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Maple Framed and Glazed 18th century Coloured Engraving ' Blind Mans Buff , from an Original Drawing by Angelica Kauffman, published 1733 ', 26cms x 24cms

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘Manchester Reference Library’ Pencil signed print, with artist blind stamp, 27x36cm, framedCONDITION REPORTPrint in good condition  

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘The Notice Board’ Pencil signed print, with artist blind stamp, 40x50cm, framedCONDITION REPORTFive foxing dots to centre of print, otherwise good  

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘Britain at Play’ Pencil signed print with artist blind stamp, 44x66cm, framed CONDITION REPORTPrint colour faded, otherwise good  

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘Mrs Swindells’ Pencil signed print with artist blind stamp, 40x29.5cm, framed CONDITION REPORT Print in good condition  

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘Britain at Play’Pencil signed print, with artist blind stamp, framed, 47x61cm

Laurence Stephen Lowry R.A. (British 1887-1976) - ‘Peel Park’ Pencil signed print, with artist blind stamp, published in 1975 by Venture Prints, Bristol, framed, 41x78cm CONDITION REPORT Print in good condition 

Cristallerie De Baccarat - A Chinoiserie design glass vase, of panelled bottle form, cut with birds in flight and wind blown grass, mounted on a square section, four footed ormolu blind fretwork base, 1890-1900, 31cm high

Vinyl - First class collection of around 30 LPs to include Elvis Costello, Jack Bruce, Santana, John Mayall, Blind Faith and many more, sleeves and vinyl vg+

CHARLIE JOHNSON PAYNE, 'SNAFFLES' (British 1884-1967) "Merry England" 'And Worth a Guinea a Minute', printed and hand coloured, signed in pencil with Snaffles bit blind stamp, 43.75cm x 39.5cm and ANOTHER similar "Foxcatchers" 'For the Love of It', For The Ride Out and The Ride Home', 42cm x 37cm, framed

CHARLIE JOHNSON PAYNE 'SNAFFLES' (British 1884-1967) "Oh! To Be in England Now That April's There" (Robert Browning), printed in colours, signed in pencil with Snaffles bit blind stamp, published Messrs. Fores Ltd., London, 51.25cm x 66.25cm, framed

CHARLIE JOHNSON PAYNE, 'SNAFFLES' (British 1884-1967) "A Sight To Take Home and Dream About" - 'But Old Jorrocks Would Have Had It' - 'They Were Nasty Jealous Steeple-Chasin' Little Hussies', printed and hand coloured, signed in pencil with Snaffles bit blind stamp, published Messrs. Fores Ltd., London, 48cm x 61.5cm, framed

A 9CT GOLD WATCH CHAIN of graduated link design, with clip and "T" bar, fitted with a revolving blind SEAL, 32g., together with a silver cased GENTLEMAN'S POCKET WATCH, ONE OTHER CHAIN and a WATCH KEY

§ Laurence Stephen Lowry RBA RA (British, 1887-1976), The Auction, limited edition coloured print, published by Michael Stewart Fine Art, numbered 36/850 and bears blind stamp, 42cm x 53cm. Please note that Artists Resale Right maybe additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . .

Laurence Stephen Lowry RBA RA (British, 1887-1976), ‘Crowd Around a Cricket Sight Board’, limited edition coloured print, numbered 176/850 in pencil to lower right with blind stamp to centre, National Fine Arts certification to verso, 23.5cm x 75.5cm.. .

William Russell Flint (British, 1880-1969) figures in a Mediterranean courtyard and terrace, signed in pencil, 50cm x 67cm and 'Griselda' signed in pencil, Fine Art Guild blind stamp 50cm x 58cm (2). .

William Russell Flint (British, 1880-1969), 'Girl from Orio', limited edition print, 47/850 Michael Stewart Fine Art Blind Stamp 41cm x , Reclining Nude II' signed in pencil, Fine Art Guild blind stamp, Frost & Reed Ltd, 1966 32cm x 60cm (2). .

