We found 44913 price guide item(s) matching your search

A 19th century mahogany full height corner cupboard, the upper section with moulded cornice, blind fret frieze and twin astragal glazed doors, the base with double cupboard

Late 18th century long-case clock, 8-day movement striking on single bell, square brass dial with spandrels, chapter ring with Arabic and Roman numerals, secondary minute dial, case with canopy, decorated with blind fretwork panel, trunk with fluted quartered columns, cross-banded door, box base with batwing white-wood inlays, height 194cm (76").Condition report: Case of good colour, un-restored movement, 13" square dial silvered, later chapter ring.

A George III mahogany stool, circa 1780, the rectangular upholstered seat with brass studded detail to the frieze, on square section legs carved with blind fretwork decoration incorporating flowerheads, on brass casters, 41cm high, 62cm wide, 47cm deep

A George IV mahogany library table, by Gillows of Lancaster, circa 1825, the rectangular top with rounded corners and a tooled leather inset surface, above two blind frieze drawers, one stamped GILLOWS LANCASTER, on reeded and turned supports, the reeded bun feet on concealed castors, 73cm high, 102cm wide, 51cm deep

A George II mahogany breakfront library bookcase, circa 1755, in the manner of Thomas Chippendale, the moulded and arched pediment with central plinth section, above three astragal glazed doors each opening to a shelved interior, the lower section with a blind fretwork frieze above a central panel door opening to four graduated drawers, flanked on each side by a panel door opening to a divided interior, on shaped bracket feet, 258cm high, 132cm wide, 39cm deep Please note: The estimate for this lot should read £4,000 – 6,000 (reduced from the original estimate)

A George III mahogany clothes press, circa 1770, the swan neck pediment incorporating pierced fretwork detail, and finely carved flowerhead terminals, the blind fretwork frieze above a pair of panelled doors corners by carved flowerhead terminals and opening to sliding trays, the chest section with two short and one long drawer, on bracket feet, 183cm high, 130cm wide, 63cm deep

LS LOWRY LIMITED EDITION PENCIL SIGNED COLOUR PRINT WITH FINE ART TRADE GUILD BLIND STAMP- THE MEETING POINT, APPROXIMATELY 49cm x 73cm

L S LOWRY. "Going to work, 1959", a limited edition colour print after an original by L.S. Lowry, no. 76/850 with blind stamp. 46cm x 61cm.

L S LOWRY. "The Arrest", a limited edition colour print after an original by L.S. Lowry, no. 778/850 with blind stamp. Condition:Good condition. No yellowing around the mount. Colour generally bright. in modern gilt frame. As images. 

JOHN WARD (1917-2007), Middle Temple Hall, London, a black and green screenprint , signed and no. 28/100 in pencil with blind "ea" stamp. 56cm x 79cm. 

Eight day long case clock by Joseph Gibson Ecclefechan, the silvered and glass 12.5" dial with lunar work in the arch and engraved centre, in mahogany case with stopped fluted columns, blind fretting and scroll cresting upon panelled chamfered base and ogee bracket feet, c1775.

A pair of Wedgwood blue jasper vases and covers, 19th centuryThe ovoid bodies with tall handles and square plinths, the flat covers with vase-shaped finials, applied in white relief with 'Blind-Man's Bluff' by Flaxman, a group of eight putti at play, classical borders applied around the feet and shoulders, 32.5cm high, impressed WEDGWOOD (4)

A Worcester 'Blind Earl' sweetmeat dish and two plates, circa 1770Of lobed circular form, richly decorated with the 'Old Mosaic' pattern of eight different formal panels broken up by mons, around a central twisted prunus wreath, sweetmeat dish 15.2cm wide, plates 19.5cm and 21cm diam, pseudo Chinese character marks (3)

GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the moulded Greek key cornice over a blind fret frieze above two short and three long drawers flanked by blind fret carved angles; the lower section with a brushing slide over three long drawers, raised on bracket feet (Dimensions: 113cm wide, 188cm high, 56cm deep)(113cm wide, 188cm high, 56cm deep)Condition report: unrestored condition some losses to the fret moulding to both sides of frieze; front is ok veneer chips to the drawer surrounds in several places some scores and scratches on the side panels feet heavily scuffed one handle is loose and not attached securely; the brasses appear to be original wear through the varnish in places other old scuffs, marks, scratches and surface blemishes consistent with age and use no key

A George III mahogany corner cabinet, the Greek key cornice above a blind fret frieze, and a single panel door, flanked by readed pilasters, 75cm W.

