We found 44918 price guide item(s) matching your search

SAMUEL TUKE: MEMOIRS OF THE LIFE OF STEPHEN CRISP WITH SELECTIONS FROM HIS WORK, York, W Alexander & Son, 1824, 1st edition, 12mo, old half calf marbled boards, Reigate Friends Library label on front paste down + EDWARD FOSTER BRADY: A MEMOIR OF EDWARD FOSTER BRADY, LATE SUPERINTENDENT OF CROYDON SCHOOL CONSISTING CHIEFLY OF EXTRACTS FROM HIS LETTERS AND JOURNAL, London, Harvey & Darton, 1839, 1st edition, original blind stamped cloth worn and soiled + SAMUEL SCOTT: A DIARY OF SOME RELIGIOUS EXERCISES AND EXPERIENCE OF SAMUEL SCOTT, LATE OF HARTFORD DECEASED, London, William Phillips, 1811, 2nd edition, 12mo, contemporary drab boards worn, ex-Wigton Society of Friends library + WILLIAM ROMAINE: THE TRIUMPH OF FAITH, Dublin, printed by Robert Napper for B Dugdale, 1795, 1st edition, 6pp adverts at end, title page v soiled, original drab boards, v worn and soiled (4)

THOMAS D CREWDSON, WILLIAM KRAUSS, DAVID BANCROFT AND JOSEPH SIMPSON: THE CRISIS OF THE QUAKER CONTEST IN MANCHESTER... WITH AN APPENDIX, Manchester, William Simpson, 1837, 1st edition, 3 parts in one, errata leaf at end, the two preface leaves loose, 12mo, original cloth worn, backstrip detached + THOMAS HANCOCK: THE PECULIUM AN ATTEMPT TO THROW LIGHT ON SOME OF THE CAUSES OF THE DECLINE OF THE SOCIETY OF FRIENDS ESPECIALLY IN REGARD TO ITS ORIGINAL CLAIM OF BEING THE PECULIAR PEOPLE OF GOD, London, Smith Elder, 1859, 1st edition, 24pp adverts at end dated November 1859, original blind stamped cloth worn, Friends Meeting House, Greengate Malton label on front paste down (2)

THOMAS ELLWOOD: HISTORY OF THE LIFE OF THOMAS ELLWOOD...WRITTEN BY HIS OWN HAND TO WHICH IS ADDED A SUPPLEMENT BY J W [JOSEPH WYETH], London, The Assigns of J Sowle, 1714, 2nd edition, 6pp adverts at end, old blind stamped calf worn, boards loose + SAMUEL BOWNAS: A DESCRIPTION OF THE QUALIFICATIONS NECESSARY TO A GOSPEL MINISTER..., London, printed at The Bible, 1767, some foxing and soiling, old calf worn, top board loose, Ratcliffe Meeting of the Society of Friends library label on front paste down (2)

W H BARTLETT: THE PILGRIM FATHERS OR THE FOUNDERS OF NEW ENGLAND..., London, Arthur Hall, Virtue & Co, 1854, 2nd edition revised, added engraved vignette title, frontis and 26 plates as list, original blind stamped cloth gilt worn and soiled

ROBERT SOUTHEY & ROBERT BELL: LIVES OF THE BRITISH ADMIRALS WITH AN INTRODUCTORY VIEW OF THE NAVAL HISTORY OF ENGLAND, London for Longman, Rees, Orme, Brown, Green and Longman, 1833-40, 1st edition, 4 vols, engraved vignette titles, original blind stamped cloth rebacked preserving major part of original spines gilt, Haileybury College Library labels on front paste downs together with signatures of Arthur Gray Butler (1831-1909) on labels (5)

THE HOLY BIBLE..., Glasgow and London, William Collins, 1869, engraved plates, thick 4to, decorative blind stamped calf, brass mounts and clasps

ERIC GILL: 4 titles: DRAWINGS FROM LIFE, London, Hague & Gill, 1940, 1st edition, original cloth, d/w; FIRST NUDES, London, Neville Spearman, 1954, 1st trade edition, original cloth; 25 NUDES, London, Cassell, 1988, 3rd edition, original cloth, d/w; THE ENGRAVINGS, ed Christopher Skelton, London, Herbert Press, 1990, 1st trade edition, book plate of Derek Cottam, 4to, original blind stamped cloth, d/w + DAVID PEACE: ERIC GILL, THE INSCRIPTIONS, A DESCRIPTIVE CATALOGUE, London, Herbert Press, 1994, 1st edition, original cloth, d/w + ANTHONY HOYLAND: ERIC GILL NUPTIALS OF GOD, Maidstone, Crescent Moon, 2008, 2nd edition, original pictorial wraps, all titles vgc and from the collection of Derek Cottam (6)