† Bob & Roberta Smith (Patrick Brill OBE RA, b.1963, British). 9 works from the edition of 100. 'Real Proportional Representation!.....'. Limited edition lithographic prints. Each signed, dated 2011 and numbered. Numbers 27/100, 43/100, 41/100, 39/100, 37/100, 35/100, 33/100, 31/100, 29/100. Unframed. Image size: 71 x 56cm. Provenance: single owner collection of art offered for sale following an insolvency. Please note that VAT is payable on top of the hammer price at 20% in addition to standard buyers premium inc. VAT for this lot (9). . † Laurence Stephen Lowry RBA RA (British, 1887-1976), The Auction, limited edition coloured print, published by Michael Stewart Fine Art, numbered 36/850 and bears blind stamp, 42cm x 53cm. Please note that Artists Resale Right maybe additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . † Laurence Stephen Lowry RBA RA (British, 1887-1976), The Auction, limited edition coloured print, published by Michael Stewart Fine Art, numbered 36/850 and bears blind stamp, 42cm x 53cm. Please note that Artists Resale Right maybe additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information).

Children's book printed on cloth.- The Indestructible Lesson-Book, (comprising: The Indestructible Primer; The Indestructible Spelling Book; The Indestructible Reading Book; The Indestructible Lesson Book), printed on cloth, second and third vol. mixed but complete, some juvenile colouring, some creasing, staining and wear, slightly browned, ink signature at head of title of last vol., original cloth, gilt, blind-stamped decoration, rubbed, rebacked with crude cloth, spine worn, 8vo, last vol., London, Cundall and Addey, 1851.

Binding.- Aristophanes. Comoediae undecim, 2 parts in 1, woodcut printer's device to titles, woodcut historiated initials, occasional spotting, lightly browned, atrractive 19th century red straight-grained blind-stamped and gilt morocco by Vogel, spine in compartments, g.e., Leiden, Joannes Maire, 1625; and a defective Vives, Flores Italici, 1570 and an Elzevier printed Suetonius, v.s. (3)

ƟRichard Francis Burton, A New System of Sword Exercise, first edition [London, William Clowes and Sons, 1876] complete, engraved half-title, illustrations throughout, engraved 'Captain Sir Richard F. Burton' book label to front free endpaper, some leaves unopened, upper hinge split with a few gatherings becoming loose, original red cloth, covers ruled in blind, upper cover stamped in gilt, edges a little rubbed, small 8vo [Penzer p.93] Provenance: The author's personal copy with his engraved label 'Captain Sir Richard F. Burton' pasted to the front free endpaper. Penzer notes Kensington Library hold another Burton copy which includes many alterations, plans and diagrams indicating that he might have been preparing for a second edition of the work, which was never published. Only 500 of this first edition were published, making it one if his rarer titles, and only 5 copies (in varying condition) have appeared at auction in the last 30 years. Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

ƟRichard Francis Burton, Falconry in the Valley of the Indus, first edition [London, John Van Voorst, 1852]complete, half-title, four tinted lithographed plates, Burton's personal copy with his label pasted to front free endpaper, ex-libris stamp to pp.1 of text, excellent copy, original dark purple cloth (discoloured to resemble dark brown), covers ruled in blind, spine gilt, head of spine chipped with some loss, 8vo [Penzer pp.41]One of the rarer Burton titles, and the fourth and final volume relaying his experiences in India and the surrounding areas. Penzer notes that the publisher John Van Voorst wrote to Burton in 1877 noting that 257 of the 500 copies first printed remained unsold, suggesting that they may have been scrapped altogether in preparation for a second edition. Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

ƟRichard Francis Burton, The Kasidah of Haji Abdu al-Yazdi, third edition, one of 250 copies only [London, H.J. Cook, 1900] complete, half-title, publisher's note at front of volume, endpapers browned, original black cloth, stamped in blind with gold lettering to covers and spine (covers with title in Arabic), lightly rubbed at extremities, 4to [Penzer pp.99]; together with two later copies of the sale by publishers Thomas B.Mosher (1909) and Philip Allan & co (1925) Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