19th Century mahogany break front sideboard, having centre cock beaded drawer with arched recess drawer below, flanked by blind panelled box drawer and similar cellarette drawer, with spirally moulded angles and similar spirally moulded and turned tapering legs.(B.P. 24% incl. VAT) CONDITION REPORT: 66 x 155 x 94cm approx. Generally grubby, worn and minor losses to veneers in places. Scratches and stains to the top but basically sound.

19th Century mahogany cylinder two door blind panelled hanging corner cupboard. (B.P. 24% incl. VAT)

A Laura Ashley modern hardwood blind panelled TV unit, together with a rectangular coffee table with a bank of 16 drawers. (2)(B.P. 24% incl. VAT)

Oak finish modern two door blind panelled wardrobe, together with pair of matching bedside cabinets. (3)(B.P. 24% incl. VAT)

20th Century limed oak dining suite comprising; refectory type table with extending leaves and glass top, large carved sideboard, two door blind panelled cupboard with under drawer on turned supports and stretchers and six upholstered dining chairs (2 carvers). (9)(B.P. 24% incl. VAT)

'Snaffles' Charles Johnson Payne (British 1884-1967)/The Huntsman/The 'oss loves the 'ounds but I loves both/signed and with blind stamp/coloured print, 21.5cm x 27.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

'Snaffles' Charles Johnson Payne (British 1884-1967)/The Gent in Ratcatcher/I have my man cleaning my 'osses not my breeches/signed and with blind stamp/coloured print, 25cm x 26cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

A Worcester small bell mug' battledore' and 'blind man's bluff', 8.25cm high/see illustration CONDITION REPORT: Small chip to underside of rim, between the two prints it appears to be contemporary to firing. Small nick to rim near handle. Glaze blemish to side of BMB print and kiln speckling to the lower part below bottom handle terminal.

Laurence Stephen Lowry (1887-1976) - 'The Pond', signed, blind stamp seal, lithograph, 44 x 57cm, framed with original authenticated receipt

A reproduction Georgian style two tier demi-lune side table with crossbanded detail, blind fret frieze on shaped supports, with brass caps, 122cm wide

Laurence Stephen Lowry (1887-1976) - 'The Beach', signed, blind stamp seal, colour lithograph, the mount inscribed 'Published in 1973 by Venture Prints Ltd, Bristol, England, Copyright in all Countries Including the USA, Printed in England', 26 x 50cm; together with by the same hand - 'Deal', signed, blind stamp seal, black and white print, 18 x 25cm, framed (2)

Beryl Cook (1926-2008) - 'Meadow Suite', signed, coloured print, inscribed 'Published by the Alexander Gallery Publications Limited Bristol, England', blind stamp seal, Halcyon Gallery label verso, 30 x 40cm, framed

A 19th century Worcester cabinet plate with relief moulded and painted botanical decoration in the Blind Earl pattern with impressed mark to reverse, 20cm approx diameter, together with a 19th century continental dessert plate with pierced border and relief moulded and painted fruit detail, with blue T and crossed mark to base, 23cm approx diameter, also together with an early 19th century Spode dish of oval form with blue and white printed decoration in the Tiber pattern, within an arcaded border, 23cm long

Laurence Stephen Lowry (1887-1976) - 'A View of a Town', signed, blind stamp seal, lithograph, 43 x 54cm, framed, with original authenticated purchase receipt

An Hermès black canvas 'Herbag ' backpack, the canvas body with leather trim, flat leather top handle and back straps, with front flap and an open top with a drawstring closure, blind stamp 'G' within a square

William IV mahogany chest on chest, the top with two short over three long graduated drawers, a dentil cornice, blind fret work to the frieze and also to the chamfered front edges, the base with a brushing slide over three long graduated drawers, plain brass swan neck handles and pierced brass escutcheons, standing on ogee bracket feet, height 187cm width 111cm depth 56cm

After Gabriella Possum Nungurrayi (b 1967) - untitled, limited edition colour print, (61cm x 88.5cm), numbered 123/150 and signed G. Possum in pencil to the margin, Original Aboriginal Art Work blind stamp, glazed and in a gilt frame (overall frame size 98cm x 126cm)

Sir William Russell Flint RA (1880-1969), 'L'Anne-Marie by the Loire', signed in pencil, with the blind stamp for the Fine Art Trade Guild, from an edition of 800, published by Frost and Reed Ltd, a colour reproduction, September 1956, framed and glazed 90 x 77 cm

Sir William Russell Flint RA (1880-1969),'Teresa, Yolande and Anne-Marie', signed in pencil, with the blind stamp for the Fine Art Trade Guild, from an edition of 850, published by Frost and Reed Ltd, a colour reproduction, September 1956, framed and glazed 87 x 59 cmCecilia had a friend, Baron Bensilum, for whom shesubsequently worked as a personal assistant when she finally gave up modelling. The Baron's wife was called Yolande and his secretary Anne-Marie. The secretary's sister was Antoinette and the original suggestion was to call this picture 'Antoinette, Yolande and Anne-Marie'. Russell Flint however did not like this combination and eventually settled for 'Teresa, Yolande and Anne Marie'.