HANNAH RANSOME GELDART: MEMORIALS OF SAMUEL GURNEY, London, W & F G Cash, 1857, 1st edition, engraved portfrontis, text block weak between pages 144 and 145, 24pp adverts at end, original blind stamped cloth gilt + TESTIMONIES CONCERNING JOSEPH GURNEY AND ISAAC STEPHENSON, London, Harvey & Darton, 1831, 1st edition, 12 other works bound in comprising A TESTIMONY CONCERNING REBECCA BYRD, London, Darton & Harvey, 1835, 1st edition; A TESTIMONY CONCERNING WILLIAM BYRD AND ONE CONCERNING ANN BREWSTER, London, Darton & Harvey, 1836, 1st edition, TESTIMONIES CONCERNING DECEASED MINISTERS, London, Darton & Harvey, 1837, 1st edition; TESTIMONIES AND A MINUTE CONCERNING DECEASED MINISTERS, London, Harvey & Darton, 1838, 1st edition; TESTIMONIES CONCERNING DECEASED MINISTERS, London, Harvey & Darton, 1840, 1841, 1st edition, 2 works; TESTIMONIES CONCERNING DECEASED MINISTERS, London, Edward Marsh, 1842, 1843, 1844, 1845, 1846, 1st editions, old calf marbled boards rebacked, Friends Library Goat Lane Meeting House, Norwich label on front paste down (2)

EMILY AND ANNE BRONTE: WUTHERING HEIGHTS BY ELLIS BELL AND AGNES GREY BY ACTON BELL, biographical notice by Charlotte Bronte, London, W Nicholson & Sons, ND, inscription dated 1895 on ffep, 12pp adverts at end, original blind stamped cloth gilt worn, lacks part of backstrip

LONDON YEARLY MEETING (SOCIETY OF FRIENDS ABORIGINES COMMITTEE) SOME ACCOUNT OF THE RELIGIOUS SOCIETY OF FRIENDS TOWARDS THE INDIAN TRIBES IN THE SETTLEMENT OF THE COLONIES OF EAST AND WEST JERSEY AND PENNSYLVANIA..., London, Edward Marsh, 1844, 1st edition, 2 hand coloured maps including one folding, original blind stamped cloth, lacks backstrip, boards detached

GEORGE CROSFIELD: MEMOIRS OF THE LIFE AND GOSPEL LABOURS OF SAMUEL FOTHERGILL WITH SELECTIONS FROM HIS CORRESPONDENCE ALSO AN ACCOUNT OF THE LIFE AND TRAVELS OF HIS FATHER JOHN FOTHERGILL AND NOTICES OF SOME OF HIS DESCENDANTS, Liverpool, D Marples, London, Charles Gilpin, 1843, 1st edition, engraved vignette frontis, original blind stamped cloth worn and soiled, splits at spine, Friends of Todmorton label on front paste down + GEORGE RICHARDSON: JOURNAL OF THE GOSPEL LABOURS OF GEORGE RICHARDSON, A MINISTER IN THE SOCIETY OF FRIENDS..., London, Alfred Bennett, 1864, 1st edition, original blind stamped cloth, ex-Whitby Meeting Library + SUSANNA CORDER: LIFE OF ELIZABETH FRY, COMPILED FROM HER JOURNAL..., London, W & F G Cash, 1853, 1st edition, old half calf marbled boards worn and soiled (3)

ROBERT W MARKS: THE DYMAXION WORLD OF BUCKMINSTER FULLER, New York, Reinhold Publishing Corporation 1960, 1st edition, 4to, original blind stamped cloth

WILLIAM ALLEN: LIFE OF WILLIAM ALLEN WITH SELECTIONS FROM HIS CORRESPONDENCE, London, Charles Gilpin, 1846-47, 1st edition, 3 vols, vol 1 lacks ffep, original blind stamped cloth (3)

DAWSON TURNER (ED): SKETCH OF THE HISTORY OF CAISTER CASTLE NEAR YARMOUTH INCLUDING BIOGRAPHICAL NOTICES OF SIR JOHN FASTOLFE AND OF DIFFERENT INDIVIDUALS OF THE PASTON FAMILY, London, Whittaker & Co, 1843, 1st edition, 11 plates, folding pedigree, some foxing, original blind stamped cloth worn

A COLLECTION OF ACTS OF PARLIAMENT AND CLAUSES OF ACTS OF PARLIAMENT RELATING TO THOSE PROTESTANT DISSENTERS WHO ARE USUALLY CALLED BY THE NAME OF QUAKERS FROM THE YEAR 1688, London, Luke Hinde, 1767, 1st edition, some worm damage, mainly marginal but affecting some text, 4to, old blind stamped calf worn + EXTRACTS FROM THE MINUTES AND ADVICES OF THE YEARLY MEETING OF FRIENDS HELD IN LONDON FROM ITS FIRST INSTITUTION, London, W Phillips, 1802, 2nd edition, 4to, old calf worn, top board detached (2)