ƟRichard Francis Burton, The Lake Regions of Central Africa, a Picture of Exploration, 2 volumes, first edition, first issue [London, Longman, Green, Longman and Roberts, 1860]  complete, half-titles, folding map and plates, some faint browning, generally clean and bright copies, engraved bookplates to pastedowns, original purple cloth, covers stamped in blind, spines gilt, corners lightly bumped and covers a little rubbed, spines rather faded and spine heads worn with slight loss, 8vo [Penzer pp.65] This is the first issue of this title, distinguishable by the violet cloth, which was changed to a brick-red cloth for the second issue. Penzer notes this issue was rather a failure, very few copies being sold. Hence it is very rare, and fetches a large price when it turns up, which is very seldom. Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

Ɵ  Richard Francis Burton Frank Baker, D.O.N., Stone Talk (Lithofonema); being, Some of the Marvellous Savings of a Petral Portion of Fleet Street,..., first and only edition [London, Robert Hardwicke, 1865] complete with errata leaf, contemporary ink inscription at head of title reading from a friend and engraved book label of the author Captain Sir Richard F. Burton to front free endpaper, a few small pencil markings, generally very clean copy, original violet publisher's cloth, upper cover gilt with title framed by an ouroboros, lettering to spine also gilt, covers ruled in blind, outer edge of upper cover a little stained, spine and upper cover a little darkened, extremities a little rubbed, 8vo [Penzer pp.77-78; Farwell pp.244-245] One of the rarest Burton titles, written in blank verse, that was published under a pseudonym. The work is a bitter satire that enumerates England for the crimes it has committed and openly reprimands its political hypocrisy. Farwell notes that only 200 copies were printed, and of these only 128 were sent to the author and publisher and 33 to newspapers and magazines. Furthermore, Penzer states that at first Burton kept his identity as author secret from Lady Burton (his wife), but when she found out that the satire was written by her husband she went about buying as many copies as she could find (and destroying any he had been sent) for fear that he would get into trouble with the authorities. Provenance: The present copy is probably one of the few copies Burton received from the printers, that survived his wife's depredations by being gifted to a close friend (note his card enclosed and the inscription from a friend probably in Burton's hand). Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

Ɵ Richard Francis Burton, The Lands of Cazembe, Lacerda's Journey to Cazembe in 1798..., first edition [London, Royal Geographical Society, John Murray, 1873] large folding map, closed tear along fold otherwise clean and crisp copy, original publisher's cloth, covers ruled in blind, spine stamped and lettered in gilt, spine ends and extremities slightly rubbed, overall excellent condition, 8vo [Penzer 89-90] Ɵ Indicates that the lot is subject to buyer’s premium of 24% exclusive of VAT (0% VAT).  

A Long-Cased Grandfather Clock. The 8 day mahogany cased clock with broken pediment and brass eagle and ball finial with blind ornament. Arched door reveals a polished steel face with Roman dial, calendar and second hand aperture and brass foliate spandrels, flanked by two columns with brass capitals and bases, approx 230 cms.

Limited Edition Eyesaw Prints. This lot includes 'Evolution of Man' nr 2/20 dated 2009 with publishers blind stamp together with two limited edition Artswipe prints 'Alphabet' nr 2/50 approx 41 x 53 cms and 'Butterfly' nr 4/100 approx 50 x 70 cms all framed and glazed. (3)

An Antique Oak Bench. The bench with decorative blind carving to the back and a panel seat, approx 92 x 112 x 72 cms.

Quantity of Thornton Pickard Roller Blind Shutters. Various conditions some working, others for spares or repair.[cabinet R]