Sir William Russell Flint RA (1880-1969),'Act II Scene I', with a blind stamp, from an edition of 850, published a colour reproduction, October, 1985, framed and glazed 32 x 67 cm

Eric Richard Sturgeon (1920-1999), 'The Grape Harvest', signed in pencil, a colour reproduction, with the blind stamp for the Fine Art Trade Guild, from an edition of 685, published by Felix Rosenstiel's Widow and Son Ltd, 1976, framed and glazed 90 x 77 cm

Limited edition 71/650 Der Regenmeister Michael Schumacher 1998 signed in pencil Gerald Coulson with gallery blind stamp 65 x 33 cm

Very rare West Germany shirt worn by Klinsmannin the 1990 World Cup Quater Final match v Czechoslovakia. West Germany won the game 1-0 and went on win the Final. Provenance: Klinsmann swapped his shirt after the match with the Czechoslovakian player Ľubomír Moravčík, and the shirt was offered by Moravčík for sale in 2002 in charity whose proceeds were dedicated for funding organizations helping blind children in Czechoslovakia.

Original vintage British propaganda poster: Change over! Beware the blind spot... Dynamic design showing the white trail from planes crossing over each other in a blue sky with a red circle marking the blind spot of their dangerously close cross over point, the text above and below in coloured lettering over the clouds. Printed for Her Majesty Stationery Office by Proterprint Ltd. Very good condition, small tears on top margin, backed on linen.Year of printing: 1944, country of printing: UK, designer: Walker, dimensions (cm): 75x48.5.

A mezzotint of a blind man with children, circa 1790.

Snap Dragon (253) and Blind Man’s Buff (246) (2) (pot lid, potlid, prattware)

Blind Man’s Buff (246) and Dangerous Skating (249) (2) (pot lid, potlid, prattware)

A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above a blind fret carved frieze and two short over three long drawers all between fluted canted stiles, the base of three deep drawers above a moulded base and bracket feet, 110cm by 54cm by 183cm. In reasonable cosmetic condition. Fairly uniform colour. Drawer fronts with previous handles marks to the top two drawers. Later brasses. Upper section end panels with natural? fine split. Minor faults to moulding around the middle section. Minor faults/repair around cockbeading. Drawers oak lined. All drawers open, but no key. 051019

A Rare Walnut Seaweed Marquetry Quarter Chiming Eight Day Longcase Clock, signed David Hubert, Londini, Fecit, circa 1710, caddied pediment with ivory and tortoiseshell inlaid finials, blind fret side panels, elaborate seaweed marquetry inlay depicting floral and scroll decoration, trunk with a glass lenticle, trunk sides with inlaid rectangular panels, plinth with bun shaped feet, 12-inch square brass dial with a silvered chapter ring signed, matted dial centre with a seconds dial, date aperture, three ringing winding holes, five pillar triple weight driven movement with an anchor escapement, quarter chiming on a nest of six bells and striking the hours on a further bell, 262cm high see illustrations David Hubert is recorded as an eminent maker working at the Strand in London in the early 18th century. He was admitted to the Clockmakers' Company in 1714 and became master of the Clockmakers' Company in 1743. Some of his work are exhibited in some of the important collections such as the well known Ilbert and Buckley collections. 11.10.19 Top caddy has been later added, side panels with fret work missing, case with chips and small cracks in parts, hood door glass is cracked, hood with chips to the column capitals, trunk door is slightly bowed, later glass lenticle, re-built plinth, dial is discoloured, movement needs cleaning, with pendulum and three weights.