GEORGE HERBERT RODWELL: THE MEMOIRS OF AN UMBRELLA, ILLUSTRED WITH SIXTY-EIGHT ENGRAVINGS BY LANDELLS FROM DESIGNS BY BHIZ, London, E MacKenzie [1845], 1st edition, 4to, original blind stamped black cloth gilt, lacks backstrip

JAMES THOMSON: THE SEASONS...ILLUSTRATED WITH ENGRAVINGS BY F BARTOLOZZI, RA AND P W TOMKINS, HISTORIAL ENGRAVERS TO THEIR MAJESTIES FROM ORIGINAL PICTURES PAINTED FOR THE WORK BY W HAMILTON, RA, London for P W Tomkins by T Bensley and V Figgins, 1797, half title, subscribers list, engraved dedication, engraved frontis, 5 plates, 10 head and tail pieces, 5 vignettes as called for, some foxing, mainly marginal, final leaf reinforced at fore-edge, large folio, decorative blind stamped calf gilt, inner dentelles gilt by George Garnham, Norwich, signature and armorial bookplate of Michael Valentine Briton Riviere (1919-1997)

[GEORGE WILLIAM MANBY]: AN HISTORICAL GUIDE TO GREAT YARMOUTH IN NORFOLK WITH THE MOST REMARKABLE EVENTS RECORDED BY THAT TOWN..., Yarmouth, P Forster, 1806, 1st edition, engraved frontis, 16mo, later cloth backed marbled boards + WILLIAM FINCH-CRISP: CHRONOLOGICAL RETROSPECT OF THE HISTORY OF YARMOUTH, Great Yarmouth, William Finch-Crisp, 1877, 2nd edition extended and improved, original blind stamp cloth gilt + FREDERICK DANBY PALMER: YARMOUTH NOTES 1830-1872 COLLATED FROM THE FILE OF THE NORWICH MERCURY, Great Yarmouth, J Buckle, 1889, 1st edition, photograph portfrontis, original cloth gilt, Norfolk County Library de-accession stamp on ffep, no other lib markings (3)

FREDERICK WALPOLE: FOUR YEARS IN THE PACIFIC IN HER MAJESTY'S SHIP "COLLINGWOOD" FROM 1844 TO 1848, London, Richard Bentley, 1849, 1st edition, vol 2 (of 2 only), engraved frontis, probably from a ship's library as verso or half title a manuscript list of officers and the dates the book was borrowed and returned, original blind stamped blue cloth, spine gilt lettered with small part loss at head and foot

WILLIAM HOWITT: THE RURAL LIFE OF ENGLAND, London, Longman, Orme, Brown, Green & Longmans, 1838, 1st edition, 2 vols, original blind stamped cloth gilt worn, vol 1 part of spine detached (2)

JOHN KEATS: ISABELLA OR THE POT OF BASIL, ill William Brown MacDougall, London, Kegan, Paul, Trench, Trubner & Co, 1898, 1st edition, 4to, original blind stamped decorative Arts & Crafts green cloth spine gilt lettered and decorated (some wear at head and foot), from the collection of Derek Cottam

DOSABHOY FRAMJEE: THE PARSEES, THEIR HISTORY, MANNERS, CUSTOMS AND RELIGION, London, Smith Elder & Co, Bombay, Smith Taylor & Co, 1858, 1st edition, 18pp adverts at end dated July 1858, some water staining at front and end, original blind stamped cloth, v soiled

EBENEZER LANDELLS: THE GIRL'S OWN TOY-MAKER AND BOOK OF RECREATION, London, Griffith & Farran, 1860 [1859], 1st edition, 32pp adverts at end, original blind stamped decorative cloth gilt worn

JOHN BRITTON & E W BRAYLEY: A TOPOGRAPHICAL AND HISTORICAL DESCRIPTION OF THE COUNTY OF NORFOLK..., London for Sherwood Neely & Jones [1812], engraved folding frontis map and 20 plates as called for, old blind stamp calf, rebacked morocco gilt spine label, armorial book plate of Hildyard on front paste down

HARWOOD'S ILLUSTRATIONS OF JERSEY, (cover title), [London, J Harwood], (circa 1850), 27 engraved plates, oblong, original blind stamped limp cloth gilt, inner joints split

C BRYNER JONES (ED): LIVE STOCK OF THE FARM, London, Gresham, 1920, 1st edition, 6 vols, original blind stamped cloth (6)

WILLIAM SHIPLEY: A TRUE TREATISE ON THE ART OF FLY-FISHING, TROLLING ETC..., ed Edward Fitzgibbon, London, Simpkin, Marshall & Co, 1838, 1st edition, 12mo, contemporary blind stamped cloth worn + HENRY PHILLIPS: THE TRUE ENJOYMENT OF ANGLING, London, William Pickering, 1843, 1st edition, original blind stamped cloth gilt worn and soiled + IZAAC WALTON & CHARLES COTTON: THE COMPLETE ANGLER..., ed James Rennie, Manchester, Thomas Johnson [1849], reissue of the Edinburgh edition of 1833, original blind stamped cloth, spine decorative gilt + ERIC PARKER & OTHERS: FINE ANGLING FOR COARSE FISH, London, Seeley Service, 1930, 1st edition, Lonsdale Library vol 4, original cloth, d/w (4)