RARE Reid 1 Special Use Camera #P1723, Probably Ex-Royal Navy. This serial number makes it one of the earliest recorded for a Reid Model 1 of any type. With AP (Admiralty Patent) contract number AP 8886 to rear. On other AP models this number is centred across the middle of the back of the camera however this example has a 34mm threaded aperture in the back so an additional "AP" number has been added to the right of this aperture. The camera appears to be for some special (military?) purpose, or possibly for artillery rangefinder collimation or for fitting to a submarine periscope (see a similar camera, Lot 102, Christies June 2002). The hole has a threaded flange fitted, into which there is a 'cap'. When unscrewed this reveals the film plane & the shutter blinds but it is possible to see straight through to the rear of the lens when the shutter is locked open. (shutter occasionally intermittent with slightly lagging 2nd blind, otherwise condition 5F). Fitted with Taylor, Taylor, Hobson Anastigmat 2" f2 lens #330659 (slight internal marks, otherwise condition 5F).[cabinet I]

Two Brass & Mahogany Half Plate Field Cameras. Thornton Pickard double extending model (condition 4F) with working roller blind shutter & Beck lens (some fungus) and an unnamed model, missing lens & panel.[cabinet D]

A Victorian burr walnut rectangular occasional table, quarter-veneered top above a shaped frieze carved with blind fretwork, tapered square legs, shaped X-stretchers with oval upstand undertier, ceramic casters, 69cm high, 69.5cm wide, c.1870

A Victorian Gothic Revival oak communion table, moulded top above a deep frieze carved with a verse, H-stretchers, shaped apron and square legs with blind tracery, 77cm high, 122cm wide, c.1880

A William IV rosewood work table, rectangular top with a pair of fold-out covers, enclosing a writing surface, adjustable on a ratchet, flanked by a pair of turned rails, frieze drawer, blind to verso, basket undertier, lotus carved pillar and socle, bun feet, 73cm high, 74cm wide, c.1835

An 18th century style giltwood centre table, the rounded rectangular top with inset marble panel, above a deep blind fretwork frieze, cabriole legs, 86cm high, 120cm wide, 20th century

Laurence Stephen Lowry RBA RA (1887 - 1976), by and after, Mrs. Swindell's Picture; Figures in a Street, signed in pencil by the artist, FATG blind stamp to margin, offset lithograph, 43cm x 31.5cm

A French figure group, of a mid 18th century courting couple playing Blind Man's Buff, Cupid at their side, acanthus scroll base mould with L under a crown, 21cm high, crown and shield mark

A George III Revival mahogany rectangular silver table, gadrooned top above a deep frieze with Gothic blind tracery and pierced brackets to angles, beaded chamfered square legs, shaped and pieced X-stretcher, 70cm high, 76cm wide, c.1910

A Regency rosewood crossbanded mahogany Pembroke table, reeded top above a frieze drawer, blind to verso, sabre legs, brass casters, 73cm high, 96cm wide, c.1820

A remarkable set of six substantial early Victorian Gothic Revival gilt brass candlesticks, in the manner of Augustus Welby Northmore Pugin (1812 - 1852) and probably cast by Hardman & Co, Birmingham, each hexagonal sconce with a castellated gallery of trefoils supported on stylised lotus, cluster columns with acanthus scroll knops, each incurved canted triform base with three pointed arched 'windows' of blind tracery, lotus cast borders and bun feet, 79cm high, c. 1840

*Jacques Villon (French, 1875-1963)LE FAUTEUIL (Ginestet & Pouillon 521)Lithograph printed in colours, 1951, signed and numbered LVII/LX (57/60) in pencil, published by the Guilde de la Gravure, Paris, with their blind stamp, on Arches wove paper, with full marginsimage 48.8 x 30.3cm, framed*Artist's Resale Right may apply to this lot.

A good quality Edwardian Chippendale revival mahogany fire surround with cluster columns, blind fret and moulded detail and partially enclosed by a pair of astragal glazed panelled doors, the mantle 170 cm long, the insert 100 cm x 95 cm approx

Georgian style walnut bureau/bookcase with blind fretwork frieze, the pair of arched panel glazed doors enclosing shelves, the fall enclosing a fitted interior with three long drawers, raised on cabriole legs with pad feet, width 92cm

19th century chest of three blind drawers over two short and three long graduated drawers, each with turned knob handles, with mother-of-pearl decoration and ivory escutcheons, on turned bun feet, 132cm wide 

Pair of 6oz boxing gloves, a telescope, a bayonet, a Wills cigarette album and a medallion 'Thank You from UK Blind Bowlers, Spain 1992' 

Leonore Knight - A study of Winston Churchill, bearing Strathmore blind stamp, framed and glazed.

