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A late 19th century French gilt brass carriage clock, with repeat and platform lever escapement and striking on a gong, stamped 'E.M & Co. (Maurice & Co.), 1325,' the silvered chapter ring with recessed numerals and a blind sleeve decorated birds, insects and foliage, 6.5in (16.5in) h.

A French gilt brass carriage clock, with repeat, the platform lever escapement striking on a gong with a opaque chapter ring inscribed 'Geo Jones & Sons, 368 Holloway Rd N, Paris make,' having a foliage engraved sleeve, the case with fluted knoped pilasters and blind fret friezes, 7.5in (19cm) h.

A George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12in arched brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, to a matt centre with applied plaque inscribed 'Josiah Bartholomew, London,' the arch with a strike/silent dial, the hood with blind fret arched frieze and conforming trunk door and panelled base to ogee bracket feet, 98.5in (250cm) h.

Late Victorian Chippendale Revival 2 Door Display Cabinet, the lower section with 2 panelled doors, triangular set supports with blind fret carved mouldings, the top section with glazed doors under a blind fret carved frieze, original silk lined back & shelves 36"W x 71 1/2"H x 16"D

Late C19th Mahogany Side Cabinet, the top with 2 blind fret carved frieze drawers over a pair of multi glazed moulded doors with central bevelled glass rectangular panels, enclosing shelf with open under-tier supported on 4 turned cluster columns all on small turned supports

A GEORGE III MAHOGANY CABINET, the upper section with a moulded cornice above a frieze of blind fretwork and twin astragal glazed doors enclosing a shelved interior, the lower section with a brushing slide above three long graduated drawers, on shaped bracket feet, 43" wide.

A GEORGE III MAHOGANY LOW BACK ARMCHAIR, the upholstered back, arms and seat on blind fret carved square section legs and "H"-section stretcher

Anthony Benjamin 1931-2002- Untitled abstract composition; screenprint in colours, signed, numbered 38/60 and dated 70, bears blind stamp 'Gorner & Millard', 104x73.7cm: Derek Wilkinson 1929-2001- "Memories"; photo-etching printed in colours, signed, titled, numbered 18/20 and dated 69 in pencil, 64x47.8cm: David Freed b.1936- "Edge II"; mixed technique etching printed in colours, signed, titled and numbered 26/55 in pencil, 88x59.5cm., all bear labels for 'Gorner & Millard, 60 Kenway Road, London SW6' attached to the reverse of the frames, (3)

A mahogany glazed bookcase, late 20th century, molded cornice above blind fret frieze over astragal glazed doors, the base with two drawers and two moulded cupboards upon bracket supports, 198 x 108 x 40 cm, together with a 20th century mahogany glazed display cabinet, 185 x 58 x 36 cm, (2).

George III mahogany chest on chest with dentil cornice, carved blind fret frieze, two short and three long graduated drawers, canted reeded corners, with three further graduated drawers below, all with brass swan neck handles on bracket feet, 109cm wide x 191cm high

Laurence Stephen Lowry RA (1887-1976) Fishing boats moored in a harbour Signed print, blind stamp in margin, 29x34cm

Laurence Stephen Lowry RA (1887-1976) A Busy Harbour Signed print, blind stamp in margin, 40x55cm

Laurence Stephen Lowry RA (1887-1976) Street scene with railway crossing Signed print, blind stamp in margin, 41x57cm

A late Victorian oak smokers cabinet, fitted interior with tobacco provision and two interior drawers enclosed by two panel doors, blind relief pattern frieze, 32cm w

''A Collection of Acts of Parliament etc. relative to those Protestant Dissenters who are usually called by the name of Quakers from the year 1688'' printed in London by Luke Hind 1757, also contains clauses of acts relating to the plantations in American colonies, leather bound, blind decorations, (w.a.f.). (1)

Morris; ''History of British Butterflies'' 1860, 71 coloured plates, gilt decorations to spine and centre front cover, blind decorations to covers, (w.a.f.). (1).