A George III Mahogany Chest on Chest, circa 1770, labelled Philip Bell, Cabinet Maker, Upholder & Cabinet Maker, 23 St Paul's Churchyard, London, the upper section with Greek Key dentil cornice above two short and three long graduated drawers, all between blind fret carved canted stiles, the base with pull-out brushing slide and three deep drawers below, on bracket feet, 118cm by 57cm by 188cm For further reading see Dictionary of English Furniture Makers 1660-1840, pg.62. Some variations in colour. Right hand upper side panel with small split. Sections of timber replaced on front left corner next to brushing slide and between the two drawers. Right hand corner with section of timber missing. Repair to moulding. Some losses, minor, to the Greek Key dentil section and the blind fret carving. 041019

A Rare Mahogany 45 Day Duration Longcase Regulator, Case most Probably made by Gillows of Lancaster, signed Richard Brewer, Preston, circa 1775, pediment with blind fret work, fluted columns, well figured trunk door flanked by inset fluted pilasters, moulded quatre form base, 11-1/4-inch circular silvered regulator dial with Arabic five minute markers, large centre minute hand, two dials for hours and seconds, seconds dial signed finely engraved with scroll decoration, four pillar movement with a deadbeat escapement, five wheel train, 213cm high see illustrations Richard Brewer was born in 1746 and was the apprentice to John Lancaster of Prescot for seven years before moving to Lancaster in 1767 at the age of twenty one to work as a journeyman for Thomas Worswick. In 1781 he was described as ''watchmaker of Preston'' when he was imprisoned for debt in Lancaster Gaol and was discharged in August 1781. His connections with Lancaster and Thomas Worswick, who was Gillow's son-in-law, would possibly explain the purchase of the Gillows style case for this clock. 09.10.19 Case with good colour, case with small chips and small dents in parts, trunk door and the base with cracks to the flame veneers, trunk door lock is later, base with some beading replaced to the edges, base skirting with scuff marks, dial is slightly discoloured, dial centre with two very small vacant holes, movement is complete, with pendulum and one weight, hour hand is not moving. Later pendulum and rod. 

~ A Fine and Rare Fourteen Tune Musical Eight Day Longcase Clock with an Unusual Dial Display for Lunar Equation/Date and Solar Rise and Fall on a Year Equation, signed Hugh Lough, Penrith, 1773, swan neck pediment, Corinthian capped columns, arched trunk door flanked by inset fluted pilasters, plinth with blind fret canted corners, large triple weight driven movement with an anchor escapement, playing fourteen tunes on a nest of thirteen bells once every six hours, striking a larger bell for the hours, 247cm high, sold with a photocopy of an article by the Antiquarian Horology Society regarding a clock made by Hugh Lough of Penrith and a cut out of this clock pictured on the front page of the Antiques Trade Gazette see illustrations This clock was purchased from a Cumbrian auctioneers in 2013. As recorded in the ATG report of that sale the then vendor bought the clock from a local dealer in 1974 and it had previously been in the Lough family. Hugh Lough was born in Penrith in 1739 and worked as a clockmaker until his death in 1790. Only around twenty clocks have been documented by Hugh Lough and these are usually eight day and thirty hour brass dial examples. This must be one of Hugh Lough's masterpiece examples of his work, which is a true reflection of his outstanding workmanship. 14.10.19 Case with later side doors, hood with chips in parts and a small repair to the front right hand corner, trunk and plinth sides with small cracks, dial and movement are clean, movement fly with one piece of brass missing, movement is working, musical mechanism is working, all the other musical tunes have not been tested for the working condition.

Attributed to Henry Andrews (1794-1868) Fête champêtre and a game of blind man's bluff Oil on canvas, 86.5cm by 119cm with arched corners

~ A Mahogany Eight Day Longcase Clock, signed John Weston, Wolsingham, circa 1780, swan neck pediment, mahogany crossbanded trunk door and matching base, bracket feet, 13-1/4-inch arch brass dial with a silvered chapter ring, finely engraved dial centre with a lion, bird and scroll decoration, seconds dial, inner date ring with a corresponding central date hand, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 218cm high see illustration 11.10.19 Hood with small cracks, hood with cracks, later door knob, top left hand side of the trunk with some blind fret work missing and a piece of beading, front of the base with the centre inlaid panel lifting, dial is slightly discoloured, movement is complete, with pendulum and two weights.

A George III Mahogany Secretaire Chest on Chest, late 18th century, the dentil cornice above a blind fret carved frieze and two short over three long drawers, all between canted fluted stiles, the base with a deep secretaire drawer enclosing a good quality interior of pigeon holes and drawers, two deep drawers below, on bracket feet, 115cm by 61cm by 198cm. Reasonable cosmetic condition. Drawer fronts a good uniform colour. End panels with natural? fine splits which have been partly filled and polished. General scuff marks throughout, mainly around the base and drawer fronts consistent with age. Drawer front veneers lifting very slightly and top left and right small drawer slightly misshapen. Drawers are oak lined. 091019

A 19th century Chinese hardwood side cabinet with eleven recesses, with extensive open and blind fret cut decoration, 97cm wide x 105cm high.