A mixed lot of various ceramics to include modern Ginoi porcelain trays, Worcester Blind Earl bowls, Limoges bowl, modern Italian decorated plates and other assorted wares

18th Century oak longcase clock, the square hood with blind fretted decoration above a rectangular panel door on plinth base, the gilt brass dial inscribed Phillips, Bromyard, with subsidiary seconds and calendar, the two train movement striking on a bell CONDITION REPORT Dial is 11.5ins square. Appears to be original. Has an eight day movement. There have been some small fillets of wood put in around the seat boards and the case does not stand straight. There is definitely a slight lean to the left as you look at it, this is partly because the joints are loose on the plinth base (one is solid, other has gaps and is slightly dropping because of this). A good furniture restorer could sort out this problem quite easily. Weights look like replacements.

Edwardian mahogany bijouterie cabinet, the rectangular blind fretwork decorated case with a hinged lid and four glass side panels raised on square tapering supports with shaped undertier, 23.5ins wide

A 19th Century British mahogany and brass Half-Plate Tailboard Camera, serial no. 78399 stamped on top of front standard, with dovetail joints and parallel bellows, circa 1880s, F, fitted roller-blind shutter and brass Waterhouse-stop slot lens, body P, elements F

A Houghton Triple Victo mahogany and brass Half-Plate Field Camera, with Thornton-Pickard roller-blind shutter and three dds, F-G, handle detached at one end, lacks lens

Lancaster Mahogany and Brass Plate Cameras, whole-plate The Royal Instantograph, with Lancaster brass lens, a.f., two dds, tripod, roller blind shutters (2), F, with Ross Goerz Patent f/8 7in Double Anastigmat brass lens and Negretti and Zambra Rapid Rectilinear brass lens, G, and quarter-plate The 1893 Instantograph, P, incomplete, with Fallowfield Rapid Doublet brass lens, G

Mahogany and Brass Plate Cameras, Thornton-Pickard Triple Extension Imperial quarter-plate, with later Zeiss Triotar f/6.3 16.5cm lens in Compur shutter, F, lens F, and half-plate field camera, with Taylor, Taylor and Hobson f/7.3 lens in Thornton-Pickard roller-blind shutter, with two dds and two wooden tripods, F

An early 20th Century Army & Navy mahogany and brass Half-Plate Field Camera, with retailer's plate A & N Auxiliary C S Ld, Photography Department, Francis Street, London SW, with brass f/8 lens and set of three dds, with attachable Thornton-Pickard aluminium roller-blind shutter, G-VG, lens body F-G, lens F, some spotting

A Thornton-Pickard mahogany and brass Half-Plate Imperial Triple-Extension Camera, with Aldis Anastigmat f/7.7 7.5in brass lens in Thornton-Pickard roller-blind shutter, with set of three dds, three further dds, focal plane shutter back and focusing cloth, G, lens body F, elements G

A Houghton Triple Diamond mahogany and brass Whole-Plate Field Camera, with earlier Clément & Gilmer f/6 Euryscope Anastigmat brass iris lens, Thornton-Pickard roller blind shutter, set of three dds, focusing screen broken, with two spare Houghton Focusing Screens in printed packets and two tripods, F, lens body F, elements G, some dust, iris leaves slightly out of shape

A Leica IIIc Camera serial no. 372753, 1941-1942, chrome, red shutter blind, flash sync socket added, shutter hesitating at slow speeds, body G, oil on shutter blind, with a 2.8cm f/6.3 Hektor, no 452126, 1938, body VG, elements VG

A collection of boxed diecast , the items in blind boxes are listed ; Austin A105, MG Magnette , Ford Zephyr 6, Vauxhall victor , Ferrari, Maserati, Jaguar, Morris 8 etc

A Sir William Russell Flint interior scene, artist's proof, numbered 4/12 with blind stamp, framed ( 52cm x 70cm )