A George III oak longcase clockby Robt. Ramsay Bathgatethe twin train movement with anchor escapement, the swan neck pediment over a blind fretwork frieze, brass and silvered roman and arabesques dial, signed , with rococco spandrels, the floral engraved center with subsidiary seconds and calendar dials, the plain trunk door above plain base shaped apron bracket feet212cm high

A George III stained oak longcase clockthe twin train movement with anchor escapement striking the hours on a bell, the blind fret carved swan neck pediment with urn finial above roman dial painted with a highlander to the arch and subsidiary second and calendar dials bounded by rosette spandrels, indistinctly signed 'Wm. Faarhney, Mxuxxx..' the ogee arched trunk door above plain apron, on plinth base210cm high Note: two hand written labels inside read: ' Extract from notes by Lady Strathallan, 1853 - After the battle of Culloden the house of Machany* was plundered by the Hanoverian soldiers under General Hawley. One of the few relics remaining of these times is the kitchen clock, now in use- the case of which may been seen to have been hacked by their swords and is marked with bullet shots *The old house of Machany, now called 'Strathallan'.

A Georgian mahogany wardrobepossibly Irishthe projecting moulded cornice with a blind fretwork frieze above two feathered mahogany panelled doors, enclosing later shelves and two short drawers, on a carved apron raised on cabriole legs ending in claw and ball feet, adapted128cm wide, 186cm high, 58cm deep

A lady's late Victorian mahogany writing table fitted a surround of seven drawers with blind fret fronts, the top leather lined and with low backboard over, raised on square taper legs, 122cm (48") wide

AFTER SIR WILLIAM RUSSELL FLINT - 'The Dance Montana', reproduction in colours, pencil signed in the margin and with FATG blind stamp, 19" x 25", Frost and Reed label verso.

A bookcase cabinet with blind fretwork decoration above a single astragal glazed door enclosing adjustable shelves and single drawer cabinet beneath standing on shaped bracket feet, bearing label Wylie & Lochhead, Glasgow Ltd, 25 1/2" x 74" high.

A Compensated Wall Barometer, with thermometer, in a mahogany case with blind fret carved decoration, 63.5 cm high

A Helen Bradley Limited Edition Print, figures promenading on the sea shore, signed in pencil to the margin, with guild blind stamp See illustration

A Helen Bradley Limited Edition Print, Big Bertha, signed in pencil to the margin, with guild blind stamp See illustration

An L S Lowry Limited Edition Print, Britain at Play, signed in pencil to the margin, with guild blind stamp See illustration

An L S Lowry Limited Edition Print, Bank Failure, with guild blind stamp

Theocritus. Theocriti siracusani Bucolicu seu potius Aepolicum carmen... a philetico traductum. Paris: Jean Petit, 1510, 4to, title-page with woodcut device of Jean Petit, recent calf with plain blind-ruled outline, decorative paper wrappers with some minor loss at foredge corners, bound in, minor adhesion damage to inner margin of title page just affecting two letters, slight dusting and some light spotting Note: Not in Adams.

Cookery-M, W. The Queens closet opened: incomparable secrets in physick, chyrugery, preserving and candying &c. which were presented unto the Queen London: printed 1664, 12mo, 3 parts in one volume, period style blind-stamped calf, raised bands, lacking frontispiece and O6, E4 repaired with loss of a few letters Note: The work, first published in 1655, comprises three volumes usually bound together, with three separate title-pages: The Queens closet opened or The pearl of practise, the second titledA Queens Delight: or the art of preserving, conserving and candying, and the third The compleat cook, expertly prescribing the most ready wayes, whether Italian, Spanish or French, for dressing of flesh and fish. The first two volumes are continuously paginated, the third separately. Cf. Bitting p.595; Vicaire 184 Provenance: Elizabeth Comber, her book, 1666, inscription on endpaper.