An early 19th century Italian console, the marble top with swept sides, the parcel gilt base with blind lattice frieze centred by a medallion, on square and fluted supports, 131cm wide x 86cm high. Illustrated

A walnut longcase clock The movement inscribed Christopher Gould, Londini FecitThe case with a moulded pediment above blind fret, glazed door flanked by a spiral turned column to each side above the trunk inset with a panel door and a brass-outlined roundel, on a stepped base and plinth; the 12in. square brass dial with engraved hatching to the edge, crowned cherub spandrels, silvered chapter ring with engraved minutes 1-60, pierced blued steel hands, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train four-pillar movement, with thin plates, engraved NDW to the lower part of the backplate, rack strike on a bell and anchor escapement, the fly engraved H. Kempton, case and movement associated, the case restored and reconstructed, incorporating earlier elements217cm high

DAVID SHEPHERD, OBE (1931-2017) - 'Two Gentlemen of Savuti', photographic reproduction, signed in pencil, numbered 522/1500, bears Solomon & Whitehead blind stamp, framed, 41cm x 67cm, frame size 70cm x 92cm, also two unframed companions 'Ranoch Moor' and 'Old Charlie'. (3)

An 18ct gold triple faceted bangle, with sliding band set with a teardrop pendant depicting blind justice against a starburst ground, internal diameter approximately 7cm, 20.3g.

A circa 1850 bow ended walnut display cabinet in the French taste with blind doors to base and glazed top, boxwood inlay and ormolu mounts approx. 7 ft high x 5 ft 6" wide x 1 ft 4" deep

AFTER CHARLES BODMER "Encampment of the Piekann Indians", colour lithograph by Beyer & Kurlimann published by Ackerman & Co, Strand August 15th 1839 with embossed studio mark to base, together with another "Funeral Scaffold of the Sioux Chief near Fort Pierre" published by Ackerman July 1st 1839 with the same blind stamp, together with two further AFTER CAPTAIN S EASTMAN, US ARMY "Indians in Council" and "Scalp Dance of the Dakotas", coloured engravings published by Lippincott Grambo & Co, Philadelphia

Interpretation of dreams & augury.- Artemidorus (Daldianus) De Somniorum Interpretatione Libri Quinque, woodcut printer's device to title and verso of final f., initial spaces with guide-letters,title with upper margin torn away and repaired, just touching one letter, and with an 18th century ink ownership inscription, some underlining in later red pencil, [Adams A2307; VD16 A3826; Durling 322], Basel, [Hieronymus Froben], 1544 bound with Nifo (Agostino) De Auguris lib. II., woodcut printer's device to title and verso of final f., woodcut initials, later ink marginalia and underlining in red pencil or ink, [Adams N284; VD 16 N1714; Durling 3348], Basel, Johann Herwagen, 1534, together 2 works in 1 vol., occasional staining, some spotting, contemporary blind-stamped calf, metal clasps, spine worn, rubbed, 8vo⁂ Latin translation of this work on the interpretation of dreams, along with a second edition of Nifo's treatise on augury.

Sabin (Georg) Poëmata, title with woodcut printer's device, woodcut decorative initials and tail-pieces, browned, some staining, attractive contemporary blind-stamped pigskin over boards, with centre-pieces of God the father supporting the dead Christ, surrounded by cherubs, spine in compartments, traces of paper labels to spine, lower cover with lower corner repaired, rubbed, [VD 16 S 139], Leipzig, [Johann Steinmann], [1589]; and a 1555 Nuremberg edition of Johann Major, 8vo (2)

Hieroglyphics & symbols.- Caussin (Nicolas) De Symbolica Aegyptiorum Sapientia, 2 parts in 1, second edition, engraved pictorial general title, woodcut head-pieces and decorative initials, lightly browned throughout, contemporary blind-stamped pigkin, upper cover with gilt arms, the initials I.W.E.A.P. and the date 1628, lacking ties, rubbed, [Praz p.381], 8vo, Cologne, Johann Kinckius, 1623.⁂ The most extensive collection of texts on hieroglyphics & symbols at the time. Included are relevant texts by Horapollo, Epiphanius, and Clemens Alexandrinus.