19th Century mahogany chest of drawers in the George III taste, the moulded canted oblong top over two short and three graduated long cock beaded drawers with cast brass bale handles between fluted canters corners on blind fret work-decorated bracket feet, 110cm x 54cm x 103cm high Condition: General light marking and staining to top plus some cracking commensurate with age and use. Moulded corner sections over fluting have been reattached or replaced. Tight crack through front moulding of top. Minor patch to front right corner of top. Drawers appear to be missing their rear stops as they push in beyond the front moulding of the carcass. Some sections of bracket feet are loose, including one which is missing much of its blind fret work decoration. Some moulding losses to bracket feet, overall a little faded but could easily be renovated - **General condition consistent with age

Cornish interest - George III mahogany-cased eight day brass dial longcase clock with rocking ship automaton, Roger Wearne, St. Earth (St. Erth, Cornwall), (1748-1820), the 12-inch dial with Roman hours and Arabic minutes framing seconds dial, engraved lighthouse and tall-masted sailing ship, and shells flanking terrestrial calendar crescent, the signed arch framing demi-lune seascape with rocking ship automaton, the knopped four pillar movement striking on a bell, the case with pagoda surmount over moulded dentil cornice and blind fret work, plain turned trunk columns with brass capitals, shaped throat moulding and broad break-arch trunk door with ebonised cock beading on conforming base, 235cm high Condition: Dial has brown spot between I & II. Signature strip to arch is a separate section, break through H of Earth. Some bubbling to seascape. Movement appears sound but is untested and sold as seen. Case has minor losses to dentil mounding, very slight crack to blind fret work, a couple of tight veneer cracks to hood door and some shrinkage to trunk door and surround but is otherwise sound. Sold with two iron weights, two crank winders, trunk door key, hood door key, and pendulum - **General condition consistent with age

Local Interest - Good George III mahogany-cased eight day longcase clock, John Hunter, Bristol (fl.1761-97), the 12-inch silvered break-arch dial with 'Dutch' minute band framing Roman hours, subsidiary seconds dial and terrestrial calendar crescent beneath signature and foliate scroll work, the arch with lunar calendar and rolling moon phase, inscribed above High Water at Bristol Key, the knopped four-pillar movement rack striking on a bell, the case with swan neck pediment over two registers of blind fret work decoration, fluted columns, and ogee-arched long trunk door between fluted canted corners on panelled base, 236cm high Condition: Dial appears to be in good order. Terrestrial calendar is functioning. Movement appears sound but is untested and sold as seen. Tip of swan neck pediment appears to have been slightly flattened, as does the central section of blind fret work to the upper register. A few flake losses just below this point. Vertical cracking to hood door. Dark scratch to trunk door. The case has been French polished some years ago. The sides of both hood and trunk are unveneered and appear to be pine with a mahogany stain. Sold with two weights, trunk key, crank winding handle and pendulum - **General condition consistent with age

Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Octavo, publisher's dark brown cloth lettered in gilt to spine with blind-embossed skeletal hand on upper board, unclipped dust-jacket. Contents very good, clean, bright; some light discolouration to outer edges of text-block; neat contemporary owner inscription on front free endpaper; a couple of very small, light marks on endpapers; binding very good, lightly bumped to corners; dust-jacket with splitting and short tears

A George II mahogany serpentine dressing chest of drawers, circa 1755, the shaped top with moulded edge, above four long graduated drawers interspersed by leaf and ball moulding, the top drawer fitted with a baize inset slide above an arrangement of compartments and lidded compartments around a hinged rectangular mirror, flanked by foliate bellflower carved canted angles, on blind fretwork shaped bracket feet, 79cm high, 100cm wide, 59cm deep Many parallels between works by the highly skilled mid-18th century cabinet maker William Gomm and this chest can be drawn. Based in Clerkenwell Close, London, Gomm's designs were heavily inspired by Thomas Chippendale's Director with combinations of gothic, rococo, and chinoiserie elements included in single items of furniture. This can be seen in the contrast between the trailing floral carved angles and the blind fretwork feet. For a desk possibly by Gomm also featuring this variety of stylistic elements see, Christie's, New York, American Collecting in the English Tradition: Property of the Metropolitan Museum of Art, 27th October 2015, Lot 92 (£341,000).  This format of chest demonstrates one of Gomm's most prolific designs with at least six 'Exceeding fine Serpentine Commode Dressing Tables' supplied to Lord Leigh by William Gomm & Son for Stoneleigh Park in 1763. For a record of this commission see C. Gilbert, Dictionary of English Furniture Makers 1660-1840, 1986, p. 350. Definite similarities can also be seen in the quality of the floral foliage carving featured on this chest and an altar table by Gomm owned by the V&A museum in London but on display at Stoneleigh Abbey, Warwickshire (W.7-1990).  For a related example of chest see, Sotheby's, New York, Gallison Hall: The James F. Scott Collection, 15th October 2018, Lot 273 ($10,625).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits and small losses. The top with fading and some additional dark marks and scratches. Some filler used to the top in places. Small section of replacement veneer to back edge of top. Locks and escutcheons are replaced. Small plugged holes visible to drawer fronts from previous escutcheons. Sections of replacement moulding to area adjacent to two of the lock plates. No key present, all locks are open. To three of the drawer fronts it is visible where the screws securing the lock plates have poked through slightly. Baize to slide is a later replacement. Mirror plate appears original and has the expected depletion and grey spots. The small handle to the mirror is lacking leaving a small plugged hole. One of the dividers to the fitted interior has split in two.Some additional abrasion to feet. Please refer to additional images for visual reference to condition.       Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Charles II oak chest of drawers, circa 1680, the rectangular top with moulded edge above two short and three long graduated drawers, the two short drawers centred by small blind drawer and hidden drawer behind it, on stile feet, 83cm high, 92cm wide, 56cm deep