Selkirk, Earl of Observations on the present state of the Highlanders of Scotland. Edinburgh, 1806, second edition, 8vo, half title, modern quarter calf gilt; some chipping to page edges; Wishart, George A complete history of the wars in Scotland. [No place], 1720, 8vo, contemporary calf, rebacked, blind stamped on boards, bookplate of William Stirling Maxwell; Scot, John The staggering state of the Scots statesmen... from 1550 to 1650. Edinburgh, 1754, 8vo, contemporary calf gilt, rebacked, some spotting; Lindsay, Robert The history of Scotland. Edinburgh, 1778, third edition, 8vo, contemporary calf, rebacked; Drummond, William The history of Scotland. London, [no date], 8vo, portrait frontispiece, portrait plates, contemporary calf, rebacked, library bookplates, stamps and ink inscriptions; Pinkerton, John An enquiry into the history of Scotland. London, 1794, 8vo, contemporary calf gilt, hinges cracking, interior clean; and 5 others (12)

Hardy, Thomas Far from the madding crowd [in] The Cornhill Magazine. Vol. XXIX. January to June 1874 [and] Vol. XXX. July to December 1874. London, 1874, 2 volumes, first printing, in 12 anonymous instalments (January to December 1874), 12 full-page illustrations and vignette initials by Helen Allingham, contemporary purple cloth decorated in blind and lettered in gilt, [Purdy, p.14], spines faded; Ibid The return of the native [in] Harperes New Monthly Magazine. Volume LVI. December 1877 to May 1878, [Volume LVII. June to November 1878]?[Volume LVIII. December 1878 to May 1879]. New York: Harper & Brothers, 1878-9, 3 volumes, first American serialisation, in 12 instalments (February 1878 to January 1879), contemporary half-morocco over marbled boards, [Purdy, p.26], extremities worn; Ibid Hearts insurgent [Jude the obscure] [in] Harperes New Monthly Magazine, December 1894-November 1895, first printing of Jude the Obscure, in 12 instalments entitled "Hearts Insurgent" (the first entitled "The Simpletons"), 12 illustrations by W. Hatherell, contemporary half-morocco, [Purdy, pp.89-90], extremities worn; [together with:] How I Built Myself a House [in] Chamberses Journal, 18 March 1865, first printing of the authores first published piece, pp.161-4 bound in red cloth, label on upper cover "First Writing of Thomas Hardy 1865", [Purdy, pp.293-4], very light browning; Ibid Wessex folk [in] Harperes Monthly Magazine. European Edition. December 1890 to May 1891 [and] June 1891 to November 1891. London, 1891, 2 volumes, first printing, in four instalments (March-June 1891), headpiece by Alfred Parsons and seven illustrations by Charles Green, contemporary half morocco, spines gilt in compartment, slipcase, [Purdy, pp.82-83], covers slightly rubbed; Ibid "The science of fiction" [in] The New Review, April 1891, vol. IV, no. 23, pp315-9, original wrappers, [Purdy, p.300]; Ibid The pine-planters [in] The Cornhill Magazine. New Series. Vol. XIV. January to June 1903. London, 1903, first printing, pp.721-2 contemporary red cloth with design in blind and lettered in gilt, [Purdy, p.145-6], light spotting, spine faded; Ibid The preservation of ancient cottages. An Appeal by the Rt. Hon. Stanley Baldwin, M.P. With a note by Thomas Hardy. The Royal Society of Arts, [1927], original wrappers, [Purdy, p.323]; and 6 others; chiefly 8vo (18)

* Lincoln, Abraham Complete works of Abraham Lincoln. New York: Francis D. Tandy Company, 1905, Gettysburg Edition, 8vo, 12 volumes, number 618 of 700 sets, edited by John Nicolay & John Hay, contemporary red morocco gilt, some fading, inner hinges strengthened, some browning, blind stamps to titles

