow, Offenbach. Colour lithograph on vélin. Signed, dated, titled and numbered in pencil. With additional dated courtesy signature in pencil. - With traces of previous mounting along the upper margin on the reverse. Minimal, small soiling in upper white margin. Splendid impression of the dynamic composition. - From the collection of Rissa Götz, the artist's widow. With the collector's stamp on verso. - One of 70 numbered copies. With the blind stamp of the publisher Manfed Hügelow, Offenbach.

Karl Otto Götz. (1914 Aachen - 2017 Wolfenacker/Westerwald). Telmon. 1994. Farblithographie auf festem Fabriano (mit Wasserzeichen). 59 x 48 cm (80 x 70 cm). In Bleistift signiert, datiert, betitelt und bezeichnet. - Prachtvoller Abzug mit tiefen und samtigen Schwärzen. Sauberes Blatt mit Schöpfrand an einer Seite. Hügelow 1994, 136. - Probedruck außerhalb der Auflage von 40, als solcher hs. vom Künstler bezeichnet. Mit dem Blindstempel des Verlegers Manfed Hügelow, Offenbach. Colour lithograph on strong Fabriano (with watermark). Signed, dated, titled and inscribed in pencil. - Splendid print with deep and velvety blacks. Clean sheet with scooped edge on one side. - Proof outside the edition of 40, inscribed as such by the artist. With the blind stamp of the publisher Manfed Hügelow, Offenbach.

Hans Hartung. (1904 Leipzig - 1989 Antibes). 1 Lithographie in: Un monde ignoré vu. 1973. Auf BFK Rives Velin (mit WZ). Blattmaße 56,5 x 45 cm. Signiert und nummeriert. Separat zum Buch mit 33 Offsettafeln nach Photographien des Künstlers zu Gedichten von Jean Tardieu. Im Impressum nochmals signiert und drucknummeriert. Das Buch im original Papier- und Kartonumschlag. - Die Lithographie vereinzelt mit schwachen Braunfleckchen, ebenso der Papierumschlag des Buches. Insgesamt gut. Prachtvoller, kräftiger Druck der formatfüllenden Darstellung. Mit dem Schöpfrad an zwei Seiten. RMM 434. - Eines von 75 Exemplaren der Vorzugsausgabe. - Die Lithographie hg. von Erker-Presse, St. Gallen (mit dem Blindstempel). - Das Buch hg. v. Éditions d'Art Albert Skira, Genf 1974. 1 lithograph. On wove paper. Signed and numbered. Separate to the book with 33 offset plates after photographs by the artist to poems by Jean Tardieu. Signed and numbered again in the imprint. The book in the original paper and cardboard cover. - The lithograph sporadically with faint brown spots, as well as the paper cover of the book. Overall good. Splendid, strong impression of the full-sized image. With the scoopes edges on two sides. - One of 75 copies of the special edition. - The lithograph published by Erker-Presse, St. Gallen (with the blind stamp). - The book published by Éditions d'Art Albert Skira, Geneva.

Ben Vautier. (1935 Neapel). Art is a question of signature. Portfolio von 9 Arbeiten. 1977. Je Serigraphie (tls. mit werkimmanenten Fehlstellen), davon 8 auf leichtem Vélinkarton, 1 auf klarem Kunststoff. Je ca. 23 x 32 cm. Eingelegt in Original-HLeinen Portfolio mit Schließbändern, Lwd. Ecken u. DTitel. Überwiegend signiert, im Innendeckel stempelnummeriert. Die Arbeiten je mit Blindstempel des Atelier Laage sowie verso mit weiterem Editionsstempel. - Wenige Arbeiten mit minimal angestoßenen Kanten sowie materialbedingtem leichten Oberflächenabrieb. Der VDeckel der Mappe mit unwesentlicher Druckspur. Insgesamt sehr gut erhalten. Durchweg prachtvolle Arbeiten in Original-Portfolio. Eines von 80 nummerierten Exemplaren. - Wiederkehrend beschäftigt sich Vautier in seinem Schaffen mit dem Motiv der Künstlersignatur. Im Portfolio "Art is a question of signature" experimentiert der Künstler mit der Künstlerunterschrift, indem er verunstaltet, unkenntlich macht oder als Fehlstelle aufzeigt. portfolio of 9 works. Each serigraph (partly with inherent defects), 8 of them on light cardboard, 1 on clear plastic. Loosely inserted in original half cloth portfolio with closing bands, cloth corners and covertitle. The serigraphs mostly signed, the portfolio numbered with a stamp on the inside cover. The works each with blind stamp of the Atelier Laage as well as with another stamp on the verso - A few works with minimally bumped edges as well as slight surface abrasion due to the material. The front cover of the portfolio with insignificant pressure mark. Overall very well preserved. Splendid works throughout in original portfolio. - One of 80 copies. - Recurrently, Vautier deals with the motif of the artist's signature in his work. In the portfolio "Art is a question of signature", the artist experiments with the artist's signature by defacing it, making it unrecognisable or exposing it as a missing part.