A George III mahogany bureau bookcase, circa 1770, the dentil moulded and blind fretwork cornice above a pair of glazed doors, opening to a two adjustable shelves, the fall opening to a baize inset writing surface and an arrangement of pigeon holes and small drawers around a central cupboard doors, above four long graduated drawers, on ogee shaped bracket feet, 216cm high, 100cm wide, 55cm deep

A mahogany breakfront library bookcase, in George III style, 20th century, the moulded cornice and blind fretwork frieze above four astragal glazed doors opening to adjustable shelves, the lower section with four field panelled cupboard doors opening to shelves, on a plinth base, 215.5cm high, 217cm wide, 50cm deepCondition Report: Marks, scratches and abrasions, some old chips and splitsThe lower section appears more faded/ cleaned than the upper section. Lacking keysFour panes of glass are cracked. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

SCOTTISH 'BLIND MAN'S' LARGE CARVED SNUFF BOX 19TH CENTURY the hinged cover carved with two dancing couples accompanied by a bagpipe player, the sides with dogs and a ram, the base with Tam O'Shanter(15.5cm wide, 5cm high, 7.5cm deep)

An oak floor standing corner cupboard, the upper section with glazed door, the lower with arched blind cupboard door, height 79.5ins, width 25ins

Alice Barnwell, 'Snow blossom', coloured etching, titled and signed with studio blind stamp, 23x30

Alice Barnwell, 'Winter Willows' and 'The Wolds', coloured etchings, titled and signed, with studio blind stamp, 24x31cm

After Sir William Russell Flint, RA (Scottish, 1880-1969), Summertime, Uzes, colour print, limited edition 174/653 with W R F blind stamp 40cm x 53cm (Forest Gallery Label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), The Mill Pool, colour print, limited edition 313/850 with Michael Stewart blind stamp 55cm x 71cm (Forest Gallery Label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), Souvenir of Barbaste, colour print, limited edition 166/650 with W R F blind stamp 40cm x 53cm (Forest Gallery Label verso) No damage found but not seen out of frame.

After Sir William Russell Flint, RA (Scottish, 1880-1969), St Malo, 1939, colour print, signed in pencil, Published in 1947, with Frost & Reed blind stamp 39cm x 63cm ( With Forest Gallery label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), the Jewel Box, colour print, limited edition 263/653 with W R F blind stamp 30cm x 39cm (Forest Gallery Label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), La Voulte sur Rhone, colour print, signed in pencil, Published in 1969 by Frost & Reed with Fine Art Trade Guild blind stamp 49cm x 63cm ( With Forest Gallery label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), Ancient Doorway Cordes, colour print, limited edition 174/650 with W R F blind stamp 56cm x 37cm (Forest Gallery Label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), Le Quatorze Juillet, colour print, signed in pencil, Published in 1956 by Frost & Reed with Fine Art Trade Guild blind stamp 49cm x 63cm ( With Forest Gallery label verso)

After Sir William Russell Flint, RA (Scottish, 1880-1969), Reclining Nude, colour print, limited edition 507/750 WRF blind stamp, 30cm x 55cm (Forest Gallery Label verso)