Reid, Mayne The boy tar. London: W. Kent, 1860, 12 plates, 32pp. advertisements dated Oct. 1859, blind-stamped red cloth, spine gilt, slightly rubbed; Wallace, Edgar The four just men. London: Tallis Press, 1905, original cloth, lacking folding frontispiece and competition slip; Ibid Angel Esquire. Bristol: Arrowsmith, [n.d.]; Ibid The green rust, 1919; Bennett, Arnold Tales of the five towns, 1905, some spotting to endpapers; [Quiller Couch, A.T.] The astonishing history of Troy town, by Q. Cassell, 1888, 16pp. advertisements dated 5G 7 88, original cloth, a few margins very slightly dampstained, slightly rubbed; Lang, A. The animal story book, 1896; The red true story book, 1895; The red romance book, 1895, all three pictorial cloth gilt, g.e., spines faded, slightly rubbed; Jefferies, R. The gamekeeper at home, 1880, illustrations, all original cloth; Marryat, F. Poor Jack, 1840, engraved plates, original cloth, slightly rubbed; and others (22)

Sparrow, Anthony. A collection of articles, injunctions, canons, orders, ordinances... with other publick records of the Church of England. London: Robert Pawlet, 1675, third impression, 4to, engraved frontispiece, contemporary calf, ruled in blind, red morocco lettering piece, neat repair to head of spine, very slightly rubbed Note: Wing S4825

Yachting - G. West & Son Mohawk, c. 1890es, albumen print, approx 35.5 by 28.5cm, mounted, photgraphers blind stamp; Ibid Thistle, c.1890es, albumen print, approx 34 by 28cm, mounted, photographeres blind stamp; Ibid Stranger, c. 1890es, albumen prints, approx 23 by 28cm, mounted, framed and glazed [damaged]; Ibid Thistle, c. 1890es, approx 38 by 31cm, photographeres blind stamp, foxing to image, framed and glazed; Ibid Unknown yacht, c. 1890es, albumen print, approx 23 by 28cm, mounted, surface scratched, mount foxed, photographeres blind stamp; Beken & Son Mountcam, c. 1900es, approx 29 by 23.5cm, photographeres blind stamp, framed and glazed and 3 other framed and glazed yachting photographs (9)

Vitruvius Pollio, Marcus-William Newton The architecture of M. Vitruvius Pollio, translated... by W. Newton, architect. London: I. and J. Taylor, R. Faulder &c., 1791, 2 volumes, large folio, engraved frontispiece portrait after Robert Smirke and 46 plates engraved by James Newton, contemporary half calf, neatly rebacked, spine tooled in gilt and blind, new marbled sides, light dampstaining to extreme lower corner of a few plates, volume 1 bound without the preface (pp. [iii]-viii) found in some copies Note: A very good copy of William Newtones edition. In 1771 Newton published an English version of Vitruviuses De architectura so that - as he explained in the preface - England might not be the only "polished nation" that did not possess Vitruvius in its own tongue. In this copy the plates of Volume I are numbered and there is no alteration slip pasted onto the imprints. Many of the plates have been re-engraved and some of the figures enlarged. This two-volume edition was published by James Newton who states in his notice "To the Public" that all of Volume I and part of Volume II were printed before his brotheres death in 1790. Brunet V, 1331; Cicognara 736; Fowler 428.

The Qurean, Qureanic commentary, Religious Science & Philosophy, etc. A collection of editions and translations of the Qurean, Qureanic commentary and religious science, to include: The Koran ... enriched with numerous explanatory notes; various readings from Savaryes version and a valuable preliminary discourse on the religious and political conditions of the Arabs before the days of Mohammed by George Sale. London: Tegg, [n.d., 1850?]. 8vo., folding frontispiece, 3 genealogical tables (2 folding), folding map, publisheres blind stamped cloth, rubbed and worn, inner joints broken, edges of plates dusty; Wherry, E.M, the Revd. A comprehensive commentary on the Quran: comprising Salees translation and preliminary discourse with additional notes and discourse ... Boston: Houghton, Mifflin, 1882-86. 4 volumes, 8vo., publisheres cloth, edges rubbed; The Qurean; translated with a critical re-arrangement of the Surahs, by Richard Bell. 2 volumes, 8vo., Edinburgh: Clark, 1939, publisheres cloth, spines repaired with tape; Bell, Richard Introduction to the Qurean. Edinburgh, University Press, 1953. 8vo., publisheres cloth, dustwrappers; Paret, Rudi Der Koran: Kommentar und Konkordanz. Stuttgart: Kohlhammer, 1971. 8vo., publisheres cloth, dustwrapper; Al-Shahrastani The summa philosophiae ... Kitab nihayatu Ôl-iqdam fi Ôilmi Ôl-kalam; edited with a translation ... by Alfred Guillaume. London: OUP, 1934. 8vo., publisheres cloth, dustwrapper; Averroes On the harmony of religion and philosophy ... by George F. Hourani. (E.J.W. Gibb memorial series. New seies, XXI). London, Lezac & Co., 1961; Aviccena Lexique de la langue philosophie deibn Sina. 4to., Paris: Desclee de Brower, 1938 and 41 others (52)

Late 18th Century Longcase Clock, with square brass arched dial, with silvered chapter ring inscribed 'John Stanier-Chester', secondary seconds and date dials, cast and embossed brass spandrels, rolling move phase, eight day movement and contained within a oak case with swan-neck pediment, fluted brass mounted columns, across a blind fretwork frieze, crossbanded door, plain base and bracket feet.

A set of twelve 19th Century Malkin Edge & Co dust pressed tiles black line transfer decorated with images of figures in period dress playing Old English sports to comprise Catch, Croquet, Marbles, Skittles, Bowls, Blind mans Buff, Chess, Billiards, Real Tennis, Cricket, Leap frog, and Archery all within themed borders over a buff ground, each 6" square. PART

XX Century Mahogany Longcase Clock, with thirty hour movement, carved blind fret work decoration to the hood, black Roman numerals to brass and silvered dial, with long door and bracket feet.

An Edwardian Mahogany Envelope Table, the single drawer with blind fretwork decoration, on carved cabriole legs and shaped undershelf, united by stretchers.

Edwardian Mahogany Corner Cabinet/Table, the upper section with blind fretwork, reeded sides, glazed astragal door. The attached table below with drop-leaf on turned supports.

A Pair of Late XIX Century Crystoleums, After Fred Morgan, blind mans buff and patter cake games in the garden, approximate;y 20 x 25.5 cms, stamped C.W.F. & Co. Ltd no. 89 and no. 90.

A George III mahogany dressing table mirror, with chevron stringing, the oval plate on turned supports and a shaped stretcher with blind fret leaf motifs, the caddy moulded edge serpentine box base with three drawers on ogee bracket feet, 25.25in (64cm) h, 17.5in (44.5cm) w, 9in (23cm) d.

A George III mahogany chest on chest, the dentil moulded cornice above a blind fret frieze and three short and three long graduated drawers with fluted canted angles, the base with three long drawers, all fitted later brass work, on ogee bracket feet, damaged, 74.5in (189cm) h, 44.5in (113cm) w, 22.5in (57cm) d.

A mahogany card table, the baize lined hinged top above a blind fret frieze with an end drawer, on square chamfered legs, 29in (73.5cm) h, 32.5in (82.5cm) w, 16in (40.5cm) d.

A mahogany rectangular silver table, the pierced fret galleried top above a blind fret and pierced arcaded frieze on conforming legs with pierced brackets to stepped block feet, 30.25in (76.5cm) h, 42.5in (108cm) w, 22in (56cm) d. Early 20th century.

Circle of Charles Frederick Tunnicliffe RE 1901-1979- Study of Seagulls; watercolour, 35x52.6cm: After Sir Peter Markham Scott 1909-1989- Ducks in flight and ducks on a lake; reproductions printed in colours, a pair, both signed in pencil: Leonard O'Bussey mid 20th century- Haystacks, watercolour, signed: After Henri Mattisse 1869-1954- Abstract form; lithograph, signed within the plate, 34x25cm: After Henry Scott, British 1911-2005- "The Dreadnought" published 1973 by Venture prints Ltd of Bristol, reproduction printed in colours, signed in pencil and within the plate and with blind stamp, 66x78cm: together with a pair of early 20th century Art Deco style maple veneered photographic picture frames with chrome fittings, 33x27cm, ea. (10)

AFTER WILLIAM WALCOT - Interior view of the Vatican, colour reproduction, pencil signed by the artist in the margin and with pencil sketch vignette, FATG blind stamp, 17" x 21 1/2".