SammelbandSammelband mit sieben Reformationsschriften. 1566-1602. Kl.4°. Blindgeprägt Sammelband Sammelband mit sieben Reformationsschriften. 1566-1602. Kl.4°. Blindgeprägter Schweinslederband d. Zt. (Deckel leicht aufgebogen, gering fleckig). +1. Luther, Martin.+ Servum Arbitrium, Das ist: Daß der Freye Wille Nichts Seye: Antwort D. Martini Lutheri, an Erasmum Roterodamum. Verteutscht, durch Justus Jonas. Frankfurt a. M., J. Saur für Ch. Egenolff Erben, 1602. 352 S. - VD17 15:727288H - +2. Bestendige+ Lehr D. Martin Luthers, Vom Ursprung dess Glaubens. Amberg, M. Forster, 1598. [6] Bll., 126 S., [1] Bl. - VD16 L 3602 -+ 3. Augspurgischer Confession,+ derselben Apologia, unnd Repetition, auch Franckfordischen abscheids lere von Sacramenten, mit ihren eignen worten, In Fragstuck gestellet. Heidelberg, J. Mayer, 1566. [3] Bll., 7 S. - VD16 A 4129 - +4. [Amling, Wolfgang].+ Antwort auff die Wittenbergische Abfertigung der Ambergischen Anleitung: Belangend die Anhaltische Reformation. Amberg, M. Forster, 1598. [6] Bll., 136 S. - VD16 A 2270 - +5. Augenscheinlicher Beweiß,+ Daß die Wittenberger ihr ungegründ lästern wider die Anhaltische Reformation nicht behaupten [...] können. Ebd., 1600. [4] Bll., 71 S. - VD16 A 4079 - +6. Mylaeus, Johann Philipp.+ Ein Christliche Leichpredigt, gehalten bey der Begräbnus deß Ehrwürdigen und Hochgelehrten Herrn Doctoris Danielis Tossani. Heidelberg, A. Cambier, 1602. [6] Bll., 35 S. - VD17 12:647707E - +7. Reuter, Quirinus.+ Von der Pilgramschafft der Kinder Gottes auff Erden. Bey der Begräbnuss des [...] Laurentii Circleri. Heidelberg, Ch. Löw, 1598. [14] Bll. - VD16 R 1525. - Etwas gebräunt und stellenweise leicht randfleckig, ab Nr. 4 mit stärker werdendem Feuchtfleck. Vereinzelte Marginalien, hs. Besitzvermerke auf Vorsatz. - 7 works on Reformation in 1 volume, 1566-1602. Contemporary blind stamped pigskin (covers slightly bent, slightly stained). Somewhat browned and partly slightly stained, from work no. 4 with growing damp stain. Marginalia.

Gruber,J.D.Gruber,J.D. Der Liefländischen Chronik Erster (Und: Andrer) Theil von Liefl Gruber,J.D. Gruber,J.D. Der Liefländischen Chronik Erster (Und: Andrer) Theil von Liefland unter seinen ersten Bischöfen... 2 Tle. in 1 Bd. Halle, Gebauer 1747-53. Fol. 16 Bl., 220 S., 15 Bl., 364 S. Ldr. d. 19. Jh. mit Blind- u. Goldpräg., 2 Metall-Schließen u. Goldschn. (Berieb., Gelenke angeplatzt). Ebert 8992-b. Kat. des Schrifttums über die baltischen Länder 293. - Erste deutsche Ausgabe, das lat. Original erschien 1740. Mit Anmerkungen von J.G. Arndt. Berichtszeitraum 1184-1561, Teil 2 ausführlich zum Deutschritterorden. - Tl. 1 'welcher die alte Geschichte der Russen, Deutschen, Schweden, Dänen, Esthen, Liven, Letten, Litthauer, Curen und Semgallen erleutert', Tl. 2 'unter seinen Herren Meistern, welche die alte Geschichte des Ordens und der benachbarten Völker erleutert'. - Tls. leicht fleckig, einige Marginalien in Tinte, Titelbl. mit kl. Loch.

Album amicorumAlbum amicorum mit 1 Bleistift-Zeichn., 9 aufgez. farb. lithogr. Ansichte Album amicorum Album amicorum mit 1 Bleistift-Zeichn., 9 aufgez. farb. lithogr. Ansichten, 1 kalligr. Init., sowie 26 hs. Eintr. u. mehreren w. Bl., Karlsruhe u. Gernsbach 1866-70. Qu.4°. Blind- u. goldgepräg. Ldr. d. Zt. mit Goldschn. (Berieb.). Die Ansichten wohl aus 'Souvenir de Carlsrouhe' bei Bielefeld um 1840. - Etw. fleckig.

Jossot, Gustave-HenriJossot, Gustave-Henri (1866 Dijon - Sidi Bou Said 1951). La Vague. Jossot, Gustave-Henri Jossot, Gustave-Henri (1866 Dijon - Sidi Bou Said 1951). La Vague. Lithographie in Olivgrün auf Arches. Im Druck und e. sign., bezeichnet 'no. 8', nicht dat. (um 1894). Blattmaß: 61 x 43 cm; Plattenmaß: 52,3 x 35,2 cm. - Unter Passepartout. Stein/Karshan Nr. 39 Tafel 57. Thieme/Becker 19, 184: ' Gustave-Henri Jossot, also known as Abdul Karim Jossot, betätigte sich hauptsächlich als Illustrator für Pariser Zeitschriften... Pikante Stilisierung der Linie, an japan. Vorbilder erinnernd. . .'. - Weill, Plakatkunst international ' S. 53: '. . . La Plume (Kunst- u. Literaturzeitschr.) veranstaltete auch den Salon des Cent in ihren Räumen... dessen Plakate mit berühmten Namen signiert sind (Ibels... Jossot und De Feure... Lautrec). - Das vorliegende sehr seltene Blatt in Anlehnung an Hokusai's Welle enstanden. - Leichter Lichtrand, minimale Druckfehler und mit kleinen Knickspuren am Rand. - Links unten oktagonaler Blindstempel. - Lithography on Arches. Signed in the print, entitled. Under passepartout. Slightly sun faded, with small creases in the margin, few misprints, bottom left with blind stamp.