A late 19th Century mahogany standing corner cupboard, in Chippendale Revival style, with blind fret decoration, the dentil cornice above a display cabinet, the shelves enclosed by glazed tracery doors the base with a cupboard fitted a shelf enclosed by a pair of fielded panel doors, angled corners, on bracket feet. 3ft 6in wide x 6ft 6in high.

Tom Phillips RA RE b.1937- "Composers 'Wagner'", 1979/80; sceenprint in colours, signed, and numbered 71/75 in pencil, bears publisher's blind stamp, 47.5x52.5cm. Provenance: with L G Graphics, according to label attached to the reverse of the frame (may be subject to Droit de Suite)

Zero Binding.- Dryden (John).- THE WORKS OF VIRGIL, 2 vol., engraved vignettes on title, bookplate of Panshanger on front pastedowns, contemporary red straight-grained morocco, stamped ornately in blind and gilt, one spine slightly scuffed, 8vo, 1820.

Zero Binding.- HAYMONIS EPISCOPI HALBERSTATTEN IN XII PROPHETAS MINORES ENARRATIO, light damp-stain affecting a few quires, contemporary ink ownership signature on title, contemporary ornately blind-stamped calf with the coat of arms of Henry VIII, later clasps, contemporary and l ater signatures on page edges, 8vo, n.p., E. Ceruicorni, 1529.

Zero Binding.- Ruscelli (Girolamo).- LE IMPRESE ILLUSTRI DEL Sor JERONIMO RUSCELLIà, engraved titles, numerous plates in text, from vignettes to full-page, bookplate of Carl Jacob Stuart on front pastedown, contemporary fine morocco binding, ruled in blind and gilt with morocco in lays, spine gilt, skillful repair to hinges, g.e., gauffered, lacking clasps, [Praz p 482], 4to, Venice, F de Francheschi Senese, 1584-83.

Zero [Day (Richard)] A BOOKE OF CHRISTIAN PRAIRESà, woodcut title and borders throughout, morocco bookplate and later ink ownership signatures on front pastedown, bookplate on rear pastedown, title remargined, first few leaves recornered, 19th century russia, skillfully rebacked, ruled in gilt, blind-stamped, [STC 6432], 4to, Company of Stationers, 1608.

Zero Fore-edge painting.- Junius.- THE LETTERS OF, additional title, contemporary ink ownership inscription on title, straight-grained morocco, stamped in blind and gilt, g.e., fore-edge painting, Chiswick, 1824. ***The subject of the fore-edge painting is a view of Windsor Castl e.

Zero Fore-edge painting.- Bowdler (Jane) POEMS AND ESSAYS, contemporary straight-grained morocco, stamped in blind and gilt, g.e., fore-edge painting, Bath, R. Cruttwell, 1793. ***The subject of the fore-edge painting is an English pastoral scene.

Zero Godelaeum (Wilhelm) IN TITI LIVII PATAVINI HISTORIARUM AB URBE CONDITA LIBROSà, title vignette, bound-in with medieval manuscript, title detached, bookplate of Bridgewater Library, library label on inner front board, contemporary calf, ornately blind-stamped, a few small worm holes to binding, original ties lacking, some light edge-wear, 8vo, I. Harrison, 1589.

Zero Clarke (James Stanier) & McArthur (John) THE LIFE OF ADMIRAL LORD NELSON K.B...., 2 vol., engraved plates and vignettes, frontispiece vol. 1 foxed, tasteful modern morocco, tooled in blind and gilt, folio, 1809.

Zero Porcacchi (Thomaso) L'ISOLE PIU FAMOSE DEL MONDO, engraved title, 30 engraved maps in text, light to moderate damp staining, lacking imprimatur leaf, contemporary speckled calf, blind-stamped, folio, Venice, S. Galignani & G. Porro, 1572.