AlbumAlbum (Deckeltitel). Freundschaftsalbum mit 31 hs. Eintr. u. 6 tls. mont. u. farb. Album Album (Deckeltitel). Freundschaftsalbum mit 31 hs. Eintr. u. 6 tls. mont. u. farb. Abb. in versch. Techniken. Marktheidenfeld, Aschaffenburg u.a. ca. 1860. Qu.Kl.4°. Grüner Ldr. d. Zt. mit Blind- u. Goldpräg., sowie Goldschn. (Rckn. beschäd.). +Dabei:+ Souvenir (Deckeltitel). Stammbuch-Kassette mit 23 Bl. hs. Eintr. aus Ebingen u. Biberach, 1850-er/1860-er Jahre. Qu.Kl.8°. Lose in blindgepräg. Ldr. d. Zt. mit goldgepräg. Fileten. (Tls. berieb.). - +Dedie a l'amitie+ (Deckeltitel). Stammbuch für Lisette Simon aus Straßburg mit 27 hs. Eintr. u. 18 farb. Illustr. in versch. Techniken, 1827-ca. 1850. Qu.Kl.8°. Ldr. d. Zt. (Berieb., vord. Gelenk geplatzt).

DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching

GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hannover Titel: Kopf einer Greisin. Datierung: 1924. Technik: Aquarell und Tempera auf leichtem Karton (Trockenstempel). Maße: 47,5 x 31,5cm. Bezeichnung: Mit Werknummern versehen, signiert und datiert unten: No 393 No 44 O. Gleichmann 1924. Rahmen/Sockel: Rahmen. Das Aquarell wird in das von Frau Petra Wenzel, Isernhagen, bearbeitete Werkverzeichnis aufgenommen. Prov.: Nachlass des Künstlers; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf; Sammlung Prof. Dr. Eggers, Essen Ausst.: Galerie Wolfgang Ketterer, München 1966; Sprengel Museum, Hannover 1987, . Erläuterungen zum Katalog Otto Gleichmann Deutschland Expressionismus Moderne Kunst Unikate 1920er Figur / Figuren Papierarbeit Mischtechnik Frau GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hanover Title: Kopf einer Greisin. Date: 1924. Technique: Watercolour and tempera on thin card (blind stamp). Measurement : 47,5 x 31,5cm. Notation: Equipped with work numbers, signed and dated at the bottom: No 393 No 44 O. Gleichmann 1924. Frame/Pedestal: Framed. The watercolour will be included in the catalogue raisonné edited by Petra Wenzel, Isernhagen. Prov.: Artist's estate; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf Exhb.: Galerie Wolfgang Ketterer, Munich 1966; Sprengel Museum, Hannover 1987, cat. no. 68, ill. p. 62. Explanations to the Catalogue Otto Gleichmann Germany Modern Art 1920s Figure / Figures Works on paper Mixed media Woman

VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Ungarn - 1997 Paris Titel: Ohne Titel. Technik: Farbserigrafie auf Velin. Darstellungsmaß: 56 x 40cm. Blattmaß: 75 x 57cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Edition Denise René, Paris (Hrsg.). Exemplar: 138/250. Rahmen/Sockel: Rahmen. Zustand: In den Randbereichen minimale Druckspuren rahmungsbedingt. Ecken minimal bestoßen und zum Teil mit weißen Farbspuren. An der rechten Blattkante mit einzelnen Bestoßungen.. Mit dem Trockenstempel des Herausgebers versehen. Erläuterungen zum Katalog Victor Vasarely Frankreich Op Art Nachkriegskunst Grafik Druckgrafik VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Hungary - 1997 Paris Title: Untitled. Technique: Colour silkscreen on vellum. Depiction Size: 56 x 40cm. Sheet Size: 75 x 57cm. Notation: Signed and numbered. Publisher: Edition Denise René, Paris (publisher). Number: 138/250. Frame/Pedestal: Framed. Condition: In the margins minimal pressure marks due to mounting. Corners minimally bumped and partly with white paint traces. At the right sheet edge with occasional bumpings. Provided with the blind stamp of the publisher. Explanations to the Catalogue Victor Vasarely OP Art Post-War Art Prints Print

WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York Titel: Committee 2000. Datierung: 1982. Technik: Farbserigrafie. Lenox MuseumskartonMaße: 51 x 50,5 x 76,5 x 51 x Bezeichnung: Signiert und nummeriertCommittee 2000, München (Hrsg.). Exemplar: 958/2000. Sockel/Rahmen: Rahmen. Zustand: In der Bildmitte sowie in der rechten unteren Ecke minimale Knickspuren. Vereinzelte minimale Flecken im oberen Bildbereich sowie im unteren Randbereich. Mit dem Trockenstempel des Druckers Rupert Jasen Smith, New York. Diesem Blatt fehlt der rückseitige Copyright Stempel des Künstlers. WVZ. Feldman/Schellmann, Nr. II.289. Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1980er Feste Papierarbeit Farbserigrafie WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York Titel: Committee 2000. Date: 1982. Technique: Colour silkscreen. Lenox museum boardMeasurement: 51 x 50,5 x 76,5 x 51 x Notation: Signed and numbered Committee 2000, Munich (publisher). Number: 958/2000. Frame/Pedestal: Framed. Condition: In the picture centre as well as in the lower right corner minimal creases. Occasional minimal stains in the upper picture area as well as in the lower margin. With the blind stamp of the printer Rupert Jasen Smith, New York. This sheet is missing the copyright stamp of the artist verso. Cat. rais. Feldman/Schellmann, no. II.289. Explanations to the Catalogue Andy Warhol USA Pop Art Photographs Post-War Art Prints 1980s Celebrations Works on paper Colour silkscreen

SCHAD, CHRISTIAN SCHAD, CHRISTIAN 1894 Miesbach - 1982 Keilberg Titel: Orbis Sensualium Pictus. Untertitel: Mappe mit 18 Druckgrafiken. Datierung: 1976. Technik: Verschiedene Drucktechniken auf Velin. Darstellungsmaß: Blätter jeweils: 59 x 42cm. Bezeichnung: Signiert, datiert, nummeriert und betitelt. Herausgeber: Edition G.A. Richter, Rottach-Egern (Hrsg.). Exemplar: 34/38. Zustand: Blätter und Kassette in tadellosem Zustand. In originaler Leinenkassette (61 x 43 x 2,5cm). Blätter jeweils mit dem Trockenstempel des Herausgebers. WVZ. Richter, S. 24-25. Erläuterungen zum Katalog Christian Schad Deutschland Neue Sachlichkeit Moderne Kunst Grafik 1970er Druckgrafik Holzschnitt SCHAD, CHRISTIAN SCHAD, CHRISTIAN 1894 Miesbach - 1982 Keilberg Title: Orbis Sensualium Pictus. Subtitle: Portfolio with 18 prints. Date: 1976. Technique: Various printing techniques on vellum. Depiction Size: Sheets each: 59 x 42cm. Notation: . Signed, dated, numbered and titled. Publisher: Edition G. A. Richter, Rottach-Egern (publisher). Number: 34/38. Condition: Sheets and box in excellent condition. In original linen box (61 x 43 x 2,5cm). Sheets each with the blind stamp of the publisher. Cat. rais. Richter, p. 24-25. Explanations to the Catalogue Christian Schad Germany New Objectivity Modern Art Prints 1970s Print Woodcut

BECK, HERBERT BECK, HERBERT 1920 Leipzig - 2010 Tegernsee Titel: Landschaft mit Bäumen in der Abendsonne. Technik: Mischtechnik auf ZANDERS PAROLE (Trockenstempel). Maße: 49,5 x 64,5cm. Bezeichnung: Monogrammiert unten rechts: B. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Herbert Beck Deutschland Expressionismus Moderne Kunst Unikate Landschaft Papierarbeit Gouache BECK, HERBERT BECK, HERBERT 1920 Leipzig - 2010 Tegernsee Title: Landschaft mit Bäumen in der Abendsonne. Technique: Mixed media on ZANDERS PAROLE (blind stamp). Measurement : 49,5 x 64,5cm. Notation: Monogrammed lower right: B. Frame/Pedestal: Framed. Explanations to the Catalogue Herbert Beck Germany Modern Art Post War Landscape Works on paper Gouache

SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Titel: Ohne Titel. Datierung: 1992. Technik: Aquarell auf SCHOELLERSHAMMER T (Trockenstempel). Maße: 51,5 x 73cm. Bezeichnung: Signiert und datiert unten links: Sprotte 92. Erläuterungen zum Katalog Siegward Sprotte Deutschland Karlsruher Malerschule Nachkriegskunst Unikate 1990er Landschaft Papierarbeit Aquarell See SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Title: Untitled. Date: 1992. Technique: Watercolour on SCHOELLERSHAMMER T (blind stamp). Measurement: 51,5 x 73cm. Notation: Signed and dated lower left: Sprotte 92. Explanations to the Catalogue Siegward Sprotte Germany Karlsruher Malerschule Post-War Art Post War 1990s Landscape Works on paper Watercolour Lake